New York 2010 : The Tinies Chapter Three “I hear the sound of mandolins”

As I’ve been writing all of these pieces I’ve mostly been avoiding going into much detail concerning sex and relationships. I want to be respectful of my partners, both past and present, and I want to avoid anything that could reduce the people I’ve loved to a catalogue of conquests. There’s honestly no way to tell this story without describing what was happening between me and Skadi though so I have to at least try.

If I didn’t think every experience had elements of the universal I wouldn’t be writing these pieces at all but this bit may well be particular to me. For every new partner sex has been a new language I’ve had to learn. Patterns persist but particulars change, stresses move between syllables, entire phonemes may be inexplicably absent. Sometimes it unfortunately works out that there is no shared language at all – the attraction and desire will be there but our bodies simply refuse to communicate.

I don’t think Skadi and me ever found a shared language but beneath that was a primal sense of urgency. I don’t know if it had something to do with pheromones but it felt like nature was demanding that we be coupled and joined. As if the innominate spirit of our species was determined to see our genes combined and pushing us toward this conclusion with all the force of instinct.

I couldn’t have imagined trying to fight it.

It wasn’t like this immediately but rather something we discovered with time the more we gave in to it. Like twisting a volume knob only to discover that it has no limit and as long as you continue to twist the sound becomes painfully louder. In the end we were never able to consummate – the buildup and pressure was too much.

I’m getting a bit ahead of the narrative. I flew out to New York near the end of December with my mother and older sister. After my father’s death my mother decided to go to see her own mother one last time before the progression of her multiple sclerosis might make it impossible and her mother’s dementia less rewarding. We came along to help and of course I had made plans to travel with Skadi and Etain and play a short Northeastern tour.

We met up at a big New Year’s Party in a pair of neighboring Brooklyn punk houses. Skadi and Etain had told me about how these two houses always went all out to decorate for complementary themes. This time around it was Heaven and Hell – severe lighting and construction paper flames in one house while the other was full of crosses and white balloons. I had brought along my sister who is not a natural at parties so most of my night was spent looking after her.

One or two days after the girls picked me up to drive to our first show in Baltimore. I always played at America in those days – a slowly growing West Baltimore warehouse run by a dude named Door. I didn’t include this detail in the Living Hell chapters but there’s an anecdote from that tour’s Baltimore show I’m really fond of. It would help if I explained that Door and I are both tall and were wearing lots of eye makeup circa 2007.

Anyway that night on the Living Hell tour we either didn’t play on the bus or split the show between the bus and a brick and mortar venue. Wherever it was you walked up some stairs to get to the show part and I was sitting at the bottom to collect some money for the tour. This girl came up to me:

I thought you were that guy Door!”

Without missing a beat I replied:

No, I’m the door guy.”

Hilarious, right?

Anyway Bleak End at Bernie’s was still a fairly new project but I had played at America once before when Rusty and Maggie Burke were doing a sibling noise project called Pandafax.

This time around the space had nearly doubled in size and we played in the newer half that was like a big loading bay. All three of us played our sets and it looks like Daren was in town to do Driphouse and Rusty had a thing called Heavy Necklace. I mostly remember hanging out after the music – the night was brutally cold and Door built a fire in the middle of the floor. He was still wearing a lot of makeup that year and either Etain or Skadi said something about me knowing “all the goths”.

He mentioned somewhere in the night that the sliding metal door behind us opened and we could even drive the car inside. Unfortunately none of us thought to take him up on it. We woke up at dawn to the distinctly personal sound of breaking glass. At the beginning of 2010 dedicated GPS units that looked like a tiny smart phone connected to the dashboard were still relatively common.

The one in Etain’s Jetta had been left so that it was visible through the window.

It was a perfectly horrible way to start the day. The window itself was probably worth more than the electronic device it had been broken to steal but most pressing was the fact that we would have to drive back to New York in below zero weather. I bought a roll of duct tape at a gas station and blocked off the window with a piece of cardboard so that the heater could warm up the inside of the car.

