Dream Journal

After my last piece, and the dream I just woke up from, I decided these are often absurdly detailed enough to start keeping them in a journal. This will be updated every time I have the detail, memory and mood to record it – a bit like Recent Changes for Starving Completionists. In a general effort to make this site more “human friendly” I’ll dispense with the long winded solipsistic introduction and jump right into it.

6/29/24 – I was traveling in a car with some friends and saw a post that the friend I’ve been calling Sugar Tea was long distance traveling with a friend called Lost. I saw a social media post from Lost that said:

Just got in the car with Sugar Tea. Love her!”

Sugar Tea does not usually use she/her pronouns but I should probably explain that my wife and I met in the queer art milieux of Los Angeles and LaPorsha regularly uses she/her pronouns to refer to he/him friends in our personal conversations and often appends the -sha suffix to these people’s names.

The car I was riding in parked and Sugar Tea and Lost’s vehicle pulled into the parking lot quite far away on the other side of the lot. I should add that both parties were traveling quite long distances in opposite directions and the meeting was coincidental. No idea from where or to where in either case. Lost lives in Canada. For a long time Sugar Tea and I stared at each other from across the parking lot and then at an invisible signal smiled, advanced toward one another and embraced – I haven’t seen him in many years and a real life meeting would go similarly I imagine.

He was wearing a cream colored sweater with comically large shoulder pads and wavy arms similar to the recent wavy leg denim trend. He also now had one large breast in the center of his chest and although I couldn’t see this through the sweater I knew it had one perfect round pink nipple. We talked for a bit, caught up – I remember no details of our conversation.

When he went to travel on there was a moment of panic regarding locating his vehicle. They had parked at a tiny San Diego style independent burrito shop with a cartoon mouse and slice of cheese motif. This detail is quite obviously derived from a post with a similar drawing I saw last night on Joshua Ploeg’s Facebook advertising vegan grilled cheese sandwiches. He couldn’t find the car but we quickly realized that we were looking at a small sign and speaker for taking drive through orders that was counterintuitively downhill from and behind the restaurant itself.

He found the car at the real cartoon mouse and cheese burrito restaurant and they drove on. I never saw Lost although she is also my friend and I’d like to see her. The parking lot morphed into the Spring Valley Shopping Center parking lot of my childhood (and long stretches of adult life) home. A doughnut shop, something it has never had, appeared in the corner and someone handed me $13 to go get doughnuts.

This place was known for their regular glazed and old fashioned doughnuts and run by an Asian family. A very young girl was at the cash register and I ordered one of each. She entered each item as seven dollars for a total of thirteen dollars (I’m aware the math is wrong) and I was slightly taken aback by the price increase. I handed her all the cash but it had turned into $18 and she handed back the five dollar bill.

She gave me six of each kind of doughnut in two long plastic wrapped tubes but they looked like day olds and unappealing. Unexpectedly things turned into a comedic situation where everybody in this family was trying to eat all the doughnuts before I could. They would jump into the air and start chomping at the empty space like sharks and their teeth became the sharp teeth of sharks as well.

This allowed each chomping person to float in midair and fly forward ten to fifteen feet with their body extended behind them (also quite like a shark). We were in a grassy park now and this all felt very fun and playful. I was trying to run from everybody and shove all the doughnuts in my mouth so they couldn’t eat them at the same time when I fell into a swimming pool and got all my doughnuts wet. The game was called off and they took me back to the doughnut shop.

I was in a basement now looking longingly at wall coolers full of Vietnamese style Soy Milk but the extra five dollars must have blinked out of existence because I couldn’t afford to buy any. One brand came in short cans marked with the logo of White Rabbit milk candy. The prices were written on small pieces of cardboard in the loose but elegant style of shops around Oakland’s Chinatown (mostly Vietnamese) : $1.19 for the short can and $1.29 for the normal Vitasoy glass bottle.

We all looked at a chair with a fine Italian men’s suit laid out on it and the family joked about how I would always come into the shop to hide from Giovanni – my old boss from a Chicago Italian cafe. The mother laughed with her hand over her mouth and told a wholesome story that feels less wholesome in the light of day. One time Giovanni had put on a thigh high leather boot with a high heel and stomped on her eyeballs while her head was on the ground.

It had pushed her eyes into her head a bit and caused them to become bloody but she was still laughing about it and talking about how thankful she was because it caused her to see the world differently. The energy was like one of those scenes in an anime where one character suddenly expresses something about another character that they have long appreciated but never verbally acknowledged. The doughnut shop then shifted into a larger version of Giovanni’s cafe filled with adult wannabe mafia guy sons – in reality he only had a teenage mall goth daughter.

They had various pouches of exotic seeds and herbs that they were trying to swallow to get high – an activity they were trying to convince me to join them in. I declined out of fear of accidental poisoning. In my waking life my wife just started convincing me to take vitamins but I have an irrational fear of Vitamin D poisoning based on an account I read of Arctic or Antarctic explorers dying horrifically from it after eating their sled dog’s livers.

Now I was in junkie mode and had another guy with me who looked like the character Super Hans from the British sitcom Peep Show. We tried to casually climb down some other narrow wooden stairs into a different basement, figuring that as they were mafia types it would be full of drugs, but an adult son put his hand on my shoulder to stop me. Suddenly I got stuck trying to climb back up the stairs and was trying to grab onto the top to stabilize myself. Two ornate Moroccan knives rested on the top edge of the banister and a windowsill.

The scene shifted and I was sitting with Papa Giovanni in the shade on what must have been his private sheep farm (Cremaster 3 again). We were looking at a slanted wooden mechanism that applied reddle (an archaic earthen dye) to his sheep in a manner similar to how I imagine Temple Grandin’s cattle press must work. We discussed Diggory Venn, the reddleman in Thomas Hardy’s Far from the Madding Crowd, a conversation I held with Joe Preston in real life.

In the dream version of the conversation Papa Giovanni was not familiar with the character and made a rude noise at the prospect of reading Thomas Hardy. I don’t know if he read at all, the only books in the cafe were a phone book and a Bible. I suddenly wondered why we had never cooked mutton at the cafe if he had a private sheep farm. An adult daughter, different from his mall goth daughter, appeared at my side and offered an explanation:

It was her fault – when they slaughtered and dressed a truckload of sheep they had loaded them up with the intestines tied off but not removed. When butchering a carcass you tie off the intestine before removing it to prevent the contents from fouling the meat. All of the different sheep’s intestines had popped at once like a plastic shopping bag full of water balloons. Once again a more unpleasant image to my waking mind than it was to my dreaming one.

It was time to say goodbye. Me and Papa embraced fondly and he checked to make sure he still had my current telephone number. In real life we never exchanged numbers and usually parted with him making disparaging remarks about my presumed sexual orientation and Jewish heritage. I assume he’s actually dead by now.

I turned back. I’d almost forgotten my shoes – an expensive pair of Italian leather loafers. He laughed. He’d been hoping I’d forget the shoes so he might keep them but now returned them in good humor. Presumably we had the same shoe size.

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Psychiatric Tissues – The history of iconic noise rock band Arab on Radar – By Jeff Schneider

If you are anywhere close to my age and consider yourself, as I do, a “scene historian” in any capacity I know of one special trick by which you can force yourself to feel something: important, useless, conscripted, powerless, misguided, etc. i don’t know enough about you to tell you which emotion will be triggered – only that I can promise with near certainty that one will manifest.

Ok, here’s the trick – consider the New York Time’s Bestseller Please Kill Me by Legs McNeil and Gillian McCain. Next consider that this milestone in rock journalism as oral history was published in 1996 and the roots of “punk”, according to the text, began to seriously gel with The Stooges and MC5 around 1970-ish. I’m not here to get pedantic or start any arguments about who wore glitter or pushed members of the audience first but rather put things in a temporal perspective: approximately a quarter of a century separates the first stirrings of proto-punk from the appearance of Please Kill Me on bookstore shelves around the world.

If, like me, you were traveling the country around the turn of the millennium to drink in the myriad ways that the worlds of underground art and music positively oozed raw creative energy you know that 1) things were just as vital as the punk scene lionized in Please Kill Me and 2) another 25 years later we’ve reached the perfect moment for a similar all-encompassing document as younger generations of kids, led to the tunes by music blogs, file sharing and algorithms, want all the mythology they can get their hands on.

The largest hurdle is the “umbrella problem” or, in simpler terms what to call it all. “Punk’” was the perfect word for a time and place, no matter how disparate various music under the banner may appear, and with the addition of “chain” and “egg” qualifiers many still claim punk with an “if it ain’t broke why fix it?” philosophy. The total cannibalization of the early nineties Seattle scene by A&R zombies screaming “grunge!” instead of “brains!” has left some reasonable reservations towards Greeks bearing gifts in the form of hyped up new genre names.

The last serious effort of this kind I remember seeing was Electroclash! and it predictably fell on its face. The new trend of constantly naming microgenres – Witchhouse, Sea Punk, Vaguewave, etc. feels more like a self referential joke than a serious marketing attempt – not to say it can’t sell records. I’d still like a catchy name that combines the tolerance for total artistic experimentation with the DIY ethos that colors the most compelling music of this era but may have to satisfy myself with something as simple as “noise rock”.

Anyway we’ve waded impressively far into this review without even a mention of the literary work that inspired it so now’s a good time to mention that Schneider characterizes Arab on Radar as “No Wave” – a more experimental and unapologetically art-inflected movement that predates punk. It is also important to look at Arab on Radar within the diverse experimental music landscape of Providence, Rhode Island. As a San Diegan I met my fair share of underground residents who idolized my hometown due to The Locust and other hardcore acts but in my own case I felt a special magnetism toward Providence.

If I’m going to be super technical things started for me with The Talking Heads, although they weren’t technically a RISD band, but Shepard Fairey would be a less tenuous starting point. By 1994 he’d moved to San Diego and assembled a powerful street team from my friends and acquaintances in the graffiti subculture. His Obey Giant stickers also began showing the influence of Russian Constructivism and as a dedicated fan I filled detailed notebooks with examples of every new design and color way – catalogued meticulously by location and date of collection.

The moment that turned Providence into a borderline religious pilgrimage destination came when I finally discovered that my favorite hand silk-screened mini comix and noise rock records were all pouring from a shared art space in a former mill called Fort Thunder. I called their phone, got permission from Jim Drain to move in and spent a month narrowly avoiding subjecting the FORCEFIELD performance costumes to my compulsive bed wetting before spending my twentieth birthday at a formative noise show.

I already knew the Arab on Radar guys before this. I saw them in at least two different colors of Dickie’s and hopped in their van earlier that year to ride along to Venice Beach. As a lifelong Californian it was a bit of culture shock watching pasty New-Englanders rub sunblock (I never touch the stuff) above denim cut-offs and buying matching Ray-Ban’s.

Let me put things a different way: every time friends have dragged me to an East Coast beach with grassy dunes and chilling breezes I feel a certain pressure to pretend to enjoy myself despite every single thing about the water, sand and general ambiance feeling “wrong”. Maybe some of the AoR crew were feeling the same and missing their flimsy wooden fences, salt grass and American beach grass.

Shifting back to music the only word for myself at these earlier stages was “fan”. I’ve read of near empty Fireside shows and hostile fans but can tell you with certainty that me and the Belden House crew brought the energy and enthusiasm at every show from 1999 to 2001. 21 and up was a different matter – I might have even gotten a roomie’s ID cut in half attempting to see the guys at The Empty Bottle.

One of my favorite bits was when Schneider placed the aluminum headstock of his Kramer, or other electric guitar with a strong neck, on the floor and swung forward in an arc with his stomach resting against the lower body. Total annihilation of rock instruments and proletariat bodies was the order of the day, not to mention conventional song structures, and I did my part by running at the old bowler’s benches and causing a complete flip when I threw my shoulder into the “ass groove” and launched my ankles skyward.

Besides buying Repopulation Program, You’re Soaking In It! and any other compilation I could find for Load or Providence I scooped up a vinyl copy of Rough Day at the Orifice. Along with the menacing high pitched guitars and frantic, confessional vocals I loved the pink sleeve design on brown cardboard and the tiny bits of hair Mat Brinkman had mixed in the printing ink. It almost looked like Andy Warhol’s prints with glitter or diamonds if the light hit things right.

Schneider talks about not signing with Load in the book and I do wonder how such a move could have panned out for them. Skin Graft, and then later 31G, seemed to be giving their all but would a local label have been able to give more support? As many great bands were on Load but nobody ever sold quite like Lightning Bolt, questions about relative sizes of fish and ponds are reasonable – there’s no easy answer.

It was always a riot throwing Rough Day on the family turntable and hearing my father read out the title in his Arkansas farm boy drawl. You wouldn’t be missing the pun or double entendre if he had anything to say about it – and he always did. Although I may have once and simply forgotten I really do regret not seeing the band with Andrea. I’ve played in only a couple of bands without women and it’s not something I’m looking to repeat.

The energy changes and I’m just not at home in a “guy van”.

My father, himself a complex discharge from the navy for insubordination, also got a real kick out of reading out the dirty song titles and lyrics. I went to Mr. Pottymouth’s poetry reading at Quimby’s and never felt too offended by the subject matter. When Joey Karam from The Locust started Le Shok with that one explicit record cover it always felt like they were low key biting AoR’s schtick – in a way that wasn’t especially shocking.

