Emeryville 2018 (Part 2 of 2) : Pooh and the beauty in getting beat

I’ve mentioned in at least a couple of places that I view underground art and music subculture and homeless hard drug subculture as two sides of one coin but I’ve never really gone into why. The thing that I found most fascinating in both of these settings can also be found in comic books or even sitcoms. It’s about archetypes, lore and the cult of personality.

When I was really young I read everything I could find about Greek and Norse mythology – especially the large lithograph illustrated books by Ingri and Edgar Parin d’Aulaire. Once I was buying comic books my immediate favorites were the 1980’s run of The Uncanny X-Men, Jack Kirby’s The Eternals and a kind of encyclopedic character sourcebook called Marvel Universe. I liked learning about pantheons and memorizing the appearance, powers and personalities of all of the gods or superheroes.

When my family first got cable I would read through all of the listings so I could videotape any monster movies or fantasy with creature effects like Jack the Giant Killer and The Seventh Voyage of Sinbad. As I got older this gave way to enthusiasm for cult and auteur cinema and the focus shifted from the colorful characters onscreen to the directors themselves. There’s a whole rambling essay up about this called Bad Fish but the takeaway is that in deep fandom the artist becomes the hero.

The first kind of DIY shows I spent a lot of time at were ska shows and although I enjoyed memorizing all of the bands their end product, with the possible exception of The Aquabats, wasn’t as colorful as I would have preferred. My tastes have always run a bit anachronistic so when I didn’t see what I was looking for in the popular music of my age mates I started digging through thrift stores for New Romantic Synthpop records from the late ‘70s and early ‘80s.

The best single word to encapsulate the desired element is theatrical.

I had a head start for alternative comics but was more of a late bloomer in terms of discovering punk, hardcore and eventually noise. Chicago’s experimental music scene at the turn of the millennium had a good portion of performance oriented projects but the strongest appreciation of a nationwide caste of beguiling feedback thespians came from touring myself on the small festival circuit. The best way to quickly see exactly what I’m talking about is an anonymous blog called Noise Park that offers a who’s who of this scene drawn in the style of South Park characters.

The world of hard drugs didn’t immediately offer this because I was still ensconced in DIY music and any other users I knew socially were a smaller subset of people associated with that scene. I was deliberately oblivious to the associated social stigmas to the extent that I introduced myself to one of my new favorite bands in early 2001 by asking if they needed help finding heroin. There was nothing concrete to indicate that The Get Hustle would be interested except that I thought their slinky dark cabaret music “had that vibe”.

It’s a testament to the power of interpersonal magnetism that nobody in the band used or was interested in that drug but we still became great friends. It wasn’t until SXSW in 2011 that a band did approach me for that kind of thing, Australian Birthday Party imitators Slug Guts, but while 2001 me would have been over the moon 2011 me couldn’t even be bothered to find it for them. I did end up getting some dope a little later at the same festival but I wasn’t in the mood to make it a mission on the night they approached me.

In 2016 I started going to a Los Angeles methadone clinic and living in the homeless community that orbited it when I began to appreciate how similar these things could feel to the DIY music scene. Some might bristle at this and insist that there’s nothing creative about drug addiction but I see the same approach to community building around an occult pursuit that polite society deems either disinteresting or repugnant. I’ve never been involved in kink or BDSM but I imagine it’s close to the same thing – hence the band name The Velvet Underground.

By 2018 our wanderings had brought us to the Bay Area and I eventually learned to navigate the tent community behind the Emeryville Home Depot. When we were still working at Mission Thrift in San Francisco it made more sense to frequent the Honduran dealers called “Hondos” around Civic Center BART and the Tenderloin but once we were spending all our time in Oakland the trip to the city started feeling like too much of a hassle.

The part that appealed to me was the hidden nature of everything and the quest-like process of hunting down connections. Underground music has gotten a lot more accessible with the internet but the first years I spent exploring it sat on the outside margins of the digital era. I wouldn’t necessarily call seeking out either obscure music or drugs heroic but the process was reminiscent of the point and click graphic adventure games I used to play in my adolescence. Even without the step of ingesting intoxicating substances the successful problem solving involved will flood the brain with the body’s own reward chemicals.

It feels like the reward is directly proportional to both the scarcity of what is sought and the challenge involved in finding it. For example with music The Residents and Lightning Bolt were both bands that I had read about and been interested in long before I was able to get my hands on one of their records. In both cases I can still recall the feeling the exact moment that flipping through the new arrivals and clearance bin respectively in the Hillcrest Off The Record offered up the prize, I listened to what I found countless times and it still feels like both discoveries had a lasting impact on my life.

Music lost a lot of this thrill with the advent of file sharing services like Napster and Soulseek a few years later. Suddenly I could listen to every band I’d read about and been interested in all at once in a sudden flood and instead of playing a new discovery on repeat for weeks I struggled to find the attention span to sit through an entire album or sometimes even a song. It was kind of the same thing with drugs – finding heroin in the Tenderloin was about as difficult as looking for a McDonald’s hamburger and consequently never felt as exciting as finally finding the same drugs after a long search in Oakland and Emeryville.

The absence or presence of what I’ll call the “magic” for lack of a better term rubbed off on my feelings toward the people who populated the background in both situations – the incidental characters. I’m sure the Tenderloin is bursting at the seams with fascinating personalities but the streamlined nature of copping there prevented anyone from making much of an impression. When I search my memory now the only thing that comes into focus are the two times I ran into people I already knew from DIY music circles in this environment: a relatively scarce and unexpected experience.

In contrast a kind of warm nostalgia washes over my memories of brief interactions with strangers on the opposite side of the bay even when they didn’t play significant roles in finding the things I was searching for. The one that immediately floats to the surface is “goatee guy” – a man in his 40s who dressed like Ali G but wore a thick mask of bronzed foundation makeup that he topped off by drawing on a pencil lined goatee with liquid eyeliner. Judging by this bizarre habit he must have been a tweaker but he appeared a couple of times in West Oakland spots where I copped dope.

If it wasn’t for his clear adult size and energy it would be easy to mistake him for a young schoolchild playing a gritty tough guy character in one of the plays produced by the main character in Rushmore. On our first interaction I was waiting on a dealer parked outside of a kind of workshop built into old loading docks where he was working and he walked over to see if I was up to anything unsavory. While my purpose would have been quite unsavory to the entire polite and law abiding world I could sense his worries sat closer to looting, theft and espionage and I assured him that me waiting for my “friend” would not pose a problem.

The next time we crossed paths I’d gotten sick of the long delays and high prices of the delivery crew and had talked to a few obvious junkies around the library to get clued in on a nearby squatted house that this crusty gutter punk kid I’ll call Mando trapped out of. In terms of price, quality and availability it was a huge step up – for awhile anyway. It was a few weeks of steady buys before I was permitted to come into the house proper and it was in the probation period that I met “goatee” for the final time: he smirked at me sardonically as he passed through the door while I was still forced to sit outside like a puppy.

By the time I gained access to the inner sanctum Mando was rapidly becoming less reliable. His tar began to take on the appearance of crumbled chunks of Oreo cookie – mostly black but with conspicuous white flecks that could only mean some flavor of fentanyl. I never noticed a batch feeling particularly stronger or had anybody overdose off it but these dangers were clearly waiting in the wings. Miraculously it never came up.

The thing that made me need to keep looking for someone else was a mix of communication and supply. I had cultivated a healthy stable of middles using terms that are now autobanned on Craigslist and I needed at least a few grams on a daily basis. I would upcharge these customers at least double the rate I was getting grams for when I bought at least three as a “ball” for the discount. Mando started splitting his time between that squat and another one on the edge of China Town but now his phone would be off for an entire day or he’d tell me where to meet and then not answer calls when I got there.

This was especially dangerous when I was picking up for one of my “heavy duty” customers – people with busy jobs who came to me every three days or so to pick up enough weight to see them through. If I wasn’t able to get what they needed on any particular day they would have to look for an alternate arrangement who would most likely become the first choice for subsequent pickups. I depended on these larger purchases and the profit I made on them – first to support our own habit and later, when we were on methadone, to buy a used RV to live in.

When I asked around for better options I started hearing that you could find stuff around the homeless camp behind the Home Depot in Emeryville. It may seem mind numbingly obvious that any homeless camp would be a good spot to look for heroin but that hadn’t really been my experience. While crack always seemed to be around the corner, heroin was more of a specialty product that most of the camps didn’t mess with. To complicate matters crackheads would almost always say they could find it when asked only to either waste hours of your time wandering around, try to rip you off or trick you into buying crack instead in the hopes that you would smoke it with them once you were stuck with it.

My first trip to the camp wasn’t particularly successful. I asked a group of white kids living in tents along the bottom edge of the camp and one of them said he could help me. He disappeared for a while and came back with a bag that was too small for what I paid. His friend shined a tiny keychain black light on it and claimed that the reaction showed it to be of exceptional purity – this wasn’t the case. Regardless they were middling themselves and as I was also a middleman my success was contingent on finding somebody who was actually selling opposed to a gofer who would levy additional taxes.

I went back to dealing with Mando but on one of my last visits another customer gave me more detailed directions on exactly which tent to hit up in Emeryville. I can’t remember if Dizzy and T were supposed to be brothers or cousins but they were the go to guys for heroin on that end of the camp. T’s tent was on the back edge of the Home Depot compound right at the corner and impossible to miss because it was surrounded with broken bikes.

Now that I think about I never once saw T riding a bike or even working on one but he most likely used to fix them for money before he got into selling drugs. It’s also possible he was just hoarding broken frames from being spun out of his mind and never actually got around to fixing them. He and Dizzy probably both used meth and heroin but T seemed like the much bigger tweaker. He was lean, muscular and perpetually shirtless with occasional sores on his face and bald head that must have come from getting sharded out and picking at his skin as xylazine wasn’t a thing yet.

Dizzy was the more reliable dealer but took me longer to get acquainted with because his tent sat in the center of the opposite row of tents and didn’t have a conspicuous feature like the bikes. Dizzy never wore a shirt either but had more of a teddy bear type body – usually he wore camouflage pants and a gold chain with neat dreadlocks topping everything off. While T was a prototypical tweaker Dizzy gave off major junkie energy and always seemed right on the edge of nodding out.

The camp ran between Peralta and Hollis streets on both sides of an access road for the 580 freeway. The Peralta end was predominantly Black with tightly packed tents running under the freeway overpass and artificial walls made by tying up tarps. Hollis was home to the small row of white kids I’ve already mentioned – they were probably some of the last additions to the community and the first to be made to move. Dizzy and T were Black but most of their clientele and associates were white and the sprawling midsection of the camp they called home was racially integrated.

Before I’d been introduced to Dizzy and T I’d learned about a heroin dealer in the Peralta section called Happy. Happy had one of those sturdy square tents that looks like the canopies used at farmer’s markets except with solid walls. He stubbornly refused to sell to me no matter how long I was around – once or twice I bribed one of his regulars with a few extra dollars or a small break off to cop for me but eventually I stopped even trying to go to his tent.

This brings us to Pooh. Pooh also lived on the Peralta end of the camp. He was heavy set, older and smelled like his namesake. That last bit could be bitterness talking as he was my nemesis for as long as I came to the camp but he also seemed genuinely disgusting. Like most of the Black guys on the Peralta end Pooh consumed black tar heroin by turning it into what was called gunpowder and sniffing it.

Gunpowder, sometimes referred to as cheese, is created by mixing tar with crushed up Benadryl or powdered milk and shaking it with a couple of pennies in a pill bottle. Because of the quantity and consistency of the resulting powder heavy users of this form have running noses and are constantly loudly sniffling and snorting. When I first started copping around Oakland this was all I could find, packaged in neon colored water balloons, but I soon got sick of it as it’s nearly impossible to dissolve in water for injection.

Pooh also had a bizarre way of consuming crack cocaine. Instead of smoking it out of a glass pipe he would crush it into loose leaf tobacco and roll it into cigarettes with these weird blue rolling papers. I never quite understood what this was – when I smoked Top Tobacco the included packs of rolling papers had a couple of blue sheets to signify the end of the pack but this stuff seemed to be in a blue paper every single time. Like the gunpowder it seemed to be a popular method on Pooh’s end of the camp.

I’d gotten into the habit of buying crack when I was still copping from the “Hondos” in the Tenderloin. They carried tar in dime bags and twenties but the crack was only five dollars a bag and referred to as “nickels”. They always seemed to give me a better deal when I picked up a combination of the two products and I’d have more luck requesting a couple of nickels thrown in for free than I would asking for an extra bag of tar or “Chiva”.

When I first got to San Francisco I was dissolving the crack in white vinegar and shooting speedballs but once my veins got bad and it was hard to properly hit I got a glass stem and started smoking it. The first time I ran into Pooh I was trying to grab some crack and he said he’d have to go and grab it from someone. I ordinarily wouldn’t let money walk but because we were at his tent instead of some random corner I figured he’d probably be back.

I should have probably realized it was a red flag when he said he needed to leave the camp at all. The camp was a destination for people looking for drugs and especially for crack on that side of the camp so there’s no way it wasn’t around. I waited on an office chair outside his tent for a while but after about 45 minutes it was obvious he’d ripped me off and wasn’t coming back. I thought about looking through his tent and maybe throwing whatever he slept on into the gutter but there didn’t seem to be much point as that wouldn’t get me my money back.

From that point on Pooh made it his mission to fuck with me and try to get over on me. I never made the mistake of trying to buy drugs from him again but he was constantly around trying to trip me up. A couple of tents over from him was a dude with a big gold watch who always had rock on hand so that became my go to when I was looking. It had been a daily pickup in San Francisco but once I was able to buy tar in weight I mostly stopped messing with it unless one of the customers I middled for was asking for it.

Once I’d gotten into a reliable groove with Dizzy and T I stopped going to his end of the camp and didn’t see him for a while. A few months later I had just met one of my regulars in the Home Depot parking lot and stepped into T’s tent to grab a gram. There was always a few people hanging around in there and I’d never had a problem so I wasn’t paying much attention when a gloved hand shot into the air to pass the money up. T handed me the gram but just as I was going to leave the tent he suddenly called out:

Where’s the rest of it?”

That’s when the owner of the gloved hand turned around and I realized it was fucking Pooh! I had brought in eighty dollars as four twenties but he had discretely pocketed half of it and only passed up forty. When T demanded the rest of the money he made up a story that I had ripped him off and he was just taking what was owed to him. The story was bullshit of course but based on a small nugget of truth.

A few weeks earlier I had been dumpster diving in the nearby BevMo! as they often threw away exotic cheeses and found what looked like two sealed fifths of a middle shelf golden tequila. I didn’t drink alcohol at all back then so I went and tried to sell them on Pooh’s end of the camp. He was around when I found an interested buyer but this person opened a bottle and took a sniff only to discover it was full of piss!

I’d already been transparent about finding the stuff in a dumpster so when this came to light I apologized for my mistake and tossed them into the nearest trash can. No money had changed hands yet and I was obviously as surprised as anybody so while the potential buyer was irritated there wasn’t really anything to do about it. Pooh tried to turn it into a bigger scene and get people to kick my ass but at this point I’d been coming around for a while, spending money and wasn’t in the habit of bullshitting or not paying my dues so nobody really listened to him.

In T’s tent he modified the story to say that I had sold the piss bottles to him and gotten away with his money. It was obviously bullshit, especially seeing as he didn’t drink either, but T’s girlfriend latched onto it and said she’d do the same thing in his position. Maybe she always had something against me or maybe she was just tweaking hard that day and feeling combative. I expected T to be a little more proactive about somebody taking money that was intended for him in his own tent but I also understand that it was my problem and nobody really wanted to deal with Pooh.

Besides that Pooh was strung out and had probably come to his tent to cop so he must have figured he’d be getting it either way.

T was really into stealing spray paint from the Home Depot to make crazy looking customized sneakers around this time so his tent was full of cans. I looked over at a crate full of it and briefly thought about spraying Pooh in the face and attacking him to get my money back. You could say that I was worried about the fallout and collateral damage from trying this in a crowded tent or you could say I was just a coward but really I had the luxury of not having to deal with it.

I forget exactly how the numbers worked out but however I was doing things with this particular customer I was going to be able to bring back the half gram, I had to give half back to T, and still end up walking away with something. The most plausible explanation would be that I was charging him $160 a gram and he had given me half the money while holding onto the second half. This way I would have still ended up with a half gram after collecting another eighty dollars and bringing the customer another half.

It wasn’t the full gram I would have been getting from the deal initially but it was something. You could say that I was ripping my customers off but they could easily see what camp I walked into and came out of every time they met me and nothing was stopping them from walking in and trying to find stuff themselves. They were paying me to not have to do this and by extension to not have to deal with situations exactly like the one I’d just gotten into with Pooh. They paid a high tax to me because I had already gone through the trial and error of figuring out who was a ripoff and who was legit and the assurance that I would always find them the quantity they were paying for.

All of this also meant I essentially had the privilege to not have to retaliate against Pooh. Many people in the drug game might tell you that you always have to fight to get what’s yours in these situations or nobody will respect you and you’ll keep getting ripped off but the amount of money I had coming in from my non-homeless customers essentially put me above that. I stopped fucking with T almost entirely after this incident and took my sizable business over to Dizzy instead so in the long run Pooh’s theft cost him even more than it cost me.

It’s possible I could have fought Pooh and even successfully gotten the money back. I’m no fighter and he was significantly larger than me but I never saw him fighting anyone either – just pulling this same kind of sneak maneuver and talking shit. Ultimately it wasn’t worth the risk of either getting hurt or attracting police attention through an altercation and getting pinched with drugs on me. The main thing was that another customer would almost certainly be calling me later in the same day and although Pooh had gotten over on me twice both of his tactics would only be effective a single time.

Lots of junkies and other drug addicts will tell you that they’ve never been ripped off and always fought to get their shit back but everybody gets taken at least once – one way or another. Pooh and I were both homeless and both junkies but we were still on entirely different levels. He lived in a tent and had to pull schemes like the ones he pulled on me or other high risk crimes to support his habit. I lived in a car and had figured out how to use craigslist to build a roster of housed and working junkies that would bring the money to me.

The fact that I was white and from an educated background almost certainly worked in my favor. Even if someone like Pooh did figure out the online systems I was using and could hold on to a working phone to implement it most of my customers would likely drive off the moment they set eyes on him.

Immediately after the incident in T’s tent he jumped on his bike and rode in circles on the street around me threatening to kick my ass and take the dope I had just bought. I was still angry and fantasies of pushing the bike over or jabbing a stick between the spokes flashed before my eyes but I just ignored him. You could say I was afraid of him but in another way I was above getting my hands dirty to even deal with him.

One of my wife’s uncles is almost certainly a hard drug user, his hands have the same texture as many long term crackheads I’ve known, and the few times we’ve hung out nearly every one of his stories is about getting beat. He’s told me about getting taken with OTC pills sold as painkillers, buying EBT cards that are already drained of funds and assorted other scams. I’ve been taken a fair number of times myself but the way he talks about it almost seems like he derives some strange pleasure from getting beat over and over again.

When LaPorsha was growing up her father was a moderately successful drug dealer and both of her uncles were extremely jealous and tried to emulate him. Her other uncle became a small time cocaine dealer and eventually died from his addiction to the drugs he traded in – I forget if it was meth or fentanyl. The uncle who always talks about losing appears to be dealing with his feelings of inadequacy by almost fetishizing failure.

Although I’ve dabbled in spirituality the strongest organizing principle in my life is the pursuit of beauty. As long as I’m experiencing beauty or working to perpetuate it I feel content. I don’t have any real regrets concerning my life decisions or past experiences because I can always see some spark of beauty in all of it. I’m sure the average observer would see the world of homelessness and drug addiction as hideously ugly but for me there were moments of sublime allure.

I’ve had jobs that required waking up very early in the morning but rising at dawn for a long commute and waking up early because you live in your car and the sun just rose are very different. I have fond memories of driving through the streets of Oakland’s Chinatown, empty save for a few night herons, and visiting a Vietnamese bakery for strong coffee and red bean buns. We’d also get high and spend hours walking along Lake Anza or the forest trails of Joaquin Miller Park.

Everything about Pooh was disgusting to me and the two times he got over on me filled me with rage so the beauty in these interactions is less obvious. I do believe that there is a certain beauty in simplicity however, and a person who wears their true colors on their sleeve. Pooh was like a living avatar of dishonesty and avarice – anybody who was paying attention could see that I was bringing a large and steady flow of capital to this particular drug market so it would have been far more profitable to him to actually supply me while making money off of every transaction.

Pooh seemed fundamentally incapable of this kind of planning or foresight however. There is a myth about drug addicts that their brains have been rewired so they can’t make rational decisions beyond what might get them their desired substances in the moment regardless of any future consequences. I completely disagree with this, along with nearly all dogma surrounding addictive drugs and their consumers, but it did feel like an accurate description of Pooh.

A person who always lies and tries to take advantage of the other party in every transaction is essentially transparent. Nobody in any part of the camp seemed to particularly like Pooh but his presence was tolerated because they all knew and saw exactly what he was. While his appearance and odor were decidedly unsavory I do think there’s a certain beauty in that.

T had already shown himself to be unreliable in other ways, like occasionally shorting on weight, so after this incident I switched to doing all of my business with Dizzy. Dizzy had a far more professional approach. He set up a Rubbermaid table in his large tent and weighed everything directly in front of the buyer except for prepackaged dimes for the small time customers. He went to jail for a minute but his heavyset white girlfriend held things down in the same way during his absence.

It was during this period that one of the white kids I’d dealt with on my first trip to the camp overdosed and I had to rush over to save him. I was in Dizzy’s tent buying from his girlfriend and although she had a Narcan kit she didn’t know how to use it. I was able to bring him back around and the opiate blocker didn’t put him into precipitated withdrawal. People online swear that this is a constant when Narcan is used on anyone with a physical dependence but I’ve never actually seen this happen.

Maybe things are different with the weird mix of fentanyl analogues and veterinary tranquilizers that have replaced heroin on the street since I stopped using.

The kid had blonde dreadlocks and had told us a story about his former girlfriend becoming addicted to meth and deciding that God had told her to become a sex healer when they first arrived in the camp. She wasn’t around anymore. Not long after his friend with glasses in the next tent over had broken the key to his Volkswagen Jetta in a rage over missing a shot and the car got towed. I forget where he said they’d come from and why they ended up in Oakland but “East Coast” and “jam bands” seem like plausible answers.

It wasn’t long after this that the city forced them to move their tents from the piece of sidewalk they were on so they squeezed into the crowded section where Dizzy’s tent was. It was at this point that I got a true picture of glasses kid’s complete and total apathy: he set his tent up so that it was spilling into the actual road and cars would pass less than a foot away from the farthest corner. It’s a miracle that a drunk or distracted driver never crushed his and his girlfriend’s sleeping bodies.

I can’t even imagine what it takes to become so far gone that you become indifferent to your physical safety on that level. There were also a couple people in the camp who had a reputation for finding syringes clogged with blood on the ground and attempting to inject the contents in case they still had drugs in them. One of them was a mixed race kid who died of an overdose that was big in the newspapers but the other one was an Asian woman with long black hair I’d been seeing around since I lived at Apgar in 2009.

She gave off truly terrifying energy like a feral animal trapped in a human body.

The beginning of the end for the camp was when T’s tent exploded and started a small fire. T wasn’t at home and nobody was hurt but it spread to a storage shed for Home Depot merchandise and did $160.000 worth of damage. I never saw T attempting to cook meth in his tent but by the time it happened I hadn’t been by there in months so it’s theoretically possible. People in the camp did occasionally use generators and propane heaters so those are possibilities.

I added a photo of the wreckage up at the top as the featured image.