We rode back in awkward, defeated silence and somewhere along the way Etain told us she was done. The triangle had run it’s course – the feelings that brought her to tears in San Diego were continuing to amplify and the window was a literal breaking point. However the cross country drive without me had gone things were untenable for her now.

I had set up shows for us in Boston and Maine and Skadi still wanted to travel together and play them so she decided to drive just the two of us. It might seem like it would have made the most sense to plan out all the Northeastern dates as a couple to begin with but at the time we were all just swept up in it. It’s a testament to the power of whatever forces were pulling the three of us together that Etain was determined to see it through for as long as she was.

Things shifted when Skadi and I no longer had anyone to focus on but each other. On the road to or from Boston she took me to see the Nature Lab at RISD her alma mater. I wrote a piece about the circumstances surrounding a show I was supposed to play in Providence a week or so later called “show” cancelled.

Boston was more or less a pit stop to pick up Ryan Riehle on the way to Maine. We played in his basement and he built a fire in his backyard that we took turns riding over on the swing he had hanging from the tallest tree. Ryan was struggling with the ancient boiler at the heart of the Alston house and only a handful of people showed up.

The Maine show was at the Waterfall Arts Center in Belfast. I suddenly got a spark of recollection that I was with Skadi when I wanted to show her a video of Taboo on YouTube and the first one to come up happened to be them making fun of me for calling the police the last time I’d been in Belfast. I wish there was some way to find that video again but a lot of the uploads I loved to watch around 2010 seem to have disappeared.

It was a night of super groups. Chris and Bonnie had a project with James Lusardi and Grace called Evil Spirits. It was pure malevolent energy channeled through dual drum kits, most likely a guitar and bass and everybody on vocals. I used to piss off a marijuana grower I worked for by talking about the concept for a dark jam band called The Hateful Dead and Evil Spirits perfectly encapsulated the way I would imagine something like that sounding. I don’t know if anything ever got recorded with them.

Ancestral Diet was also playing. I could have sworn that this early incarnation included Dan Beckmann from Uke of Space but when I looked it up it said that the band was just Clay Camaro from Caethua and Andy Neubauer from Impractical Cockpit. I remember that Amy Moon was at this show and said that the way I screamed in my music reminded her of their infant son Olai. This was the last time I saw the Uke of Space and Taboo crews together before the lifestyle changes that accompany caring for a child caused them to grow apart.

Christopher Forgues was also in town and played the show as Kites. I think he was staying at RoHeGe while we went back to Chris and Bonney’s because I didn’t see anymore of him on this trip. It was the last time me and Skadi played a show together. She probably did her cover of the Swans ballad God Damn The Sun.

I wish it had gotten recorded somewhere.

I wrote a bit more about this visit in the recent piece on Taboo’s Wheel party. Chris shot some scenes for a most likely unfinished movie with me and Ryan and we helped him drag a piece of plywood across his yard for something. He fell to one knee while carrying it and we joked about how much it looked like the scene from Passion of the Christ when Christ collapses under the cross.

Me and Skadi never had a conversation about what we were but we did meet up for a day back in New York that both of us referred to as a “date”. I met her near Columbia University and we walked through the Freedom Tunnel until we found an exit near The Natural History Museum. This was the last day that everything felt bright – made of pure potential with no cause to worry about the future.

When I went to see her in Westchester County I knew that it was our last day. The magnetism between us had not begun to wane but she made a choice not to allow herself to be pulled because she knew I wouldn’t be good for her and there was a darkness and heaviness to everything between us. Maybe it’s not accurate to call it a choice – ultimately we all want what we want and act accordingly. We don’t get to decide what we want, we look inside of ourselves for answers that are already waiting.

Most likely it was as much of a natural reaction as the moment she suddenly slammed the door when we first set eyes on each other and I pointed a fake gun at her – just happening somewhat slower over a much longer period of time.

We wanted each other physically but the weight and expectation surrounding it were too much to contend with. When it came to the moment the parts in question simply refused to fit together. Relief came not from taking the physical to it’s logical conclusion but walking away from it – accepting that the reality could never live up to the pressure of anticipation and deciding not to do it at all.