Maybe Eric Paul, aka Mr. Pottymouth, would cringe at the comparison but in recent years I’ve always thought of his former stage persona as a living avatar of Quagmire from Family Guy. (in terms of repressed New England sexuality, not his poetry skills). I actually wanted to talk about the working class and, for want of a better word, “townie” aspects of Arab on Radar. Schneider makes it clear that he and his band mates came up around Federal Hill, had family members connected to former mayor Cianci’s “Old Providence” and never quite fit in with the RISD and Brown students.

From my view across the country I never saw things looking too cliquey but there were clear cultural delineations between bands: On the “townie” side sits Sub-Pop signed Six Finger Satellite, Arab on Radar, Dungbeetle, Landed, Olneyville Sound System, White Mice, Curmudgeon Clique, perhaps 25 Suaves and assorted J./Jon von Ryan projects. On the art school side we start with Les Savy Fav, then Black Dice, Mudboy, Lightning Bolt, FORCEFIELD, Lazy Magnet, Kites, SHV, Russian Tsarlag and more recently Human Beast.

I don’t know enough about the early lounge/exotica movement to place anyone and even my favorite Providence folk duo, The Iditarod, is as much of a mystery in this regard as Amoebic Ensemble. It’s hard to know every tiny detail about a city you only slept in for three weeks – even if you’re as big of a nerd as I am. The class struggle bits are not to talk shit but instead an overly simplified attempt to pick Arab on Radar apart and see what made them tick.

The death of the trades, the entitled attitudes of art school kids and a constant feeling of “impostor syndrome” in the world of experimental music could account for some of the shoulder chips but not all of them. If Schneider is to be believed good old fashioned sexual frustration filled the balance. Even with a national roadmap to the finest purveyors of extreme European pornography and a religiously followed rotation as to who cranks the hog in what order when in hotel bathrooms it seems like nothing could effectively stem the pressure.

Imagine bailing out a sinking boat but the boat is full of mayonnaise that pours down the leg of some terrycloth shorts and you start to get an idea. Sometimes the simple act of release takes on the dimensions of a Herculean Labour. In these sections Schneider starts to almost read like Peter Sotos and it’s entertaining enough. In contrast to the old saying that “an army travels on its stomach”, Arab on Radar appear to have done so on their nutsacks.

Despite the constant urges Jeff and his band mates behaved respectfully to any female artists, promoters and traveling mates they accompanied except for one exception. The Need was an experimental metal band from Olympia, WA who happened to be lesbians and something caused Jeff to view them as a band “that put identity above music” and even blame them for the disappearance of free thought in the music underground.

Perhaps being a little younger, growing up in California instead of New England and identifying as a feminist my whole life shifted my views on lots of this stuff. I never once considered The Need an overtly political or identity centered band. They were a shredding guitar band with innovative upright drum parts and vocal melodies and the fact that I wouldn’t get attacked for my colorful eye makeup watching The Need but would seeing death metal heavyweights Nile (ironically if you know how ancient pharaohs wore makeup) was simply a bonus.

It sounds like someone from AoR was defacing The Needs’s posters when touring ahead of them and a small verbal altercation ensued. For those that didn’t tour in 99/2000 posters in a venue was all the promo you had unless a weekly ran an ad or blurb. Schneider is a therapist now so maybe he’s made some progress on this.

Most ironic is that while complaining that The Need were “political” and “pushed identity”, Arab on Radar did the exact same thing in a different way. As a working class band in a scene dominated by art school kids their plumber style uniforms were a statement of class struggle and a clear message that they held more in common with the workers stocking green rooms with band’s rider cheese and veggie plates than the entitled would-be “rock stars” throwing this shit out the window.

Enough of that. Let’s break this rock music autobiography down in terms of what the public expects in books of this type:

1) SEX – all the frustrated masturbation you could dream of. One band member suffers family loss and drowns the emotions in all kinds of women. I thought it odd that Schneider hints at every member dallying with a fifteen year old girl but himself – did he abstain or is he being discrete for his wife’s sake? Glass houses and all… Some band business conducted in peep shows and strip clubs is vividly described.

2) DRUGS – mostly absent. Plenty of weed is smoked and sometimes it fucks with guitar playing. If the hard stuff shows up I blinked and missed it. Probably for the best – the last thing the kids need is another Please Kill Me telling them they can’t be authentic punks unless they pick up a needle but if you only read rock bios for dope and coke stories this ain’t for you. Someone trips and has a bad time in Dunkin’ Donuts.

3) ROCK N’ ROLL (aka FIGHTING) – According to the book these guys grew up rough and the move to cerebral art rock didn’t slow them down any. Best section for this stuff is definitely an early Marilyn Manson gig in Rhode Island. Disgruntled fans learn how far the opening band (AoR) can be pushed. Not too far it turns out. I seem to have forgotten a knuckle duster or two – more surprises for you when you read it!

Finally, should you read this book? Absolutely! While primarily focused on his own band Jeff clearly cares quite a lot about music and documents 94 – 02 Providence, and the national underground circuit, perfectly. His views on squat houses (and their watered down spaghetti) are hilarious and it’s definitely a fun day or two of reading with no lags. Plenty of super funny random anecdotes out of left field.

The biggest tragedy of the turn of the millennium underground is that everything was being documented on early websites and hosting services like Angelfire. That’s all gone now and lost to the ether. If a service is free you’re the product and our burgeoning scene stopped being profitable for our digital “hosts” a long time ago. Something to remember when entrusting our content to Facebook, X, Instagram and my own reliance on WordPress. Shit, I really need to make a backup.

Anyway it’s a minor miracle that Jeff remembered as much as he did, took the time to write it up and even created a printing house for himself and other voices. These kinds of efforts need to be lauded and supported.

They’re all we have and when Instagram, Facebook and others eventually shutter their virtual doors Psychiatric Tissues will still be a physical book with no wi-fi or web hosting required.

That said, if you are a close AoR fan left lost and angry from the divorce and want to know why Mommy and Daddy don’t love each other no more this is not the book for you. Something ego – Something substance problem – all super vague. Fans closer to the 2002 breakup and failed 2010 reunion might see more in these passages than I could. Eric, the singer’s, testimony might be more detailed but less believable. Couldn’t say.

I prefer to remember how things were that last night I saw them on Oops! Tour in 2002. Knitting Factory in Hollywood! Tried to bring my insane homeless friend but se said it sounded “really annoying!” Arab slayed! Bolt slayed! Locust slayed! Hella’s not really my jam.

Anyway it was a nice note to go out on!

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Alraune (Part Two of Two)

This is your warning that unless you are already intimately familiar with Hanns Heinz Ewers’ novel Alraune and the underground rapper Drrty Pharms you should probably read the first part of this if you want anything to make sense. The first part is almost entirely background and now, using it as a ladder, I can reach for the light bulb and start the shadow puppet play.

The first order of business is to explain what made me compare Wolfe Margolies and Alraune at all. Wolfe was born in 1992 and his mother, the psychotherapist Liz Margolies, had been identifying as a lesbian and active in the world of academic feminism for decades. I only learned this from one of my sources after I began researching this piece but Wolfe’s father is an anonymous sperm donor he most likely has not even attempted to learn the identity of.

It’s important to note that while Alraune’s adoptive father engineered her birth as an experiment in the novel, Liz Margolies’ impulse to pursue motherhood almost certainly stemmed from more traditional motivations. Without knowing her personally the most I can do is place things in a historical context: the movie Look Who’s Talking premiered in 1989 and Whoopi Goldberg’s Made In America followed in 1993 – a year after Wolfe was born.

Both films are centered on the concept of career women raising children as a personal decision enabled by the same methodology. What I’m implying is not causation but a larger social moment where stigma against single motherhood was shifting. Sex and the ownership of offspring are deep questions in any human culture – while fatherhood was once seen as the default in a proprietary sense this has largely been pivoted away from.

Another important marker is a rising tendency for married couples to combine last names rather than have either partner give theirs up. While we put the two names in sequence in my own marriage I also have friends who have used elements of both surnames to create something entirely new. All of this is a shift away from viewing heredity in a purely patrilineal sense.

Before proceeding I want to make something unequivocally clear. I myself identify as a feminist and have done so throughout my adult life. The first magazine I subscribed to was Sassy follow-up Jane in the early 2000s. There is a recent tendency in online discourse to place blame for rising misogyny and misogynist violence from men with feminism itself. Whatever ideas I explore that is very much not what I’m doing – feminism has been an overwhelmingly positive force for both men and women and every person is accountable for their own actions.

To return to Wolfe and his birth it seems highly unlikely that Liz had any control over the sex of her child but after Wolfe was born I feel like she must have thought about the dark side of masculinity and whether or not a supportive feminist environment could make a positive difference in this regard. I did hear from one of my sources that later, after Wolfe’s problematic behavior patterns emerged, she often thought about his nature and whether or not the hand of destiny had irrevocably shaped the person he would become.

In Alraune the father of the child is a rapist and murderer who donates his genetic material on the eve of his execution. Sperm banks market themselves very differently with rhetoric about doctors and lawyers but pragmatically speaking their donor pool is limited to men either in need of quick money or emotionally invested in the concept of anonymous children. When I tried to donate in my own college days the only concern seemed to be sperm count and mine was too low – if there was an additional screening process I never saw it.

There are several prominent lawsuits from donees who discovered that a clinic failed to disclose a donor’s psychological or criminal history after issues arose in their children. We start drifting into unsavory Eugenics territory when placing too much importance on factors like criminal history but at the very least things like schizophrenia should be disclosed. The reality is that egg donors go through a far more rigorous screening than their male counterparts but this stems naturally from one gamete being far more expensive to extract and store than the other.

As Wolfe was born in the early nineties it follows that whatever protections are currently in place would have been appreciably more rudimentary then.

I should probably get more into the reasons I want to look at Alraune and Wolfe’s story side by side. Alraune is at heart a monster story with the station of monster being filled by the girl herself. No matter how repugnant his behavior may have become it is not productive to categorize Wolfe in this kind of morally binary context. Ultimately he is a human being and deserves both our empathy and our criticism – insofar as this recognizes both his personal agency and his potential for positive growth and meaningful change.

In the novel, Alraune’s destructive potential lies not in her own actions but her powers of influence over others. In her boarding schools she triggers an epidemic of sadistic animal abuse without lifting a finger and eventually steers one of her classmates into a messy suicide attempt. The body count does not begin in earnest until she returns home, blossoms into a young woman and turns her invisible powers toward her many male suitors.

I was only able to briefly converse with a source close to Wolfe but he characterized him as having always been malicious. When I asked whether or not he was popular and influential with his classmates my source said the following:

i mean anybody that was friends with him knew what they were getting into i think

most people knew to stay away”

This echoes a duality in the book where Alraune’s aristocratic peers are powerless under her spell but servants and animals have a natural aversion to her. On the topic of manipulation he offered a single anecdote where the first time he and Wolfe got drunk together Wolfe convinced him he was wearing a diaper for the amusement of watching him piss his pants.

A far cry from animal torture but it is interesting how every feature of the novel character has at least some echo in reality. In a Reddit thread another childhood friend of Wolfe’s characterizes him as “one of those people who could have been a cult leader or something”. An important part of this entire discussion is his relationship with his mother and the influence she held over him – things I will be addressing momentarily.

Wolfe presumably pursuing a feminization fetish

Alraune’s beauty and sexual appeal are important to the plot of the novel and often described in androgynous terms. The roster of characters succumbing to her fatal attractions includes two women and she frequently dresses in a male bellhop’s uniform to titillate and manipulate her adoptive father. For Wolfe there is no question that his fair hair and delicate features played a role in allowing him to gain access to his female victims and avoid consequences for his behavior as long as he did.

In 2018, the year before his arrest, he appeared on a podcast called Fluid Exchange and spoke candidly on several matters pertinent to this discussion. While he usually spoke boldly about sexually assaulting women in his rap lyrics and social media posts he dances around the subject in this in-person interview – barely acknowledging his history of causing harm in this fashion. What he does seem eager to talk about are his sexual appetites surrounding cuckoldry and feminization.

Early in the interview Wolfe speaks on using estrogen, not for anything related to gender dysphoria, but as part of a larger fetish that can only be described as autogynephilia. He links his fantasies to compulsive overconsumption of pornography – to which he also attributes the heavily racialized aspect of these desires. Sexual submission to Black men is the overarching theme; either through being cuckolded or fulfilling the role of “bottom” in direct sexual contact.

An important aspect of Alraune as a literary figure is amorality and the self-serving pursuit of personal pleasure over empathy. Wolfe seems to be wired in much the same way but frames it in the intellectual trappings of nihilism and an aversion to paternalism in any form. He makes it exceedingly clear that his only reasons for discontinuing a pattern of violent sexual assaults are selfish ones – rather than empathy for his victims or guilt for the pain and harm he had created his sole concern is the displeasure these actions caused him personally.

This is probably as good a time as any to go into Wolfe’s crimes specifically. The majority of this information will be paraphrased from The Daily Beast article by Eamon Levesque – I included a link in the first half of this piece if anybody wants to go straight to the source. Some of these women kept themselves anonymous to avoid harassment from Wolfe’s friends, fans and followers. I won’t be naming anybody but extend an offer to any of these women or other victims to reach out if there is a preferred name, pseudonym or additional information they would like to see added to this essay.

A fourteen year old girl working as a model had been dealing with a chaotic home life and sleeping in a public park as a result. Wolfe offered her shelter, first in his mother’s Chelsea home and later in his own apartment, but used her vulnerability to coerce her into sex. This must have corresponded with Wolfe’s growing interest in being cuckolded because she describes him bringing home strange men to have sex for her – always by force and against her will.