Dizzy and his girlfriend bought an RV and his tent became a pure trap house with nobody living in it. He began to operate it like a timeshare with him and several other dealers selling at predetermined shifts of about six hours at a time. One of them was a tall light skinned guy I’ll call Flint who came from Reno, didn’t use and was a little sharper about everything than everyone else who sold there. He was the kind of drug dealer you would imagine might’ve taken a business class or two at a community college.

He noticed I was averaging three to six grams a day so he made sure to give me his phone number when Dizzy wasn’t around. Unlike his brother Dizzy had always been solid and done right by me so I didn’t change immediately but after a few times of him not being around Flint became my go to. He was clearly on another level and instead of having me come to the camp I began meeting him in his rental car or at a variety of hotels he’d been staying in.

The camp was high risk, Dizzy had already been arrested once in that exact tent, and for the most part very low reward. I only ever saw one or two other customers grabbing grams or higher when I came through. It was usually other residents of the camp trying to get dime bags for eight or nine dollars. Flint probably found a handful of other customers on my level and stopped fucking with the camp entirely.

When we first moved to the house we live in now we were still driving to the Bay Area for drugs and occasionally Flint would come all the way up to Vallejo to meet us so we could shorten our trip. We got into a car accident and stopped doing drugs. I probably still have Flint’s number in my phone and even though it’s been four years I’d guess it would still connect me if I tried it.

His white girlfriend was already smoking fentanyl toward the end so although he never sold it he probably had connections in place to make the transition when the flow of tar disappeared.

This piece took me over a week to write and now I don’t even know if it’s interesting or if it conforms to what I laid it out to be in the introduction. It barely feels like it’s even a story. For that reason I’m going to add a few random anecdotes here,

On the day Lil Peep died I was copping in Dizzy’s tent and talking about it to a small crew of cloud rap “hood hipster” looking guys I hadn’t seen around before. Like ripped designer jeans, Nirvana shirt, gold chain and a Carhartt beanie over bleached dreadlocks style. They didn’t do heroin but they were talking about shooting meth sometimes and their girlfriends obsessively searching their bodies for needle marks because they lied about doing it. One guy said that he would inject under his nutsack for this exact reason.

I’ve never heard of anybody finding a vein there and meth isn’t really a drug you can shoot into muscle or skin pop. Maybe he was lying about it. I definitely didn’t look under his nutsack to verify.

This other little detail is from when I was still copping from Mando. He told us to pull up to the squat in Chinatown but wasn’t answering his phone once we got there. While we were waiting another couple dressed in pajamas pulled up and it was obvious we were both there for the same thing. We asked each other when each party last spoke to him but it was the same for both of us – he’d told them to pull up then stopped answering his phone.

We started knocking on the squat door and shouting up to the windows and another dude who lived there came down. He had blonde hair and fairly traditional tattoo sleeves – koi fish and chrysanthemums and shit. His name was Kero because he had started a huge fire playing with kerosene as a baby. He did have some gnarly burns but I think they were more recent.

He was able to make a call and help us both get dope but he kept complaining about it saying “I don’t even have a dog in the race”. When I hear that expression people usually say “fight” instead of “race” but maybe he thought a dog race was more applicable. Considering they are both references to gambling it feels like it doesn’t really matter which one is used. It’s funny to think of selling heroin as a race though because it usually involves lots of waiting and dealers taking as long as humanly possible.

Regardless of Kero’s complaints it was nice of him to not demand break offs or extra money from either of us. He was a junkie too but he was already high and he probably figured that because we were both couples and only buying twenty bags we would need the whole thing just to get well. I know people who have never used heroin probably think every junkie is like Pooh but in my experience more of them are Keros.

I probably haven’t done a good enough job describing anybody for a story that’s supposed to be about archetypes or groups of characters. All of these people ignite a certain warm nostalgic feeling in me but I’m not sure how to convey or share that. Now that I live a recluse’s life on a mountain and see nobody on a daily basis except for my wife and our pets I’ve been missing this kind of thing.

I do see wild animals from time to time. When we left the mountain yesterday we saw a deer on the way down and two bats and a jackrabbit on the way up. That’s exciting but it doesn’t really take the place of being surrounded by people and personalities. That’s why I’ve been getting back into underground music and booking shows. It’s not like I can get back into drugs.

I hate fentanyl…

People into the NA Kool-Aid will tell you that you’ll never get sober until you hit “rock bottom” but in my case I never did anything like that. I’m pretty sure the drugs did it for me. Whatever’s on the street now is a nightmarish nadir compared to real heroin and with this country’s twisted take on common sense drug laws I don’t see recovery starting any time soon.

Hi, my name is fentanyl mixed with xylazine, nitazezene and random RC benzos and I’m a ridiculously shitty bag of drugs!”

Columbia Missouri 2008 : “Wait, That Isn’t a Quarter Cup Yet!”

I’m really struggling to piece together and line up some events from 2008/2009 but it was an insanely busy time for me. The way my memory super power works is that I can usually pull up details and vignettes from anything that attracted my attention and made an impression but that almost never includes calendars – I’m not even entirely sure what day it is today.

The thing that kills me is that I did keep a detailed diary during this period for the only time in my life because my roommate Stephany Colunga gave me one from her job at American Girl for Christmas at the end of 2007. Of course I’ve long since lost it along with every other physical object I used to own but not before a friend in the Bay Area turned it into a zine and made a handful of copies.

His room now sits unoccupied at The Purple Haus with the exception of all his stuff and an ongoing dispute with his former housemates prevents anyone from even looking inside. Of course I don’t know for sure that a copy is even in there but the tantalizing possibility that one could be will continue to torture me until I get a definitive statement one way or the other.

The situation reminds me a bit of something that happened when I moved back to San Diego after 9/11. I was using heroin with a friend named Daniel and decided to lend him my entire collection of Fort Thunder adjacent zines and mini-comics – the drug would still trigger states of intense emotional openness and generosity at this early stage of my use.

Not long after he lost his housing situation and put everything, including my comics, into a storage unit. I would beg him to either take the time to dig them out or drive me there so I could do it myself every time I’d run into him but it never seemed to be a good time. Finally, two or three years later, he lapsed on his storage fees and the unit was auctioned off to someone who most likely threw it all away.

He offered to reimburse me financially but I didn’t see any point as everything in there had been literally irreplaceable and held the kind of conditional and subjective value which is best kept insulated from money as far as humanly possible.

Anyway enough of all that. Here are some sections of timeline I can be absolutely sure of:

  • I bought a used Boss Dr Groove drum machine from Rand Sevilla that he had used in his band Carpet of Sexy while passing through Chicago after the Living Hell tour in June of 2008.
  • After the Santa Monica GLOW festival on July 22, 2008 I went on a short West Coast tour using counterfeit Greyhound passes with Rebekah Clendening and Cole Miller from Vortal Curb where we played a mix of songs from me and Bekah’s defunct rap group Chew on This and what would later be called Bleak End at Bernie’s.
  • The first solo Bleak End at Bernie’s shows were in Australia on a trip that lasted at least until my birthday on August 23, 2008.
  • I was around Los Angeles for the first Mojave Rave on July 11, 2009 and in Berlin the night Michael Jackson died on June 25, 2009.

I know that somewhere mixed in there I went on tour with the band CAVE but no matter how hard I try to concatenate this onto established dates I end up with weird discrepancies. I know that I played Bleak End at Bernie’s sets at one or two of the shows but I also remember jumping off a tour to ride buses and trains to California with the girl I call Leg when Bleak End shouldn’t have existed yet.

Maybe I’m mixing some details up or there were two different tours I rode along for part of but I’m just going to round the whole thing to somewhere in 2008.

CAVE are a psychedelic kraut-rock band from Chicago that get lumped into a thing called the “Columbia Diaspora” as the core members come from Columbia, Missouri. I tried poking around their Wikipedia page for details that might help me pin down specifics and found some amusing misinformation.

I wasn’t able to follow that [2] hyperlink

Rotten Milk has been using his moniker for long before he started playing with CAVE and he definitely isn’t 49. This reminded me of an incident one or two days after I started riding with the band where Cooper had me answer all of a local reporter’s interview questions specifically because I wasn’t in the band and knew next to nothing about it. With that in mind I realized that media coverage isn’t likely to yield any reliable or useful information.

In the Winter of 2007 I had just gotten back to Chicago from living on The Miss Rockaway Armada and brought the cat Night Beaver to the apartment I shared with Stephany. I was supposed to be sticking around town, especially because I’d just brought home a pet, but every time I left for “just a couple days” I’d wind up gone for weeks. The first time was probably November of 2007 when I rode along for a Minneapolis show and then stuck around through Texas and New Orleans.

I’ve got a lot of memories from Columbia, Missouri so it would make sense for them to be spread over two different trips. In one of them I got blacked out drunk in the house we were staying at and decided it would be funny to keep “accidentally” walking into the room some people were having sex in. The next day Cooper said he saw me and Zach McLuckie engaged in an “Eskimo Fight” – essentially taking turns punching each other as hard in the head as possible.

Neither of us remembered doing this or how it might have started the following morning. I’ve got a pretty hard head and plenty of stories about getting punched or having chairs broken over it without suffering too much damage. It’s possible now that I think about it that this would have been my first visit to Iowa City and not Columbia at all – I think both Jeff Witscher and Brandon “NIMBY” were there.

This next bit is definitely Columbia but once again I drank until patches of my memory disappeared. This time I met a couple of girls at a bar or liquor store and went home with them. Although the part I’m missing is how I ended up back at their apartment, Occam’s Razor would suggest some degree of flirtation and sexual interest was involved.

I came around in the middle of the following performance but first I need to fill in some background. I had performed with Rotten Milk at the International Noise Conference in Miami early in 2008 and traveled with him for some shows before and after. We brought Lisers with us to a Florida house with a tandem bicycle where she accidentally burned a tiny hole in a plastic measuring cup with hot oil while making the popular egg and bread breakfast called “toad in the holes”.

Since then I’d been wearing the ruined cup around my neck with a ball chain. I also had several large bags of Jelly Belly brand jelly beans in my shoulder bag. Stephany had been given them by her father, possibly for Christmas, and wasn’t particularly interested in eating them so she gave them to me instead.

I was doing a bit: I went into the kitchen of the girls’ apartment and announced I was going to cook a recipe that called for one quarter cup of jelly beans. That was the denomination of measuring cup I was wearing around my neck. I proceeded to pour the jellybeans into the cup where they instantly tumbled out through the hole in the bottom and onto the floor.

Much like the earlier incident of pretending to “accidentally” walk in on the people having sex this might have been more amusing to the people around me if I wasn’t in the mindset that it could only get funnier with repetition. I was probably carrying something in the neighborhood of six pounds of jelly beans and I was tenaciously committed to the bit. After the first bag the girls started demanding that I stop but I would not be deterred:

Wait, that isn’t a quarter cup yet!”

Once every jelly bean that I was carrying had found its way through the cup and onto their floor they weren’t particularly interested in having me in their house any more. They demanded I leave but I only reassured them that I would “after later” before crawling under a table and falling asleep. The next morning I let myself out and somehow found my way back to where everybody in CAVE was staying.

Columbia is essentially a small town so Cooper was curious as to whose house I’d just come from but I was still just drunk enough to have no idea what direction I’d even walked from.

I’ve been chatting with Rotten Milk tonight and consequently throwing my entire timeline into question but it isn’t really relevant to the details that make these stories amusing. At the very least I can say that I went on tour with CAVE in November of 2007 and some of these memories are undoubtedly from then.

The interesting thing to me about traveling with CAVE was that as much as I’d hung out with bands I’d never experienced the kind of archetypical masculine “tour van” energy which is usually thought of as characterizing both underground and mainstream rock music. Although it wasn’t by conscious design nearly all of my favorite bands had included female members and, with the exception of a gentle teddy bear type guest bassist at one show, I’d exclusively collaborated with women in my two rap groups.

The closest thing would have been Arab On Radar but I’d only really ridden with them for some Southern California shows and a day at Venice Beach back in 2000. Friends Forever was all guys but didn’t have the same kind of vibe due to the members essentially caravanning in separate vehicles rather than being packed together.

Actually I remember Friends Forever bassist Josh Taylor and keyboard player Jason cracking a few awkward “gay” jokes because me and drummer Nate Hayden always slept in each other’s arms in the covered bed of his pickup truck with his dogs. Nothing was afoot however – we simply shared the kind of easygoing masculine lumber camp camaraderie that reliably turns sexual in William S. Burroughs novels but in certain real life situations, such as this one, does not.

On the CAVE van energy: I’m struggling a little bit with how to describe this without it being taken the wrong way and I just decided not to worry about it. A van full of dudes makes fart jokes and talks about getting laid in a running tally that becomes competitive as the number of cities increases – it’s fine to think it’s gross as there are definitely gross things about it. I also thought it was fascinating and compelling in a way; like I was participating in a masculine ritual that stretches all the way back to Led Zeppelin and The Rolling Stones.

I realize that now I’m making it sound like vans full of touring women can’t make fart jokes or keep tally of who get’s laid when obviously they can and do. There’s just a certain flavor of undiluted testosterone and as an indoor kid turned theater kid turned gender non-conforming punk kid I never really had a chance to get acquainted with it.

Although I’m describing all of this with a detached anthropologist’s tone I was absolutely participating and contributing to this reality while it was happening. There was an “odd man out” who functioned as a kind of counterpoint to the general flow of energy in the van but it wasn’t me. It was Adam.

Adam Roberts has been in a lot of Columbia, Missouri bands. I don’t see him mentioned on the CAVE Wikipedia page but as far as I know he was a founding member. When I searched around I saw they had a song named after him but it was probably a kind of tribute from after he left the band. Him and Rotten Milk aren’t in the band anymore.

Adam had a kind of long suffering irritable “mother hen” energy that stuck out in contrast to the general laid back party vibes. He’s the only keyboard player I’ve ever known to tour with a specialized collapsible bench seat. He wasn’t much of a drinker and didn’t seem to share his band mates penchant for marijuana.

I’d say he had the sharpest sense of humor in the van, loaded with bitchiness and sarcasm, but you had to sit close to catch it as his jokes were more often than not delivered just under his breath. When a police officer called Rotten Milk back to his patrol car during a traffic stop Adam drily pantomimed a road side execution:

You forgot your… kapow!!”

I never played or jammed with the band or even spent too much focus listening to their live sets but I could tell that Adam’s contributions sounded more like organ than piano and were collectively regarded as indispensable. I think the “odd couple” aspects of the social situation were also understood and enjoyed by everyone. I have no way to know but I’d be inclined to suspect his departure was triggered by health issues, general life stuff or any other explanation that doesn’t rest on it all being the way everyone interacted with each other.

On to more of the shows. Rotten Milk had a thing about The Replay Lounge in Lawrence, Kansas that goes like this – in inclement weather there is no place the smoking youth of Lawrence would rather be than the gaslamp heated patio at Replay. Hordes of college students will happily pay cover to drink and smoke the night away in toasty comfort – some of them might even decide to forgo smoking long enough to step inside and watch a song or two.

This feels of only peripheral importance when the entertainer’s contract is written in such a way that the Lion’s share of the door moneys go directly to the artist regardless of whether anybody was actually in the room watching at all — and perhaps a percentage of liquor sales on top. Rotten would often wax ecstatic about how the right cold night at The Replay could pull a national tour from running at a loss to being completely covered and even paying out per diems in a single night.

Spirits were high as this had turned into just such an evening and this most likely colored responses toward the pair of characters the universe had chosen to bring our way. First up was, I believe, Dr. Matthew who found us either inside a record store or just on the street somewhere. The Doctor was essentially a self promoter but painted through with an overpowering stripe of cryptotheological vaingloriousness. He would always offer a brief glimpse into his compositions in this heavy handed way:

Hello, I’m Doctor Matthew and I’d like to share with you some of the greatest living music that the Lord Jesus Christ has seen fit to manifest through me – if you’re ready!”

I doubt I’ve done it perfect justice but do feel that I captured the general tone. Lawrence is a University town so he may well have been using the honorific Professor as opposed to Doctor. We would have been ecstatic to take him up on his offer but he carried neither instruments nor recordings and had the squirrely energy of someone you should not allow to touch your guitar under any circumstance.

The negotiations suddenly took an unexpected twist. Professor Matthew had removed the option of a recital from the table and was simply looking to buy. God had evidently taken notice of Rex McMurty and concluded that Rex was the only possible percussionist for the Prof’s continued endeavors. While God sees and hears all Matthew had not, failing to take in the group’s egalitarian structure, but he put his faith in his deity and began offering Cooper generous quantities of cash to “buy his drummer”.

This was an untenable offer for two main reasons: 1) Rex enjoyed playing in CAVE and saw himself as an equal partner by virtue of his contributions – a view that was shared by his companions. 2) CAVE was not particularly structured like a slave plantation and there was neither precedent nor protocol to begin selling members off to outside interests. We distanced ourselves from Professor Matthew without ever learning if he had either the chops or Cha-Ching! he’d been hinting at – leaving us only to speculate.

The next proposition unfortunately managed to hit the band in one of their weak spots – right in the drugs. It came from a townie who I’ll call Daniel who did come see the show. Daniel had just gone through a messy breakup and didn’t want to spend the night alone in his apartment. He also mentioned having copious amounts of marijuana and hashish.

Within a couple of exchanges he proved himself to be a deeply unpleasant person to talk to:

My girlfriend just left me but I’ve got this new twenty year old I’ve been fucking the shit out of!”

Nonetheless the decision was made to take him up on his offer. Along with the promises of a stoner’s cornucopia it seems possible that he also represented the only option for a free crash spot in Lawrence. His apartment had a fairly fancy and modern, for the time, kitchen area with the brushed steel refrigerator and polished granite countertops. Unfortunately besides that it was bleak inside. Plain Pantone #f0ead6 eggshell walls without so much as a single picture, book or even magazine in sight.

I had a tendency to be the last person awake on this tour which often led to whoever we were hanging out with confiding their life story to me. Daniel’s was about as fascinating as you’d imagine. He’d been following The String Cheese Incident on tour until he got left in Lawrence and decided to remain in the college town and work his way up to becoming a mid level drug dealer. The realities of a university aged population allowed him to leverage his limited life experience advantageously against the people he was selling drugs to and having sex with.

Truly inspirational stuff.

Before going to bed he asked us to make sure to wake him up in the morning because he’d gotten a bunch of eggs and stuff for breakfast. I don’t remember it being discussed in so much as a whisper when we cooked, ate in silence and then tiptoed out the door the next morning. Everybody was already on the same page.

I’m trying to double check my memory and I’m pretty sure this trip was the first time I ever set foot in Texas. As many times as I’d traveled between Chicago and California all of my rides and buses must have taken a more Northern route. Anyway I thought Cooper was exaggerating when he insisted that everybody finish any marijuana they might have on them and throw their pipes and papers out the window before we crossed over the state line.

He wasn’t.

We hadn’t even been in Texas for fifteen minutes when we got pulled over and a red faced good old boy dramatically threw open the sliding door on the side of the van. He made a big show of sniffing the air like a witch looking for children in a fairytale before he drawled out:

When’s the last time you boys got high?”

Slag was in the driver’s seat so he ended up playing point guy to most of the questions:

“We don’t get high sir.”

The cop laughed incredulously:

Y’all don’t get high? You wouldn’t lie to me would you? You were raised better’n that weren’t you?”

At each pause everybody chimed back with a subdued chorus of “No Sirs” like petulant schoolchildren. He scoffed a second time:

Y’all are a band ain’t you? What kind of band don’t get high? What kind of music you even play?”

Cooper answered this one:

“Rock and roll sir.”

I would learn a couple of years later when touring with Generation that this was the only acceptable answer – Classic Rock if you wanted to be really careful. After the role play had run its course and the cops had determined that nobody had been stupid enough to leave marijuana where they might actually find it they flipped a switch and became genuinely friendly. They even told us about a shortcut to get into Austin while avoiding traffic so we wouldn’t be late for sound check.

Another reason that I think I must have ridden with CAVE on two separate tours is that they definitely played Emo’s this first time around but I also remember a show in a smaller place with flames on the side that kind of looked like San Diego’s Casbah. An old friend of the band was working at Emo’s and he got mad when we didn’t leave the door to the green room open:

Hey you guys can’t be sniffing drugs in here!”

This turned out to be projection. I was once again the last person awake and talking when he offered me some cocaine much later in the night. This may well be the first time I turned down free hard drugs in my adult life but a small line just as I was about to try to fall asleep didn’t sound especially appealing.

We must have gone to Austin two separate times because there wouldn’t have been a full day to meet up with Nick from El Rancho on this first tour. The guys in CAVE waited around Nick’s mom’s wine bar while me and him took buses to the other side of town to meet his heroin dealer. The way Rotten Milk described it was that I did a standup routine where I came out of the bathroom nearly too high to even stand without falling and proceeded to obliviously tell awful jokes nobody thought were funny for nearly an hour.

Nick’s mom pretended not to notice like she always does. I wonder if she remembered my name from when I left syringes all over the apartment she was renting for Nick in the Chicago neighborhood Boy’s Town way back in 2001. It is a pretty distinctive name.

The main thing I’m having trouble resolving with the time line is Bleak End at Bernie’s. I think I remember jumping the bill with this project at at least one show but I didn’t even own a drum machine yet for the 2007 tour and the project didn’t exist under that name until the Autumn of 2008. Most of the time on the tours I was just hanging out without trying to perform.

There was a town where we had an extra day and heard about a grunge themed party so we quickly practiced a version of Hole’s Violet where I did vocals. We called the band Uncle Grunge. The party had a cardboard cutout of Seattle’s space needle against the wall and everybody wore flannels. I think it might have been in Milwaukee or Minneapolis.

The reason I feel so confident about this is because of my fan from Houston. I had one “pure fan” in the sense that she didn’t already know me socially before getting into the Bleak End stuff. If you’ve ever watched the Flight of the Conchords show she kind of reminds me of the fan character from that. This would have been at the space called Notsuoh.

Notsuoh reminded me a bit of the kind of artist spaces that mostly got destroyed and evicted in the early 2000’s on waves of gentrification and urban development. Even though it’s in downtown Houston it’s most likely been able to hold onto its space because of the profitable licensed bar on the ground floor. Buying the building during the blighted nineties and possible links to organized crime wouldn’t have hurt either. The owner showed us unused spaces in the upstairs filled with old store fixtures and giant sign letters and that sort of thing. We all ended up sleeping on the roof.

I saw that it’s still open on the internet but I haven’t been back in the last fifteen years to see if the upstairs portions still look like that.

There was supposed to be a show at a space in Monterrey, Mexico called El Garaje but after crossing into Nuevo Laredo CAVE opted not to go as they were borrowing a friend’s van and couldn’t get temporary insurance. I was severely tempted to try to catch a bus down myself but chickened out because I neither knew my way around Mexico and it’s intercity bus system nor had upgraded my Spanish to the conversational level yet.

Although I was never actually booked at the Monterrey show and would have been trying to jump the bill I consider this the first of a series of unsuccessful attempts to play in Mexico. The next one happened in 2012 when I only found out that I’d be able to get onto a Mexico City show after I’d already flown to Cancún. Even now I’ve only ever managed to play Tijuana.

On the 2007 tour we went to New Orleans for what was my first visit to the city since a Greyhound trip in 2000. The Katrina damage was still fresh and there were MPs on the street instead of normal police. I can’t remember if the CAVE show got broken up by these Military Police or if this was a story I’d heard about a Warhammer 48k show that had happened a year or so earlier.

I most likely jumped off the tour in New Orleans and spent a few days with some Columbia Diaspora girls nicknamed the “flavor wasting hoes”, because they had thrown away a bunch of universally admired kitchen spices, before making myself a counterfeit Greyhound pass to return to Chicago. New Orleans was one of the last large cities where you could reliably use one of those without worrying about anybody recognizing the fraud.

I remember the lady at the ticket desk had self-cutting scars covering her arms from the wrists to the insides of her elbows. You don’t see something like that and worry that you’re about to get caught up on anything. She clearly had her own demons to battle so why should she care about the authenticity of my pass?