We started to watch some videos on her computer instead. I put on David Bowie’s version of Wild is the Wind and Skadi couldn’t believe that the song actually says:

You touch me, I hear the sound of mandolins”

We started watching every possible recording – the original, Cat Power, Nina Simone – just to see how the different singers would contend with the unwieldy line. Every time the words were delivered Skadi would squirm in innocent delight:

You kiss me, with your kiss my life begins”

I never would have argued with Skadi about her decision not to pursue things further but I did not take it well. I think I resented the fact that she had the strength to resist it. It’s one thing when feelings are unrequited but it’s something else entirely when you know the other person is feeling the exact same thing and still decides against it.

It took me back to an experience in High School when I was still almost completely romantically naive. I’d been talking to a girl named Kendall. We briefly kissed in one of the Super 8 films I was making with my friend Tim. I felt something similar – a mysterious attraction that seemed bigger and more powerful than either one of us. She said she felt the same thing but still decided not to pursue it.

It seemed unfair.

The exact way it made me feel was betrayed.

Skadi and I continued to talk but not very frequently. When my travels brought me through the East Coast she’d come by my shows. In the Summer of 2010 we stood on a roof somewhere in Brooklyn and she told me the plot of the movie Avatar because she’d just seen it and I hadn’t watched it yet. I was wearing a long synthetic braid in my hair and she kept grabbing it to explain how the characters would communicate with the different dragon things they ride.

I just remember it because she seemed excited about the movie and I was still hopeless. The mysterious thing had not released it’s grip on me. I probably saw her some time in 2011 too but what I really remember is the Trapped in Reality tour in 2012. She came by the bar we were playing in Philadelphia and the moment I set eyes on her I knew I was finally free. It was humbling.

I would see Etain around the same time but separately. In the Summer of 2012 she was working in a boat motel somewhere in Far Rockaway. Our relationship began to take on the innocence and easiness that should have been there from the beginning. She says “I love you” when we talk now sometimes. It’s not always easy for me to say it back but of course I do.

I’m married now. Etain’s married. Skadi’s practically married though I doubt she’d call it that and I don’t really know enough to say. I thought that it was important for me to tell this story because it has characters in it that change but now that I’m telling it it’s more difficult than I thought it would be. There’s so much in it that I don’t understand – so many pieces that I simply don’t have.

I wrote a song about the whole experience with Lux while we were doing the band Voiheuristick Necromorph. I vaguely based it on the fairy tale of Snow White and Rose Red where I performed my part and Lux was supposed to be a fusion of Etain and Skadi:

I wish that I could somehow be, the beast you think I am

The dwarf is dead The Bear’s Skin’s gone, I’m just a fucking man!”

It was inaccurate enough in that nobody ever saw me as a monster but I think it was more inaccurate in continuing to view Skadi and Etain as a unit. They had been a unit and somewhere in the process of the three of us becoming a unit they stopped being a unit. Maybe there’s a metaphor somewhere in Chemistry – like an atom that binds with a molecule to cause it to separate back into individual atoms.

I don’t want to overstate my importance in this – Skadi and Etain would likely have been growing apart no matter what. I never saw both of them in the same place again after the moment Etain stopped traveling with us and I didn’t hear anything about them playing any more shows together. It was definitely a turning point and I was definitely a catalyst.

What I’m realizing now is not only do I not know either of them particularly well but maybe I never properly saw them at all. I never looked at Skadi and saw just Skadi. I never looked at Etain and saw only Etain. Whatever my relationship was to either of them at the same time I was pursuing a relationship with something that never existed at all: a chimera of two separate human women that would never set foot outside of my own personal mythology.

That leaves me. I promised at the outset of this story that it would result in its characters being permanently changed but besides the small details I’ve already mentioned the only character I’m truly qualified to comment on being changed from this experience is myself. When I first met Skadi and Etain big changes were already happening in my life – most importantly my father had just passed away.