In the Fluid Exchange interview Wolfe describes his cuck fetish as being rooted in his own degradation and the pleasure of his female partners but this young woman’s testimony paints an opposite picture. Ultimately the pathology does not stray very far from the motivations usually ascribed to rape: power, domination and total disregard for a female victim’s boundaries and personhood.

Broadly speaking the entire industry of BDSM dungeons with female dominatrices is rooted in male fantasy rather than female empowerment and only recent technological advancements have allowed some progress toward correcting power imbalances and the democratization of sex work. The final push that allowed this woman to escape from Wolfe, despite his efforts to control every single aspect of her life, was his growing insistence that she bring her eight year old stepsister to his apartment.

Another contradiction in how he presents himself in the Fluid Exchange interview lies in his use of estradiol. On the recording Wolfe is adamant that his use of hormones is a fetish and he would never present himself as trans but the second woman speaks on him doing exactly that as a means of getting her to lower her guard. She had even opened up to him about her own experiences with childhood sexual abuse when he drugged a glass of absinthe he’d offered her to incapacitate and rape her.

She speaks on confronting him after the assault here:

Image courtesy of The Daily Beast article

Wolfe seems to have been entirely devoid of guilt, shame or remorse. If anything the confrontation probably excited him. As many of these assaults took place in the Chelsea apartment he shared with his mother it’s reasonable to ask where Liz Margolies was while all of this was happening. The testimonies of the next pair of victims paint a disturbing picture.

Much like his literary complement Alraune , Wolfe showed considerable academic aptitude and was valedictorian of his eighth grade class before attending Bard High School Early College in Manhattan. Two of his classmates describe relationships with Wolfe and the aftermath. The first talks about his obsession with having sex with virgins brought on by frequent viewing of Larry Clark and Harmony Korine’s Kids movie.

While their sexual encounter was consensual, Wolfe was dissatisfied with the experience and accused her of having been raped as a child and therefore not a “real virgin”. Wolfe had enough popularity and influence in the social ecosystem of their High School to spread degrading stories about this girl and galvanize a coordinated harassment effort against her. Things got bad enough that she attempted suicide before finally being able to transfer schools.

The next young woman to date Wolfe never felt comfortable enough around him to consent to sex but after he started a school rumor that he’d taken her virginity and she set the record straight he retaliated by breaking into her house and raping her. After this assault he used the classic manipulation tactic of threatening suicide to coerce her into seeing him again but she brought a friend for safety.

In the following excerpt, using the pseudonym of Shannon, she and her friend describe the encounter. Wolfe is begging Shannon to get back together with him when her friend firmly reminds him that he raped her. Wolfe responds by grabbing this girl by the hair and violently attempting to drag her out of the room. Sexual violence from Wolfe should be familiar by now but the behavior of his mother, Liz Margolies, is especially telling:

Image courtesy of The Daily Beast

It has been frustratingly difficult to collect information on Liz Margolies beyond her carefully curated public image. There is an audio interview where she discusses motherhood and her early involvement in radical feminism but I lack the academic credentials to access it. For the same reasons I am unable to read a paper she co-authored on domestic violence within lesbian relationships. Nonetheless it is glaringly obvious that her permissive attitudes toward the sexual violence perpetrated by her son and the absence of support for the women directly harmed by him represent a contradiction.

In the Fluid Exchange interview Wolfe speaks on being barred from his mother’s house while he was heavily addicted to heroin but his violent and exploitative behavior within relationships seems not to have engendered the same reaction. In The Daily Beast article the author refers to having received photographs showing the girl who was fourteen at the time sleeping on the couch of Liz’s Chelsea apartment so it seems inconceivable that Liz wouldn’t have had at least an inkling of Wolfe’s exploitation of this young woman.

The Margolies are ethnically Jewish, as I am from my mother’s side of the family, and at many points in this research small things reminded me of my own mother. When my mother was attending Barnard College, the women’s counterpart to Wolfe’s Columbia University in the days before co-Ed campuses, she worked as a personal assistant to a prominent feminist author: Betty Friedan who is best known for The Feminine Mystique. My mother described Friedan as a misogynist and the experience as unpleasant.

More significant is a phenomenon I would call “Jewish cultural misogyny” that I witnessed in that side of the extended family for decades. My grandmother always compared my mother adversely to her brother, who died of cancer at a young age, and all but said she wished things had been the other way around. Growing up my brother and I were treated like princes and put on a pedestal while our mother never missed an opportunity to criticize my two sisters for diet, weight, clothing choices and anything else imaginable.

I’ve been working hard my entire life to unlearn and correct this conditioning and I’m determined to break this cycle if and when my wife and I fulfill our dream of bringing daughters into the world. I wonder if Liz is burdened and affected by the same generational misogyny or if Wolfe’s birth simply triggered protective maternal instincts that overrode and overwhelmed the schools of thought she has devoted her life to.

On that note I need to get into the topic of childhood sexual abuse. My sisters were harassed and I was molested by a man that my mother hired to work in our garden but the greater trauma was that after we worked up the nerve to go to my mother she completely disregarded and refused to believe us:

You kids just don’t understand, people from other countries are just more affectionate than they are here…”

The gardener was from Mexico. It could have been that my mother was trying too hard to be a “good liberal” but I suspect a deeper pathology. She had a scar on her cheek from where a man had cut her while breaking into her New York apartment and almost certainly raped her. The only thing she ever said on the matter was how frightened this man seemed – as if she held more empathy for him than she had for herself as a victim.

Perhaps a touch of Stockholm Syndrome, regardless we went to our father about the gardener and he believed us instantly and chased the abuser from our home under threat of violence. I only bring all of this up because Wolfe makes references to having been subjected to childhood rape in the lyrics of many of his songs – most notably From Victim To Villain. While it’s possible that this is fabulization intended to present himself as a more sympathetic character nearly everything else he rapped about contained some kernel of truth and I have no reason to assume this is any different.

Whatever he went through it in no way reduces his culpability for the many women he terrorized or the sexual abuse of children he enabled and encouraged by consuming the photos and videos thus created. What I do wonder is whether his own mother failed to believe and protect him as mine did and if so whether the resulting guilt played a role in her later permissiveness.

I used to work as a teacher’s aide at the same High School I had previously attended and one of my students had a home life superficially similar to Wolfe’s. This young man was placed in special education classes for his emotional issues but clearly had the intelligence to perform at the advanced level if he would only apply himself. The source of his rage was that his mother was in a lesbian relationship and he had come dangerously close to landing himself in a foster home through violent outbursts directed at his mother’s partner.

I tried to convince him to redirect his efforts to a GED exam, he’d barely been applying himself to the less rigorous special education curriculum, as a way of moving forward in his life and gaining some degree of independence. His anger towards his mother was a tapestry of several important threads: childhood neglect, her role in his abandonment by his father, the perception that his own masculinity had been deemed as “unacceptable” – I tried to explain to him that so long as this anger consumed him his mother would remain in the driver’s seat of his life.

I wasn’t able to help much as a mentor or role model. The poison of his wrath was colored by misogyny and homophobia and he resented my efforts to model a way to purge his legitimate grievances of this irrational hate. He didn’t show up for school the following year and the simplest explanation was that he’d either been incarcerated or gotten himself placed in the system. I didn’t have the clearance level to find out that sort of information.

Before I listened to Wolfe’s Fluid Exchange interview I’d guessed that his story would cleave closer to that of my former student but instead of anger all the evidence seems to point to intense codependence with Liz. The one trace I saw of resentment was toward Liz separating from a long term girlfriend when Wolfe was thirteen, a woman that he had also grown up calling “mom”, and any subsequent contact being forbidden.

I don’t have enough information to say whether or not this woman had been a parental figure for the entirety of Wolfe’s childhood but based on what I do know it seems more likely than not.

For any readers interested in picking up Alraune themselves this is your warning that I’m about to give away the ending. If you recall Doctor Jacob ten Brinken is both Alraune’s creator and adoptive father. For most of the novel he delights in the carnage brought about by his protégé as a passive spectator and enriches himself through her earth-connected mystical powers.

After the death of Wölfchen Gontram, Alraune’s childhood playmate and favorite toy, the doctor himself falls under her spell. Disregarding the responsibilities of his financial empire he follows the girl like a pet dog and is treated accordingly. His pederastic tendencies are hinted at toward the opening of the text and to reassure himself of his virility he forces himself on a thirteen year old girl from the lower economic classes.

His crime is discovered and he attempts to convince Alraune to join him in his flight from justice. She flatly refuses and he hangs himself in despair – but not before setting his hand to a final prank. Frank Braun, the nephew who first conceived of the experiment, is named the girl’s guardian and executor of the remaining estate. His intention is to bring his nephew to the same ruin to which he cast himself but fate has somewhat different plans.

Braun does become infatuated with the girl but for the first time in the young woman’s life this obsession is mutual. The wealthy Countess from the beginning of the book loses her fortune through Alraune’s refusal to invest her inherited funds in the Countess’s favor and to take revenge she tells the girl of her unsavory parentage and the experimental nature of her birth. This and Braun’s intention to spurn his lover trigger the conclusion. Alraune goes mad and plunges from the eaves of the mansion while sleepwalking – bringing with her the final Gontram daughter.

The Beardsley inspired costume that ensnared the Gontram girl

With that we leave Alraune behind and turn our remaining attention to Drrty Pharms. Several times in my research I came across references to Wolfe’s total dependence on his mother. A roommate of his at the School of the Art Institute of Chicago in 2014 speaks of Wolfe being unable to even buy groceries without assistance and Liz abruptly appearing to pick him up after he attracted the attention of local authorities by posting about bringing a gun to school.

While Liz seemed determined to do anything in her power to shield Wolfe from legal consequences for his actions she may not have been the only family member to do so. Mike Margolies, Liz’s father and Wolfe’s grandfather, is obliquely referred to as belonging to a “Jewish Mafia” and Wolfe has rapped multiple times about using large sums of money to make rape charges disappear.

The article in The Daily Beast has a more detailed rundown of the elder Margolies business connections and it is not inconceivable that as the sole male heir to this empire Wolfe would enjoy special protections.

However something shifted in 2019. It could have been the heavy drug charges with two confirmed overdoses, the child sex abuse material on a seized phone, the increased attention his social media posts were getting, the level of violence he was perpetrating in relationships or most likely a combination of everything. While Liz had always worked hard to shield him from legal trouble before it seems like his antics were negatively impacting her professional reputation and career. Something had to give.

My only source on this is anonymous Reddit comments from posters who claim to have been close to him personally but the things they are saying sound reasonable enough. If, as they say, Wolfe followed every piece of advice Liz gave him without question it’s easy to see how she ensured he’d get the maximum prison time. She apparently convinced him to take the first offer without negotiation and tell every single detail of his sexual history to a court psychologist whether it incriminated him or not.

This next image picks up after discussing an attorney who advised Wolfe to hold out for a better plea bargain:

from a Reddit thread on The Daily Beast article

I do believe that Wolfe deserved the fourteen years he got – and honestly more when you take all the victims and violent sexual assaults into accounts. This is pure speculation on my part but I wonder if Liz offered an assurance he’d take the full fourteen years in exchange for limiting charges to the drugs and CSAM on the seized phone. Nobody is responsible for anybody else’s actions but a serial rapist son would have been a worse look for her than a drug and porn addicted one.

Putting things back in terms of Alraune, Liz fits the archetype of Wolfe’s creator about as well as Frank Braun does for the novel’s titular character. She chose to have a child, carried him to term and continues to wield a powerful influence over his decision making process. He absolutely dug his own grave but once she realized there was nowhere else for him to go did she escort him into it?

Assuming nothing else happens in jail and none of the women groomed or assaulted by Wolfe are able to bring additional charges to trial he will be back on the street in fourteen years or less. I am not a big enough fool to look at an American prison and expect rehabilitation. If we believe him when he speaks of being a rape victim himself several times over and likewise believe him when he describes himself as devoid of morality and empathy what hope is there in him not posing a threat to the most vulnerable members of society?

On Fluid Exchange he refers to his own use of estradiol as tantamount to chemical castration but under this regimen he is already known to have engineered the violent assault of a barely adolescent girl. He does not present as particularly unintelligent so might he have achieved moral growth through this avenue in the interim? Sex offenders are known for having some of the lowest recidivism rates and optimism in this regard may not be unwarranted.

*******************************************

Whether the phenomenon is truly growing or the internet has merely given voice to something that has always been here – the violent misogyny of angry young men feels more urgent than it ever has in my life. It’s terrifying to me than any random ten year old watching Minecraft content on YouTube will slowly be steered toward “cringe SJW feminist gets owned” videos and similar red pill content.

Up until a couple weeks ago I was active in these kinds of communities on Reddit and saw a distressing rise in young men who believe that feminism is inherently misandrist, rape allegations are overwhelmingly false and straight white men are the most oppressed minority in modern America.

It was a bit like pissing into the wind but I tried to model positive masculinity and share assurance that walking away from hate can and will improve every aspect of your life. Predictably I got my account of ten years banned for my trouble. Apparently explaining that picking a strange bear over a strange man isn’t sexist and correcting distorted readings of statistics concerning domestic violence in lesbian relationships both count as “promoting identity based hate”.

I’ve tried to appeal but if the people you’re pissing off have nothing but time and vitriol, especially if they’re moderators, it’s something of a lost cause.