On the Wisdom of Knaves

[Author’s Note: I did not create this image and forget the name of the DMT website I yoinked it from. If this is your work I’m happy to either take it down or credit you]

The bits of San Diego history I’ve been exploring over the last couple chapters, both my own experiences and things before my time, have been a super fun rabbit hole and, more relevantly to what will follow, have gotten me in touch with a handful of the covered artists. This translates most importantly into an opportunity to fact check so I thought I would repeat some sentiments that I first laid out in a little site description or bio somewhere.

Mainly that until these pupal words find their way to an instar as ink on paper everything here is a work in process. On that note I want to take an unambiguous editorial stance on the entirety of these contents: if I call you an asshole assume I’m doing it with my chest out but if I said I saw you wearing faux-snakeskin boots when they were actually the real deal then by all means set me straight.

For the first of these situations it shouldn’t be too hard to figure out where I live (and I assure you I’m as useless as scolding a cat when it comes to a physical confrontation) but for the second one it’s most fastidious to either send an e-mail or message me on any of my social medias. On that note I will be amending several details of the previous entry the moment I finish typing this diatribe.

That put’s me in mind of some other bits of housekeeping I’d like to mention. I don’t often see these installments from an end-user perspective so I’m not entirely certain how many ads there are at this point or how much of a hindrance they pose to the average reader. I’m not making any money on them. I don’t pay to use this website and as the saying goes “if it’s free – you’re the product”.

I’d love to transfer everything to more copacetic surroundings but as I can’t seem to slow down the feverish pace I continue to write at I’d probably need some assistance.

Back to the question of veracity. It is of course possible, especially when wandering outside my own personal experience, that I may become purview to conflicting reports of perceivable phenomena due to a diversity of informants. In fact this very thing has happened multiple times already – mostly in the locality of who played what on a recording or fulfilled what role in the mastering or engineering booth.

I regard these as cordial disagreements between friends and for the most part try to stay out of it as I’d hate to do anything as vulgar as hazard a conjecture on the most likely explanation based only on my opinions of those involved.

On that note I am trying my hardest to avoid cliches and empty platitudes. To my eternal shame I referred to a live performance I barely remembered as “amazing” in one of my earlier pieces. I don’t want to patronize or waste anybody’s time by throwing words at things that didn’t make an impression the first time around in which case I would have had an actual adjective.

When you hear something like “he’s got a lot of heart” what is actually being communicated is that a person is poor. Rich people have hearts too but they use their resources to obscure the actual location of them, like an evil wizard in an Arthurian legend, so that it is more difficult to stab them in them.

A better thing to say might be that a particular person is vulnerable. At least that way it doesn’t sound like a half handed apology for circumstances that most likely are the result of factors present before an individual’s birth in the first place. Nobody wants to be vulnerable but some do find their way to a certain grace concerning this state of being easily wounded – and that is actually commendable.

This vulnerability is why Poverty Culture is an Honor Culture and insults will always have consequences within a certain echelon of the general public. If your reputation is the only thing you have it makes sense to fight for it and if you have everything in the world it makes sense to be unbothered about what anyone might think about you.

On that note I won’t be talking about how anyone that’s died used to “light up a room” or “give you the shirt off their back”. The ranks of those that did not make it included multiple people that I deeply did not fuck with and I won’t be disrespecting their memories by suggesting otherwise. I’ve also been in rooms that got real dark real quick and can’t pretend the cause wasn’t good friends who are now buried.

There’s a certain irony to the now popular use of the phrase “Goodnight Sweet Prince…” that should be apparent to anyone familiar with the near-nominative tract by Machiavelli.

Because I have had the experience of living in the world I am well aware that being exposed as a user of certain hard drugs, especially heroin, will greatly reduce the regard in which a person might be held by their peers. When I expose myself it should be obvious that I am leveraging the damage I am inflicting on my own reputation against the small degree this may serve to rehabilitate the reputation of junkies in general.

It isn’t actually a crime against one’s community to be a junkie in the same way it is to be a liar and a thief and despite certain unsavory stereotypes the two are not synonymous. You don’t have to be rich to be an ethical junkie you just have to have principles that do not end at the edges of your own discomfort. Of course I’m not saying that I’ve never committed either of those cardinal sins but I certainly haven’t made either one a habit.

I used to have an expression that I would use as a kind of motto:

Nobody wanted to be a village elder”

I made it up out of a sense of revulsion I experienced when I first spent time in the underground of Iowa City. It was a reaction to the way hordes of insufferable college kids attempted to emulate the handful of broke bohemians. It seemed like “a poor place to be held in high regard”.

Anyway it doesn’t really resonate with me anymore. I’m a lot less judgmental these days and good hearted earnest lames don’t really give me the ick the way they used to. Now that I’ve effectively aged out of the range of being a prodigy, journeyman or even hack the least I can do is try to pass on what little I’ve gleaned to whoever’s next in line.

This isn’t always easy. You don’t have to be the smartest person in any given room to feel alone or isolated – you just have to think you are. Maybe it’s an occupational hazard of spending too much time as a philosopher but lately I’ve been feeling especially susceptible.

It occurs to me that if what a person had to say was “wise” or “good” it wouldn’t have to justify it’s own existence through the application of flowery language.

On the same note if foolishness, or knavery, wasn’t well articulated what use would it be to anybody at all? Who would want to listen?

I never actually made it to the Juggalo Gathering and I’m not going to pretend to be into their music but I’ve been feeling a lot more affinity with the clown as cultural archetype. I’m glad my now dead friend who I loved Will Leffleur found his way to being the top image in the Wikipedia article of the same name.

Knavel gazing aside for once I find myself without a pithy turn of phrase to encapsulate the “thing I am getting at”.

It’s in the title – these are nothing more, or less, than a few stray musings on the wisdom of knaves…

San Diego 2000 The Loft intermission : “Exactly how many sex cults are we talking about?”

The plot thickens.

When I first starting asking around in the Crash Worship group I heard an unfamiliar name in some of the comments – Zendik Farm. In the context it seemed like maybe this was another name for the apartments in an old church by Pokez where JXL and some other folks in the band’s orbit had lived. For the initiated you most likely already know what’s coming.

O oracle and miracle of modern technology I combined the relevant phrases in the search bar of the world’s foremost search engine and out comes a colorful video:

Side B is available from the same uploader

Cool, I thought, an all day festival and live album with some familiar and unfamiliar names. Crash Worship check. Night Soil Man check (a new favorite of mine that sounds a little like Comus). I was nerding out and clicking around on discogs, as one does, when I came to the name Arol Wulf. Expecting a band I next ended up on the entry for Wulf Zendik and from there an unexpected hop to a Wikipedia page.

Holy shit! Exactly how many sex cults are we talking about?

If you’re in a live band you’ve probably played at least one or two shows for either dodgy promoters or as benefits for questionable businesses. PlywoodStock seemed to be an all day festival organized in the name of old fashioned Manson family brainwashing and coercive sex trafficking. I’ve heard a handful of things about Murshid and Circle of Friends over the last few days ranging from “flirty fishing” to “high end yoga escort service” but I was not prepared for what I was about to read on Zendik Farms.

For a sleepy and moderately sized military town San Diego has more than it’s fair share of cult and commune activity, I listed a modest handful in the last installment but you can add to that tendrils of Miracle of Love, The Church of Scientology, International Society of Krishna Consciousness and even a sizable contingent from the commune I was born on: a place In Tennessee called simply The Farm. To be entirely honest some of the things I read about Zendik Farms seemed unpleasantly familiar.

Life on The Farm wasn’t always idyllic as evidenced by the major exodus in the early Eighties that included my family. I found a FAQ from a former Zendik resident that echoed many of the grievances I heard from my parents and their friend circle: poor standard of living, malnutrition, lack of education and a clear hierarchy in what was supposed to be an egalitarian community.

https://emeraldimajia.livejournal.com/149140.html

On the other hand the title of this woman’s memoir is Mating in Captivity. While there was definitely social pressure at The Farm for men and women to pair up they weren’t told who they had to sleep with or expected to endure scrutiny into their sex lives the way this woman describes at Zendik. My mother certainly didn’t have to ask permission and get examined with a speculum every time she was intimate with my father.

Both communities could be stiflingly heteronormative.

I heard of gays at The Farm either living closeted or trying to force themselves into the more expected lifestyle only to realize their true tendencies would not disappear after years of marriage and children. I don’t know if Zendik created similar experiences but Wulf’s writings seem to have been overtly homophobic in a way I never saw in Stephen Gaskin’s (founder of The Farm)

I actually wonder about the possibility of some cross pollination between the two. I had a pair of childhood playmates, sisters named Jasmine and Jade, whose mother moved them out to Jacumba around the time Zendik Farms was in the area. I’d heard something about them having troubled adult lives and wonder if they might have been drawn in by Arol Wulf’s charismatic nature.

The larger coincidence is that Zendik Farms and Circle of Friends both had property in the same small town of Boulevard. I wonder if Murshid and Wulf or Arol ever met or how such a meeting would have gone. The timelines don’t perfectly line up though – while the Zendik’s were decamping to Austin by 1991 Circle of Friends seemed to arrive from Colorado around the same time.

It seems possible that Zendik Farms could have even sold their compound to Murshid and Circle of Friends or the specific owner of the land could have shifted loyalties between the two. For now it remains an amusing hypothetical as I need to return my focus back to the Underground Music.

Chris Squire of Crash Worship, Tit Wrench, Battalion of Saints, Heroin and a million other legendary bands kindly provided the above photo and some corroborating details:

Squire’s band Lectric Rek was omitted from the live album

I might have been overstating things when I described PlywoodStock as using the participants music for sinister purposes. While visitors no doubt got the standard invitation to join this 1988 festival sounds like a mostly innocent opportunity to cut loose, drop acid and rock out far from the eyes of SDPD and Vice squads. Squire definitely cited “frying at four AM and being a WRECK” as an explanation of why his band didn’t make it to the compilation cassette.

Also performing but failing to make an impression on the keen commercial instincts of the Zendik compilationist was a band called Monsters of Rhythm.

The thing that stuck out to me immediately was the clearly diverse lineup of Daddy Long Leggs while San Diego rock was predomimantly white. I found a Reader profile where the band talked about choosing to create a mix of funk, rock, punk and metal instead of emulating the far more popular ska trend at the time. This, and the slightly earlier lifecycle, would explain why I never saw them share the stage when two-tone legends like The Specials came to play at the second SOMA near Old Town.

https://www.sandiegoreader.com/bands/daddy-long-leggs/

Members of this group combined with Pull Toys from the same festival to form Casbah legends Creedle and keyboardist Robert Walter now tours with Roger Waters lineup of Pink Floyd.

Moving along – when John Goff first sent me the links to the articles on The Loft’s impending eviction it caught my eye that the post was dated 5/5/2000. I was a bit of a sticker head in High School, cataloguing each new variant and color way of Shepard Fairey’s Obey Giant stickers in a special notebook, and I remembered seeing cryptic stickers with the message “ACHTUNG 5/5/2000”.

This turned out to be an early ambient/noise/industrial project of Travis Ryan who is now best known as the vocalist of Cattle Decapitation. The name is based on a prophecy from the Mayan Calendar that the world would end on this date – possibly related to a rare alignment of the outer planets. That was especially interesting to me as I went to Palenque on 12/21/2012 for festivities around the end of the twelfth baktun of the same Calendar that was also widely prophesised to mark the end of the world.

While neither date brought about any particular apocalypse the first of them did mark the beginning of the end for The Loft. It is also interesting how numerologically significant and symmetrical both dates appear in the Gregorian Calendar as they were derived from an entirely different system.

I also thought I had seen the name on some kind of compilation CD which turned out to be In Formation: A Tribute To Throbbing Gristle which Ryan coordinated and released on his Attention Deficit Recordings label. I did have a copy of this CD and used to listen to it fairly frequently but can’t remember if it was given to me by John Goff in San Diego or by Deerhoof when we played together in Chicago.

https://www.discogs.com/master/53481-Various-In-Formation-A-Tribute-To-Throbbing-Gristle

A couple of interesting details on the artists: I was listening to a lot of Integrity that year after finding a pile of the …And For Those Who Still Fear Tomorrow records at a Maxwell Street creative reuse in Chicago. I literally couldn’t give them away to my hardcore friends at the time but I’d imagine they’d be worth a decent stack of cash if I still had them (there were like 30 on black vinyl). Anyway the point is I was listening to the TG tribute at the same time but had no idea Lockweld and Psywarfare were Integrity adjacent projects.

I also had a few Spacewürm records I’d picked up in discount bins but had no idea of the connection with Kid606 which I listened to a ton of soon after. There was no discogs in those days – I got this kind of information in bits and pieces from conversations with other encyclopedic music nerds. Thanks to the site I now know that Travis was also behind one of my favorite local bands Graveyard Whispers.

Goth was huge in San Diego at the time. I tried to go to Club Soil at the World Beat with an older friend but was denied entry because I wasn’t even 18. My mother had somehow convinced me that goths, or mods as she used the terms interchangeably, painted their faces white with a certain brand of Bag Balm she had in a crinkly old aluminum tube. There must be a kernel of truth in there somewhere but it looked and smelled ridiculous.

That was my only teenage foray into goth fashion paired with an oversized white button up and black leggings. I stood around the alley and listened to Vampire The Masquerade LARPers talk about drinking each other’s blood and witnessed the arrival of a high status scenester named Vlad dressed in Renaissance looking red velvet. I ended up drinking coffee at Denny’s then sleeping in the upstairs portion of Gelato Vero until the trolleys and buses started back up.

Anyway back to Graveyard Whispers – they were a goth parody band. I saw them at either Empire Club or Xanth depending on who owned it that year with my friend’s band Hide and go Freak. The members rode up on chopper bicycles with revving motorcycle sounds through the PA and all immediately lit clove cigarettes. As the set progressed the singer, Rozz’d “Stewart” Williams, was strapped up and hung upside down on some kind of BDSM apparatus.

I need to amend a couple of details now that clearer recollections have found their way to me from a certain horse’s mouth. The show I saw most likely predated Ryan’s involvement and the “BDSM apparatus” was simple exercise equipment. The bit was a buildup to a visual punchline of suddenly revealing ostentatiously sparkly pants under the vocalist’s somber black attire but this was either adopted later or didn’t have quite the “punch” they’d envisioned in a room full of smoke machine fog.

I’ve also learned that their were plans to do a “colonial goth” set involving George Washington (but goth – perhaps George Xymoxington?) outfits and an entrance on a rowboat. This was scrapped with the dissolution of the parent band – Upsilon Acrux. The plan seems almost prophetic with the present popularity of various goth “microgenres” such as the impressive niche Leafar Seyer and Prayers have carved out with cholo-goth.

It was a real hoot and a memory I’ve cherished often through the years. Apparently they released a tape but resellers are asking exorbitant amounts online due to Cattle Decapitation’s well deserved fame. It would be nice if somebody had one and felt like throwing the tracks up somewhere.

Back to John Goff – I thought it was strange that I never spent any time in The Way Out Sound record store if it was next door to Plasticratic. Thankfully Chris Woo came through to solve the mystery for me. According to this clipping it didn’t open until October of 1998 and I had gotten my diploma and run to Chicago then Oakland by that time.

If the quality translates you can even zoom and read this

As is common for intermissions this one will be something of a variety show. Turning back to the “No Roof Action” piece when I first learned that The Loft was at Sixth and Broadway I thought that it might be the same building as the Street Art Gallery show from that piece. It turns out I was extremely close. Here is the excerpt:

There are multiple inaccuracies here

While I pride myself on the detailed nature of my memory the reality is that like anyone else’s it is entirely fallible. I am about to reveal the identity of “Featured Artist” in detail but first I need to correct myself on two points. First he picked up the hammer in self defense rather than over a name dispute. That argument was actually over the tag name of one of his friends and verbal intimidation was more than sufficient.

Second he may or may not have hit anybody with it but he was provoked, threatened and largely outnumbered. Some goons from a rival tag crew had shown up and were trashing the gallery and attacking him. Shepard Fairey would likely remember more specifics.

RIP RAMBO

I am talking about Lance De Los Reyes who created his largest body of work as RAMBO but was writing CHIE at the time of this incident. I was recently reminded of Lance when I saw his cameo in a Safdie Brothers film coincidentally called Daddy Longlegs only to learn that he had tragically passed away.

At this early stage he made images of insect cocoons on scraps of rusted metal and other found object refuse that were displayed on the walls of Pokez before making the jump into Galleries. He had named this show Modest Behavior because Shepard had just introduced him to Modest Mouse and it was directly behind The Loft at 1027 Sixth Avenue.

2000 was the year for this

This opening was about a month after the article about The Loft’s eviction and most likely after the legendary party era there had been over for at least a year. The other artist I really remember from the opening was Grimey aka Bhagavan or “Bugs”. He was good friends with Harmony Korine and the two of them got matching hand tattoos of his trident or pitchfork tag. I thought he might have gotten his name from Circle of Friends but it turned out to be a Hare Krishna thing.

He was very inspired by Norwegian Black Metal and made an entire installation in a recessed part of the space – a darkened area with candles and an atmospheric evil sounding soundtrack. I always think about how ahead of his time he was when I see environmental works from artists like Neckface and hope he is doing well. I was tagging WORM then as a kind of metal logo with a pentagram in the O and a lower case R as a candle so I felt a bit of artistic kinship.

More on Bhagavan via Chris Woo

Me and Francois had a bit of “fame” in the moment due to our highly visible pieces on the California Theater. When Lance learned our “street” identities he was impressed enough to invite us onto the roof and generously offered a pair of desirable paint spots. The show was in the building with the big glass “SPORTS CARDS” sign but we jumped over to the next roof to get at two pieces of wall.

The bit of red wall is The Loft building

Francois’ skills were well beyond mine so he got the cream colored spot visible from Broadway for a JUMP piece while I whiffed whatever I did on the grey wall invisible from this angle. In the course of the night we quickly went from elation at the connections we were making to dismay at the possible consequences of accidentally covering somebody or any other transgression. We quickly gave up painting.

When I started working at my alma mater San Diego High in 2003 or so I picked it back up as a way to connect with my students. I swapped out paint cans for streakers and shoe polish but my bigger focus at the time was on battle rapping and it’s covered in other chapters. I must have painted once or twice with Nick Feather – another friend that we lost far too young to an epidemic that’s only getting worse.

I could have never tracked down these exact details without the hard work of Eric Elms. Eric worked on Shepard’s street team at the same time as Lance and also used to do poster art under the name ADORN. I would always laugh to see the ones with giant pictures of Leonard Nimoy as Mr. Spock on electric boxes as the prevailing trend in youth fashion and music of the moment was called “Spock Rock” after the boxy black haircuts.

He now does a mix of fine art, design work and the considerable overlap between the two and occasionally uses the name ELMS. You can find his work at:

https://partnersandothers.com/

I will close this intermission with some thoughts from the as-yet-unidentified admin of The Loft at Sixth & Broadway Facebook group. While it doesn’t identify 9/11 as the official end of the era it does reflect many of my own thoughts of San Diego at the time, and it’s Downtown 81 vibe, as well as the “American Underground” as a whole. This is understandable as the developers were very much present and palpable and even if you’re living under it you simply can’t see the shadow of something that’s in the future.

If you could we’d have a word like “foreshadowing” or something…

[link to next part]

San Diego 1994 The Loft Part Two : “The Gospel According to Steve Pagan”

Chicago 2001 : “Lust for Life”

I have this theory about the 1990’s. The short version is that the thing that made it such a magical time to be young in America was the convenient temporal bookending of two major geopolitical events: The Fall of The Berlin Wall in 1989 and The September 11th Terrorist Attacks in 2001. You’ve got The Cold War on one side, The War on Terror on the other and a decade and change in between when it didn’t feel like we were locked into an ideological struggle for existence with a whole other side of the planet.

Maybe it’s bullshit. Everybody idealizes the time period of their own youth and you could probably find blips on the timeline enclosing every decade in history to ascribe the same significance to. The human mind loves looking for patterns – and in many cases inventing them to stave off the intellectual phobia of randomness and chaos.

Everything looks like a face.

Every number means something.

Even without a crystal ball to tell me what was around the corner it was hard not to feel like the sand was running out in at least some kind of hourglass. It wasn’t even a year since we all started “experimenting” with heroin and we’d burned our way through two housing situations most would consider dodgy to begin with.

A former grocery store with barely functioning heat and a couple pipes in the basement’s ceiling instead of a shower.

An ancient house that needed the old glass fuses every time we overloaded a circuit and where some of us slept in a former pigeon coop.

The landlord to that last place was a constantly partying alcoholic cokehead and he still took us to court to make sure he was getting rid of us.

All of us together were getting to be too much for any sane person to rent to so we started spreading ourselves out. Nick and Janice got an apartment right on the edge of the West Side, then known as the largest open air heroin market in the world. They held on to Sebastian – the cat we’d all been living with since the El Rancho days. Sebastian had belonged to the housemate everybody called Crazy Danny and had supposedly been telling him to cut himself through psychic communication.

I don’t know what became of Crazy Danny but at some point he stopped living with us and Sebastian didn’t.

Dave and Meg and Vanessa had one over to the Ukrainian Village side of what was almost the same neighborhood. I had been drifting back and forth without worrying too much about having a room anymore. Janice was at the stage where she was transferring her growing frustration with Nick’s constant appetites for crack and heroin to whoever he was doing it with so I started spending most of my time at the other spot.

I stayed in Dave’s room, the little dude, and for a little while we seemed to be in sync about how much drugs we wanted to do and when. He went to school, I had a job and neither of us had anything close to a full time habit. Iggy Pop’s Lust for Life became our go-to soundtrack and anthem for both possible decisions: the resolve to take a night off by either drinking or staying completely sober? Lust for Life. Running in from the block with tiny bags or folded up foil and grabbing our spoons and needles? Same record, same side, same song:

Here comes Johnny Yen again…”

Pretty much everybody used the same drugs and nobody seemed too worried about it. I don’t remember any of us getting sick or even using the word addict. The closest would have been this kid Paul who used to rap under the name MC Think. I’d heard that one of his schticks had been rapping through a harmonica but he wasn’t doing any of that stuff anymore. Picture an Eminem that never made it out of the crackhead phase.

Anyway Paul didn’t live with us – he just came around from time to time.

The last time I saw him he showed up at the Ukrainian Village apartment with an old green Schwinn cruiser he’d obviously stolen. He asked me to help him sell it – either because he’d worn out his welcome at all of the bike shops or just because I looked like less of a junkie, We went to a spot in Wicker Park and one of the employees who clearly knew what was going on gave me forty bucks for it.

When we were biking back to the West Side Paul suggested that he go to the spot by himself so it would be less “sketchy”. He showed back up an hour or two later – high out of his mind with a bullshit story:

I got jacked man! They jumped me and took all the money…”

I’m sure this seems obvious to most readers and totally my fault for “trusting a junkie” but the thing was we all did heroin and hadn’t been acting like that. At El Rancho and the Red House if people figured out that you were going to cop nearly everyone in the house would give you ten or twenty dollars and when you got home you gave everyone what they’d paid for and ordered. We treated it the exact same way as if someone was walking to a corner store.

One time I did keep John’s money instead of giving him his drugs but this was because he owed me a couple hundred dollars from when I covered his rent once and at that point he was clearly never paying me back. He still was pretty furious about it. While the concept of “blue balls” is manipulative misogynist bullshit “blue brains” is definitely a real thing: the feeling when you’re expecting to get high only to have it not work out at the last moment.

Of course Paul wasn’t really one of us and had probably only come around to rip somebody off in the first place. I wouldn’t have made the same mistake with him again but it was a moot point as he didn’t come around after that anyway. I hope he’s still alive.