I’ve written in other pieces about my brief and careless career with magic, usually dark, and the different ways the consequences of my hubris brought that to an end. I’ve written about losing my hat – it sounds mind numbingly trivial when I write it down but it was a clear signal from the universe that I was not immune from consequences. That I was vulnerable.

This entire experience was a far more visceral reminder of that vulnerability. When I first laid eyes on Skadi and Etain and they first laid eyes on me I was dressed as a ridiculous and decadent witch. To Aminah, the friend they were staying with, it felt like I had put them under the power of some kind of spell. The reality was that all three of us had been bewitched and my hand was not the one on the wand but I enjoyed the fiction and leaned into it as much as possible.

There was only one way that things could have reasonably gone. Skadi was a Peter Pan and I was a melodramatic foppish Captain Hook – of course I was destined to lose. What I wasn’t prepared for was the length of time that the enchantment would require before finally releasing me from its grasp. I spent two lonely years effectively on my knees and while I didn’t give up magic entirely I certainly gave up the carefree and chaotic manner I had first pursued it with.

2012 was a big year for changes. A long count Baktun of the Mayan Calendar rolled to its conclusion – marking the death of the fourth sun and the birth of our current sun: the fifth. The first man made robotic rover, the Curiosity, landed on the surface of Mars and began sending live video feeds of its explorations back to Earth. The discovery of an elementary particle called the Higgs boson revolutionized the fields of Particle and Quantum Physics.

I ended my life as a bachelor and began my new life as a married man.

Me and LaPorsha have been married nearly ten years on paper and are coming up on the eleven year anniversary of when we first considered ourselves effectively bound. This period of time has not been without strife and chaos, there was homelessness and the loss of every single object either of us had accumulated in our lives, but beneath that is a stability unlike anything I’d previously encountered.

From my current vantage point I can look back at previous periods of my life: my behavior, my creativity, my endless travels and recognize how much of it was the manifestation of my biological drive for partnership. That isn’t to say I’m not creative now, you are reading a portion of the largest artistic endeavor of my life, but rather that it has lost a sense of urgency that once was there.

It used to be nearly impossible for me to create anything: zines, music, colorful construction paper collages, unless I was on the road and traveling. Now it is nearly impossible for me to create unless I am in my house.

The force that I described experiencing three times way back at the beginning of the first chapter – I haven’t experienced it again and it seems unlikely that I ever will. There is something that feels final and satisfying about the number three, it seems to belong to youth and if it is the work of a singular entity there are other people and other lives for this entity to disrupt and change instead of those of the other people in these stories and myself.

That feeling like we were about to shake up and redirect each other’s lives the moment we laid eyes on one another? I didn’t feel that the first time I met my wife and the connection was not immediate – it took time and the intervention of outside agents. Once it did happen it felt like something I hadn’t experienced in the same way ever before.

It felt like home.

San Diego 1999 : “At first I was stoked, but I still wasn’t primed”

The classes for my second semester at San Francisco State were finally going into finals and I had definitively figured out that I was not ready to be going into college. The International Baccalaureate program I’d been enrolled it for my last couple years of High School was roughly equivalent to taking college courses early and I was burnt out and needed a break. I still didn’t drink alcohol or use any drugs but I wanted to live in punk houses, travel, go to shows, explore forbidden spaces and just generally use my creative energies for my own enjoyment instead of anything the established world placed value in.

The situation in the Japanese style house we’d been living in near the Berkeley-Oakland border had progressed from rent strike to all out war with our landlord. In a way we were probably looking for structure and boundaries but the milquetoast we’d been paying rent to had demonstrated that no matter how excessive our behavior got he would never find the strength to inflict actual consequences. We had spray painted a message calling for his literal death on the side of the house and shot at him with a bow and arrow but he continued to meekly knock on our back door to beg for rent or inform us he’d been digging through our trash.