That’s all probably for the best as it leaves me more time to write here (but less opportunities to share it). For weeks I’ve been working on this monster story and the best place to end it seems to be the tiny image I left all the way at the top of this piece:

You will always be my son…”

Alraune (Part One of Two)

It’s difficult to decide exactly where to start this piece so I think I’ll cleave to tradition and lead with a specific time and place. In April of 2012 I was on the Trapped in Reality tour with Generation and Sisterfucker. I had been in contact with Jonathan Coward, best known for his R&B project Shams, about setting up our NYC show. There had been talk about a bar but it apparently fell through and we went with a last minute show at Jonathan’s Brooklyn apartment.

I can’t recall the exact chain of events that led to me adding a rapper called Drrty Pharms to the bill. We had met in Los Angeles and stayed connected over social media so most likely I either saw he was in NYC and offered or he saw I had a show that night and asked. I was a fan of his music from the very small amount of exposure I‘d had to it. I had been booking shows at a warehouse in the West Adams district of Los Angeles called McWorld and at the end of one night the proprietor of the space had a friend of his jump on the mic.

It’s important to remember that in 2012 the trend of SoundCloud Rap was just emerging and the ‘90s revival that would soon sweep over mainstream fashion was still relatively underground. My first impression of Drrty Pharms was a small statured blonde kid in wide leg JNCOs and an oversized Marilyn Manson T-shirt wearing a necklace of a Barbie Doll head with short cropped hair and drawn on makeup.

He instantly reminded me of the way my Junior High School friends in the early ‘90s had dressed and acted. After cueing up his beat from a miniature mp3 player he awkwardly stared at his feet and began rapping with perfect cadence in a voice barely above a mumble. I had to strain my ears to make out a snatch of lyrics:

Motherfuckin’ dirty whores, what you fuck with Drrty for? I ain’t givin’ you the dick so what the fuck you flirting for?”

I took the whole thing as a self conscious parody of both the exaggerated sexual bravado found in mainstream rap music and masculine fragility wrapped in the aesthetics of Woodstock ‘99. It seemed as tongue in cheek to me as Kimya Dawson from The Moldy Peaches singing:

Who’m I gonna stick my dick in?”

Besides that his skills in beat production, lyricism and delivery were undeniable and despite the lowered voice and downcast eyes he exuded palpable charisma.

At the NYC show he brought along a girlfriend with long blonde hair who stood directly in front of him for his entire set doing a dance move I refer to as the “groupie hip sway”. I began to notice that misogyny, including violent misogyny, seemed to play a larger role in his lyrics than I realized and distanced myself from that point on.

Here is a short video of his set that night. The recorded song riffs on a Fugee’s hit and is not especially violent. His devoted fan, presumed partner, is not visible in this shot. His mumble had marginally grown in confidence but the high point of the video is a shout of “HE SUCKS!” from the otherwise small and unresponsive crowd.

I have a copy I can embed for anybody interested:

NYC Spring of 2012

I would say this is the moment I realized Wolfe’s music/persona was not what I’d been reading it as. On the same tour I was singing and playing drums in a project called Dealbreaker that I’d best describe as an exploration of “dark masculinity”. I think I projected my own creative energies on what I’d seen of his work and made an error in doing so.

Things like the inherent threat of violence in sexual dimorphism, the predatory nature that can accompany mate pursuit and the fetishization of young male artists as “sexual outlaws” all interested me in abstract, artistic ways. In my own life I was trying my best to be open, vulnerable and above all else consensual in this arena. I think I mistook Wolfe for a kindred spirit when we were closer to opposites.

He’d passed me a SoundCloud link and trends in his album titles were eye opening. I think the big one was Beating Women to Make Beats to Beat Women to. Sure the Spacemen 3 reference was transparent but when somebody always makes the same joke is it even a joke? It seemed clear that hurting women both physically and sexually was important to him so I turned my attention away and moved on.

It wasn’t my scene and I doubted I could do much as an elder or positive influence – from what I’d read he thrived on opposition and negative attention.

*******************************************

A few years later I started to notice that his social media profiles, if not his music, were building a following around New York City. This happened mostly through my now-wife LaPorsha who had several mutuals close to him or in his circle. His music productivity had stepped up with the Beta Boys collective but the bigger bump was undoubtedly his shocking and offensive posts.

He regularly tested the boundaries of what 2013-2014ish Facebook would allow with posts about grooming and abusing women, references to consumption of Child Sexual Abuse Material, guileless racial caricatures and questionable confessionals about living as a sexual submissive to men of these races. The first recorded use of edgelord is recorded by Merriam-Webster-Webster in 2015 and Wolfe no doubt employed this archetype to drive engagement, including hate engagement, and expand his reach.

It doesn’t mean the things he was saying about himself were either untrue or inaccurate.

By 2019 his SXSW set was featured in Vice, large outlets like GQ and Norwegian artist Bjarne Melgard (known for mining the culture of transgression in Norwegian Black Metal) used him as a model and No-Wave legend Lydia Lunch released a split record with him. It’s worth noting that other young artists, Tyler the Creator and his collective Odd Future for example, were mining similar territory as a quick path to notoriety and have since moved away from abrasive, homophobic and misogynist lyrics.

Later that year everything for Wolfe came crashing down.

https://www.thedailybeast.com/they-believe-wolfe-margolies-aka-drrty-pharms-confessed-to-rapes-in-his-rap-lyrics

The above link will give better details and clearer sources but a sting had been underway involving Wolfe sourcing heroin to fellow Columbia students – one of whom died of an overdose and opened the case through her phone records. My own feelings on the ethics of punishing drug dealers are complex but more damning was a wealth of CSAM (formerly called Child Pornography) found on his phone during an airport seizure.

More interesting is that while at least four female victims of rape and grooming by Wolfe contacted the New York DA – often with references to specific rap lyrics in his songs bragging about verifiable features of these crimes no charges of this type were pursued. One of his accusers contacted the police department after seeing that the trial was moving forward but nobody had followed up with her – she was told there were no records of her being interviewed.

The sad reality is that defense lawyers tend to bully sexual assault victims and attempt to tear them, and their lifestyles, apart. Traumatic events are asked about in detail multiple times – looking for the slightest inconsistency or hesitation in order to throw the entire testimony into question. The DA likely viewed allowing such witnesses to testify as too much of a risk if their reports crossed their desk at all.

Ultimately locking up a rapper for the classic crime of drug conspiracy and trafficking was a slam dunk, the contraband sex material on his devices guaranteed extra charges but his female victims were evidently deemed unreliable and unworthy of taking the stand. For anyone who doesn’t know that every police precinct in America is overflowing with completed rape kits that decay on shelves untested this might sound surprising. Without extreme extenuating circumstances female victims of sexual violence fall perhaps lowest in the hierarchy of who our peace keepers believe in pursuing justice for.

Nonetheless I can’t help but feel that locking up a suburban, wealthy white kid who attended early college on drug charges feels a little too much like leaning into cliches and prejudices around his chosen music genre as opposed to seeking retribution for his victims in the truest sense.

After all, play ground myths aside, most drug buyers are eager shoppers and active participants. I would not say that about rape victims.

*******************************************

With Wolfe behind bars and mentions of his name falling sharply since 2019 it would be valid to ask why am I dredging up his name and crimes at all – possibly throwing more attention his way. My reasons are twofold: first the Facebook reminder of our 2012 show sparked memories but more importantly reviewing his life and circumstances reminded me of an obscure decadent/weird fiction German novel from 1911 called Alraune.

For those readers who delight in moments where my fancies and tenuous connections twist into improbable filigrees we have arrived at the candy. From here on out shit’s getting weird. A brief synopsis and profile on author Hanns Heinz Ewers are in order before any jab at proceeding.

I knew the word Alraune from references in a Thrones album title and Castlevania games long before I read the original myself in the 1929 US translation. Ewers is a diminished, misunderstood figure in weird and decadent literature for one obvious reason – a brief formal alliance with the Nazi Party. As best as I can tell he was more Prussian nationalist than White Supremacist and many of his works show reverence for so-called “primitive cultures” of his era.

From 1901 he travelled Europe as the writer for a vaudeville troupe but hung this up due to prohibitive expenses and the heavy hands of Censors. He continued to write in many genres including his best known works: the Frank Braun trilogy of horror novels. Alraune is the centerpiece of these. The Nietzchean anti-hero Braun is generally regarded as the author’s self insert.

He traveled extensively and found himself on US soil during the First World War. This led to his arrest for fomenting support for the Kaiser. Eventually he was sent back to Germany and won favor with the Nazi party for his film work and biography of theatrical propagandist Wessels. His homosexual tendencies and the proud retention by his literary stand-in of a Jewish mistress led to a quick falling out with the party and a brief ban of all his works in his homeland.

He secured a reversal and died of tuberculosis soon after. Call me a Nazi sympathizer if you must but the paucity of his works in reprint seems rather unfair in contrast to his admirer, H.P. Lovecraft, who proudly supported the Nazis in their racial extermination goals yet today sees his own works reprinted in at least 100 different complete editions and countless works set in his mythos by other writers. I also admire Lovecraft’s writing despite his deplorable politics. I thought I’d throw in for added historical and literary context that Ewers wrote on Poe and corresponded for many years with Aleister Crowley.

*******************************************

That’s more than enough of Alraune’s author so let’s talk about the book and why I think it pertains to Wolfe specifically.

At its core it is a gender-bent retelling of the Frankenstein myth where genetics, Eugenics and the questions around nature vs nurture replace the original work’s reanimation of corpses. The catalyst for the story is an Alraune, or mandrake root, in the form of a gnarled human figure that falls from a wall and into the punch bowl at a bourgeois gathering.

A nearby lawyer lays out the relevant mythology: a mandrake is said to form when a murderer is hanged at a crossroads and his final seed, released from the act of breaking his neck, soaks into the fertile earth. When the leaves grow to sufficient size a witch or wizard pulls up this root. This must be done at midnight on a full moon with either cotton stuffed ears or a hapless animal set to the task. The screams of the tiny creature as it is ripped from the earth are said to bring instant death to any listener.

Once acquired the mandrake manikin is brought home, regularly bathed in wine and said to bring money into the household while rendering the masters irresistible – all at the price of unfortunate early death and eternal damnation for their immortal souls. Irregardless the talisman of the Alraune was heavily sought after and commanded high prices. The magical root is featured in several Biblical stories and especially anthropomorphic specimens are in the collections of several museums.

With the legend out of the way the novel shifts its focus to the science. The aforementioned Frank von Braun is in attendance as is an uncle of his named Doctor Jacob ten Brinken. The Doctor keeps a private laboratory for experiments including artificial insemination. Ewers no doubt believed the procedure to be unprecedented in humans but his research failed him. A Scottish surgeon completed the first documented conception by this route in 1790 while crafty midwives and other women have no doubt understood the potential for the majority of human history.

The Alraune inspires Braun to advise his uncle to attempt to recreate the magic creature in human form. Rather than a hanging the semen is collected from a convicted murderer and rapist the evening before his execution by guillotine. With his nephews’s help, and an elaborate cover story about a disinherited prince, Ten Brincken convinces a young red haired prostitute to bear the child. Her name is Alma Raune but she shortens it to Al.Raune when signing the contract.

The child, a daughter, is named Alraune ten Brincken and made the sole inheritor of the doctor’s estate at the exclusion of his nephew. Her birth is appropriately portentous – throughout a lengthy delivery she screams like an otherworldly creature and is born with the skin of her legs fused together to the knees. The mother dies from blood loss and the operating surgeon, the older doctor’s assistant, succumbs to blood poisoning after performing corrective surgery for the child’s skin condition.

The source of the infection is inferred to be a microscopic scratch inflicted upon his forearm by the infant.

The young Alraune needs a bit of time to appear sinister. An older wealthy doctor like Ten Brincken, now His Excellency through some honorary title or another, simply does not involve themselves with the care and emotional upkeep of children. Around the estate the majority of the serving staff detect some offensive pheromone or mannerism in the young girl and do only the bare minimum to keep her alive.

In the house of the Gontrams, the scene of the happy party where our anthropomorphic root creature had a sip of wine, the personification of death has been making sport and with the assistance of consumption the bony fingers have whisked away the mother and most of her sons. An older daughter lives but spends her days with a wealthy Duchess and her daughter Olga. That leaves, besides the complacent father who would be unsportsmanlike for death, the youngest son called Wölf or Wölfchen.

I was not expecting the name when I picked up this book to see how well my theories fit the text. The coincidence is not as canny as it could be – for in my allegorical reading Wolfe Margolies (Drrty Pharms) is not Wölfchen Gontram but rather Alraune ten Brincken herself. The gender-flip has flipped a second time and seems to create a more congruous twist on Frankenstein than the recent Poor Things outing – which promised a feminist reading but instead chose to trade in puerile fantasy and the male gaze…

With Wolfe as our Alraune poor Wölfchen from the original story needs an avatar in our reality. Wölfchen was Alraune’s childhood playmate and plaything. Like many male characters in the narrative she is to him like a flame to a moth and will burn his wings and cause his destruction.

I nominate for this office the girl who was doing the “groupie hip sway” at our 2012 concert on Troutman. She is never visible in the embedded video segment and I have no idea how to find her name or how things with Wolfe turned out for her. According to certain patterns, in Wolfe’s behavior and choice of victims, the smart money seems to be on “not well” but for now let’s leave her image on the “wildcard” space.