At some point Nick’s mom rented an apartment for him in Boy’s Town. She either didn’t know about his relationship with Janice or wouldn’t have approved of him living so close to the drug neighborhoods but Nick didn’t want her finding out he didn’t live there. He rented it out to these hacker/raver kids but they had to get out of town over a kidnapping charge.

I think some kid ripped them off on a big MDMA deal and they had been trying to get their money back but I never heard a ton of details. I worked in Lincoln Park so I figured I might as well get an actual place and offered to move in. I paid some monthly amount directly to Nick and was supposed to avoid interacting with the building manager as he was in contact with Nick’s mom.

The very first night I moved in I had to go to work in the morning and realized I had no idea what time it was when I plugged in my alarm clock radio. I didn’t have a cell phone or wear a watch and I hadn’t even thought about it because I’d never lived alone. I searched for different radio stations and waited for one to announce the time but it just didn’t happen.

I didn’t really know the neighborhood so I walked down Broadway hoping I might run into somebody. It must have been fairly late because the street was deserted. I started looking into the windows off all the closed businesses hoping to catch sight of a clock. I got excited when I recognized an actual clock shop from across the street and rushed over.

All the different clocks were set to different times and I had no way of knowing which, if any of them, might be accurate.

I don’t know if my anxiety about the time played a role in this but I ended up waking up to realizing I’d pissed on myself. You might have read in the Fort Thunder pieces that I had issues with bed wetting that lasted into my early twenties but became increasingly sporadic toward the end. It probably fizzled out completely when I was twenty three but around the time of this story it was about once a year.

The incident in that story was mid-2000 so this 2001 incident was most likely the next time.

I hadn’t moved my clothes in with me yet and I had fallen asleep wearing my only pair of black slacks for my cafe job. After a quick shower I searched around the apartment to see if the previous tenants had left any clothing behind. I did actually find a pair of denim JNCOs but while the waist was a decent fit the length was at least a foot and a half too short for me.

I’m 6’4”.

I’m sure I looked pretty entertaining biking out in a dress shirt with wildly flared highwaters. I went to a Unique Thrift Store that wasn’t too far out of the way and bought an extra pair of work pants. Thankfully it was next to a KFC that let me change in the bathroom and I didn’t have to walk into work like this.

I left the undersized rave pants in the trash can.

Another interesting thing I noticed when first moving to the area was this mural on the side of a public school:

STEP ON DRUGS LIKE YOU STEP ON BUGS!”

I wondered if the schools administrators realized that they were basically instructing kids to add less expensive substances to drugs for the purpose of raising profit.

My final night in the apartment started with a big tip. Papa was in the mood to show off and we cooked one of his fans a big pasta meal with tons of wine and after dinner liqueurs. This was an isolated occurrence – Trattoria Monterotondo was usually just a coffee bar and takeout spot. When the customer tried to pay Papa told him to give me a hundred dollar tip instead.

With all that cash burning a hole in my pocket it was an almost certainty that I’d be getting high but I didn’t feel like biking all the way to the West Side and I’d never gone into Cabrini Greene alone. I ran into a very sweet young prostitute walking down North Avenue dressed in a heart motif bikini with an actual cape and asked her if she could help me score drugs without having to brave the towers. She explained that those were the only places to score and she was no more excited about the risk of stepping into one than I was so I thanked her and kept walking.

I had one of the paper schedules for the needle exchange outreach van and I saw it went to a nearby neighborhood called Uptown so I figured it must be a drug saturated area. I asked a few likely looking characters until I found an older guy who was willing to bring me with him to the spot. I might have seemed overly trusting in the earlier paragraphs of this piece but that didn’t extend to people I’d never met before. He didn’t know how to get heroin so I got a bunch of crack with the intention of shooting it up back at the apartment.

I needed to break him off some anyway so we found a secluded alley and took a couple of giant blasts from his pipe. The drug made us especially gregarious or as my new friend more eloquently stated:

Man, I’m geekin’ like a Puerto Rican!”

Somehow the topic of conversation found it’s way to our respective relationships with our fathers which, perhaps unsurprisingly, were complicated by hard drug use in each of our cases. My sister had taken it upon herself to inform my parents when she heard I’d been using heroin and they were pretty worried considering they hadn’t seen me since getting this piece of news.

I was especially offended because she had spent her early teenage years heavily using methamphetamine but I’d never ratted her out. Most people believe in certain hard drug hierarchies so while it was disappointing it wasn’t especially surprising.

As crack is cocaine that has been combined with baking soda to raise the temperature at which it vaporizes you need to dissolve it in an acid if you want to inject it. I always used lemon juice and I had one of those squeezy plastic lemons back at the apartment. The rush is identical to what you’d get if you started with powder but the taste of lemon hits your throat through your bloodstream for a little tropical twist.

I had my bass, four track and some effect pedals so I stayed up late recording what I thought was well crafted psychedelic metal made up of layered bass tracks. When I finally got a chance to listen back to it sober it sounded like an uninspired morass but that night all the bits seemed to perfectly sync together. I wanted to put it onto a project I’d been working on called “Cocaine: the mix tape”.

The highlight was an extremely convoluted mix of a song from the Enemymine record. godheadSilo was one of my favorite groups so I desperately wanted to see Mike Kunka’s next project when they came to The Casbah. I’d been going to a lot of over 21 shows in Chicago with borrowed IDs but back in my home town of San Diego every bouncer knew exactly who I was and how old I actually was.

It didn’t help that me and Francois had brought along Andy Robillard, one of the main bouncers, the last time we’d driven to Chicago. I had to wait out by the exit while Francois went inside and recorded the set for me on my Fisher Price tape recorder. At least the sound carried through the wall pretty well being all bass – the thing that really stuck with me was when they hit the first booming note one of the other bouncers ran outside clutching his stomach.

At least I got to meet and talk to the band because before the show they were hanging out a block away watching planes land like the scene in Wayne’s World. San Diego, unlike most cities, stuck it’s airport right next to downtown and The Casbah is on the edge closest to it. Mike gave me an old godheadSilo shirt they’d never been able to sell because of how big it was – the design with a pink bunny.

The live recording came out lo-fi but in the best possible way: a throbbing buzz where you can just make out the riffs and rhythms if you know the songs. The one that was most distinguishable was Coccoon Clo3, if you know the song it’s a very catchy riff, so for the mix tape I painstakingly combined it with the studio version from their debut album the ice in me. Thankfully I had the album on vinyl instead of a CD so I spent forever syncing things up so the live and clean versions dovetailed in and out of each other sometimes even fluctuating with a sustained note.

Appropriately enough “Cocaine: the mix tape” was never finished as my buzz ran out halfway through the first side. Sadly I don’t have a copy of it or the Enemymine recording or any objects whatsoever from this time in my life. Frequently moving had already whittled down my possessions but I went through a complete reset when an RV got towed in San Leandro.

After the night of my own bass recording I had to rush out the next morning to return to work and left the apartment in pretty bad shape. That wouldn’t have been a problem if I didn’t misplace my key the next day and because of the odd arrangement the only way to get another one would have been for Nick to be the one to request it. I asked him to but he dragged his ass and a little over a week later the building manager let himself in because a package for Nick had been sitting in the hallway.

When he saw needles all over the place he called Nick’s mom and Nick was in deep shit. She didn’t know about his drug use yet and he was able to (truthfully) tell her that they weren’t his but that meant revealing that he didn’t live there and rented it to other people. Nick was pretty pissed at me over the whole thing but I was already irritated with him that he hadn’t gotten me back into the place I’d payed him for when a single phone call and bus trip could have solved both our problems.

At least I got a chance to go get my stuff.

Anyway it was all feeling a bit unsustainable. I wasn’t anything close to full on strung out but things were definitely chaotic. My whole social group needed a bit of space from each other to figure shit out. Some people left drugs behind and others went deeper into addiction. Nick and Janice broke up not long afterward.

Of course I had no idea that 9/11 and my own personal tragedies accompanying it were looming on the horizon but it was obviously some kind of twilight. I wasn’t thinking about how underground music might be about to change or how the internet would fundamentally alter the face of it but these things are always clearer looking backwards. You can’t define an era until it’s already over.

In the moment I was most aware of a growing hunger for something different.

I’ve got a lust for life…

Oakland 2013 : “I think the Universe was intending for that to be my meth wallet!”

Maybe I’m totally wrong about this but I imagine that there are some readers who are mostly here for the underground art and music stuff and just kind of roll their eyes through the drug sections or scan ahead until I start talking about a show again. And then of course there would be readers who just want to hear about crazy drug stories and just kind of feel like:

Why the fuck would I want to read about some lame ass band that broke up in less than a year? Get on to the sniffing, smoking and shooting!”

Then of course there would be the third type of reader that absolutely lives for the content that focuses on these separate but connected worlds like a rarely available but absolutely delicious version of a Reese’s Peanut Butter Cup. I could be drastically underestimating how rare this kind of reader is. Books about the earliest days of Punk like Please Kill Me are absolutely full of bands and drugs and clearly have a broad audience but I feel like that’s a little different only because all of those bands have gone on to be at least moderately well known.

I was thinking about something kind of like this when I was just recently having a conversation with AT from Attitude Problem at the Blog Cabin Reunion that just went down in New Mexico. I had discovered since writing the Fort Thunder chapters that both AT and Jeremy Harris from Lazy Magnet had been playing in USAISAMONSTER at the show that happened on my twentieth birthday. I remember that the band was five different people but for whatever reason I had only really talked and vibed with Tom and Colin.

While I’m on this topic I should also mention that I recently remembered that the band Mastodon played the same show. They were a still fairly underground group at this stage as opposed to the mainstream metal juggernaut that they are today and didn’t seem particularly out of place. I might as well mention that a group called Duct Tape Union also played – I don’t know anything about them except that they were probably local.

Anyway meeting AT and Jeremy many years later I never realized that we had all actually met at Fort Thunder way back in August of 2000. So I was talking to AT about what was exciting and attractive about Fort Thunder and I brought up this thing that Mat Brinkman said in an interview in The Comics Journal – basically that people who are into noise records are mostly not that into comics and people that are into comics are mostly never into noise records.

I know it’s not completely never as the thing that first drew me to Fort Thunder was discovering some of Mat Brinkman and Brian Chippendale’s mini-comics and then what cemented my need to actually go there was separately discovering the music of Lightning Bolt and Forcefield. I think my earliest exposure to the Fort Thunder comics world was a booklet called Coober Skeber Marvel Benefit Issue that was handed out free at the 1997 San Diego Comic-Con as a joke about Marvel declaring bankruptcy.

All of this is probably extremely interesting to a certain subset of people but I’ve already spent way too long in random asides so I’ll leave it as yes the bankruptcy was real, Chippendale had a Daredevil comic in it and beyond that you’ll have to look stuff up yourself. The worlds of underground music and comic books remain connected. While at the party I got to read a newer comic from Anya Davidson of Coughs called MNSTRFCKR

Image via Anya Davidson’s Whatever We Call Twitter Now

I also got to see a bunch of experimental music and take a lot of drugs. Yay comics! Yay noise music! Yay drugs! – anyway on to the actual story.

In early November of 2013 me and LaPorsha were living at my mom’s house in San Diego. We had been subletting somebody’s apartment in Koreatown but got sick of the constant hustle to come up with rent money and didn’t think living in Los Angeles was really worth it. I had just ridden down with Griffin from Sewn Leather for a show he was playing at Otras Obras in Tijuana.

I’ve already written at length in other places about the things that would eventually inspire us to move down to Tijuana ourselves but this was the period of time when we were going down a lot for shows and art openings but hadn’t actually lived down there ourselves yet. You could say it was our “honeymoon phase” with Tijuana.

I had been down enough to have contacts to set up a show when my friends from Moira Scar hit me up about playing Tijuana with their project V.E.X. It looks like Gmail has deleted the messages but I’m pretty sure I tried Otras Obras first and when that didn’t work out I was able to set it up with Mustache which shared the exact same back patio anyway. The date they needed was November Second which just so happened to be Dia de Los Muertos.

For those unfamiliar with the holiday there are actually two days of the dead. November First is for those who died as children and November Second is observed for those who died as adults. This should clear things up for anybody confused about the date. I billed the show as a “Cempasuchil Social” – the Spanish name for the marigold flowers used in Dia de Los Muertos observances and an acquaintance from the Tijuana artist community named Zophie Felina made a flyer for it.

Like most shows it didn’t really turn out the way I had pictured it. I was hoping that the locals who were interested in coming out would have just had things like marigolds and sugar skulls lying around and would maybe bring some along to decorate the place. I can see in retrospect how that was an unreasonable expectation. Dia de Los Muertos is a very traditional, family oriented holiday and deciding to go out to a goth show to see some American bands is kind of the opposite of that.

If I had already been living in Tijuana I could have made a lot of that happen myself. As it was I rode down with V.E.X. at more or less standard load in time. It no doubt would have helped things to have an actual local act on the bill but for whatever reason that didn’t happen. It might have been that the venue only wanted three bands and Little Debbie was already attached to the bill. Maybe I just didn’t try to find one.

Anyway it was a perfectly fine modestly attended rock show.

I don’t think I would have been on any drugs this night. At this point in time I was still primarily using pain pills and by the time we had driven to the venue all of the pharmacies that sell that kind of thing would have been closed. There was a homeless junkie kid I knew down there who made his living walking between all the popular downtown bars and selling assorted snacks and pre rolled joints of the shittiest weed imaginable.

I do remember a particularly dramatic moment in the night when he was lying in the actual gutter injecting himself with heroin. All of the bars knew all about his drug use and never would have permitted him to set a foot inside their bathrooms. That was most likely his best choice to have enough streetlight to see by while still using the edges of parked vehicles to stay out of sight of passing law enforcement.

So obviously it wasn’t the kind of social situation where I could just disappear with that guy to go get high for a minute. In fact I never copped with him at any point even after making the move over the border. I ended up independently discovering a trap house in a notorious neighborhood called Coahuila that this dude had heard of but said he would never go to because of how sketchy and dangerous it was.

I’m not saying this as a flex but as observation on how it can feel like there are two different sets of rules for natives and foreigners when it comes to this kind of stuff. I eventually met a few other American junkies while crossing back and forth over the border who said they frequented the same trap house so it’s not like I was particularly tough or badass for going over there.

As long as I’m on the topic I might as well mention another observation I made a few months later when I was living in Tijuana. After the trip to Northern California to look for trim work that this story will culminate it LaPorsha made a batch of weed cookies to try to sell in the United States. We accidentally brought them over the border with us and although they hadn’t attracted the attention of Mexico’s drug sniffing dogs it seemed unwise to take the same chances with their American counterparts.

We weren’t interested in eating them ourselves so the only option was to sell them off in Tijuana at a much lower price. This brought me to the kind of punk and reggae themed bars that were popular with teenagers but I wouldn’t have normally frequented. In these places I noticed that openly smoking black tar heroin seemed to be viewed as socially acceptable – this certainly wasn’t the case with the older, hipper crowd I hung around. The hardest opiate any of them openly used was tramadol.

I can’t help but wonder what’s become of the Tijuana drug scene since the cartels have switched out fentanyl for tar. It’s nice to think that they would continue to grow poppies to supply their own people but considering both the cost and labor involved and general Mexican attitudes toward drug users it doesn’t seem especially likely. It’s probably at least as hellish as things have gotten on this side of the border.

Even if friends had offered to let all the bands and entourage crash down in Tijuana the middle of the night is the only opportunity to drive back into the United States without hours of waiting so the only real option was to drive right back to my mother’s house. As soon as Roxy got back over the border one of our friends that had ridden along, a girl from Los Angeles named Ariel, started demanding that we find a 24 hour fast food drive through.

Nobody was especially sympathetic as food is everywhere in Tijuana. Not just street taco stands, there’s a straight up Burger King a couple of blocks away from the venue we were staying at. Also all kinds of clearly sanitary packaged foods like chips and cookies in every corner store and probably even the bar we played at. The dude shooting up in the gutter had sealed bags of Funyuns even.

Ariel said that she didn’t “trust” any of the food in Mexico. Roxy was way too tired from a full day of driving and wasn’t about to stop anywhere. Ariel had a full on tantrum – like actual crying. I don’t know what she did when we got back to my mom’s house. I guess either ate something there or just went to sleep.

Anyway her tantrum was a big part of why we wrote a “passive aggressive” invitation to our wedding in Mexico the next year. We didn’t want to deal with people who were afraid of the food or whatever else down there. My siblings said that message was the reason they didn’t come to the wedding. It was probably for the best.

We were sticking around San Diego for a couple more days because we had a show that Monday at The Void. That Sunday we spent the day checking out the different Thrift Stores around Spring Valley. When I’d been growing up there hadn’t been any in short walking distance from my parent’s house but now there were a couple of big ones.

I was walking through the parking lot of the one that used to be a small movie theater when I saw a yellow box of American Spirits on the asphalt. I always kicked cigarette boxes when I saw them – you can feel in an instant the difference between an empty one and a not so empty one. A not empty one might have cigarettes in it, which I did smoke in those days, or even money as people occasionally use them as wallets.

This one happened to contain a moderately sized baggie that was bulging at the edges with methamphetamine.

The feeling of this discovery reminded me of finding a five dollar bill in an Emeryville ball pit my first year of college – I instantly felt like it must have represented a far greater loss for whoever dropped it than it did a gain for me. In the ball pit this would have presumably been a young child. This time around it had to have been somebody who liked meth enough to buy a sizable quantity of it.

I don’t particularly like methamphetamine.

I had bought a sizable quantity of it at one point in time, three and a half grams or an eighth of an ounce, for the express purpose of smuggling it to Chicago with a counterfeit Greyhound pass and selling it at a profit. I have sniffed, smoked and injected the drug more times than I can count off hand but have probably declined offers of it an even greater number of times. To the best of my recollection I’ve never bought any quantity of it for personal use.

I never actually weighed the bag of meth I found but it was probably either 3.5 or 1.75 grams – an eighth or a sixteenth or “teener” which is a unit of measurement I’ve only seen used with methamphetamine. The shards were completely transparent and mostly on the smaller side although there were larger pieces. Based on my limited experience I’d classify it as mid-tier methamphetamine.

Middle-Shelf in the parlance of bar and now budtending.

Still I had found free drugs and in a respectable quantity. If you discount drugs that I’d previously bought and then misplaced it was probably the most drugs I’d ever found. It was undeniably a “come up” and I wanted to at least exchange it for something else of value – probably money. Not that differently than I would have expected if I had found a rare fossil or gold or gems.

One thing that did make it different was that I found it at least one night before me and LaPorsha were going to catch a ride up to the Bay Area with Roxy and Lulu to continue North and look for trim work. I can’t seem to remember if I found it the morning of our show at The Void but it seems like that show would have been an unsurpassable opportunity to try to find somebody who might want to buy it from me. Maybe we stuck around one extra day after that before leaving town.

What I can say for sure is there was a night at my mother’s house where I had the meth and also had a bag of clean syringes. I had the syringes because I had recently run into the woman from the piece called White Tiger’s House who used to sell me Vicodin. The whole situation at White Tiger’s House had imploded and she’d become homeless and was living near the closest shopping center. She told me she was diabetic, gave me the syringes and took me by another person’s camp she thought might be able to help me find heroin.

That hadn’t worked out. She also didn’t have any Vicodin at that point in time. She told me that she’d be getting a couple of bottles in the near future and would give me one of them if I could find her a tent.

Things hadn’t worked out for me to come across my preferred drugs for a little while. I’d been mostly messing with pain pills but my first love was injecting cocaine and heroin. I’d injected meth before but only one or two points at a time and I’d never noticed a recognizable rush.

I thought if I did a bigger shot of meth it would give me something comparable to the rush from injecting cocaine. At the same time I knew this wouldn’t happen. It was kind of like this moment years ago when my friends Steve and Badger asked this guy named Antonio to bring them drugs and when he asked what kind they answered “water soluble”.

Obviously the process of injecting drugs is an addiction in and of itself.

If I had to guess I’d probably say I did between .3 and .6 grams in a single shot. Without a scale and actual knowledge of how much the bag contained to begin with it’s nearly impossible to know. I wouldn’t describe the immediate sensation as a “rush” but I guess it’s all relative to whether you like the way something feels or not. Inhaling a blast of crack would probably feel pretty fucked up if it wasn’t something you were in the mood for or particularly liked.

At the risk of sounding inanely repetitive I don’t particularly like meth.

I did feel something immediately but it was pretty much dizziness, nausea and panic with no sense of euphoria or pleasure. I spent most of the night in a bathtub experimenting with soaking in either very hot or very cold water but neither felt especially better. I desperately felt like I needed to urinate but couldn’t seem to make it happen. I consider myself lucky that it didn’t result in some kind of permanent organ damage.

Most people in the house didn’t have any idea what was going on. Meth isn’t one of those drugs where you can just be like:

Hey I found a bag of this on the ground! Does everybody wanna do some?”

Cocaine is. In fact I’ve done that exact thing with cocaine I found on the ground. There’s a story about it up here somewhere – I think the one called Play Something Slow and Sexy. Polite society is generally either down to do some or at least not offended by the offer.

But I digress…

There was at least one girl in the house who liked meth. A friend of LaPorsha’s named Tina of all things. She has a “scene name” that she’s better known by. I guess I could add it in later if she wants to be easily recognized.

Anyway she had lost her wallet shortly before I found the meth. Maybe in Mexico or maybe even in Spring Valley. Now that I think about it she might have noticed it was missing at that very thrift store and the reason that I found the cigarette box was that I was helping her search for it. That would explain this next part a little better.

I happily gave her some of the meth. About the amount a casual user would take to be high on meth for a single night. She expressed to LaPorsha however that she felt like I should have given her all of the meth:

I think that the Universe was intending for that to be my meth wallet!”

I do understand where she was coming from in an “every cloud has a silver lining” kind of way. She had just experienced significant misfortune so she was most deserving of significant good fortune. Maybe I even specifically found it because of her loss. Still like a home run ball at a baseball game I was the one that caught it regardless of how bad a day the kid sitting next to me might have been having.

It would have been nice if she’d offered to buy it from me for significantly less than current market value. She had just lost a decent chunk of cash (and for all I know a much smaller quantity of meth) in her wallet but she always could have offered a future electronic transfer of some agreed upon amount. That would have been a win-win for everybody.

Maybe I was being unreasonable. Tina, if you’re reading this now and I had a Time Machine I’d totally just give it to you and call it a day. It certainly didn’t do me any good.

I did feel a little bit guilty about keeping it a secret from Roxy and Lulu that I was transporting drugs in their van. Still from a legal standpoint Roxy having no knowledge of it’s existence was the best possible outcome if it was going to be there anyway. In the unlikely event that we were pulled over she would have no reason to behave nervously and raise suspicion and if it were somehow discovered I could easily claim ownership and probably be the only one arrested.

I had hidden it pretty well.

This is actually the moment that I consider to be the most entertaining in this story and the reason I decided to type it up in the first place. I had hidden the meth inside of a Worlds of Wonder Talking Mother Goose and Hector. Man I really just want to write that again.

The meth was inside of a Worlds of Wonder Talking Mother Goose and Hector.

For the unfamiliar Worlds of Wonder was the company that created and marketed Teddy Ruxpin. Their main innovation was to use the left and right channels of an audio cassette to combine a story with instructions for simple animatronics. You only hear the channel with the bear’s voice coming out of the toy but the opposite channel is full of weird sounding noises that tell the motors in the mouth and eyes when to move.

Teddy Ruxpin was eventually supplemented by a caterpillar named Grubby. While only Teddy Ruxpin can play cassettes Grubby also speaks and moves his eyes and mouth by way of a special eighth inch cable between the two toys. Anyone familiar with audio work will notice that the plug on this eighth inch cable is slightly longer than the usual one on headphones and aux cables.

That extra little bit is for the robotics stuff.