Me and Francois were the last ones left – Jonas, Chris and Little Four had already moved on because a house without a roof, phone or electricity wasn’t even worth living in for free. We held a yard sale with all the remaining appliances and furniture in the driveway but only a random truck driver showed up as our neighborhood was desolate and devoid of human life. We traded him the microwave and a black leather bean bag Chris used to sleep on for a ride with our bags to the Greyhound Station.

I don’t think it was the beginning or end of any month and we didn’t bother to tell Mark, our long suffering landlord, that we were leaving.

I’m trying to figure out why I never tried to move into The Manor myself and the best I can think of is that I’d either already arranged with Brandi to move back to Chicago with her at the end of Summer or that I’ve flubbed the timeline and this was actually the Summer of 1998 and I’d be moving up to the Bay for college soon. It’s possible that neither of those things are true and I was just broke, socially awkward and content to just hang around and occasionally sleep on an old couch that sat on an outside porch.

Like a lot of these stories the specific year isn’t especially important outside of placing these events in the years leading up to 9/11.

The Manor was a very large either Victorian or Craftsman style green house on the end of E Street in Golden Hills. The block ended on an abrupt diagonal cul-de-sac caused by the 94 Freeway and The Manor only had heavy vegetation instead of neighbors on the back and left hand sides which no doubt made it easier to have large parties where nobody complained or called the cops.

The kids who rented it were close to my age and had mostly gone to Point Loma High but I knew everybody from social stuff and shows. To the best of my recollection it was Nina Amour, Lhasa, Erica Redling, Dan Bryant, Ramon, Badger and Steve Lawrence had a little spot in the attic to paint and keep his records. I could be leaving somebody out or conversely saying someone who only hung around actually lived there – the house had a lot of bedrooms and I only ever passed through the ones that wound around to the bathroom and the ladder to the attic.

[I just got some corrections on minor details: Steve was in a nook in the living room, Badger shared the attic with Martina and Ramon did not live there.]

Steve and Badger were a package deal by that point, maybe had been for a couple of years already. I think they had both lived at the apartment above the Golden Dragon in Hillcrest where Rory had supposedly pushed a girl off the balcony. They were constantly making up bands and working on music together – Cutewood Mac and one I’ll go into detail about in a minute here called Stimulated Emissions.

I’m not sure how they had gotten the rocket motorcycle – maybe it was in the classifieds or they had just seen it sitting in somebody’s yard with a free sign but they’d brought it over and dumped it in the side yard by the driveway. Somebody had taken sheet metal and put it all around the body of a motorcycle so it looked like a missile with a rounded nose in front. Whoever made it might have gotten parts from the actual shell of an ICBM or something because everything was symmetrical and well shaped.

Of course it didn’t run at all when they got it and neither of them knew anything about working on motor bikes so it just sat out there collecting rust. Then me and Francois and Paul brought the bumper boat. We had just done The Natural Museum of California where we’d stolen the skeleton of a beached whale from one of the colleges and strung up the spinal column between two trees on the archery range in Balboa Park.

Everyone we’d shown that too thought it was really cool so we were pretty eager to find our next “prank” or “caper”. I wouldn’t have guessed that our next big thing would also be theft themed but Paul was the one who had cased things out and come up with the idea in both situations. It wasn’t like all of our stunts only centered on stealing things.

When the Republican National Convention came to San Diego in 1996 we had dressed up in old suits and sunglasses like the ones in The Beastie Boys’ Sabotage video and made cryptic protest placards based on the Eightball graphic novel called Like a Velvet Glove Cast in Iron. Pictures of the Mr. Jones character and snatches of text like “Value Ape” and “What’s The Frequency Kenneth?”.

That last phrase has a bit of history: in 1986 a mentally ill man who thought television networks were broadcasting directly to his brain posed the question while attacking newscaster Dan Rather outside the New York studios of NBC. Along with the reference in the Eightball comics it was used as the title of an REM song around the same time in 1994. We got some newscaster attention but none of them understood the references or what to make of us.

One of them asked me if “Value Ape” was supposed to be kind of statement on “ape values” – maybe something like an earlier iteration of the “Reject Human Return to Monke” meme. Eventually I got bored and tried to sneak into the actual convention which earned me a brief detainment by the police.