Just for this one moment, as we do in every work of horror; be it novel or cinema, let us pretend that nothing is predetermined, anything is possible and in the end we could hope for safety and happiness – instead of merely the cold comforts of revenge…

[End of Part 1 of 2 *************************]

Next time: More on Wolfe, his crimes, his life and the novel Alraune. A discussion of the themes through a social lens. The alt-right/incel pipeline and angry young men. Feminism. Accountability and who gets it, does everybody?

Read Part Two here:

Alraune (Part Two of Two)

What is the worst drug and why is it speed? (with Aztec Poetry)

An interesting bit of trivia is that the 30 mg preparation of Temazepam, a benzodiazepine prescribed for insomnia, and the 70 mg of Vyvanse, a prodrug that metabolizes into amphetamine and feels insane if you don’t have ADHD, look almost identical at a glance. Technically one is maroon and blue while the other is orange and blue but this distinction is lost through the orange plastic of a prescription bottle. I have insomnia while my wife has ADHD and we both keep our pills by our bed for convenience.

In what is absolutely a terrible idea I have been gradually increasing the amount of temazepam I consume in a single night due to the classic quandary of diminishing returns and a misguided drive to chase a pleasurable “intoxication” effect. I take four a night and was down to four at the time of this incident. In a strange twist of fate my wife also happened to have exactly four Vyvanse left in her bottle.

A common side effect of benzodiazepines is that they tend to make you forget where you last put them and in some cases even hid them from yourself. That was the situation when I woke up yesterday but a quick look around yielded a pill bottle with four gel capsules of the proper color. Of course it’s easy to say I should have read the label, as of course I should have, but considering I was neither aware of the superficial resemblance or the matching counts my less rigorous identification is at least understandable.

As the time of night to begin “winding down” manifested I repeated my usual evening ritual by removing the four capsules and placing them under my tongue to dissolve. All gel cap exteriors taste more or less the same so the first moment I realized something was amiss didn’t come until the internal powder began to dissolve sublingually. Temazepam is sweet – I’ve often wondered if this is a quality of the drug itself or an added ingredient to make the pills more palatable.

The second one seems unlikely as without bypassing the time release gel caps like I was the flavor of the powder should not be discernible at all. Interestingly enough Vyvanse is also sweetened so most of the powder had dissolved before I caught the aftertaste of not just bitter, but the specific bitter that characterizes stimulants. This was the moment I picked up the bottle, read the text and realized the gravity of my mistake.

Vyvanse is unique in that it has to be metabolized in the gut to become amphetamine – prodrugs are interesting if anybody wants to read up on them. I might question if sublingual absorption is capable of this at all if not for the unique hell the last 36 hours have presented to me. I ran downstairs and attempted to rinse any undissolved portions from my mouth. If I were thinking more clearly I might have attempted to collect any remaining powder for my wife – after all the absence of Vyvanse for the next four days is as much of an issue for her as the overdose is for me.

My bottle of Temazepam was tangled in the blankets – containing the same four capsules I’d remembered. I suspect it was about as effective as pissing on a fire but I quickly placed the sedatives under my tongue so, like the characters in Osmosis Jones, the two substances might battle it out for control of my body’s equilibrium. I highly doubt that the future will offer opportunities to bet money on similar circumstances as one would for MMA or a boxing match but in the infinitismal chance this does happen don’t be a fool – put your money on the Vyvanse.

Before I go into the landscape of my latest hell I thought it would be interesting to outline my personal history with excessive consumption of stimulants. They are hands down my least favorite drugs but that doesn’t mean this was my first dance with “Hitler’s Dandruff”. Youthful bravado, nihilistic boredom and the combination of constant availability and rock bottom pricing are not to be overestimated.

Previous incidents in order:

I: After returning to the West Coast in the wake of 9/11 in 2001 I heard from El Rancho alumnus Justin Two that methamphetamine fetched outsized sizes in Chicagoland due to strict control of red phosphorous. I bought a ball (3.5 grams) and used a counterfeit Greyhound ticket to return to my recent home – reasoning that my profits would bankroll the rest of the trip.

I wouldn’t call my consumption an overdose but with a recent needle fixation and no other drugs at my fingertips I did redose frequently and fail to sleep during the cross country trip. For whatever reason I was never assigned Moby Dick in public school but I’d burned through it in an infamous Ocean Beach house in the week before my departure. Certain residents of this home had just gotten out of jail which resulted in speed, or ‘Chardonnay’ as the beach bums called it, making a major comeback.

On top of Melville’s classic my recent pilgrimage to Fort Thunder gave me a crack at the Load Records back catalog and a CD of Astoveboat album New Bedford. Astoveboat was the precursor to legendary Providence noise rock groups like Lightning Bolt, Olneyville Sound System that also chose to forgo guitar and focus on bass.

They were also arguably the most consistently thematic project in the city’s experimental landscape – plodding along with an electric bass, two empty oil drums and some kind of electronic fog horn every song of theirs either spoke of killing whales directly or addressed the culture and legends of whaling ships.

The combined effect of the novel, album and methamphetamine coalesced into one cohesive philosophy – more than anything, deep in my very bones, I wanted to kill a whale. Ocean Beach offered scant opportunities so I made do with occasionally, and futilely, attempting to kick seagulls. My favorite shirt at the time bore the legend “A DEAD WHALE OR ASTOVEBOAT” next to a bloody human handprint.

It was in this mindstate that I hid the drugs I was muling in a stick of gel deodorant and settled in for the long ride. While I kept my own cache secret it must have been only a small portion of what the other passengers brought themselves. Sitting toward the back of the bus, a toothless old woman offered meth themed jokes and original poetry:

We spin, we spin, we’re spun, we’re spun

We are the tweakers, the geekers and the ekers

Disconnecting your car’s radio speakers…”

The jokes were essentially Jeff Foxworthy with a different theme. I didn’t think any were especially funny but with enough demand I’d be happy to edit them in. I was injecting another one to two points a day in addition to the larger dose I took before boarding and becoming increasingly paranoid, antisocial and batshit fucking crazy.

Somewhere along the line I ended up with one of those spiral bound notebooks commonly used by conspiracy theorists and people experiencing psychotic breaks. In my scribbles the whale became a symbol for God himself and I had endless theories on how one might go about killing this entity. I remember something about cave paintings, something about how the killing blow required absolute faith but mostly I’m happy that whatever was happening in my head was temporary.

A few years later I found this journal on a San Diego trip and stapled the wildest sections to the kitchen walls of the Blog Cabin.

II. This is the first event I would call an “overdose” and definitely the cringiest on my part. It was 2004 and I was lucky enough to be in New York for the Deitch Projects opening of the Riddle of the Sphinx installation by Dearraindrop. It had been around four years since my Fort Thunder trip and while I’d started a pen-pal friendship with Ben Jones of Paper Rad my contact with Dearraindrop’s Joe Grillo had been limited to an offer to print a zine of theirs for my tape label (it never happened).

I have no intention of addressing Joe’s struggles or legal problems here. For this next bit keep in mind that I was new to drugs and had never really been a “cool kid”. I’ve never been the “fashionably late” type – when I first started going to shows I usually had to show up hours early to try to find the band outside so they could sneak me in even though I was under 21. I was either really good at this or it was just easy In the pre-internet days.

Riddle of the Sphinx was free, all ages (despite free beer) and never hit capacity. I probably just rolled up with a suitcase because I had nowhere to pregame. In the nearly empty gallery there was a refreshment table with orange juice, pita chips and, for a few minutes at least, Billy Grant’s (main Dearraindrop animator) prescription bottle for Adderall.

This is going to sound really stupid because it was really stupid but Dearraindrop made drug themed art so I assumed the drugs were supposed to be refreshments and not wanting to look like a square I quickly popped out three of them and instantly knocked them back. Joe and Billy were both quick to tell me that he’s only prescribed the amount he literally needs and I’d just condemned him to three days without his necessary meds (much like I just did to my wife on accident).

To make matters worse I don’t like Adderall or tolerate it well without turning into a total maniac. The pills were 50 mg time release so within an hour I was a total menace. I talked the ear off of anybody that made the mistake of getting too close and Joe had to keep reminding me to take a few steps back and give him personal space during our frequent one sided conversations.

SLOW JAMS, an interesting performance themed band that seem to have disappeared from this era’s history without leaving so much of a footnote, had built their show around a small trampoline they jumped off as each member dropped lyrics. I kept running up and upstaging them by jumping on it myself. I tried to grab mics to freestyle over songs.

It wasn’t just the Adderall. This was my twenties and it took a long time for me to learn how to respect a stage by becoming a performer myself. I got far more grace than I deserved especially because I still somehow got invited to the afterparty with catered Thai food. I still don’t know if I was considered “inner circle” or my Adderall bravado did the heavy lifting. I always loved Billy’s work and wished I saw more of it. Dearraindrop and Paper Rad were like mirrors of each-other: Joe Grillo’s shadow hid his compatriots as surely as Ben Jones’ obscured the other members of Paper Rad.

Someday I need to write a piece about how these two groups and FORCEFIELD brought the ethos of collective punk living to fine art and saw their movement co-opted many years later by more commercial groups like Meow Wolf.

III: this was a stimulant overdose in the classic sense. In San Diego a strange old woman described in the piece White Tiger’s House had been selling me Norcos and gave me a bag of insulin syringes after becoming homeless by the reservoir. I was supposed to get her a tent in exchange for an entire bottle of her next norco script. I wish I’d done it – not for the pills but because she had too many health issues to be at the mercy of the elements.

As soon as I had the needles I fantasized about finding cocaine. Instead I kicked an empty cigarette pack in a parking lot to find a few grams of meth. An IV meth rush and an IV Coke rush are totally different sensations – that didn’t stop me from trying larger and larger hits until I fucked myself up and had a terrifying night. Most of it was spent in the bathroom desperately trying to urinate. The whole story is in the piece “I think that the universe was intending that to be my meth wallet” and the stuff was a curse until I got it stolen trying to sell it off in Oakland.

IV: This brings us to this last, and hopefully final, incident. There’s a special horror to thinking you are taking chill out pills only to dissolve 280 mg of lisdexamfetamine in your mouth. I don’t understand this stuff. It should only be equivalent to 60 mg of Adderall using conversion charts. That dose would be manageable but my body still feels weird, it comes in waves and my hands and chest kinda hurt. I really hope this is the end of it.

I would feel weird about talking about this next part if the phenomenon wasn’t so well documented. I’m talking about “stimfapping”. Jim Goad wrote a famous piece about this – being absurdly horny but the mind is racing too much to follow any single fantasy to the denouement as it were. After an entire night I was able to, without getting too graphic, coax out a limp dribble that left me less relaxed than before I started.

The first thing I did when I realized I had no chance of sleeping was draw a portrait of cminent Nahuatl poet and statesman Nezhualcoyotl. I’ve been getting in lots of online arguments (before the stims) about the Mexica and US domestic violence stats. I won’t go into much except to say that without a written language the Aztecs had quite a well developed poetry culture.

While Aztec society was highly stratified the one option for upward mobility was to distinguish yourself in poetry. If you’ve ever read the Edda of Scandinavia and know anything about “kenning” the Mexica had a unique form called “disfrasimo”. European kenning is about metaphorical nicknames for all kinds of stuff – “destroyer of twigs” for fire is one example. The more of these you can fit into an oral saga the better Skald you are.

In disfrasimo every thing can be called by two other things. Since Tenochtitlan was in a lake for example “in atl in tepetl”, translating as ‘the water the stone’, is a way to say city. The other crazy thing is in usage they nest within one another like programming subroutines. The way to say poetry is “in xochitl in cuicuitl” – the flower the song.

Ok, I’m gonna use a bit Of English here but if you want to say “we were saying poems as we went to the city you could do something like:

We travelled to ‘in atl

We repeated ‘in xochitl

We repeated ‘in cuicuitl’

We travelled to ‘in tepetl’”

Obviously I could have worked harder at using more Nahuatl in that but the takeaway is the more of these you can squeeze in the greater your wisdom -and the more status you can attain. It may seem difficult to understand how listeners were able to follow while the second half of one of these couplets could come long after the first but was required to give it meaning.

German can be somewhat similar: some important part gets put off until the end of long complex sentences, verbs maybe, but listeners just naturally follow.

The Mexica stuff I’ve been arguing is about number of sacrificial victims. While some sources claim tens to hundreds of thousands the digs at Templo Mayor in Zocalo, DF have turned up 729 definitive sacrificed remains snd modern estimates are hundreds to low thousands annually.

Anyway while my data is solid that’s mostly the Vyvanse talking. I made an idiotic mistake, my body still feels weird and I doubt I’m sleeping tonight either. Don’t be stupid like me. Read your pill bottles. I’m gonna close my eyes for no reason now.

1510; 1996

I was up fairly early because I was a High School student. It would be another three or four years before my father’s health would begin to seriously decline so on this particular morning our garden remained in robust health. A colorful array of free standing flowers, bushes and trees burst from the earth like the inflatables in the earliest performances of Darius Milhaud’s La Création du Monde before it was discovered that the mechanical apparatus used to create this effect overpowered the natural acoustics of the orchestra.

It wasn’t a regular school day so I had a bit of extra time. Sipping leisurely from a mug of coffee I regarded a wall of plumbago – a fast growing, hardy shrub with blossoms of a delicate periwinkle blue. My father favored it because it required little water and came in thick enough to shield our sprawling side yards from the suspicious eyes of gossiping neighbors.