When they created the Talking Mother Goose toy they decided to use the same technique from Grubby to add a small duck looking character called Hector to talk along. The main book he works with is called The Ugly Duckling so it’s possible that he is actually intended to be a very young swan. I’m embarrassed to admit that I’m not as knowledgeable about all the Worlds of Wonder lore as I’d like to be.

Since moving down to San Diego my main source of income had been buying vintage toys at yard sales, swap meets and thrift stores and then reselling them on eBay. I had gotten especially lucky with one big yard sale by my mom’s house but I was also at the point where I could look over a box of random toys and recognize obscure monsters from The Real Ghostbusters line and that sort of thing.

The same yard sale had netted me a Teddy Ruxpin and Grubby but I had already sold those off along with nearly everything else I’d accumulated. For the rarer stuff I always seemed to get the most money from an auction as opposed to a fixed price and offers and it just worked out that our ride with Roxy and Lulu coincided with a day left on this last auction.

Here is the video I made to assure potential buyers that the two toys were functioning properly:

Deep Worlds of Wonder fans will notice that this is the later version of Talking Mother Goose where the head does not move from side to side. You will also see me and LaPorsha’s first cat Catrick wearing the blue leather harness that we found for him in Tijuana. He was actually fairly used to traveling and even going to parties but we decided to leave him with my mother when we went to look for trim jobs.

An interesting and unexpected coincidence was that the woman from White Tiger’s house called me the exact moment we were pulling onto the freeway toward the Bay Area to tell me that she’d gotten the Vicodin and see if I possibly found a tent for her. I wish I had found one for her, mostly because she was older and had health problems but there was too much other stuff going on with the shows and everything and me and LaPorsha didn’t have our own vehicle yet.

Now that I think about it she used to ask me if I could help her find anything for “energy” or to “stay up” when I’d come by White Tiger’s house to buy pills from her so she probably would have been down to trade the Vicodin for the bag of meth instead. The idea didn’t even cross my mind at the time.

We stopped very briefly in the Highland Park neighborhood of Los Angeles because Roxy and Lulu wanted to go to a Farmer’s Market. I wanted to try to unload the meth but didn’t have any ideas as to what part of that neighborhood to go to or anything. I bought some tacos for me and LaPorsha and while I was waiting there was a standard issue but slightly on the softer side looking cholo guy waiting across for me.

I asked him if he fucked with meth and he said he did. I gave him a tiny bit to try in the bathroom but he only had around ten dollars on him. I gave him what seemed like twenty dollars worth but showed him how much I had and told him I was trying to get rid of it cheap if he could call anyone that might be interested.

He seemed like he was in a similar situation to me in that basically every person in his life wasn’t cool with this particular drug and he had to keep it a secret from everyone around him. The difference was that he did actually like using it while I do not. There wasn’t anybody he could call.

We continued on to Oakland and Roxy and Lulu dropped us off at Tuna Town. I really like those kids and would love to hang out with them again under better circumstances. The secret I was keeping and constant nervousness around the possibility of getting pulled over detracted from what should have been a really chill ride up a boring chunk of 5.

Maybe they’ll need a show between the Bay and Portland and decide not to do the coastal thing – that would be really cool.

So now there was no longer the lingering fear of complicating other people’s lives or getting them in trouble but I still felt like I had to get rid of it before making the trek to marijuana land. If I knew then what I know now, that half those weed farmers are tweakers and it’s worth more farther from big cities, I would have just brought it along but we didn’t feel like it would be a good look or reputation while searching for trim work for the first time.

Me and LaPorsha tried hitting up a few people but everybody said they didn’t know anybody that fucked with it which is completely understandable. I don’t currently know anybody that fucks with it – at least not very well.

I decided to try walking toward the triangular park on San Pablo because the last time I lived in Oakland I had a decent amount of success finding pain pills there. LaPorsha decided to come with me, probably because she was worried something might happen to me. We walked until I saw a guy who looked like he fucked with hard drugs sitting on the bus stop in front of that closed down 24 hour burger spot that used to take forever to make your food at night.

Maybe some other Oakland people remember this spot. I’m talking about the one that was directly across from Ghost Town Gallery where I recorded my live album called Nothing Happened. The spot was really tiny and might have had one of those San Pablo Giant Burger signs. No inside seating, just a take out window.

The deal with that place was that it was owned by a brother and sister and was essentially two different restaurants as she ran it during the day and he ran it at night. In the daytime it was pretty normal and reliable – it didn’t get too busy and the lady was very talkative and finished your food in a reasonable amount of time.

At night it was always insanely busy and the brother was always too stoned to function.

I’m talking about circa 2009 or so. It was the only possible 24 hour food spot in that part of Oakland and there was usually a decent sized line of punks leaving punk shows and super dressed up hood guys who must have been coming from a popular nightclub in the area I don’t know about. Actually good hamburgers take a long time to cook to begin with but this was amplified and exacerbated by how cartoonishly out of his head on marijuana the guy cooking the burgers and taking the orders was.

A regular hamburger took at least an hour and at the end of the hour he might have just forgotten about you and you need to order it again or cut your losses and go to sleep. I remember one night when he announced that somebody’s cheeseburger was ready and all the guys in line had ordered regular hamburgers but they started offering him double or even triple the price just to be able to get something that was actually ready. He didn’t let anybody buy it because he was worried that the actual person who ordered the cheeseburger might come back which still hadn’t happened by the time I got whatever I ordered an hour or so later.

Anyway the place went out of business not too long after and different restaurants opened in the same spot but never lasted long. I haven’t been to Oakland in a while so maybe there’s a successful business in there again. At the time of this story it was vacant.

I sat next to the guy at the bus stop and asked him if he fucked with meth or knew people that did. He said he was interested but I needed to wait for a minute so he could get well. He had a pill bottle with some black tar heroin and was adding powdered milk with a folded lottery ticket. The bottle had a couple of pennies in it for weight and he shook it to combine the two substances.

This was my first time ever seeing tar heroin prepared for insufflation in this way. I had used dope around San Francisco in the early 2000s but I was shooting it and so were the people I had been using with. A couple years earlier at Apgar some guys on the block had said that they could get me powdered heroin but it had to be made in a blender. I always pictured some kind of sophisticated machinery and never would have imagined it was just the simple household items in front of me.

After trying this one time I decided that I got a better high from doing a cold water extraction on twenty dollars worth of Vicodin and didn’t ask the neighborhood guys to score me heroin or “hop” again. I’d imagine that sounds hard to believe to a lot of people – in my earliest years of heroin use I assumed that prescription pain pills would be so weak in comparison that I wouldn’t even feel them. Of course that isn’t true and Oakland always seemed to have especially shitty heroin – even weaker than Portland although the second city is much farther from the Mexican border.

I waited for the bus stop guy to use the same folded lottery ticket to shovel several heaping piles of the powder he’d just created into his nose. He had the same constant sniffle of everybody who habitually consumes tar in this way. He asked me if I wanted any heroin or cocaine but I told him that I was only interested in money.

I hadn’t put a specific number on how much I thought the bag of methamphetamine I had found might be worth before this point but in the moment I decided on sixty dollars. Looking at the number now it doesn’t even seem worth the risk of traveling in a vehicle with it from San Diego to Oakland but that’s drugs. You take outsized risks that are never worth the money.

He counted out sixty dollars and handed it to me so I handed him the bag of meth. He crushed a small amount of it and sniffed it then immediately said that it didn’t burn and seemed to be weak. I hadn’t sniffed any of it myself but knew it was moderately potent from injecting it. That wasn’t the point anyway. He was working his way up to ripping me off.

He then said that the bag was small and looked like less than a gram which was definitely not true. I wasn’t as familiar with sizes and quantities back then but it had to be around two grams give or take. I told him if he didn’t like it he could give it back to me and I’d give him back his money. He said he was keeping the meth and repeated the demand for me to give back the money.

LaPorsha had been standing behind the bus stop and waiting. I stood up and said that if he was determined to keep the drugs we evidently had a deal and we started walking down San Pablo in the opposite direction of Tuna Town. He jumped on his bike and started riding on my heels repeatedly demanding the money back.

I don’t know what I would have done or what would have happened if I’d been alone but with LaPorsha with me I didn’t want to take the risk of him doing anything to her and just gave him the money back. By myself I probably would have tried to run somewhere a bike couldn’t follow but who knows how that would have even worked out. I also wouldn’t have wanted to lead him back to Tuna Town.

He was heavier set than I was but I wasn’t particularly afraid of him. I just wasn’t interested in fighting him over sixty dollars. Mostly I just picked the wrong guy – he was a sniffly dusty annoying motherfucker; not worth having anything to do with. My situational awareness was off.

Years later when we were homeless junkies in Oakland I never would have gotten ripped off by someone like him but that’s not some huge flex. It’s better to get ripped off by someone like him and not be a homeless junkie. Mostly they were just two different times in my life. It’s not like I’ve got huge regrets on either end.

From the moment I found it the bag of meth was a… I don’t know what to call it. It seems like there should be some reference in folklore like a monkey paw or albatross but nothing seems to exactly fit what I have in mind. Something that seems like a boon when you find it but ends up being a burden until you finally get rid of it.

I’d say bad penny but who gets excited about finding a penny? Maybe bad twenty would be more appropriate. Or just bad moderately sized bag of stigmatized hard drugs you don’t especially like using…

The Talking Mother Goose and Hector sold to somebody in Germany which shouldn’t be that surprising if you’ve ever sold Worlds of Wonder talking storybook toys on the internet. The buyer eventually sent me pictures of damage where I knew the pieces of the mouth or whatever it was could just snap back together but I had to give them a partial refund. That’s kind of on me – I should have done a better job packing the toys and adding reinforcement and padding around their heads.

This story is working out to end on a bit of a bummer note and while that can be cool I’m not really in the mood for it. So I’ll end it like this:

While we were still staying at Tuna Town I was walking back there one night by myself when I came across a tiny baby opossum sitting in the center of the roof of a parked car. The car was under a tree so presumably it had fallen or climbed down. When it saw me it tried to run to the different edges of the car’s roof but I would stand at those edges so it would retreat back to the center of the roof and I could keep looking at it.

I wanted to go get LaPorsha and bring her back to show her but I knew that as soon as I was out of sight it would climb off of the car and back into the tree. That was probably for the best. At a different point in my life I might have tried to catch it in my hands but there was no need for that.

There will be other baby opossums to show LaPorsha…

Chicago 2001 : “Number One you punk! Number Two you Jew! Number Three you gay!”

Wow, I really haven’t written anything in a while. I’ve been struggling with this three part piece that isn’t really coming out the way I imagined it and isn’t done yet. It goes into the sort of thing I’ve mostly been avoiding writing about, like sex and relationship stuff, but that isn’t what it’s really about. I think I’m still struggling to understand what it actually is fundamentally about.

I’m sure I’ll finish it and put it up eventually but it’ll probably be a while.

Anyway I decided to just write some more stories about when I worked at this Italian coffee bar called Trattoria Monterotondo. I just read back over some older pieces to see how much I had written about this place already and it turned out to be hardly anything. Sometimes I worry that I’m losing the thread and my earlier pieces had a quality that my new ones lack but then I go back and read some and they’re all full of typos and really short.

It’s fine, everything’s good for something even if that thing is only being thrown in a corner because it isn’t good for anything; if that makes sense. There was a show last night that I helped set up but I got there so late that I only saw the touring band and then had to leave immediately to run errands. I would have felt really bad if it was only sparsely attended but there was a decent crowd and they probably made good gas money so I feel a medium amount of bad.

I hope Ivory Daze made it up to Eugene okay, their van was apparently starting to overheat when it goes up hills and it’s uphill the whole way there and today was really hot. I was reading today about the “Faustian Bargain” where the aerosols from human economic activity actually have a globally cooling effect because they reflect some of the sun’s rays and as soon as we stop creating air pollution it will suddenly get a lot hotter really, really fast.

That sounds perfectly awful but it must be good for something too. Maybe the extreme heat will make it easier to breed lots and lots of insects like crickets in shoeboxes with bits of egg carton in them like you’re supposed to do when you keep small reptiles or amphibians as pets. It’s not like there will be anything else to eat.

Ok, the Trattoria Monterotondo place. I mentioned in the earlier piece that the owner and my boss, Papa Giovanni Moratti, was a giant asshole but I only really talked about him being the fun kind of asshole like refusing to let uppity customers buy his approval with money. To make things really clear he was a racist homophobic antisemitic womanizer shady businessman kind of asshole too.

That part wasn’t always as fun. If you’ve ever seen The Simpsons episode where an old Italian character says he can’t speak Italian but only broken English that was basically the deal with Papa. I’ve taken Linguistics classes now so I have a better grasp of how language fossilization works – basically when a person acquires a new language as an adult they will hit a point where they stop improving and just mispronounce things and forget words that they need to use all the time forever.

Somewhere along the line he must have forgotten how to speak Italian too because sometimes other Italians would come in and try to speak it with him and he obviously couldn’t. Every week I would help him write down a shopping list and he’d always say to write down “silver things” and I’d tell him it’s aluminum foil and the next week he’d say “silver things” again. He told me to go outside and feed the birds in the same way every day:

Go feed your bird your pidge.”

Anyway that’s probably enough of his charming and harmless catch phrases. Here’s another thing he was fond of repeating:

We have three rule here: No Jew. No Black. No Gay.”

Sometimes he would throw something in about how he knew I was Jewish but it was all right because he was teaching me how to be better or some crap like that. I know that sort of thing would probably piss a lot of people off but it’s always been like water off a duck’s back for me. It’s entirely possible that the only reason he hired me in the first place was to get one over on the Jewish owner of the furniture store I’d been working at around the corner.

It is what it is.

Everything about his hole in the wall coffee bar was some kind of flex. He had made a ton of money in the ‘70s and ‘80s with a store down the street that sold cheap Turkish knockoffs of Italian designer goods and now he just wanted to show off, have fun and waste it. When I first started working there the main flex was to make the little patch of sidewalk in front of his shop look as elaborate as possible.

Every day we would drag out a table, some chairs, a few planters, an assortment of statuary and a fully functional stone fountain that we put live goldfish in. They only lived inside a bowl on one of the shelves at night and died a lot because of how much they were constantly moved and handled but he kept buying more. If all of this doesn’t sound preposterous enough the main purpose of this tiny pocket of paradise was to tell 90% of his potential customers that everything was takeout only and they couldn’t sit there and it was “members only”.

I guess it was kind of like the concept of a “spite shop” on Curb Your Enthusiasm except that this spite was directed at the world in general instead of a neighboring business. Not that he didn’t have plenty of spite for a neighboring business. I’ll get to that.

This whole tableaux took us at least an hour to set up every day and another hour to pack back up again and it was heavy and most days nobody was ever allowed to sit there. So one day we are in the midst of either dragging out or packing up the heaviest part, the fountain, and a very Black and very gay man dressed in a speedo and sunglasses comes rollerblading down the sidewalk and does a flawless little twirl in Papa’s face before disappearing around the corner.

Papa wiped the sweat from his forehead with the folded little towel that was always stylishly draped over his shoulder and turns to me and says in a tone of total resignation:

What can you do?”

I don’t think I actually said it but my immediate thought was “I guess you can tell me what you want to do and I can tell you if you can do it or not.” Anyway I think I have a pretty good idea of the sort of thing he wanted to do and thankfully, he couldn’t do it. Now that I think about it that dismissive twirl must have done a pretty good job deflating him – it wasn’t that long afterwards that the fountain disappeared and his new flex turned into flying in gelato from Italy even though it would have been cheaper and smarter to just make it.

One of the statues that we set up everyday was a cement donkey pointed at a nearby business on the corner of Clark Street to “frighten the Marrochini.” It was a fairly successful French Restaurant owned by a pair of brothers from Morocco and I guess donkeys are some kind of negative stereotype for that country in Italy. He would refer to them as “used donkey salesmen” and spread baseless rumors about the cleanliness of their kitchen to his fan club.

At some point he made up a story that they were coming and peeking through his window at night to try to learn how to emulate Italian cuisine. This was especially laughable because nothing in our shop was even made there with the exception of a couple weeks that he did paninis – everything else was brought in from off site. The Moroccan guys always dressed well and made a point of going out of their way to greet Papa with some well curated polite contempt.

I used to chat with one of the waitresses that worked over there because we both wore white belts. It was pretty trendy in the circa 2000 hardcore landscape but I never saw her at Fireside shows or anything. Papa was obsessed with trying to get us to hook up but it wasn’t really like that. Her name was Sonia.

Playing matchmaker was a thing he was actually pretty obsessed with with his fan club of neighborhood yuppie transplants but I can’t think of any instances where it was actually successful. He had me write up a poster for his imaginary dating service at some point with a lot of coded wording about the “right kind of people” – basically trying to say no Jews and everybody had to be white.

Out of the group of much younger women that he was always trying to set up with his male regulars he arbitrarily decided one was “his” and tried to make a move on her. When she was less than receptive to his advances he quickly turned a cold shoulder and stopped talking to her entirely. That night he loudly complained about the situation:

“All God damn bitches! Papa wants to fuck too!”

The whole referring to himself in the third person thing was especially creepy but he didn’t do it too often. He just wasn’t particularly interested in names. The entire time I worked there he never bothered to learn mine – he either called me “boy” or “Tom Croo” because he thought my unibrow made me look the famous actor whose name he would have been pronouncing if he ever bothered with the final “s”.

She did not take getting kicked out of his imaginary club very well. She showed up the next day crying and begged me to tell her how to get back in his good graces – if she could maybe give him some kind of food or flowers. What could I tell her? You could throw away your dignity and pity fuck an old bald man you aren’t attracted to but I wouldn’t. When somebody tells you who they are what can you do but listen?

My own relationship status and his suspicions surrounding my supposed homosexuality became a bit more of a project for him. For the period of time that I worked there I was in an off and on situation with Robyn but she never came by the shop and he didn’t believe she existed. After his attempts to hook me up with Sonia from the restaurant down the block didn’t pan out he started hiring girls in their late teens or early twenties for the express purpose of trying to get them to sleep with me.

It only happened a couple of times but it was incredibly awkward. He was shamelessly transparent about the whole thing so I’d try to warn my new coworkers about the nature of the situation they had just found themselves in. I just remember the second girl seeming incredibly suspicious and thinking that I was making the whole thing up as a ploy to actually get into her pants. When nothing happened after a couple of days he fired her and said she smelled like marijuana.

Now that I’m typing this part up I’m getting flashbacks of Karen Centerfold in Los Angeles who also had a cartoonishly obvious habit of trying to get random girls to fuck me. I’ll have to write more about Karen somewhere else later but I most remember her yelling:

You know what the problem with all you stuck up bitches is? You all want to fuck surfers with big dicks but you won’t do it because you’re too scared!”

Once again I wish I could somehow convey the actual voice. I don’t know what it is about me that all these characters seem to make it a personal crusade to get me laid but even my mother had a similar outlook. When I was about ten years old a family with a daughter close to my age from the commune was staying with us and all the grownups somehow thought it was a good idea to have her sleep in my bed with me.

I wasn’t old enough to get an erection or even know what one was but one of my aunts had just remarried and evidently not been very discreet because the next time I saw my cousin she showed me how to play a game called “honeymoon”. Me and the commune girl went through some of the same motions once all the grownups had gone to sleep.

After that my mom would periodically give me random updates about this girl’s life. Last I heard she became a ballet dancer. Hippy families are weird.

Back to Papa’s spot – it was during the time I worked there that I started injecting heroin and eventually cocaine but Papa took all the evidence of a drug problem and explained it away to himself as a “gay problem”. I would roll in looking haggard after a sleepless night, even taking a final shot in a Port-a-Potty a few blocks down the road, and this would be his response the moment he laid eyes on me:

What’s wrong boy? Partying all night with the happy boys on Broadway?”

His accusation referred to the popular street in Chicago’s Boy’s Town district – coincidentally I had just moved into an apartment there. I wanted to keep my job and figured he wouldn’t take kindly to the actual causes of my current condition so I parroted sarcastic assent:

“You got me Papa, I just can’t resist those gay discos…”

It was around this time that his “private club” started to include a crew of wise guy Italian cops from the neighborhood. They’d hang around the one outside table most nights and he’d give them some food and booze they were perfectly happy to drink on duty. There was a big story in Chicago around that time about a bunch of cocaine mysteriously disappearing from a police evidence locker and for some reason it came up in conversation.

“Yeah! Wanna buy some? Ha ha ha ha!”

Typical Chicago cop humor…

I didn’t live too far away, this was in the Red House near DePaul University era, and I figured it was only a matter of time until one of them recognized me going into Cabrini Greene or something. It either didn’t happen or if they did see me they kept it to themselves. I wouldn’t be surprised if half of them were into the same shit. One night Papa obliviously made the comment:

Isn’t it great boy? All the cops in the neighborhood know your face now!”

Yeah, just wonderful…

I said before that we didn’t make any food there but around that time we were putting together cannolis. This fat cop that the other one’s called Shrek, the first movie had just come out, was always asking me for them:

You want a cannoli huh? How about I bring you the one with a big fat red strawberry on the end? You want me to dip it in chocolate for you?”

We did in fact have cannolis with strawberries on the end that were dipped in chocolate but I was taking advantage of an opportunity to make stupid jokes about sodomizing him and getting him to perform fellatio on me. In my defense it was a reversal of the usual power dynamic where I was constantly getting harassed by different Chicago cops in my other life as an injection drug user. The other cops were happy for any opportunity to make Shrek the butt of a joke and he licked his lips and clowned it up the way submissive abused Chicago cops always seem to.

Papa was very particular about the coffee we’d be willing to make for anybody. We did straight espressos and cappuccinos or macchiatos but if anyone dared to ask for an americano he’d yell at them to “go to Sewerbucks!”. One afternoon somebody must have asked him for some kind of vanilla something because the moment I walked in he was excited for me to make a coffee menu for the window that listed “Café Milanesi Finnochio”

It basically translates to “faggot coffee of Milan”. His big plan was that if anybody else ever asked for some kind of flavored coffee beverage we were supposed to point to this item on the menu and make them order it by name. He even bought some kind of CostCo vanilla cappuccino mix to complete his little joke. It never actually happened.

I’ve covered him being all the different kind of assholes I listed earlier except for the shady businessman one. He had a refrigerator full of cans of Sprite and one day somebody looked at the bottom of a can and noticed it was expired. You’d think he would have just thrown the rest of them away because we had plenty of orange and lemon San Pellegrino but that’s not what he did.

He had me fill a sink with hot water and soak all the cans of soda in it so I could scrub away the expiration dates with steel wool. Soaking the Sprites in scalding water probably did more to mess up the flavor then the expiration part but it mostly seemed pointless because hardly anyone ever asked for it to begin with. He pointed to the printed expiration dates:

Just for decoration anyway…”

It was his little phrase he’d use any time he thought he was being sneaky. He said the exact same thing when he had me write out a paper that said “I am responsible for paying my own tax” because the job was under the table. Maybe he’d gotten caught up in some kind of situation with tax evasion in the past but it was never an issue when I worked there – the cops were in our pocket.

The bigger thing was that he constantly and carelessly lied about the nature of the food he sold and where it had come from:

Everything made fresh today!”

Everything 100% fat free sugar free!”

Neither of these things were true for anything except for maybe a shot of espresso. He would get cookies delivered from some bakery that would sit in the pastry case for weeks until he’d sold them all. Frozen pasta entrees sat in freezers for months. The pizzas and focaccias were delivered on a daily basis so at least the fresh part was true for those.

We’d get diabetics who were excited about the sugar thing and I’d have to wait until he was out of earshot to tell them that of course it wasn’t true and honestly you couldn’t trust a word out of his mouth. With all of these lies it would have made perfect sense for him to be lying about the gelato being flown in from Italy but that part was actually true. I saw the weird frozen customs cases it came in.

Like I said everything with him was a flex. He liked lying about where various things around the shop had come from too.

This was Al Capone’s Espresso Machine!”

“This was Mussolini’s bicycle!”