Our usual entertainment was trespassing but when we did steal things it was never for any kind of profit or something’s monetary value. Paul had driven past a run down independent Family Fun Center spot in National City and figured out the bumper boats were unsecured and would be easy to get over a short fence. The plan was to try to ride it as far as possible until the fuel ran out in the open ocean.

When we were loading everything into the van Paul borrowed from his parents we accidentally spilled some of the gasoline from the motor. Paul made up a cover story that we had been flying miniature airplanes and his dad seemed to buy it – the stolen bumper boat didn’t end up on the news or anything. We tried to pilot it around Mission Bay but the momentary inversion had flooded the motor and we weren’t able to get it going again.

At the end of the night we brought the boat over to The Manor where the large ring shaped flotation segment was turned into a tire swing for the side porch. The fiberglass section ended up uselessly leaned against a wall and the motor met the same fate as the rocket bike – broken down with nobody with the know how to get it going again. Between the two vehicles and the yellowing grass in the yard I used to joke that it looked like a white trash version of Batman’s Bat Cave – a bunch of busted crime fighting tools that were only gathering dust.

I just made the connection now that the Bat Cave was underneath Wayne Manor in the comics and the house was called The Manor. The coincidence makes the whole thing a little more amusing but I’m not sure how funny any of it is a quarter of a century later. It’s funny to me at least.

Me and Dan, or Nad as Steve called him, had gone to Junior High together but this was my first time seeing his impressive record collection he’d amassed in the intervening years. I had a lot of interesting oddities from Thrift Stores, library book sales and bargain bins but I hadn’t had the knowledge or money to get into very much contemporary stuff. Dan had a ton of it and he let me spend a couple of days digging through it to make myself a mix tape.

I’d just heard of Cat Power somewhere so when I saw the Psychic Hearts 7 inch on transparent colored vinyl I was excited to throw the first side on my tape. Over countless listens it became one of my favorite songs but without either the liner notes or the internet I didn’t know any of the background information – most importantly the fact that it was a cover.

A couple of years down the line I was in New York checking out a hip basement record store on the Lower East Side when what I know now to be the original came on the sound system. It sounded overly aggressive to me compared to the understated quiet rage of the version I’d fallen in love with and without thinking I blurted out:

Who’s the dick screwing up the Cat Power song?!”

The record didn’t screech to a stop like it does in the movies but every pair of eyes in the store, employees and customer’s alike, did whip around to fix me in a withering gaze. I got thoroughly schooled and of course I now know that the song was both written and originally recorded by Sonic Youth’s Thurston Moore. I really like the cover art on his version of the record but I’ve still probably only heard it a couple of times.

Sonic Youth is one of those bands where while I’m aware they were hugely influential to a ton of the music I’m into I haven’t gotten around to listening to nearly any of their actual output. Another one would be Black Flag – when I think about it now the only song I actually know of there’s is TV Party. I’m not avoiding either band in an effort to seem cool or anything, I just didn’t happen to come across any of their tapes or records in the years I was listening to a lot of tapes and records.

For some reason I was attracted to their green covered experimental EP Slaapkamers met Slagroom while flipping through Dan’s records and I put a song on my tape and bought my own copy when I came across it in a Reckless Records new arrivals bin in Chicago. I just listened to it again and it instantly sounded recognizable as I’ve probably heard it more than any of the band’s other work. I’m sure they have a ton of other songs that I’d recognize if someone played them for me just from being in rooms where they were playing.

During the time that I was hanging out at The Manor Steve and Badger seemed to be taking a break from hard drugs and created a set of Stimulated Emissions songs inspired by our friend Nick Feather relapsing. Or maybe they were getting high the whole time they were writing all of it – it’s not like I would have recognized the difference as I didn’t do any of that yet. They played in the living room of The Manor and made a bunch of copies of a tape called Future of 88.