He was an avid smoker of cheap Mexican cannabis and even legalized medicinal use was still years away in California.

As the plumbago flowers wither a system of sticky hairs along the calyx allow the seed pods to latch onto the fur of any passing mammal and thus continue to propagate themselves as far as hoof or paw may wander. For a family of long haired hippies this particular feature was an absolute nuisance and most evenings were spent picking and combing out the colorful hitchhikers.

On this particular morning I caught sight of something unexpected: a round, brown pod among the flowers. It would be a stretch to refer to myself as an amateur botanist but I had been taking a scientific interest in seed pods specifically. A week or two earlier I had brought the pods of the Ruellia, or wild petunia, into my physics class to ascertain the mechanism by which these capsules explode in the presence of water to spread their seeds.

(for any interested readers this process is known as dehiscence and in recent years a Thai High School student named Itthipanyanan has had an asteroid named after them in honor of their research on this exact phenomenon. In my own Physics class we hypothesized that the process involved an internal rigid skeleton and a water soluble natural adhesive but our experiments were cursory, unpublished and no celestial objects bear my name.)

The brown pod in the plumbago likewise ignited my curiosity and I began my investigation by prodding it with my thumb. In an instant it pivoted eight legs around to grasp the tip of the offending digit and began to bite me due to the fact that my identification of this object had been woefully inaccurate and the “seed pod” was actually a large common Garden Orb Weaver spider.

While this species is venomous the venom does not pose a threat to humans and I may well have managed to shake it off before it could break the skin. Rather than any pain I remember a loud buzzing in my ears that I’ve also experienced the two or three times I’ve accidentally walked through the webs of the larger black and yellow orb weavers and needed to shake the arachnids from my head.

There are certain spider species that produce such sounds but in these situations I believe the sensation to be endogenous in origin – a panicked vibration from my own nervous system as some primal part of me recoils in horror from the alien invertebrate that has suddenly gained proximity to my skin. A kind of “don’t let it bite you in case it can kill you” alarm as it were.

Had the spider been radioactive and my life a 1960’s comic book I might have gained superhuman powers and inspired one of the most successful film franchises in history but this story is about deftly dodging exceptionality to manifest mediocrity time and time again. With no asteroids named for me and no spider based superpowers we may now advance to the centerpiece of this episode: my SAT exam.

It must have been my junior year of High School because that’s when SATs are traditionally taken, this allows me to place this story in 1996. I had no interest nor aspiration toward any university but my mother insisted I take the exam and it seemed reasonable enough to comply. Opportunities to place oneself in a formal hierarchy with one’s peers are relatively rare and, in the spirit of competition, at least somewhat entertaining.

The exam was being proctored at my school, San Diego High School, and the start time was several hours later than a regular school day allowing me the opportunity to casually drink coffee and get bitten by spiders. It would have been better for me if it had started earlier as the spider bite left me somewhat “out of sorts”. I’m only now realizing this but the event cast a large enough shadow on my life to be featured in the lyrics of the only song I recorded on four track that year with my friend Gabe Saucedo: Bitten Kitten

Bitten Kitten, bitten by a spider

Bitten Kitten, fell in apple cider…”

I was always pretty good at taking tests, shaken up or not. In 1996 the SAT was comprised of two sections, verbal and math, each worth 800 points for a total of 1600. I don’t remember having any issues with the verbal section. In the math section there were one or two word problems I was having trouble figuring out so I moved on to better manage my time.

One of them was about ducks. Something about ducks coming and going or breeding and dying in a pond and how many ducks you have left. When I try to remember it now all I can think of is the old country joke about the missing pond because it froze around a bunch of duck’s asses and they flew off with it. That definitely wasn’t it.

This is the thing about the duck problem: it bothered me that I couldn’t figure it out so the numbers stuck in the back of my head and later on I finished another section early and with my leftover time I figured it out. I knew how many ducks there were. It would have been easy to turn the booklet back and write the answer in but they told us we weren’t allowed to do it.

At this point in my life I had just started exploring abandoned buildings but beyond that I was a boy-scout and a follower of rules. I didn’t drink or use any drugs, I wasn’t a vandal or a counterfeiter and I never told any lies. I was exactly as insufferable as I’m making myself sound: a little wise ass with a superiority complex.

You could say that my ducks were in a row but I was burdened with a senseless morality that kept me from pulling the trigger.

Now I’m an outlaw. I just got a tattoo of a skeleton pissing on his own grave. Back then I didn’t have any tattoos and I didn’t like loud rock music and I didn’t turn the book back and write how many ducks because the proctor said it would have been against the rules. After the test I asked my smart friends how many ducks they got and it was the same amount of ducks.

It’s ridiculous that I still remember this. One of the things I’m trying to do with this whole writing project is explain what it feels like to be me and remember so many pointless little details and be constantly drowning in information that I can’t put down or let go. It’s interesting that for a person who never forgets things I don’t really hold any grudges. I remember all of the things that people did that I wasn’t happy about at the time but I don’t hold anger for anybody or thirst for vengeance.

I think it would be unbearable if I did.

When the results from the test came back I had 1510: 800 for verbal and 710 for math. That would have been fine except for the fact that my two smart friends I asked about the ducks both had 1600s. While I still didn’t drink or do any drugs I was starting to go to shows and parties and I started to grow apart from my friends who were smart but not cool and spend more time with kids who were cool but not smart.

Their names were Anna Solomon and Matt Groesbeck and they probably had prestigious colleges picked out and have careers in their chosen fields now. I stayed over at Matt’s house once – he lived in Mission Hills and his parents kitchen had marble counters and a kitchen island and dangling light fixtures in brushed aluminum. We ate pizza with pesto on it. I’d never seen it before in my life because in 1996 only classy rich people ate that and my rich neighbors ordered six foot long sandwiches for their annual party and had no class.

Anyway I’m sure I could have just taken the test again and got a 1600 but the fact that my friends had a higher score bothered me enough to still remember it but not enough to do anything about it. Now that I think about it I think this probably affected the lyrics to Bitten Kitten too. The song continued:

Angry Kitten, lost all of it’s legs

Silly Kitten, doesn’t go to High School

Can’t do Algebra, unemployable…”

I was making fun of my friend Gabe Saucedo who engineered the song and played bass and drums on it. I hadn’t picked up the bass yet so I played a glockenspiel style toy piano with vocals and harmonica. Gabe had briefly stopped going to his last year of High School at the time and was struggling to find a job. He might have even complained about a job he wanted requiring an algebra test.

While Gabe was the obvious target of this mockery, now that I have the widened perspective of maturity it seems obvious that I was also struggling with my own feelings of inadequacy from my imperfect test score. I had fallen in love with Trigonometry after learning that the Pythagorean Theorem was actually a simplified version of The Law of Cosines and it stung my adolescent pride to have come in second in my favored arena.

The lyrics were improvised on the spot and he flipped me off at that moment with the hand that was fretting his bass. The drums were recorded last with an odd bit of syncopation on the piano melody setting the time signature. Like most of my friendships at the time ours was built on cordial mutual hostility. It took me a long time to realize that not everyone enjoys that particular style of repartee.

I think I’m still trying to figure it out.

The song ended with two measures of meowing to the melody, a short harmonica solo and the final words “I’m stupid…”

Unfortunately all of the recordings of Bitten Kitten are lost unless somebody I sent it to, like Roger from Monotract, still has a tape somewhere. I got into SFSU at the least minute but didn’t stick with it and only finished my degree in my mid twenties. After the SAT was over I walked to the old downtown library to look for graphic novels before taking the bus home.

My usual stop was a couple blocks up Broadway by the Chee-Chee Club and I was about to learn what a difference a couple blocks can make. It happened gradually but it slowly dawned on me that everybody besides me in the bus shelter was either buying or selling crack. I don’t think anybody was smoking it but seeing it at all was still a shock to my innocent sixteen year old eyes.

On top of all of this for reasons I still don’t understand the homeless population of mid nineties San Diego often used snuff instead of smoking cigarettes. Along with the constant spitting out and handing off of plastic wrapped chunks of freebase there was the mucus heavy sniffling and snorting that accompany snuff-taking and the distinctive sharp scent of this spiced tobacco.

The primary dealer was an intimidating flat topped bull-dyke who took umbrage with my attention and suggested I direct it elsewhere:

Why you looking over here? You need to turn your head the other way to look out for your bus coming before it gets twisted off your skinny neck!”

That all sounded reasonable enough to me and I silently complied. I was still a little bit out of sorts. It had only been a scant several hours since I’d been bitten by a spider…

Emeryville 2018 (Part 2 of 2) : Pooh and the beauty in getting beat

I’ve mentioned in at least a couple of places that I view underground art and music subculture and homeless hard drug subculture as two sides of one coin but I’ve never really gone into why. The thing that I found most fascinating in both of these settings can also be found in comic books or even sitcoms. It’s about archetypes, lore and the cult of personality.

When I was really young I read everything I could find about Greek and Norse mythology – especially the large lithograph illustrated books by Ingri and Edgar Parin d’Aulaire. Once I was buying comic books my immediate favorites were the 1980’s run of The Uncanny X-Men, Jack Kirby’s The Eternals and a kind of encyclopedic character sourcebook called Marvel Universe. I liked learning about pantheons and memorizing the appearance, powers and personalities of all of the gods or superheroes.

When my family first got cable I would read through all of the listings so I could videotape any monster movies or fantasy with creature effects like Jack the Giant Killer and The Seventh Voyage of Sinbad. As I got older this gave way to enthusiasm for cult and auteur cinema and the focus shifted from the colorful characters onscreen to the directors themselves. There’s a whole rambling essay up about this called Bad Fish but the takeaway is that in deep fandom the artist becomes the hero.

The first kind of DIY shows I spent a lot of time at were ska shows and although I enjoyed memorizing all of the bands their end product, with the possible exception of The Aquabats, wasn’t as colorful as I would have preferred. My tastes have always run a bit anachronistic so when I didn’t see what I was looking for in the popular music of my age mates I started digging through thrift stores for New Romantic Synthpop records from the late ‘70s and early ‘80s.

The best single word to encapsulate the desired element is theatrical.

I had a head start for alternative comics but was more of a late bloomer in terms of discovering punk, hardcore and eventually noise. Chicago’s experimental music scene at the turn of the millennium had a good portion of performance oriented projects but the strongest appreciation of a nationwide caste of beguiling feedback thespians came from touring myself on the small festival circuit. The best way to quickly see exactly what I’m talking about is an anonymous blog called Noise Park that offers a who’s who of this scene drawn in the style of South Park characters.

The world of hard drugs didn’t immediately offer this because I was still ensconced in DIY music and any other users I knew socially were a smaller subset of people associated with that scene. I was deliberately oblivious to the associated social stigmas to the extent that I introduced myself to one of my new favorite bands in early 2001 by asking if they needed help finding heroin. There was nothing concrete to indicate that The Get Hustle would be interested except that I thought their slinky dark cabaret music “had that vibe”.

It’s a testament to the power of interpersonal magnetism that nobody in the band used or was interested in that drug but we still became great friends. It wasn’t until SXSW in 2011 that a band did approach me for that kind of thing, Australian Birthday Party imitators Slug Guts, but while 2001 me would have been over the moon 2011 me couldn’t even be bothered to find it for them. I did end up getting some dope a little later at the same festival but I wasn’t in the mood to make it a mission on the night they approached me.

In 2016 I started going to a Los Angeles methadone clinic and living in the homeless community that orbited it when I began to appreciate how similar these things could feel to the DIY music scene. Some might bristle at this and insist that there’s nothing creative about drug addiction but I see the same approach to community building around an occult pursuit that polite society deems either disinteresting or repugnant. I’ve never been involved in kink or BDSM but I imagine it’s close to the same thing – hence the band name The Velvet Underground.

By 2018 our wanderings had brought us to the Bay Area and I eventually learned to navigate the tent community behind the Emeryville Home Depot. When we were still working at Mission Thrift in San Francisco it made more sense to frequent the Honduran dealers called “Hondos” around Civic Center BART and the Tenderloin but once we were spending all our time in Oakland the trip to the city started feeling like too much of a hassle.

The part that appealed to me was the hidden nature of everything and the quest-like process of hunting down connections. Underground music has gotten a lot more accessible with the internet but the first years I spent exploring it sat on the outside margins of the digital era. I wouldn’t necessarily call seeking out either obscure music or drugs heroic but the process was reminiscent of the point and click graphic adventure games I used to play in my adolescence. Even without the step of ingesting intoxicating substances the successful problem solving involved will flood the brain with the body’s own reward chemicals.

It feels like the reward is directly proportional to both the scarcity of what is sought and the challenge involved in finding it. For example with music The Residents and Lightning Bolt were both bands that I had read about and been interested in long before I was able to get my hands on one of their records. In both cases I can still recall the feeling the exact moment that flipping through the new arrivals and clearance bin respectively in the Hillcrest Off The Record offered up the prize, I listened to what I found countless times and it still feels like both discoveries had a lasting impact on my life.

Music lost a lot of this thrill with the advent of file sharing services like Napster and Soulseek a few years later. Suddenly I could listen to every band I’d read about and been interested in all at once in a sudden flood and instead of playing a new discovery on repeat for weeks I struggled to find the attention span to sit through an entire album or sometimes even a song. It was kind of the same thing with drugs – finding heroin in the Tenderloin was about as difficult as looking for a McDonald’s hamburger and consequently never felt as exciting as finally finding the same drugs after a long search in Oakland and Emeryville.