Really pointless little lies. He’d tell his fan club we had a hot tub on the roof and some of them seemed to believe it.

Besides the Marrochini thing I didn’t see too much of him being racist right to people’s faces but this was probably because the Black folks in the neighborhood had already had bad interactions with him and kept their distance. There is a story on Yelp! about a family realizing that the reason he wouldn’t sell them gelato was because they weren’t white. He didn’t outright turn away nonwhite customers for to go orders when I worked there – he’d just say “your department” and have me wait on them.

Honestly things weren’t too different at the furniture store. Besides Yvonne, who was Black herself, most of my coworkers there would blatantly ignore Black customers and pretend they didn’t exist. In a city like Chicago you would almost say Papa’s candid honesty was refreshing but then there was the thing he yelled at the television during a Michael Jordan interview:

God damn black gorilla! I hate!”

I was getting sloppier from the drugs so eventually he fired me. I forget what specific thing set him off but he shook his finger at me and bellowed in rage:

Number one you punk! Number two you Jew! Number three you gay!”

At least he got two out of three. It was fun while it lasted. I assume he’s probably dead by now.

San Diego 2002 : “Watch your tongue you Terran Dog!”

I’ve been touching on a handful of different parties, observances and festivals here – mostly aligned with experimental music on some level. You’ve got BitchPork, Voices of the Valley, Burning Fleshtival, International Noise Conference, The Wheel and Babylon Bazaar in Maine and of course the Mojave Raves. Then there is Mardi Gras in New Orleans, the Mummer’s Parade in Philadelphia and celebrating New Year’s Eve in Slab City – the only one of these that blurs the line between calendar holidays and alternative music festivals.

For me and most of my friends from San Diego there was another annual observance that had almost nothing to do with underground music but played a more formative role in nearly all of our lives: The San Diego Comic Con.

It took me much longer to get into Rock and Roll, or any aggressive music, but comic books were exciting for as far back as I remember seeing them. I wasn’t interested in my older brother and his friends’ hair metal records but any comics they might have had were a different story. It must have been at least 1992 when I stumbled onto an issue of the Frank Miller reboot of Rust but I couldn’t have been older than third grade when I found a copy of Marvel’s promotional monthly Marvel Age with a picture of the mid ‘80s X-Men team.

Before this point I would pick out back issues of Power Pack and The Eternals on trips to the comic shop but once I saw the tiny picture of Nightcrawler I was obsessed. I think it was the visual style of the whole team at this point but something about his design and costume really spoke to me even if though I initially thought he was holding a whip when I saw his tail. I think I just had a thing for big, puffy shoulders but not in a football player or Rob Liefeld Cable sense – I liked his unconventional silhouette and leaner gymnast’s build.

When I did the thing in third grade that I think a lot of kids do, meeting up with the other comic nerds and designing endless costumed heroes and villains, I created a team called The Blue Dudes where everybody looked like Nightcrawler with blue skin, yellow eyes and pointed ears. This piece would probably get boring if I spent the entire time listing my favorite comics but besides older The Uncanny X-Men issues my favorite thing to get was a book called Official Handbook of the Marvel Universe Update ‘89 – it was an illustrated encyclopedia with full page pictures of all the characters and background information on them in alphabetical order.

The first time I got to go to Comic Con was in 1992 when I was twelve years old. My dad took me for a single day with my best friend Jason. I remember the year because the freebie items were still really good in the early ‘90s and they were giving out tons of stuff to promote the movie Bram Stoker’s Dracula – comic books, posters, pins, trading cards and probably some other stuff I don’t remember.

The band Green Jellö also had a booth that year – it was set up like a cool punk house living room with couches and upholstered armchairs pointed at a big TV playing a loop of their music videos. It was probably the most popular thing in the convention with our demographic, eleven to fifteen year old boys, though I didn’t see many adults taking interest. They were handing out free cassettes of their songs and considering the track Shitman had the word “shit” in it and House Me Teenage Rave was full of simulated sex sounds it all seemed badass to us.

I might have paid one more year but it seems just as likely that by 1993 I was hooked up with the programming office to start volunteering. My sister found the connections for this at her Performing Arts High School – we would get a free four day pass for helping out with the different events in the upstairs conference rooms. The only thing I really remember is delivering a bunch of pencils to a figure drawing lesson that the guy who made Lady Rawhide was giving. There wasn’t a model or anything – it was a lesson on drawing unrealistic female bodies from your own imagination.

I do remember a story that my sister and some other volunteers were helping with a Steven Seagal panel and he made them all leave the room while he changed his shirt. They complained about how ridiculous this was considering how often he is shirtless onscreen but he was probably just a little out of shape between movies and didn’t want anyone to see.

The next few years were really the golden age of the San Diego Comic Con, it had gotten big enough to feel like you were living in a temporary city that was only populated by other comic book geeks but it wasn’t so big as to be overcrowded and unmanageable yet. It was also still mainly about comic books instead of television shows and movies because there wasn’t as much superhero/sci-fi/fantasy stuff being made in those years. Every year a few movies were being heavily promoted but nothing like it is now.

We were all into staying at or around the con for the entirety of all four days. On Friday and Saturday the screening rooms that showed anime and old shows and movies were open until three in the morning and there was a big room on top of the Hyatt called the Hospitality Suite where they put out free sodas, chips and candy. There was a decent amount of night time programming like the Masquerade, the Eisner Awards and a big dance party but we also just loved running around downtown San Diego.

The Gaslamp Quarter revitalization had started but there was still plenty of urban blight and the center city could be nearly deserted at night. That was how we liked it – we would explore empty buildings and sneak into parts of the Convention Center and surrounding hotels that we weren’t supposed to be in. My favorite spot was opening an access door to a section of the ventilation system from the mezzanine. If you’ve ever been in the San Diego Convention Center this was just on the other side of the big blue tubes that stick out of the wall in the main hall.

I would always dream up pranks like getting a box of bouncy balls and throwing them over the main hall from the giant tubes but never actually did any of them. At fifteen years old just sneaking into all these secret nooks and crannies felt devious enough. I would bring friends from my High School and show them around all of these little spots when the Convention wasn’t happening also. Once me and my friend Brandi from The Singles managed to get inside between events and spend a few minutes roller skating the giant empty concrete slab of the main hall before somebody kicked us out.

On top of all this the late ‘90s was just a great time for comic books. There was a little bit of a “black and white explosion” going on but it felt more creative and less formulaic than the one that had followed the success of Teenage Mutant Ninja Turtles. Slave Labor Graphics was booming – Evan Dorkin’s Milk and Cheese had hints of the third wave ska culture we were all into, Jhonen Vasquez was just starting his goth classic Johnny the Homicidal Maniac and I got super obsessed with this comic Hairbat that never got a second issue.

Francois was making an independent fanzine called The Comics Review and I got to tag along with him while he interviewed Paul Pope from THB and Stan Sakai from Usagi Yojimbo. Wendy and Richard Pini were reprinting all of their hard to find Elfquest books and had just started up Warp Graphics that eventually spread the franchise too thin but it started out strong. Vertigo was still putting out stuff we liked and Sam Keith’s The Maxx was a cartoon on MTV and we were teenagers and lots of cool comics were coming out – Bone, Stray Bullets, Beanworld, I could list things off all day.

I used to bring a white t-shirt and embroidery hoop to the Con and get all my favorite artists to sign and draw sketches on it. The hoop allowed me to pull the fabric taut in small sections at a time so it was almost as easy to draw on as a flat piece of paper. In the year that Neil Gaiman and Dave McKean were promoting the book Mr. Punch, Neil drew a quick portrait of the titular character that he seemed to think came out a lot better than his drawings usually did. Looking at other sketches of his online I’m inclined to agree but my mother washed the shirt behind my back and he was the only person that neglected to use a waterproof marker.

It’s possible that I made it to every single Comic Con from 1992 to 2006 but I remember 2002 as a year of big changes. I had always attended the festival as a straight edge teenage geek but this was my first time in full partying drinking and hard drugs mode. Me and all my friends had a tradition of gravitating toward the big “C” outside the Convention Center when we were looking for people to hang out with. This is where this picture would have been taken but it isn’t from 2002 – it might be 2003 or 2004.

I am holding a plastic pineapple which despite being completely obvious allowed me to constantly drink in public without attracting any negative attention.

I didn’t get into it until I moved back in 2001 but another thing that went through a “golden era” in late ‘90s San Diego was street drugs. Methamphetamine hadn’t become as ubiquitous as it is now, although there was plenty of it around, and all the Mexican heroin dealers still sold tiny bags of near pure cocaine for shooting speedballs. For those readers who haven’t tried it an intravenous shot of cocaine delivers an intense euphoric rush where time seems to stop for a moment then all sounds take on a metallic echo like they were being processed through a flange pedal.

I wouldn’t recommend it and I’ll most likely never do it again but it was a ton of fun in my early twenties. Especially coming from Chicago where the only thing available was crack and I had to cook it down with lemon juice, having constant access to cocaine so pure it would dissolve the moment it touched water and you could taste it in the back of your throat like silver was certainly an experience.

I would have either made myself a counterfeit pass or asked people that were leaving if I could have theirs – this actually was a solid method of getting one in the early aughts but the last time I tried around 2014 or so it was nearly impossible. Anyway I spent at least as much time chasing down drugs and alcohol as I did at the actual convention this year if not more.

The thing about injecting cocaine, with or without heroin, is that it makes you really want to inject more cocaine soon afterwards so I would have been spending a lot of time in the bathrooms. This is what I clearly remember: arriving early one day and riding the escalators to the upper floors to slam a speedball in a toilet stall. Still rushing I wander into a panel for the new Muppet movie Kermit’s Swamp Years and pop open a tall can of Steel Reserve. The first sip, combined with lingering nausea from the intravenous cocaine, causes me to rush over to the trash can and loudly vomit into it.

I get kicked out of the Muppet panel.

Over the years a list of “must see” panels and presentations started to grow as people from our friend group showed each other their favorite bits of scheduled programming. One of these was called Starship Smackdown and it was basically a fantasy league tournament for imaginary dogfights between space crafts from a range of sci-fi books, shows, comic books and movies. A rotating cast of moderators wrote the names on a dry erase board and presided over a group discussion of who would win each matchup until there was a single champion.

To give a very general idea it would be stuff like the Winnebago from Space Balls going head to head with the actual Millennium Falcoln from Star Wars.

Another popular one was called the Klingon Lifestyles Presentation – a group of cosplayers that created a community theater troupe around the fictional Star Trek race. The sci-fi and fantasy landscape was especially lacking in diverse characters at the turn of the millennium but Klingons offered a way for Black and mixed race fans to depict a group of characters that were faithful to the source material. They wore the costumes and forehead prosthetics of the version that started with Star Trek: The Next Generation and created a fictional ship for all these scenes to play out on called the VSS Stranglehold.

On this particular year I would have been fairly drunk and fucked up on drugs by the time this performance was happening. I noticed a couple of young teenage girls in full Klingon getup and made a crude joke:

Check out the Klingon jailbait!”

One of the older cast members, quite likely an uncle or even father, pointed his blaster pistol at me in what seemed like genuine anger:

Watch your tongue you Terran Dog!”

I was impressed by his ability to chastise me without ever breaking character.

I’ve mostly been writing about getting drunk and high and being an asshole but there was definitely a lot going on with comics this year that was exciting as well. A lot of the Fort Thunder artists wouldn’t be published on anything with an ISBN number for a couple more years but there was a lot more awareness of their work and screen printed mini comics, posters and calendars were starting to pop up in places like the Giant Robot booth. Highwater Books had been publishing stuff from some Fort-adjacent artists with more of a twee style: Ron Regé Jr., James Kochalka and Jordan Crane.

I’m not 100% sure but I think 2002 was the year that Paper Rad sent out the “peace envelope”. I don’t know if there is an official name for this object but it was a folio size Manila envelope that was spray painted with stencils of hearts and peace signs and probably some other things I forget. It was filled with a selection of zines and mini comics in a wide variety of sizes and colors – stuff from the members of Paper Rad, Dearraindrop and I think CF and Keith Waters, though I might be wrong on those last two.

As far as I know these weren’t available for sale anywhere but had been sent out with a friend in the underground comics scene to be passed out to mutual acquaintances. I know that I got mine when I passed by a booth like Fantagraphics or Drawn & Quarterly and somebody recognized me and grabbed me one from under the counter – not that there would have been any popular demand for their work at this point. As always if anybody reading knows anything more about the object I’m referring to I’d love to hear it.

The most exciting new discovery for me at the 2002 Comic Con was definitely Junko Mizuno and her Cinderella paper back. Her drawing style is generally referred to as “gothic kawaii” but beyond the dark and erotic elements my favorite part was the way her work synthesized the aesthetics of vintage Sanrio, Strawberry Shortcake and the entire spectrum of consumer goods that were marketed to adolescent girls in the ‘70s and ‘80s. In a rare situation the English language release of Cinderella is actually more definitive than the original Japanese one because Mizuno got to have greater control of the colors and printing style – she went for newsprint and four color process for a vintage Western comic book feel.

I was going through a bit of an obsession with the aesthetics of cuteness myself – collecting all of the vintage Lisa Frank gear I could find and hunting for pink and purple apparel with images of unicorns. It’s been crazy watching the proliferation of unicorns and rainbows on every product imaginable in the last few years because in 2002 that kind of stuff was not easy to find.

My outfit for that year’s Comic Con was a white hospital gown layered with a reproduced unicorn tapestry, brightly colored scraps of tie dye and hand sewn prayer flags in a psychedelic style. My friend Joy had given me a single arm guard from a Rainbow Brite costume and I safety pinned on some of the plastic jewelry that came with the same Glitterator that had filled me with anti-Christmas angst as an adolescent.

The things that made Comic Con exciting in the early aughts were a little different from the things that made it exciting in the ‘90s and every year it felt a bit more commercial and mainstream. The last time I went was with LaPorsha in 2014 or so. It was a lot harder to bum passes and the Convention Center had not only been expanded but a special section was added with promotional inflatable funhouses for Adult Swim and The Smurfs movie. We had a good time and ran into Jesse Camp but a lot of the old magic seemed to be gone.

Still I was surprised to learn that things like the Klingon Lifestyles Presentation are still happening every year. It wouldn’t be this one but some year in July I just might make it down to San Diego to check it out again.

If I ever make it look for me under the big “C” where the cars pass in front of the Convention Center.

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San Diego 2000 : “I Put That Baby Where The Sun Don’t Shine”

Writing all of this stuff out has done wonders for my memory. There is a borderline magical concept in the book Little Big by John Crowley called a “memory mansion”. The idea is that if you visualize your memories as an imaginary structure of some kind it will help you retain memories, make hitherto unseen connections, bring back forgotten details and even do a bit of divination – like if two walls are actual memories but the corner where they meet is something you’ve never experienced or been aware of you will acquire a sense of this thing because there needs to be a corner there.

I’ve never consciously attempted this but I did read the novel very young and several more times in the intervening years. I think my memory just kind of works in a similar fashion naturally – maybe everybody’s does, I’ve never actually lived in another person’s head. I’ll be looking for some music to play on a road trip and suddenly remember seeing an ad for the Lida Husik album Fly Stereophonic in this free electronica and rave culture magazine called Sweater way back in High School. We didn’t end up actually liking that album for that drive right then but her earlier one Bozo turned out to complement the empty Northern California streets perfectly.

Anyway in one of my earlier pieces I only vaguely recalled the timeline of when I started drinking alcohol but after spending so much time focusing on that era it has returned in perfect focus. It was Summer of 1999 and me and Francois had just driven to Chicago with this guy Andy Robillard we had met in the Balboa Park pickup soccer games arranged by Pall Jenkins from Three Mile Pilot. We had moved into an empty room with Brandi and her goth roommate at the time Kelly.

This girl Shana who lived on the other side of the brick building was having a Rock Star themed party. Her apartment was accessed through a different door and staircase from California Avenue but around the back by the El tracks the wooden porches were all connected. I had a huge crush on Shana and didn’t bother to hide it to the chagrin of her boyfriend who made enhanced CD multimedia content for bands like Cheap Trick and gave me my first stick and poke tattoo. It’s a bad habit of mine – at least I’m married now so whatever little flirting I still do has a safety on it.

I had decided that this party would be my first time getting drunk. Francois had put on loose camo pants and done heavy makeup to go as Maxim Reality from the Prodigy Breathe video. I was Iggy Pop – I had one of those platinum blonde ‘80s rocker wigs and was super proud that I could squeeze into Kelly’s black vinyl pants. She had a medical condition that prevented her from developing any real fat or muscle tissue and weighed less than a hundred pounds. I had gone through a patch of manorexia – I weighed 150 pounds when I was 14 and always wanted to get back to that number (I never actually did) and shaved all my body hair for a bit. I guess most guys look forward to puberty but I wasn’t having it.

I think I probably ended up drinking Bacardi and Coke but the more memorable part was that I ended up making out with a girl called Fashion Julie who went to the Art Institute. Outside of a brief relationship (2 months 14 days) when I was 15 romance had been a dead end for me. I was too socially awkward and didn’t have the confidence to ever make a move. I noticed immediately that alcohol seemed to solve that problem although it wasn’t exactly reliable.

She told me that she was into the rave scene. I invited her on a date to go see either Physics or Aspects of Physics at the Fireside, I thought the music would be somewhat similar to what she was into but it wasn’t at all. She invited me to a Rave at a closed down Roller Rink on the far South Side. Delta 9 was performing with a trumpet player and looped projections of exploding robots from Sci-Fi movies. She started making out with some guy who gave her ecstasy. He was going to give her a ride back to her dorm in the Loop, I tried to get her to convince him to drop me off at the Blue Line on the way but he wasn’t having it. The rave ended and I walked the streets until the trains I needed started up again.

Anyway the fact that I was no longer a complete teetotaler shaped my experience back in San Diego for the Summer of 2000 in numerous ways. First off there was a girl in town who had had a crush on me for several years but I always insisted was too young – a glasses and pixie bob solve mysteries and babysit type. She had just graduated from High School so I decided the age gap was doable now and started seeing her. I shouldn’t have – I wasn’t totally comfortable with her youth so I refused to remove any clothes while we were making out. We always ended up in a reverse John and Yoko – she was naked but I’d be fully clothed.

Eventually I noticed that this guy in the indie pop circuit seemed like he was actually in love with her so I told him that they should be together instead. He got mad and told me that that was disrespectful, I popped a switchblade on him and made vague threats because I thought it was funny. She broke up with me over the phone when I got to Chicago and they’ve been pretty much married ever since and have kids. My instincts seem to have been more or less correct but that doesn’t mean I wasn’t being an asshole and shouldn’t have played with her heart like that.

I also started spending a lot of time and generally behaving like a pirate with my friends Badger and Ben Jovi. They had gotten into a thing they called “Chicken Burrito Madness” where they would shoplift an entire shopping cart full of fancy food and expensive liquor. I was supposed to run distraction most of the time – Badger told me to drop a giant jar of pickles but I found that asking for help finding obscure vegetarian or ethnic products seemed to do the trick better. We would get drunk, cook fancy steaks poorly and end up sword fighting on an almost daily basis. I remember going to visit my teenage girlfriend at a friend’s house and them insisting that they hosed me down before I could come inside.

Badger had been dating this girl named Martina for a few years. Leather hat, summer dresses and pickup truck with a dog kind of girl; she looked like the sort of woman that Lee Hazlewood would record an album in Scandinavia with. She had this “I’ve always relied on the kindness of strangers” kind of vibe where she would play up being small and helpless to get men to help her with things. Or maybe that was specific to me and my friend Paul – I never did see her doing it with anyone else.

Anyhow she had somehow ended up owning a tiny houseboat in the Point Loma Marina and had convinced me and Paul to help row her out to it. She didn’t actually own a dinghy but she seemed extremely confident that nobody would mind if we borrowed one from the spot where everybody kept their dinghies. Me and Paul were less convinced but she could be very persuasive so we bent our backs and rowed her out to her slip.

There were four abnormally large dried out sea horses sitting on her boat when we got there. She said they hadn’t been there the last time she’d stepped aboard so we figured maybe a cormorant or other aquatic bird species had dropped them. Like they grabbed the sea horses when they see a flash of movement but realize it’s an unappetizing ridge-y mess of bone or cartilage once they get out of the water and drop it. I don’t know though – they looked like the kind of thing you would buy at a beachcomber shells and souvenirs store and they seemed so much bigger than they should have been.

Boats are weird – there’s nothing really at deck level and you have to go kind of down and in to get to the part you would usually live in. Martina lit a candle and I looked around a little bit, it seemed to only really be big enough to fit a mattress into. I’m really tall also, 6 feet and 5 inches so it’s not the kind of space I can ever really be comfortable in. We heard a bit of commotion above decks and had to come out to figure out what was going on.

Apparently somebody had tried to go home to their houseboat only to discover that some unknown ne’er-do-wells had absconded with their only dinghy effectively trapping them onshore. The man had found a neighbor to take him around to all the different slips to discover who had made off with his property. Martina maintained that it was no big deal which did very little to placate him. He had the beard and bald spot hairstyle of Will Oldham but it wasn’t red and he was a bit on the older side. He made a few thinly veiled threats:

Your boat could come untied and drift into someone else’s creating a lot of damage that you would be liable for legally. These things happen out here!”

Him and his less irritated neighbor talked about tipping us over or just leaving us stranded on Martina’s boat but the other guy’s demeanor pretty much gave away that none of that would be actually happening. They deposited us back on the docks because anything else could become another headache for them later and rowed away with a stern warning to not be helping ourselves to anymore unlocked dinghies. I don’t think Martina lived out there for very much longer – the boat was in pretty bad shape anyway. She stopped renting it or sold it to somebody else or it just sunk and she walked away from it.

A little bit later her and Badger were living in Encanto – a hilly low income and mostly Black neighborhood along the 94, the then youngest of San Diego’s freeways. One day she asked me if I would dig a hole for her and I actually love digging holes. She drove us in her pickup truck to a bit of no-man’s-land where I dug a decent one at the base of a gigantic white and black eucalyptus tree. She deposited a small red velvet pouch and I asked her what was in it and she said “Badger’s Soul”.

I figured that it was probably drugs or an old love poem he had written or some other kind of sentimental knick-knack. I was musing about the question aloud in the presence of Lil Four one day and she stared at me in shocked disbelief:

You don’t know what was in there!? Everybody knows what was in there! It’s Martina’s fucking miscarried fetus! She was keeping it in the freezer and talking to it and shit!”

The revelation changed me. Ever since I’ve felt naturally drawn to some kind of combined psychopomp and gravedigger role. On some level I am just okay with people dying. When both of my parents passed I felt like it was my responsibility out of all my siblings to give them permission, to tell them it was okay and that nobody has to live forever. In my father’s case I had moved back in for a few months to help out as a caregiver and explicitly asked him if he had any fears or regrets the night before his final morning:

No, I’ve had a pretty good life and I’m all paid up for a bed burning.”

That last bit means that he had already contracted somebody for cremation services and paid in advance so we wouldn’t have to figure that out in the midst of morning. He was thoughtful like that.

There’s a Tom Waits song where he says “and I sleep with my shovel and my leather gloves” and a noise track called Shoveler’s Void on a cassette album by an outfit called Wretched Worst – those two do a decent job of summing up how I feel about the whole thing. I think it was part of my temperament and destiny even before this incident. In High School English class I animated the entire gravedigger scene from Hamlet and provided all of the voices.

I’m not sure if I’ve gone into it too much in any of these stories but I’m a rapper. I started in sixth grade when I wrote a rap song for my classes D.A.R.E. presentation but a super religious girl went home and told her parents about it who called the school and said they weren’t comfortable with their daughter rapping so my class had to do something else. This is the sort of thing I can barely believe actually happened but it did. The song was extremely wholesome:

Each day on the streets another life is ended. This could be stopped if these people were defended. If they knew what to do in this kind of situation. That’s why there’s Drug Abuse Resistance Education!”