The band’s name is a reference to the word laser which is actually an acronym for Light Amplification by Stimulated Emission of Radiation, something I knew from writing a paper on lasers in grade school, but it was also intended to share the initials for “straight edge”. The songs were short, catchy and rode the line between being a total joke and absolutely serious:

At first I was stoked but I still wasn’t primed

Then I was primed but I still wasn’t honed

Now I’m honed and I’m gonna kick your fucking ass!”

I might be mixing up the order on those and the year in the title. It seemed like everyone had a copy of the tape for a minute but now we’ve all led chaotic lives and moved around and lost stuff and there doesn’t seem to be a copy uploaded to the internet anywhere. It went amazingly well the last time I mentioned not having the tape for a semi-jokey San Diego genre band from this era so I’ll try it again.

Anybody got a copy they wanna put up for streaming somewhere or send me? That would be cool.

Whatever year this was the Summer at The Manor was when I first met and became close with Andy Panda. Everybody called him “jailbird” at the time because he’d often wear a black and white striped prisoner costume. I thought that was cool because I had been wearing the same thing to sneak off campus after San Diego High changed it’s open campus lunch policy in my senior year.

I’d run around downtown and pretend to run and hide from cops who would gamely pretend to chase me – it was a lot of fun.

I had just graduated but Andy was still going to El Capitan High School in El Cajon. He’d been selling weed at school and was nervous because the following school year was supposed to introduce drug sniffing dogs. He also had a heavy sounding punk band called Heathen Azure with Jose and Fern.

We would spend a lot of time on the side of the house playing a simple game called “bread ball”. There was always a lot of rustic looking bread that was going stale – I think Badger was working as a delivery driver for Bread & Cie in Hillcrest and brought it home after his shifts. We’d take turns tearing it into little chunks and lobbing them in the air for the other person to hit with a plastic bat.

When it was starting to get hard and dry out it would explode in a really satisfying way. Eventually the game was moved to the side of my parent’s house and the bread was switched out for little dried up tangerines and occasional rubber bouncy balls. If you got a good swing on one of those it would disappear into the air above the cul-de-sac and most likely you wouldn’t be finding it again.

The whole thing was super simple without any attempt to keep score or add complexity with any rules beyond the joy of sending easy underhand pitches flying with a bat. I hadn’t really played games like this growing up and it was powerfully bonding in a way I hadn’t experienced before. There’s probably a lot to this that I can’t just explain with words in the place of lived experience but you should get the general idea.

I don’t really remember a lot of crazy parties at The Manor. For a couple weeks there always seemed to be a circle of suburban skater kids getting stoned in the living room. I didn’t pay much attention to it but there was a day when one of them was waxing philosophical and said:

I wonder how many tokes are in a joint?”

Lhasa had been hanging out but she suddenly stood up in disgust and sarcastically said:

I don’t know, I’ll go ask the owl!” before storming out of the room. Eventually they got the hint that nobody that lived there was hanging out with them anymore and took it to one of their own houses or somewhere where people were actually into an interminable smoke session.

There was the night that Adam got naked. Adam is a goth DJ who goes by Deadmatter now but at the time he was in a band called Thomas and the Tiddlywinkers. I don’t think they were playing that night – people just mentioned his band because as the naked guy he became the subject of conversation. Someone was also mentioning that he’d just come back from Europe as if that would somehow account for his behavior.

He got insanely drunk and lost all of his clothes around what must have been the bathroom as he’d managed to rip off one of the glass shower doors and was carrying it around to cover himself. He was so far gone that he hadn’t seemed to notice that it was just regular glass as opposed to frosted or printed glass and wasn’t doing anything to hide his nakedness – it just made him look more ridiculous.

Maybe if it had been fogged up like he was taking a hot shower it would have done something. He wasn’t taking a hot shower though – he was carrying around a perfectly transparent glass door that only emphasized his nakedness and drew more attention to it. Now that I think about it he was probably the first “naked guy” I saw at a party and as such he set the bar pretty high.

I saw a lot over the years and eventually ended up as the “naked guy” at the party a few times myself but nobody ever topped the bit with the glass shower door.