The absence or presence of what I’ll call the “magic” for lack of a better term rubbed off on my feelings toward the people who populated the background in both situations – the incidental characters. I’m sure the Tenderloin is bursting at the seams with fascinating personalities but the streamlined nature of copping there prevented anyone from making much of an impression. When I search my memory now the only thing that comes into focus are the two times I ran into people I already knew from DIY music circles in this environment: a relatively scarce and unexpected experience.

In contrast a kind of warm nostalgia washes over my memories of brief interactions with strangers on the opposite side of the bay even when they didn’t play significant roles in finding the things I was searching for. The one that immediately floats to the surface is “goatee guy” – a man in his 40s who dressed like Ali G but wore a thick mask of bronzed foundation makeup that he topped off by drawing on a pencil lined goatee with liquid eyeliner. Judging by this bizarre habit he must have been a tweaker but he appeared a couple of times in West Oakland spots where I copped dope.

If it wasn’t for his clear adult size and energy it would be easy to mistake him for a young schoolchild playing a gritty tough guy character in one of the plays produced by the main character in Rushmore. On our first interaction I was waiting on a dealer parked outside of a kind of workshop built into old loading docks where he was working and he walked over to see if I was up to anything unsavory. While my purpose would have been quite unsavory to the entire polite and law abiding world I could sense his worries sat closer to looting, theft and espionage and I assured him that me waiting for my “friend” would not pose a problem.

The next time we crossed paths I’d gotten sick of the long delays and high prices of the delivery crew and had talked to a few obvious junkies around the library to get clued in on a nearby squatted house that this crusty gutter punk kid I’ll call Mando trapped out of. In terms of price, quality and availability it was a huge step up – for awhile anyway. It was a few weeks of steady buys before I was permitted to come into the house proper and it was in the probation period that I met “goatee” for the final time: he smirked at me sardonically as he passed through the door while I was still forced to sit outside like a puppy.

By the time I gained access to the inner sanctum Mando was rapidly becoming less reliable. His tar began to take on the appearance of crumbled chunks of Oreo cookie – mostly black but with conspicuous white flecks that could only mean some flavor of fentanyl. I never noticed a batch feeling particularly stronger or had anybody overdose off it but these dangers were clearly waiting in the wings. Miraculously it never came up.

The thing that made me need to keep looking for someone else was a mix of communication and supply. I had cultivated a healthy stable of middles using terms that are now autobanned on Craigslist and I needed at least a few grams on a daily basis. I would upcharge these customers at least double the rate I was getting grams for when I bought at least three as a “ball” for the discount. Mando started splitting his time between that squat and another one on the edge of China Town but now his phone would be off for an entire day or he’d tell me where to meet and then not answer calls when I got there.

This was especially dangerous when I was picking up for one of my “heavy duty” customers – people with busy jobs who came to me every three days or so to pick up enough weight to see them through. If I wasn’t able to get what they needed on any particular day they would have to look for an alternate arrangement who would most likely become the first choice for subsequent pickups. I depended on these larger purchases and the profit I made on them – first to support our own habit and later, when we were on methadone, to buy a used RV to live in.

When I asked around for better options I started hearing that you could find stuff around the homeless camp behind the Home Depot in Emeryville. It may seem mind numbingly obvious that any homeless camp would be a good spot to look for heroin but that hadn’t really been my experience. While crack always seemed to be around the corner, heroin was more of a specialty product that most of the camps didn’t mess with. To complicate matters crackheads would almost always say they could find it when asked only to either waste hours of your time wandering around, try to rip you off or trick you into buying crack instead in the hopes that you would smoke it with them once you were stuck with it.

My first trip to the camp wasn’t particularly successful. I asked a group of white kids living in tents along the bottom edge of the camp and one of them said he could help me. He disappeared for a while and came back with a bag that was too small for what I paid. His friend shined a tiny keychain black light on it and claimed that the reaction showed it to be of exceptional purity – this wasn’t the case. Regardless they were middling themselves and as I was also a middleman my success was contingent on finding somebody who was actually selling opposed to a gofer who would levy additional taxes.

I went back to dealing with Mando but on one of my last visits another customer gave me more detailed directions on exactly which tent to hit up in Emeryville. I can’t remember if Dizzy and T were supposed to be brothers or cousins but they were the go to guys for heroin on that end of the camp. T’s tent was on the back edge of the Home Depot compound right at the corner and impossible to miss because it was surrounded with broken bikes.

Now that I think about I never once saw T riding a bike or even working on one but he most likely used to fix them for money before he got into selling drugs. It’s also possible he was just hoarding broken frames from being spun out of his mind and never actually got around to fixing them. He and Dizzy probably both used meth and heroin but T seemed like the much bigger tweaker. He was lean, muscular and perpetually shirtless with occasional sores on his face and bald head that must have come from getting sharded out and picking at his skin as xylazine wasn’t a thing yet.

Dizzy was the more reliable dealer but took me longer to get acquainted with because his tent sat in the center of the opposite row of tents and didn’t have a conspicuous feature like the bikes. Dizzy never wore a shirt either but had more of a teddy bear type body – usually he wore camouflage pants and a gold chain with neat dreadlocks topping everything off. While T was a prototypical tweaker Dizzy gave off major junkie energy and always seemed right on the edge of nodding out.

The camp ran between Peralta and Hollis streets on both sides of an access road for the 580 freeway. The Peralta end was predominantly Black with tightly packed tents running under the freeway overpass and artificial walls made by tying up tarps. Hollis was home to the small row of white kids I’ve already mentioned – they were probably some of the last additions to the community and the first to be made to move. Dizzy and T were Black but most of their clientele and associates were white and the sprawling midsection of the camp they called home was racially integrated.

Before I’d been introduced to Dizzy and T I’d learned about a heroin dealer in the Peralta section called Happy. Happy had one of those sturdy square tents that looks like the canopies used at farmer’s markets except with solid walls. He stubbornly refused to sell to me no matter how long I was around – once or twice I bribed one of his regulars with a few extra dollars or a small break off to cop for me but eventually I stopped even trying to go to his tent.

This brings us to Pooh. Pooh also lived on the Peralta end of the camp. He was heavy set, older and smelled like his namesake. That last bit could be bitterness talking as he was my nemesis for as long as I came to the camp but he also seemed genuinely disgusting. Like most of the Black guys on the Peralta end Pooh consumed black tar heroin by turning it into what was called gunpowder and sniffing it.

Gunpowder, sometimes referred to as cheese, is created by mixing tar with crushed up Benadryl or powdered milk and shaking it with a couple of pennies in a pill bottle. Because of the quantity and consistency of the resulting powder heavy users of this form have running noses and are constantly loudly sniffling and snorting. When I first started copping around Oakland this was all I could find, packaged in neon colored water balloons, but I soon got sick of it as it’s nearly impossible to dissolve in water for injection.

Pooh also had a bizarre way of consuming crack cocaine. Instead of smoking it out of a glass pipe he would crush it into loose leaf tobacco and roll it into cigarettes with these weird blue rolling papers. I never quite understood what this was – when I smoked Top Tobacco the included packs of rolling papers had a couple of blue sheets to signify the end of the pack but this stuff seemed to be in a blue paper every single time. Like the gunpowder it seemed to be a popular method on Pooh’s end of the camp.

I’d gotten into the habit of buying crack when I was still copping from the “Hondos” in the Tenderloin. They carried tar in dime bags and twenties but the crack was only five dollars a bag and referred to as “nickels”. They always seemed to give me a better deal when I picked up a combination of the two products and I’d have more luck requesting a couple of nickels thrown in for free than I would asking for an extra bag of tar or “Chiva”.

When I first got to San Francisco I was dissolving the crack in white vinegar and shooting speedballs but once my veins got bad and it was hard to properly hit I got a glass stem and started smoking it. The first time I ran into Pooh I was trying to grab some crack and he said he’d have to go and grab it from someone. I ordinarily wouldn’t let money walk but because we were at his tent instead of some random corner I figured he’d probably be back.

I should have probably realized it was a red flag when he said he needed to leave the camp at all. The camp was a destination for people looking for drugs and especially for crack on that side of the camp so there’s no way it wasn’t around. I waited on an office chair outside his tent for a while but after about 45 minutes it was obvious he’d ripped me off and wasn’t coming back. I thought about looking through his tent and maybe throwing whatever he slept on into the gutter but there didn’t seem to be much point as that wouldn’t get me my money back.

From that point on Pooh made it his mission to fuck with me and try to get over on me. I never made the mistake of trying to buy drugs from him again but he was constantly around trying to trip me up. A couple of tents over from him was a dude with a big gold watch who always had rock on hand so that became my go to when I was looking. It had been a daily pickup in San Francisco but once I was able to buy tar in weight I mostly stopped messing with it unless one of the customers I middled for was asking for it.

Once I’d gotten into a reliable groove with Dizzy and T I stopped going to his end of the camp and didn’t see him for a while. A few months later I had just met one of my regulars in the Home Depot parking lot and stepped into T’s tent to grab a gram. There was always a few people hanging around in there and I’d never had a problem so I wasn’t paying much attention when a gloved hand shot into the air to pass the money up. T handed me the gram but just as I was going to leave the tent he suddenly called out:

Where’s the rest of it?”

That’s when the owner of the gloved hand turned around and I realized it was fucking Pooh! I had brought in eighty dollars as four twenties but he had discretely pocketed half of it and only passed up forty. When T demanded the rest of the money he made up a story that I had ripped him off and he was just taking what was owed to him. The story was bullshit of course but based on a small nugget of truth.

A few weeks earlier I had been dumpster diving in the nearby BevMo! as they often threw away exotic cheeses and found what looked like two sealed fifths of a middle shelf golden tequila. I didn’t drink alcohol at all back then so I went and tried to sell them on Pooh’s end of the camp. He was around when I found an interested buyer but this person opened a bottle and took a sniff only to discover it was full of piss!

I’d already been transparent about finding the stuff in a dumpster so when this came to light I apologized for my mistake and tossed them into the nearest trash can. No money had changed hands yet and I was obviously as surprised as anybody so while the potential buyer was irritated there wasn’t really anything to do about it. Pooh tried to turn it into a bigger scene and get people to kick my ass but at this point I’d been coming around for a while, spending money and wasn’t in the habit of bullshitting or not paying my dues so nobody really listened to him.

In T’s tent he modified the story to say that I had sold the piss bottles to him and gotten away with his money. It was obviously bullshit, especially seeing as he didn’t drink either, but T’s girlfriend latched onto it and said she’d do the same thing in his position. Maybe she always had something against me or maybe she was just tweaking hard that day and feeling combative. I expected T to be a little more proactive about somebody taking money that was intended for him in his own tent but I also understand that it was my problem and nobody really wanted to deal with Pooh.

Besides that Pooh was strung out and had probably come to his tent to cop so he must have figured he’d be getting it either way.

T was really into stealing spray paint from the Home Depot to make crazy looking customized sneakers around this time so his tent was full of cans. I looked over at a crate full of it and briefly thought about spraying Pooh in the face and attacking him to get my money back. You could say that I was worried about the fallout and collateral damage from trying this in a crowded tent or you could say I was just a coward but really I had the luxury of not having to deal with it.

I forget exactly how the numbers worked out but however I was doing things with this particular customer I was going to be able to bring back the half gram, I had to give half back to T, and still end up walking away with something. The most plausible explanation would be that I was charging him $160 a gram and he had given me half the money while holding onto the second half. This way I would have still ended up with a half gram after collecting another eighty dollars and bringing the customer another half.

It wasn’t the full gram I would have been getting from the deal initially but it was something. You could say that I was ripping my customers off but they could easily see what camp I walked into and came out of every time they met me and nothing was stopping them from walking in and trying to find stuff themselves. They were paying me to not have to do this and by extension to not have to deal with situations exactly like the one I’d just gotten into with Pooh. They paid a high tax to me because I had already gone through the trial and error of figuring out who was a ripoff and who was legit and the assurance that I would always find them the quantity they were paying for.

All of this also meant I essentially had the privilege to not have to retaliate against Pooh. Many people in the drug game might tell you that you always have to fight to get what’s yours in these situations or nobody will respect you and you’ll keep getting ripped off but the amount of money I had coming in from my non-homeless customers essentially put me above that. I stopped fucking with T almost entirely after this incident and took my sizable business over to Dizzy instead so in the long run Pooh’s theft cost him even more than it cost me.

It’s possible I could have fought Pooh and even successfully gotten the money back. I’m no fighter and he was significantly larger than me but I never saw him fighting anyone either – just pulling this same kind of sneak maneuver and talking shit. Ultimately it wasn’t worth the risk of either getting hurt or attracting police attention through an altercation and getting pinched with drugs on me. The main thing was that another customer would almost certainly be calling me later in the same day and although Pooh had gotten over on me twice both of his tactics would only be effective a single time.

Lots of junkies and other drug addicts will tell you that they’ve never been ripped off and always fought to get their shit back but everybody gets taken at least once – one way or another. Pooh and I were both homeless and both junkies but we were still on entirely different levels. He lived in a tent and had to pull schemes like the ones he pulled on me or other high risk crimes to support his habit. I lived in a car and had figured out how to use craigslist to build a roster of housed and working junkies that would bring the money to me.

The fact that I was white and from an educated background almost certainly worked in my favor. Even if someone like Pooh did figure out the online systems I was using and could hold on to a working phone to implement it most of my customers would likely drive off the moment they set eyes on him.