Now that it’s all typed up I’m sort of bitter about it. It’s super catchy and extremely earnest sounding – my class should have blown away the assembly audience and then gone on to perform my piece at other schools and national conferences and shit. I’m sure that would have happened if not for that girl’s rap hating parents.

Anyway I was in a couple of ‘80s style party rap groups with two other women both times. I entered a Freestyle Rap Battle at City College and got second place but it actually wasn’t fair because the tagger crew that worked at Pokez started beefing with a rival crew and knocked over a lemonade cart giving my opponent almost 15 minutes to compose his riposte. Even though I was in second place they put a full color photo of me on the cover of the next City College newspaper and a tiny black & white one of the kid who beat me on page 8. The caption said “Nope! It’s not a protest!” because I guess I didn’t look how rappers were expected to look like in 2005.

Some people think Bleak End at Bernie’s is rap but it’s not. It’s Industrial.

So it’s Summer of 2000 and I’m at a party with Badger and Ben Jovi. It was at this kid Jon’s house who went to my High School and his parents were well-to-do College Professors and had a nice place by SDSU. I can’t remember his last name but I think it was hyphenated. Him and his best friend Ramon were really into The Beastie Boys and skateboarding and that sort of thing. There was a very classic DJ setup that Jon was spinning from – “two turntables and a microphone” like the popular Beck song.

Badger was trying to get me to rap all night, I guess you could say he was “badgering” me. I was getting progressively more drunk, not like blackout territory because I still remember this very clearly. Spicy. Mean spirited. Vindictive. Jon started laying down a rap beat for me and I started ripping into Badger about the fact that I had buried his unborn baby in rhyme:

I put that baby where the sun don’t shine.

I’m glad that child was no son of mine.

I put your baby underneath the earth.

I buried your baby what the fuck you worth?”

There was quite a bit more but I don’t clearly remember it. There might have been the odd slant rhyme and I wasn’t using a lot of polysyllabic words or doing the thing where there’s rhymes inside the lines instead of just at the end but it was all essentially sound. There were little slow parts toward the wind down where I’d go up to different girls in the audience and kind of take their hands and go:

Girl, if you miscarry it I’ll bury it!”

Sort of in the style of like a romantic slow dance sort of rap track. Badger was, I don’t know exactly what to call it, sort of thunderstruck or dumbfounded I suppose. I’d imagine he was feeling some mixture of admiration, shame and a kind of “press a button get a cookie” feeling surrounding having pressured me to grab the mic and start rapping in the first place. I don’t think we had talked about this topic before and I’m not sure if Martina had told him anything or not.

It’s extremely unlikely but I like to think he was reflecting on the parable of Jupiter and the frogs.

When I wrote about feeling comfortable as a psychopomp and gravedigger I’m sure I made the whole thing sound very healthy and well adjusted. And at this stage it pretty much is but there was definitely some darkness in learning that I had been an unwitting participant in the internment of human remains. I exorcised and unloaded that darkness onto Badger during the freestyle rap session, not because I thought he should have been the one to dig that particular hole but because it had to go somewhere.

There was a point earlier that summer or maybe even before that when Badger and Ben Jovi were hanging out at a coffee shop in Hillcrest. There was a girl there who had just come back from Norway because she was addicted to heroin and her parents thought that would get her off of it. I guess my friends thought she and I were vibing. I was pretty oblivious to that sort of thing but I remember Ben Jovi making knowing eyebrows at me.

We all ended up back at her and her roommate’s apartment. Her roommate had constructed this crazy glass multi-chambered device for smoking marijuana that kind of looked like the play zones that people build for their hamsters and gerbils. Everyone else was smoking a little bit of weed somebody had but I didn’t do that yet. This new kind of gum with fresh breath crystals had been released that supposedly made visible sparks if you chewed it in the dark. Me and the girl went in the bathroom and turned off the lights to try it. I don’t remember seeing sparks or whether or not we kissed.

She showed me a copy of Emperor’s first demo tape that she had brought back from her time in Norway. The one with a many headed alchemical dragon illustration on the cover. The timeline seems a little off as it was released around 1991 but it looked legit enough. I was into Mortiis by then but hadn’t listened to any Black Metal yet and wasn’t aware of the connection.

She didn’t put it on. Ben Jovi disparagingly said that Emperor “sounds like a guitar and wind”. I really like their stuff now especially Anthems to the Welkins at Dusk.

When we ended up in her bedroom she told me that she had just had a baby but had to give it up for adoption and didn’t know how to feel about it. She put on the Belle and Sebastian Dog on Wheels EP and turned it up really loud and set it to loop. She undressed completely and laid down in her bed. Her body was covered with scars from injecting like mine is now. She told me to take off all my clothes and get in bed with her so I did.

She laid perfectly rigid, our bodies just touching at the calf and shoulder. She fell asleep like that and I laid awake all night listening to those four songs on repeat. By morning I knew all the words to every one of them and really liked the band. It’s been almost a mark of shame ever since – that I’m a Belle and Sebastian fan. A lot of people will look at this and think that she wanted me to initiate sex but I don’t think she did. I think she didn’t want to be alone.

I would run into her on the street sometimes when I started using the same drugs. She had lost a lot of weight. I heard that something was wrong with her heart and a doctor had told her that if she didn’t stop injecting cocaine she was going to die.

She didn’t stop injecting cocaine.

https://zerstyrschonheit.home.blog/

Chicago 2001 : “A Chicken got Ducks so if a Rattlesnake Bites it Don’t Die”

It may not be immediately evident based on his earlier appearances in these stories but Justin Two, or J2K, was a man of taste and culture. You couldn’t really watch movies on the internet in 2001 and if Netflix had started mailing DVDs to people we weren’t in on it. You had to go to a shop called Lost Weekend to rent the hard to find auteur stuff unless the library had bought it. J2K was really into the movies that Warren Oates had made with Monte Hellman, especially a brutal piece called Cockfighter.

I just watched it again with my wife because it’s free with ads on the Fox-owned Tubi and it went pretty much how I remembered it. All of Oates’ characters from the ‘70s embody this deeply broken but self sufficient form of masculinity. Like a car that would never pass smog, makes horrible noise and is unsafe for every other motorist on the freeway but technically speaking the engine does run. Something in that spoke to Justin, I had never met his father but I know he was an IV cocaine addict during Justin’s childhood and most likely a less than ideal caregiver.

There was a concept we would talk about a lot called “heroin quiche”. Basically he wanted to take the populist appeal and social acceptability of pot brownies and translate it into something a little more elitist and idiosyncratic for heroin. Heroin would taste absolutely vile in a pastry setting but the lack of oral bioavailability would be even less forgivable. Morphine comes in pills or low potency teas and resins from the actual poppy so there are reasons to swallow it. The same is by no means true for any regional variety of heroin.

What J2K dreamed up instead was taking a canoe trip down the Chicago River to cop dope at CabriniGreen. The infamous housing project was within walking distance of the Red House but accessing it by foot, bike or motor vehicle was practically begging for a police shakedown. Squad cars watched the ingress and egress points and made their quotas like it was a grunion run. J2K’s idea was actually brilliant while embodying some of the lovable zaniness usually reserved for alcohol, marijuana and psychedelic drug stories even if it wasn’t practical enough for daily use.

I had been to the Green once or twice before with Justin when all of the West Side spots were mysteriously empty and we decided to risk it. On my first visit I had heard somebody yelling “loose squares” and nervously asked Justin if he was talking about us. I thought it meant “there’s a couple of nerdy white guys running loose, somebody come rob them or sell them drugs!” J2K laughed and explained it just meant that they were selling individual cigarettes. That should show you how green I was and he wasn’t – not that it ends up being too significant in this particular story.

We drove up North and found a canoe rental spot somewhere around Roger’s Park or somewhere similar. For whatever reason the spot that rented out the canoes wasn’t right on the River. We had to load it onto the roof rack and drive a little ways until we got to a Park with a boat ramp. The canoe was light and made of aluminum so we didn’t really need the ramp but the Park was accessible by transit for Justin to come back for his White Bronco, that part was important.

Spring must have just started happening because we had a dead raccoon named Chauncey in our freezer who we had found frozen on our block of Armitage. I feel like this canoe trip was around the time of the Red House party where we used Chauncey’s stiff but surprisingly high torque corpse for a variation on “spin the bottle”. It wasn’t full on Summer yet because the beginning of Summer was when Matt and I had the pretend “feud” where he cut Chauncey’s head off and left it on my bed.

The whole thing started when me and Francois had decided to piss into an empty Miller High Life bottle then twist the cap back on and put it back in the fridge. Francois had made the essential innovation of adding a splash of real beer to the top so it would still appear fizzy. John had actually been the victim of that particular prank. Francois saw him grab the last actual beer then look around for watching eyes and greedily slide the cold piss bottle under his 19th Century style cape. He took a sip when the real one ran out and asked J2K if he thought it tasted weird. Justin took a big swallow and immediately spit it out in cognizant disgust:

That’s piss!”

After this rousing success Francois and I decided to escalate. We mixed up a big bowl of chocolate pudding in the kitchen while loudly and conspicuously yelling that nobody else could have any and it was just for us. I’m not even going to write what we put in it because if you haven’t already guessed you’ve got much larger problems than a plot hole and should probably talk to a professional. Anyway it was Matt who fell for the bait this time.

He ran into the kitchen and stole the pudding from us and then he had a grievance.

Strictly speaking this grievance should have been with me and Francois but I don’t think Matt felt like he knew Francois well enough for this type of juvenile feuding. I came home to some different feces resting on my pillow on one of the four or five plates we actually had in the Red House. I ran into the Pigeon Coop and threw the plate of feces where Matt and his boyfriend Joe were sleeping. Soon after I woke up to Matt standing over me holding the recently severed and suddenly room temperature head of Chauncey the raccoon.

I snatched it up howling in indignation and chased Matt down to some isolated corner of the house. He quickly placated me by proposing that we keep the feud going solely as a pretense for getting some of our other housemates caught up in the “splash zone” of collateral damage. It had pretty much run it’s course at that point anyway. We had covered the main bodily secretions, the acts of eating and drinking and the decapitation of wildlife. The only space to really escalate would be tricking somebody into intravenously injecting something unsavory and we were all doing that several times a week anyway.

Back in the canoe drifting lazily through the Northern reaches of the Chicago River the weather was absolutely beautiful. All of my future excursions on the River took place South of the loop and the water was always polluted to the point that weirs would contain an assortment of regular street garbage or thousands of unused white tampons. I’m not sure if this is because these trips took place at least six years later or those parts of the River were always more polluted or some combination of the two.

In 2001 the water was clean and sparkling with midday sunlight. We passed ducks and Canadian Geese, we glimpsed large fish through the water and passed a Great Blue Heron who was scanning the shallows in patient concentration. There weren’t really any other moving crafts on this part of the River but the East Bank occasionally had small decks and sets of stairs leading up into the trees and wooden boats not much bigger than the one we were sitting in. I thought about the fact that I had probably biked, walked or ridden in a car or bus on whatever street was opposite the row of houses that these decks would be attached to.

One of them had a row of colored lanterns that immediately and continues to remind me of a full page illustration toward the back of an early issue of Eightball on the topic of hedonism.

We had stocked up on snacks for our voyage at some kind of dollar store. Pretty much just the rectangular packs of cheese and peanut butter flavored cracker sandwiches. There was a short lived and probably unsuccessful line of G.I. Joe branded artificial juice beverages that came packaged in army green plastic bottles made to look like military canteens. I think they were already on the kind of clearance that allowed us to buy several for a dollar. We had tied a rope around the plastic bag full of them and were dragging it in the water behind us to keep them cold.

The River started to get wider and more industrial as we got closer to Cabrini-Green. There are a few landmarks around that section of North Avenue that I can’t strictly remember if they came before or after our landfall so I’ll describe them here. The rusted out old cantilevered drawbridge that sits above the old Green Dolphin Street jazz club. The chunk of cement called Goose Island that was already the home of a popular brewery. This bar on North Avenue that I believe was already shut down with a big River deck decorated with mannequins, junk sculpture faces and signs that said “LOOK!”

We tied up under a bridge and pulled the canoe out of sight where nobody could see it. This put us in a position to climb through a broken fence and access the housing project without crossing one of the major streets that would have attracted police attention. Justin had friends in one of the high residential towers so we made our way up the terrifying cement staircases with missing light bulbs. Justin’s friend was of mixed Black and Irish descent – he wore his red hair in the twin French Braids that signified “OG Gang Banger” at that point in time. He used to be a big time drug dealer but now him and his old lady were just dope fiends.

They weren’t trapping, she grabbed our money and went somewhere else in the towers with the promise that she knew the best thing going.

This was my first time in this kind of apartment and there were a few cultural signifiers I was seeing for the first time. The coffee can full of congealed beige bacon grease. Tiny pieces of devotional art – mass produced images of adult white Jesus or a more Eastern European looking Madonna and Child. Some of the walls are made of absurdly thin particle board and some of them are the cement walls of the tower itself – stenciled with letters and numbers and looking like they could withstand a grenade blast.

Somebody had a country cousin visiting who went by the name “Brother”. He didn’t have a shirt on and was missing most of the incisors on both his upper and lower jaws. He was extremely impressed with the fact that we had arrived via boat. He said that he wouldn’t be caught dead in one himself because he had never learned to swim. He really wanted to teach us about some lesser known anatomical curiosities concerning the common chicken.

According to Brother a chicken’s blood moves not through veins but rather through similar but less efficient structures he referred to as “ducts”. To add to the confusion he generally pronounced this word as if he was saying “ducks”. Apparently this made chickens nearly immune to any form of toxin that is introduced via the circulatory system:

A chicken got ducks so if a rattlesnake bites it don’t die!”

Around this time Justin’s friend came back with our bags of heroin. I wasn’t actually physically dependent or in any sort of withdrawal at this time but an addiction to heroin basically boils down to being addicted to the positive feelings that come with pulling off some light problem solving. We had approached the problem of acquiring drugs in a unique and clever fashion on this particular day so our brains were especially generous when it came time to hand out the reward chemicals. Whatever went in our veins after that was icing on the cake.

She had also bought some crack for herself and started to smoke it. Me and Justin tried to hassle her for a tiny hit and she told us to fuck off and if we wanted it we should have bought our own.

We floated down the stairs, into our canoe and down the River. There was a paddle for each of us but we didn’t have to use them much even before we were nodding out. Now the late afternoon hours were reaching forward into the kind of long shadows that would be quietly stretched out into darkness. The River was changing, the streets and trains and highways were filling up with evening commuters.

The light that had danced across the water’s surface on the earlier phases of our journey was leaving – but ever so gently and not all at once

There was a metal bridge in the Northern Loop that had the metal grates that make a vibrating sound every time a car drives over them. From the water’s edge a tall staircase allowed us to carry the canoe all the way up to street level. I want to say that our canoe just drifted into the bottom of that staircase and came to a stop on it’s own but that’s not the way it happened at all. We knew where we were going.

I sat at the top of the stairs and waited with the canoe while Justin took trains and buses all the way back to the little Park on the North Side where he had left his White Bronco. This probably took a fairly long time but I wouldn’t have noticed. It was my first year ever of IV drug use – I was a parking meter filled with so many quarters you could build a little house. It was completely dark when he finally pulled up.

Justin had heard somewhere that you should put large heavy rocks into the downriver nose of the canoe to help make sure that it wouldn’t drift off course. We had done that but by then we had both forgotten about it. When we flipped the canoe onto his roof rack the rock fell out and made a spiderweb crack in his otherwise perfect windshield. I laughed because I was an asshole and because Justin Two was just born for physical comedy in the same way as Chris Farley or Buster Keaton.

We went home – back to the Red House where Francois lived in a tent in the living room and opened the flap during the day to play RBI Baseball on Nintendo with people and Jamie lent me his ID to go to shows I wasn’t twenty one yet for until I got it taken away and Andy made things for Art School out of condoms and rosaries and syringes and Robyn would have sex with me on the bathroom sink while yelling through the door to John that that wasn’t what we were doing and Kiki lived behind a curtain on a section of the second floor with a sink and me and Justin lived in the basement and the basement was haunted.

https://zerstyrschonheit.home.blog/

Chicago 2001 : 9/11 Part 1 “The Attack on America Tour”

There have been several points in my life where I’ve met people and immediately known the moment I set eyes on them that we are going to have a major impact on each other’s lives. It’s a bit like the concept of a Karass or Granfalloon in Kurt Vonnegut’s novel Cat’s Cradle – but I couldn’t say decisively which one. It has always been unequivocally mutual: me and these people might not end up wanting the exact same things at every stage of our often brief associations but we absolutely experience the same sense of gravity. It generally manifests as attraction of some nature but at its core it feels like some personification of The Universe or Fate has placed tiny statues of us on the same chessboard for some hidden purpose.

The later iterations of this phenomenon manifested in the company of specific and detailed instincts. A silent voice from somewhere deep inside me offered a general warning against allowing things to move in a romantic or sexual direction. It never really made too much of a difference as I’m not really the type to exercise caution in matters of the heart but at least I had some kind of warning that I shouldn’t expect any happy endings. This first time I was running blind and for better or worse I ended up with the only boyfriend of my life.

Jordan was soft spoken and had dark eyebrows with matching close cropped hair. There was a single mole on his face and his brown eyes looked sensitive and innocent. He was a basic type of small town indie rock boy I see all the time but I’m not sure if I did a good enough job of describing it. Think plaid flannel shirts and long silences that are made to appear thoughtful but actually represent not knowing what to say. A faint smile the moment that the warming effects of alcohol begin to take hold and smooth away some of the anxieties that keep him interacting with the world as a spectator.

I met Jordan at a house full of good looking normie skater stoner boys that went to The School of the Art Institute of Chicago. He had been working as a baker and wasn’t quite the same type as all of the other guys he’d been living with. He was a couple years younger than me but I didn’t think about that as much as I probably should have. I was young myself, only just twenty one for less than even a month. I looked across the room and our eyes met and then it was already too late to change anything.

I talked to him about my theory of “urban shamanism” – the idea that overdosing on cough medicine created the same kind of synergy with a modern city environment that ethnobotanical drugs presented to the mountains and forests of Stone Age level traditional cultures. He must have liked the way I made it sound because I ended up shoplifting a couple of boxes of Coricidin for us from the closest Walgreen’s. It would be my final baile with the blister packs – the mere sight of the tiny red pills would come to induce uncontrollable waves of nausea after this encounter had devolved into the resulting wreckage.

A DXM trip presents in stages. The first part is giddy with the general visual and auditory trappings of the more traditional psychedelics. We wandered into the simply named Occult Bookstore in Wicker Park and I scoured the shelves for a particular grimoire so obscure it probably didn’t even exist. At the Fireside Bowl I convinced Brian Peterson to let us spend a few minutes roaming around a concert I can’t even remember the genre of let alone who was playing.

We ended up back in Jordan’s basement room which was full of quilts and nice wooden furniture – it looked like the way I imagined the inside of Big Pink from the famous Bob Dylan record. The DXM trip was shifting into what I always referred to as the “featherweight ballerina” phase. Normally it made me feel light on my feet and somewhat otherworldly like I was living in an antique photograph. This particular time there were some unprecedented side effects.

The best way I know how to explain it is that the barriers that generally separate one human consciousness from another were suddenly and unceremoniously ripped away. Jordan and I seemed to be psychically connected and concepts like secrets, disagreements or even personal property had simply dissolved in the light of our intense and urgent newfound connection. As we stared into each other’s eyes I screamed out in frustration at a world of stories that had unforgivably neglected to explore the depths and contours of this new and unprecedented experience:

I hate every movie ever made!”

When we were finally able to fall asleep we shared his bed but had to separate our gangly frames – any physical contact felt like an electrical shock. This might sound like the kind of thing we would want to explore or experiment with but we actually recoiled from it. We held hands when walking after that but such was the full extent of our carnal relationship. We never once kissed or otherwise pursued the sexual or even romantic side of things. Writing this now I realize it sounds like we were actually friends but we weren’t. We were together, we were a couple. I mean we were kids with no idea what was happening but I’ve been married for ten years now and for the short time that Jordan and I were entangled it fundamentally felt the same.

I didn’t have a cell phone back then, I had never been in the habit of listening to the radio and I didn’t turn on televisions. The next morning was September 11th, Jordan had left at the crack of dawn to make bread so I went over to Dave, Meg and Vanessa’s Ukrainian Village apartment to get a couple more hours of sleep before I had to be at my Italian Cafe job. I woke up and the place was empty so I decided to walk over to the house full of hardcore boys that had played against El Rancho in the Softball Game. I think they called it The Midtown Chess Club.

As I made my way up a side street the neighborhood was particularly animated. Everybody was sitting out on their stoops and balconies and calling back and forth about “when the plane hit the building” and if everybody saw it or not. I figured that one of the Die Hard movies or something similar was playing on a local network television station and people were just excited to get a break from the soaps and talk shows.

I walked into the house and a TV was just on and tuned into the news. Everywhere I went for the next couple of days a TV would be playing like that – just going over the same things over and over until the News Anchors started to look sleep deprived but they just kept going. I saw the smoking tower and that it was news and it was real and America was under attack. Aaron Hahn and Sean Rafferty and whoever else came back into the room and silently stood there and watched it with me.

Somebody was supposed to be going to College but they found out it was closed. There was this irrational fear that any public gathering of two or more people would be targeted in another attack. People thought this in every small town across America that day and we were in Chicago – one of the biggest cities. I figured that I wasn’t going to be going to work.

Jordan and I had talked about the fact that I had been intravenously using heroin and cocaine and had decided that I should stop for a while. I hadn’t been doing it every day or anything like that but it did seem like a good time for a break. Then September 11th happened and I wanted to do something – anything – that felt familiar and normal and that was getting high. I took West Chicago Avenue under the Metra tracks and when I passed the Aldi by Kedzie I was in the zone. The whole city had shut down but the corners were business as usual.

I figured that Jordan was back from work early and I went over to his house. I told him that I’d gotten high but it wasn’t a big deal or anything. The TV was on and his roommates were smoking weed and making really stupid jokes about how the smoking ruins of the buildings were actually giant smoke sessions. Jordan and I decided that we should get out of town for a few days and made plans to take a train to Holland, Michigan and visit his parents for a little while.

There was a noise show I wanted to see at The Fireside that night. Thirteen noise artists were touring together in an RV and trying to play back to back 5 minute sets in the shortest possible amount of time. It was called Phi Phenomena on Wheels. It was actually a great lineup – there were really cool sets from Ortho and oVo and Temple of Bon Matin. Jordan didn’t like the energy and went home early. I forget who was up first but I remember the first thing that was said into the microphone:

This is the “Attack on America” Tour!”

In the constantly escalating transgressive world of Experimental Noise Music there’s no such thing as “too soon”.

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Chicago 2001 : The Red House “Is That Bunny Naturally Purple?”

The first girl that Justin Two brought home to the basement immediately imprinted on me and started following me around like a newly hatched baby duck in a cartoon. There are a couple of things about her I feel like I will never know for certain: I’m not sure if she was actually as much of an airhead as she presented herself as or if to some extent it was an act cultivated to appeal to the male gaze. Similarly I will never know for sure if she was actually infatuated with me or had merely grasped onto me as a means of escaping Justin Two’s “sex for drugs” transactional demands.

Her name was Sabrina but she was trying to change it to “Niaomi” pronounced kind of like the cute cat sounds that human characters make in anime. She wanted to move away from the “teenage witch” associations of her birth name because, in her own words, “they get burned” and her cultural background seemed to incorporate a heavy disdain for anything occult:

My whole family hates ghosts! They think they’re devils!”

There was a very tragic pet bunny living at the Red House called Bun-Bun, I think Kiki might have brought it home. Justin Two used to put in inside of a clear acrylic bread box and hotbox it with crack smoke. I feel guilty in retrospect that I didn’t stop him but it somehow never gave the thing a heart attack. Bun-Bun also ended up getting fed these bright red processed hot dogs that somebody had brought home a giant bag of. After that everybody who slept on mattresses directly on the floor would sometimes wake up to the rabbit gnawing on their fingers.

The poor thing was obviously starving and looking for the closest thing it could find to the meat it had become accustomed to. Eventually Bun-Bun developed one of the sizable tumors that white laboratory bred animals such as mice and bunnies seem to be especially susceptible to due to a general lack of biological diversity. I’d like to think that Bun-Bun was humanely euthanized but I actually don’t know – I just remember the tumor getting bigger and bigger then one day it wasn’t around any more.

Anyway Bun-Bun was dyed purple on the day that Niaomi followed me out of the basement and saw it scurry across the floor.

Is that bunny naturally purple? Does that mean that one of it’s parents was purple?”

I don’t think I actually made the obvious joke about Bun-Bun having a red father and blue mother, I don’t think I said much of anything throughout the entire encounter. That was how I constantly ended up in those kinds of situations, I never told anybody no. If someone decided to attach themselves to me and start following me around I always just let it happen. It wasn’t the best habit – it would lead to me having sex with people I would have preferred not having sex with and showing up at shows and parties with extremely sketchy random people from the street in tow.

Eventually I learned the very basic skill of establishing minimal boundaries with strangers and acquaintances but it took me a very long time – it wasn’t until after I was thirty years old.

On this particular day I needed to walk to the nearby DePaul University Computer Lab to check my e-mail and use the internet. Nobody at the Red House had a computer so this was one of our habitual excursions. The other one was going toward North Avenue to steal books from a Crown Books that seemed to exist in a state of perpetual disbelief that it hadn’t gone out of business yet. We would continue on to Wicker Park to sell the stolen books in the different used book stores then on to the West Side to buy drugs.

On one of the quiet tree lined streets I found an abandoned aluminum briefcase that had evidently belonged to some kind of doctor. The following exchange took place when I picked it up off the ground and opened it:

Is that your briefcase?”

“It is now.”

Are those your business cards?”

“They are now.”

Can I have one?”

“Sure. Here.”

Niaomi seemed to be glowing with excitement as I handed her the card as if it represented some token of my affection in an alternate universe where it could actually be used to contact me.

I’ll call you! You’re MY doctor!”

I didn’t have a phone. She knew where I lived. Back in the basement Justin Two had accepted the impossibility of creating any sense of sexual obligation in Niaomi and was smoking crack with her in resignation. She leaned over and shotgunned the hits into my mouth as a pretense for a kiss. I sat in the living room reading a Peter Sotos book as she snuggled against me in perfect contentment.

She disappeared back into her usual life and I never saw her again.

It seemed impossible that somebody who was more or less successfully navigating adult life could exist in such a state of naïveté without even an elementary understanding of cause-and-effect or the other laws governing the universe but there it was. In the sixteen or so hours we spent together she never once broke character or allowed the mask to slip. I’ve met other people with the “ditzy hot girl” persona in the intervening years but never again to such an exaggerated degree.

Our landlord lived next door to us and had introduced himself by showing up on the porch drunk and in a dress and pelvic thrusting as he delivered what we obviously took as a challenge:

Nobody parties harder than I do!”

We called him Party Sean but he would soon learn that we actually did. He could often be heard stumbling through the alley and talking about how he wasn’t usually so drunk so early in the morning. He had gotten some kind of a sweetheart deal on the house because the elderly couple that raised racing pigeons didn’t want to sell to anybody they didn’t know and apparently didn’t have kids to leave the house to. We represented an opportunity to start collecting rent without undertaking any renovations or improvements but he soon regretted it.

Justin Two had been driving through alleys at night to collect discarded wooden pallets in one of his many quick cash schemes. The pallet recycling center was closed or he ended up with a bunch that were the wrong size but for whatever reason he ended up just stacking them up around the back door of the house. I knew that change was in the air when I started to hear Party Sean and his lawyer discussing fire and liability in regards to the pallets. He had also kind of figured out that we were all on hard drugs and probably concluded that it was only a matter of time before we created major damages, a crime scene or both if he didn’t get rid of us. He vocally bemoaned his earlier decision:

I could have rented this place to a nice Mexican family!”

Midway through the eviction process I ended up taking acid for what was the first time in my life. I got caught in some paranoid thought loops and convinced myself that I had been roaming inside the house completely insane for months but none of my roommates had wanted to contact my family or the authorities about it. I walked up and down the rear stairs until time broke and I saw infinite copies of myself frozen into a kind of figure eight in every possible position ascending and descending the stairs and pulsing with all of the colors of the visible light spectrum.

I tried to lay on my mattress and force myself to sleep but the strings on my electric bass felt like writhing snakes that were shocking me with electricity. I ripped all of my clothes off but then immediately felt like I had to get out of the house so I pulled on the first thing I could find. This ended up being a pair of skin tight black jeans that had been airbrushed with graffiti style bubble letters from a San Diego Thrift Store. They said “BILLY RAY THE BANDIT” with a large microphone by the crotch and an image of Bart Simpson as a stereotypical pimp.

I wandered into Party Sean’s house where, true to nature, he was having a crazy party. He made a flourish to present me to his guests, a mostly younger Hispanic crowd:

Ladies and Gentlemen, Jim Morrison!”

I could hear people joking about how I smelled like crack (this wouldn’t have been true on this particular day) but I was too out of my mind to be bothered by it. Everybody was smoking weed out of an old school vaporizer where it sat on a tiny sculpture of a skull in a jester hat inside a glass bubble. They tried to show me how to smoke it but I couldn’t really figure out the plastic tubes and how you were supposed to put your finger over a tiny hole. There were platters of cocaine all over the place too but I wasn’t really interested.

Party Sean said he felt bad about having to kick us all out and I told him not to worry about it. I said we were used to it. Eventually the sun came up and I realized it hadn’t actually been months and went home. I wasn’t “out of my mind” tripping anymore but I was still tripping and I couldn’t sleep. I shot a bag of heroin but it didn’t seem to do anything so I immediately shot another one. I woke up soaking wet having evidently just overdosed on heroin while still tripping on acid and had just gotten narcanned.

Justin Two took me to a small neighborhood Carnival in Humboldt Park. I ate a coconut paleta and we rode the Ferris Wheel. We spent about ten minutes watching a snail climbing up and eating a yellow dandelion flower. Eventually I did go to sleep and woke up not on acid anymore but in another way it really does last the rest of your life like people say to fuck with you the first time you ever take it.

Everybody at the Red House spent all of their money on drugs and we all ate really badly. Once me and Matt found a dried out piece of cheese under the couch and we boiled it until it was soft then made instant mashed potatoes by using the water we had boiled it in as milk and the chunk of cheese as butter. Me and John found free passes to an early screening of A Knight’s Tale starring Heath Ledger. The movie theater exit passed through a kind of dry storage for it’s Concessions Stand and we stole two gigantic silver bags of nacho cheese that the house pretty much lived on. We ended up using that stuff to make instant mashed potatoes a lot, we kept it in the cabinet because it didn’t have to be refrigerated.

I can’t remember if Party Sean ever went through any of the official eviction paperwork. The pressure built up until he kicked in the front door and turned off the house circuit breaker and yelled that he would kill us if we didn’t leave. Nick and Janice had found an apartment just on the other side of the underpass that marked the beginning of the West Side open air drug markets on Chicago Avenue. We started getting all of our things together to move into this new apartment. A couple of Party Sean’s Goomba friends harassed us and made vague threats about how we and our parents would be “sleeping with the fishes” as we loaded everything into a car. I don’t think any of them were actually Italian.

I do remember one of my housemates rolling their eyes and asking one of our self styled intimidators:

How’s that Bud Light treating you?”

Party Sean’s lawyer came to all of our jobs to drop off subpoenas. I got mine while I was working at the Italian cafe on Wrightwood. Matt and Joe had broken back into the house to see if we had accidentally left anything important behind and found a Manila envelope full of photos of the house before the mess and superficial damage we had caused got repaired marked “EVIDENCE”. They took it with them.

On the designated day we all showed up in court. Kiki had forgotten she was carrying this cool skull shaped knife so security ended up keeping it. The judge told us all that it wasn’t legal for his lawyer to have served us all at our places of employment. Party Sean and his lawyer tried to talk about damages to the house but the judge said that the hearing was only concerned with whether or not we had surrendered the premises. Somebody handed over the last copy of a key. Janice raised her hand:

Your Honor, I don’t know if this means anything but I have a photo of our landlord wearing a dress.”

At the time I didn’t understand why she said that but I now understand how brilliant it was. Party Sean had presented himself as a fellow resident of a lawless world of hedonistic opulence then turned around and attempted to weaponize his asymmetric power in the waking world of respectability. He didn’t show up at our front door in a dress as an expression of fluid gender identity but to signify that he was a “wacky” drunk.

The judge had just told him in no uncertain terms that he wouldn’t be able to lay a finger on us legally and Janice took the moment to remind him who he was.

I don’t know what happened with the house next but if he didn’t die young he probably made a decent stack of cash on it. I’m trying to remember his face – he was probably just hitting forty and looked a bit like a red haired Robin Williams.

I’ve met a great number of people who partied harder than he did but he did party harder (in the drugs and alcohol sense) than the only other person I’ve known with party in their nickname. Not in the knowing everybody sense though because almost nobody knows Party Sean but there’s a good chance whoever’s reading this knows who the other person I’m talking about is.

It’s Party Steve.

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Chicago 2001 : Red House Recollections

I was trying to think of a title or pull out quote for this section but ended up with several in mind and no clear idea what the length or scope of this particular chunk of story will end up being. I guess I’m just gonna start writing and if there ends up being a best quote I’ll pull it out and stick it at the top when I’m done. I guess I’ll start with the needle exchange.

It wasn’t until we lived in the Red House that I even thought of looking for one. Everything that was self destructive experimentation at El Rancho became a lifestyle at the Red House. So I had already shot up on my second or third time trying heroin, I can’t remember who exactly I got to show me how, but I figured that I was probably about to do it a lot. And I figured if I was going to be doing it a lot I might as well be doing it with clean needles.

I haven’t really talked or thought about why we started smashing up El Rancho or being so casual and careless about using socially stigmatized hard drugs but I think a huge factor was the way the police had treated us during Jamie’s overdose. We were used to getting in trouble for having illegal shows, trespassing, drinking in public, loitering, driving without the proper documents or a hundred other things. But in every one of my previous police interactions it felt like the under-text was “you’re a basically good kid but you did a stupid thing or got caught up or I just felt like fucking with you”. This was the first time, for me at least, that I felt the police looking at and treating me like I was less than fucking garbage.

I don’t know, maybe other people in the crew were used to that or had grown up with that but for me it felt like “fuck it, they already think I’m the worst piece of shit imaginable, it doesn’t make any difference whatever else I decide to do from here on out.”

Anyway I found an early website or list of outreach locations for the Chicago Recovery Alliance and went out and made contact with the silver box truck. I met Dan Bigg right away and connected with him on the very first visit. Dan was a giant in the field of harm reduction, he lost a friend to an opiate overdose in the early ‘90s and made it a personal crusade to discover a way that it could have been prevented. Naloxone was only used by hospitals and paramedics until Dan started finding ways to get his hands on the substance and put it directly into the hands of drug users in 1996.

There is no way to overstate Dan’s importance in the distribution and current prevalence of this life saving drug. He was the Dallas Buyer’s Club of making sure your friends don’t die. If you or a loved one have ever been brought back from the brink of death using naloxone, even if it was done by a police officer, I can say with 100% certainty that Dan Bigg played an instrumental role in ensuring that the drug would be there to save you.

With CRA he found overseas suppliers for the substance and carried duffel bags full of the stuff to harm reduction conventions to distribute to anybody who would take it. When Chicago authorities said that nobody could legally carry the drug without a prescription CRA hired their own doctor to write a prescription for anybody interested in carrying it. Mostly Dan was a teacher and role model, I will never forget what he said to me when I mentioned having a week of clean time:

Don’t say that, if you did happen to be using right now that wouldn’t mean you’d be dirty.”

Dan died of an overdose in 2018. The street drugs that killed him combined heroin with methadone, a benzodiazepine and two different fentanyl analogues. While his work continues to save countless lives the side effects of prohibition might soon mean that not even naloxone will be able to reverse overdoses in many cases. Now that it is illegal for Chinese chemical manufacturers to sell any type of fentanyl even more dangerous veterinary tranquilizers like xylazine are popping up in street drugs.

When I first met Dan in 2001 he had been looking for ways to reach the younger generation of mostly middle class and suburban intravenous drug users. He asked me to help set up a focus group of other young users so I just got everybody I lived with and a few other friends to show up to it. We met at a diner called Sully’s and got dropped back off at the Red House with some naloxone kits, a box of clean syringes and a twenty dollar participation compensation for every attendant. There were a couple attendants who hadn’t actually used intravenous drugs before the focus group but everyone ended up trying it afterwards, at least once.

It seemed relatively safe and like it wouldn’t instantly destroy your life or get you addicted – I don’t disagree with either of those conclusions or see the deconstruction of negative stigma as a bad thing. I’ve lost more friends than I can count to opiate, mostly heroin, overdoses but I don’t think they are bad drugs. Pure heroin is actually the most benign of the recreational “hard” drugs when it comes to it’s effect on the tissues and organs of the body. The medical complications come from bad hygiene practices when it is used intravenously or from overdoses that are 100% reversible.

I see Prohibition and Stigma as the actual killers. Nobody can distribute the more benign opiates legally so only adulterated versions of the most dangerous forms are readily available. If a high functioning user has a job, family or community those people would view and treat them differently if they knew they used. So they keep it secret and nobody can save them in the event that they overdose. This is especially true if somebody is supposed to be in “recovery” and “relapses”. They don’t want to bum everybody out by admitting they are using again so they use in secret and bum everybody out even more by dying.

I’m pretty sure I was the first person that we ended up having to actually use the naloxone on. A bunch of people were sitting in Kiki’s room, talking and smoking. Nearly everyone was high but we hadn’t necessarily gotten high at the same time or from the same source. Jamie had actually caught the entire thing on video and it used to be online with my first and last name attached to it but I made him take it down because of my public school teaching career. My friends are all talking when they realize that I don’t appear to be moving or breathing. Somebody hits me with naloxone and Justin Two makes an urgent entreaty as I return to consciousness:

Ossian! Do you have anymore of that dope?”

It would happen several more times while we lived at the Red House. I’ve heard stories about people waking up angry, attacking the paramedics, that sort of thing but I’ve never seen it firsthand. I almost wonder if that’s just an urban legend thing or a form of mass hysteria like the cops who would “faint” after touching what they believed to be fentanyl. I do remember waking up with an intense urge to engage in a certain physical activity but it wasn’t violence. I told everyone that me and Robyn needed privacy to “talk about what just happened”.

CRA needed somebody in my age bracket to serve on it’s Board of Directors so Dan asked me and I joined. We met once a month to discuss the outreach locations and hours and other programs. It was mostly made up of older cats from the South and West Chicago Housing Project’s. There was a Puerto Rican guy named Jimmy who only had one hand and looked like he was either a burn victim or had really messed his skin up with an infection from injecting.

Jimmy actually sold heroin out of his Humboldt Park apartment, it was dark brown and about halfway between tar and powder in texture, not like anything I ever saw before or after. On my first visit they let me shoot up in their bathroom and his wife took off her nylons when I asked if they had a belt or tourniquet I could use. After that he always made me wait until I got home. His wife always told me that her cousin had been asking if I was married but I never looked into it. I should have met her at least, I like talking to people.

Dan and Karen Bigg lived in a nice apartment by North Avenue with a bunch of dried opium poppies in a vase on a console table the moment you opened the front door. I don’t think I ever actually saw further into the place than the hallway with the console table. I talked to Dan a few years later in 2007 when I was writing a piece about CRA in a community newspaper called The Skeleton.

It was about how the City of Chicago uses a method called “epidemiology” to determine HIV prevention funding. It means they base the funding on the number of new infections. CRA had successfully cut the number of new HIV infections in half so their HIV prevention budget got cut in half as well. With programs unfunded the new infection rate went back up again.

The article was called No Good Deed Goes Unpunished. I don’t have any copies of The Skeleton but I bet somebody does. I think there was another newspaper that came out after it called The Land Line.

When I went back to San Diego in late 2001 Andy Hyde took over my position as the youth representative of CRA’s board.

Dan’s death affected me somewhat differently than those of my many friends who have died the same way. I always feel frustrated because I know how preventable and reversible it is. It never bothers me that the people in question had decided to get high, I just always wish they had managed to do it around somebody who could keep an eye on them and reverse the overdose. I know it doesn’t always work like that, that you can fall asleep right next to a person and only realize that anything’s wrong when they don’t wake up.

When I heard that Dan had died it made me feel like I was holding a sword made out of fire. I haven’t done very much for harm reduction personally besides sharing information, talking to people who are isolated by their drug use or administering naloxone whenever I’m around somebody that overdoses. But it feels like my cause, I feel like a warrior in a conflict that is entirely legal and cultural in nature.

Dan was my commander, my idol and my friend. I don’t know if there is a secular version of sainthood but I think he should be canonized. Dan Bigg – the patron Saint of naloxone.

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Chicago 2000 : El Rancho Orphanage Part 10 “Mostly Because I’d Be Prostituting Myself To You For Drugs”

Justin One had been the first to bring heroin into El Rancho but he wasn’t trying to help anybody make a habit out of it. He had a basic understanding of how to drive to the West Side and cop and he gave Matt some crack he had lying around because he bought it on accident but only with a stern warning:

That stuff will eat holes in your brain like Swiss Cheese!”

Justin Two was fundamentally different. He knew the corners, crews and housing projects of Chicago’s open air drug markets the way that most of us knew the bands and labels of its regional hard core scene.

I’m not sure exactly how or when Justin Two showed up but I somehow picture him as coming from the basement. The basement was always essentially lawless: anyone could spray paint on the walls, smash bottles and old televisions or practice for as loud and as long as they wanted. By the time we were getting evicted somebody was trying to plug up the drain and run the water until it had become an incredibly filthy version of a swimming pool.

Obviously it is physically impossible for Justin Two to have set a single foot within the basement without first passing through the upstairs living area and establishing some form of valid reason for being there but that is where the recklessness and lifestyle that he represented found purchase.

Justin Two worked construction jobs and drove a White Bronco like the famous OJ Simpson one. Or maybe someone who was there will tell me that it was a similar looking but different car, I’m kind of face-blind and car-blind. He seemed like he had a rough urban poverty style childhood: He would talk about how his father used to be an intravenous cocaine addict a lot.

“Justin Two”

Justin Two was and is a conventionally attractive, classically handsome man but for reasons I never saw the bottom of he was only capable of approaching sexual relations from a purely transactional viewpoint. I have never seen him even kissing another person without first negotiating some kind of exchange of drugs or money. When we shared a basement at the Red House he would bring home girls from parties and I would fall asleep listening to him tell them over and over that they would owe him sexual favors if they smoked his crack with him.

It could certainly be argued that he had some form of a healthy prostitution fetish but I can’t help but think that some level of deep self loathing was also at play. On a night like many others we had been driving around the South and West sides, visiting various drug spots and consuming hard drugs. After a hit of crack he seemed to find himself in the desperate throes of urgent libido the drug is known to trigger:

Hey Ossian, if I bought you some more crack and some more heroin do you think it would be possible for you to fuck me in the ass?”

“No Justin, I think that that would probably be weird.”

Why would it be weird?”, he whined in a tone that was bordering on incredulous.

“Mostly because I’d be prostituting myself to you for drugs.”

The statement left little room for continued argument and the matter was not broached again, at least not with me. We continued to buy our own drugs or I bought them for him in exchange for a ride or he bought them for me when he didn’t feel like getting high in the middle of the night by himself.

I can’t remember if this was back in 1998 or one of my post 9/11 visits to San Francisco but I remember looking through a street level window in The Tenderloin and seeing a clearly lettered sign above somebody’s bed that very much reminds me of Justin Two’s attitudes on this topic:

ATTENTION: IF YOU ARE FEMALE AND YOU SLEEP HERE THEN YOU SLEEP WITH ME AS IN HAVE SEX WITH ME

I have talked about The Beautiful Mutants show and the post-Confederate Flag Burning house meeting but I need to touch on another watershed moment in the evolving El Rancho timeline: Jamie’s overdose. Jamie was almost always drunk, had a Mohawk and usually wore a blanket so there were a lot of stupid jokes comparing him to a Native American. I don’t know how much experience he’d had with hard drugs before the Winter of 2000 but once it started going around he was getting in on it.

It was only a matter of time until somebody was going to do enough dope to stop breathing and that ended up being Jamie.

We didn’t know about how you’re supposed to say somebody is “not breathing” instead of spelling out that it’s an overdose on the 911 call. We hadn’t made contact with the Chicago Recovery Alliance yet and gotten prescriptions for the life saving drug Nalaxone. Somebody in the house must have had an early cell phone because we didn’t have a land line. I think Kiki or whoever it was that called was still on the phone with the dispatcher when the cops kicked our front door in.

They didn’t care about whether or not Jamie was still breathing, they just wanted to catch somebody with actual drugs and arrest them. It seemed like they had been watching us for a while and anticipating just such an occurrence. While the female cop in the trio was tasked with the “grunt work” of individual pat downs her two male colleagues made themselves busy kicking the walls of our rooms down and spilling anything that was on a shelf onto the floor.

I just tried to look up the meaning of the Chicago Police Department flag and ended up on a website where the word “HISTORY” is spelled wrong.https://chicagocop.com/history/symbols/the-official-flag-of-the-chicago-police-department/. It gets a little more esoteric than I was expecting. What I’m trying to get at is that if one of the points of one of the stars is supposed to represent clear communication with the community that duty was not neglected:

We don’t like your kind of people around here!”

In large cities around the turn of the millennium it often felt like the only actual training the police had received was a steady diet of ‘80s cop and action movies where the punk rockers were always the bad guys. Andy Hyde had bright pink hair that wasn’t actually spiked but did stand up on the different sides of his head, a “SHUT UP BITCH!” T-Shirt and a pair of pants that lacked pockets and were held together by safety pins. All three of the cops had zeroed in on him as the obvious drug dealer in the room. They referred to him as “SHUT UP BITCH GUY” and took turns patting him down for drugs there is no plausible way he could have been holding unless they were in a body cavity.

Meanwhile Justin Two, clean cut and half Puerto Rican, was nervously pacing around in a black leather trench coat. I don’t think he was carrying drugs either but I was a bit surprised that they never even searched him.

An ambulance arrived and saved Jamie’s life. We never fixed the front door and it continued to flap open in heavy winds for the rest of the Winter. Most of the walls stayed knocked over and we slept in the lean-tos and open spaces that were left behind. Justin Two spent the rest of the night looking for a piece of crack on the basement floor that he had evidently dropped into the rubble at the moment of the raid, earning him the nickname hubba pigeon from an early internet list of hard drug related slang terms.

I want to say that this all happened before everybody went to California for Christmas but it just as easily could have been after the New Year’s Rave. I missed the Rave because I had stuck behind in California to go see Marilyn Manson in San Jose with Lil Four and Nick Feather. I was getting surprised before by how much had happened in a very short amount of time but now I’m having the opposite experience. I had thought that I had showed up on January 1st or 2nd of 2001 moments after the Rave but it turns out the Marilyn Manson concert was on January 10th.

I know that we broke a bunch of shit and got evicted some time after the Rave but it couldn’t have been in early January. I was underestimating how long we spent breaking and smashing every corner of the space until our landlord had no choice but to evict us. Now that I think about it we had to have been smashing shit for all of January and quite possibly into February.

I’ll get to it next time.

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