Immediately after the incident in T’s tent he jumped on his bike and rode in circles on the street around me threatening to kick my ass and take the dope I had just bought. I was still angry and fantasies of pushing the bike over or jabbing a stick between the spokes flashed before my eyes but I just ignored him. You could say I was afraid of him but in another way I was above getting my hands dirty to even deal with him.

One of my wife’s uncles is almost certainly a hard drug user, his hands have the same texture as many long term crackheads I’ve known, and the few times we’ve hung out nearly every one of his stories is about getting beat. He’s told me about getting taken with OTC pills sold as painkillers, buying EBT cards that are already drained of funds and assorted other scams. I’ve been taken a fair number of times myself but the way he talks about it almost seems like he derives some strange pleasure from getting beat over and over again.

When LaPorsha was growing up her father was a moderately successful drug dealer and both of her uncles were extremely jealous and tried to emulate him. Her other uncle became a small time cocaine dealer and eventually died from his addiction to the drugs he traded in – I forget if it was meth or fentanyl. The uncle who always talks about losing appears to be dealing with his feelings of inadequacy by almost fetishizing failure.

Although I’ve dabbled in spirituality the strongest organizing principle in my life is the pursuit of beauty. As long as I’m experiencing beauty or working to perpetuate it I feel content. I don’t have any real regrets concerning my life decisions or past experiences because I can always see some spark of beauty in all of it. I’m sure the average observer would see the world of homelessness and drug addiction as hideously ugly but for me there were moments of sublime allure.

I’ve had jobs that required waking up very early in the morning but rising at dawn for a long commute and waking up early because you live in your car and the sun just rose are very different. I have fond memories of driving through the streets of Oakland’s Chinatown, empty save for a few night herons, and visiting a Vietnamese bakery for strong coffee and red bean buns. We’d also get high and spend hours walking along Lake Anza or the forest trails of Joaquin Miller Park.

Everything about Pooh was disgusting to me and the two times he got over on me filled me with rage so the beauty in these interactions is less obvious. I do believe that there is a certain beauty in simplicity however, and a person who wears their true colors on their sleeve. Pooh was like a living avatar of dishonesty and avarice – anybody who was paying attention could see that I was bringing a large and steady flow of capital to this particular drug market so it would have been far more profitable to him to actually supply me while making money off of every transaction.

Pooh seemed fundamentally incapable of this kind of planning or foresight however. There is a myth about drug addicts that their brains have been rewired so they can’t make rational decisions beyond what might get them their desired substances in the moment regardless of any future consequences. I completely disagree with this, along with nearly all dogma surrounding addictive drugs and their consumers, but it did feel like an accurate description of Pooh.

A person who always lies and tries to take advantage of the other party in every transaction is essentially transparent. Nobody in any part of the camp seemed to particularly like Pooh but his presence was tolerated because they all knew and saw exactly what he was. While his appearance and odor were decidedly unsavory I do think there’s a certain beauty in that.

T had already shown himself to be unreliable in other ways, like occasionally shorting on weight, so after this incident I switched to doing all of my business with Dizzy. Dizzy had a far more professional approach. He set up a Rubbermaid table in his large tent and weighed everything directly in front of the buyer except for prepackaged dimes for the small time customers. He went to jail for a minute but his heavyset white girlfriend held things down in the same way during his absence.

It was during this period that one of the white kids I’d dealt with on my first trip to the camp overdosed and I had to rush over to save him. I was in Dizzy’s tent buying from his girlfriend and although she had a Narcan kit she didn’t know how to use it. I was able to bring him back around and the opiate blocker didn’t put him into precipitated withdrawal. People online swear that this is a constant when Narcan is used on anyone with a physical dependence but I’ve never actually seen this happen.

Maybe things are different with the weird mix of fentanyl analogues and veterinary tranquilizers that have replaced heroin on the street since I stopped using.

The kid had blonde dreadlocks and had told us a story about his former girlfriend becoming addicted to meth and deciding that God had told her to become a sex healer when they first arrived in the camp. She wasn’t around anymore. Not long after his friend with glasses in the next tent over had broken the key to his Volkswagen Jetta in a rage over missing a shot and the car got towed. I forget where he said they’d come from and why they ended up in Oakland but “East Coast” and “jam bands” seem like plausible answers.

It wasn’t long after this that the city forced them to move their tents from the piece of sidewalk they were on so they squeezed into the crowded section where Dizzy’s tent was. It was at this point that I got a true picture of glasses kid’s complete and total apathy: he set his tent up so that it was spilling into the actual road and cars would pass less than a foot away from the farthest corner. It’s a miracle that a drunk or distracted driver never crushed his and his girlfriend’s sleeping bodies.

I can’t even imagine what it takes to become so far gone that you become indifferent to your physical safety on that level. There were also a couple people in the camp who had a reputation for finding syringes clogged with blood on the ground and attempting to inject the contents in case they still had drugs in them. One of them was a mixed race kid who died of an overdose that was big in the newspapers but the other one was an Asian woman with long black hair I’d been seeing around since I lived at Apgar in 2009.

She gave off truly terrifying energy like a feral animal trapped in a human body.

The beginning of the end for the camp was when T’s tent exploded and started a small fire. T wasn’t at home and nobody was hurt but it spread to a storage shed for Home Depot merchandise and did $160.000 worth of damage. I never saw T attempting to cook meth in his tent but by the time it happened I hadn’t been by there in months so it’s theoretically possible. People in the camp did occasionally use generators and propane heaters so those are possibilities.

I added a photo of the wreckage up at the top as the featured image.

Dizzy and his girlfriend bought an RV and his tent became a pure trap house with nobody living in it. He began to operate it like a timeshare with him and several other dealers selling at predetermined shifts of about six hours at a time. One of them was a tall light skinned guy I’ll call Flint who came from Reno, didn’t use and was a little sharper about everything than everyone else who sold there. He was the kind of drug dealer you would imagine might’ve taken a business class or two at a community college.

He noticed I was averaging three to six grams a day so he made sure to give me his phone number when Dizzy wasn’t around. Unlike his brother Dizzy had always been solid and done right by me so I didn’t change immediately but after a few times of him not being around Flint became my go to. He was clearly on another level and instead of having me come to the camp I began meeting him in his rental car or at a variety of hotels he’d been staying in.

The camp was high risk, Dizzy had already been arrested once in that exact tent, and for the most part very low reward. I only ever saw one or two other customers grabbing grams or higher when I came through. It was usually other residents of the camp trying to get dime bags for eight or nine dollars. Flint probably found a handful of other customers on my level and stopped fucking with the camp entirely.

When we first moved to the house we live in now we were still driving to the Bay Area for drugs and occasionally Flint would come all the way up to Vallejo to meet us so we could shorten our trip. We got into a car accident and stopped doing drugs. I probably still have Flint’s number in my phone and even though it’s been four years I’d guess it would still connect me if I tried it.

His white girlfriend was already smoking fentanyl toward the end so although he never sold it he probably had connections in place to make the transition when the flow of tar disappeared.

This piece took me over a week to write and now I don’t even know if it’s interesting or if it conforms to what I laid it out to be in the introduction. It barely feels like it’s even a story. For that reason I’m going to add a few random anecdotes here,

On the day Lil Peep died I was copping in Dizzy’s tent and talking about it to a small crew of cloud rap “hood hipster” looking guys I hadn’t seen around before. Like ripped designer jeans, Nirvana shirt, gold chain and a Carhartt beanie over bleached dreadlocks style. They didn’t do heroin but they were talking about shooting meth sometimes and their girlfriends obsessively searching their bodies for needle marks because they lied about doing it. One guy said that he would inject under his nutsack for this exact reason.

I’ve never heard of anybody finding a vein there and meth isn’t really a drug you can shoot into muscle or skin pop. Maybe he was lying about it. I definitely didn’t look under his nutsack to verify.

This other little detail is from when I was still copping from Mando. He told us to pull up to the squat in Chinatown but wasn’t answering his phone once we got there. While we were waiting another couple dressed in pajamas pulled up and it was obvious we were both there for the same thing. We asked each other when each party last spoke to him but it was the same for both of us – he’d told them to pull up then stopped answering his phone.

We started knocking on the squat door and shouting up to the windows and another dude who lived there came down. He had blonde hair and fairly traditional tattoo sleeves – koi fish and chrysanthemums and shit. His name was Kero because he had started a huge fire playing with kerosene as a baby. He did have some gnarly burns but I think they were more recent.

He was able to make a call and help us both get dope but he kept complaining about it saying “I don’t even have a dog in the race”. When I hear that expression people usually say “fight” instead of “race” but maybe he thought a dog race was more applicable. Considering they are both references to gambling it feels like it doesn’t really matter which one is used. It’s funny to think of selling heroin as a race though because it usually involves lots of waiting and dealers taking as long as humanly possible.

Regardless of Kero’s complaints it was nice of him to not demand break offs or extra money from either of us. He was a junkie too but he was already high and he probably figured that because we were both couples and only buying twenty bags we would need the whole thing just to get well. I know people who have never used heroin probably think every junkie is like Pooh but in my experience more of them are Keros.

I probably haven’t done a good enough job describing anybody for a story that’s supposed to be about archetypes or groups of characters. All of these people ignite a certain warm nostalgic feeling in me but I’m not sure how to convey or share that. Now that I live a recluse’s life on a mountain and see nobody on a daily basis except for my wife and our pets I’ve been missing this kind of thing.

I do see wild animals from time to time. When we left the mountain yesterday we saw a deer on the way down and two bats and a jackrabbit on the way up. That’s exciting but it doesn’t really take the place of being surrounded by people and personalities. That’s why I’ve been getting back into underground music and booking shows. It’s not like I can get back into drugs.

I hate fentanyl…

People into the NA Kool-Aid will tell you that you’ll never get sober until you hit “rock bottom” but in my case I never did anything like that. I’m pretty sure the drugs did it for me. Whatever’s on the street now is a nightmarish nadir compared to real heroin and with this country’s twisted take on common sense drug laws I don’t see recovery starting any time soon.

Hi, my name is fentanyl mixed with xylazine, nitazezene and random RC benzos and I’m a ridiculously shitty bag of drugs!”

Redding 2020 (Part 1 of 2): “The manuscript, The Great Ace Attorney and the case of the procrastination compromise”

I’m absolutely at the point where I need to be moving big blocks of this text into a document and then editing things down and polishing stuff up to a single book length manuscript. I’m not going to jinx myself by dropping names but it seems that there is a decent fit out there in the world of publishing and the next step is for me to do the thing. So of course I am here – writing another piece in a desperate bid to procrastinate.

A huge part of procrastinating is making deals and bargains. Like the old cartoon where the cat dies nine times to become a room full of diaphanous, numbered feline angels there are a committee of selves that all have to be appeased and satisfied. What you might call my best self wants me to get straight to work on the manuscript – I clearly don’t lack for creative energy and reading back over the old stuff to clean up grammar and fix details is enjoyable enough.

To get right into mundane boring shit the largest obstruction is a question of tools. I’ve started a few pieces in physical notebooks but the overwhelming majority of my output over the last year and a half has been typed directly into the WordPress app on my iPhone X. I haven’t gotten as comfortable with a portable writing device since my Boss Dr. Groove drum machine was still functioning and I wrote songs on it constantly while traveling and performing as Bleak End at Bernie’s.

The main thing that makes tools comfortable is their constraints and limits – just as the drum machine forced me to compose using a set of sounds, rolls and a single synth “bass” voice this app and phone must create boundaries somewhere that help lull me into enough of a sense of imposed structure to just get to writing. Unfortunately the big limitation I have figured out is that if I want to export my own text I can only seem to highlight a single paragraph at a time so I’m goi g to need to switch over to the laptop with a broken keyboard.

That’s the main thing I’m putting off. If my “Best Self” wants to just focus all of my energy into making a manuscript and getting it done as soon as possible my “Worst Self” only wants to play video games. Right now I’m playing through a series of visual novels published by Capcom called Gyakuten Saiban or The Great Ace Attorney. These are probably the first games in the genre to achieve real success in North America though there a couple of “cult” titles that have come close.

The bigger one is a cyberpunk sci-fi title on the PS1 called Policenauts where you confront a mystery as an amnesiac astronaut-turned-detective in a world of drab anime visuals. If there was a short list of “core curriculum” classic video games that explore the medium’s potential for storytelling this would definitely be on it along with Dark Souls and BioShock. Unlike those games Policenauts interface makes it hard to play by modern standards and I’d imagine the vast majority of people who download it for emulation give up an hour or two in.

The developer, Hideo Kojima, has definitely seen greater mainstream success with his Metal Gear and Death Stranding series but is also known for forging an eclectic path with the platforms and genres he chooses to develop for. My favorite games of his are the Boktai series for GBA and NDS – top down vampire hunting action RPGs that originally had a photocell hardwired into the gameboy cartridge so that players would have to go outside and charge in-game weapons with literal sunlight. He also did a few more visual novels/graphic adventures with the Snatcher series and a line of rhythm games called Beatmania that use simulated turntable and mixer controllers.

When I try to think of another developer with as broad and varied as a footprint the only thing that comes to mind is Creatures Inc – a company that worked on the Pokemon games, Earthbound series and created the iconic Gameboy Camera.

The other visual novel that achieved something of a “cult” following in the US is a sequel to the hugely popular SNES JRPG Chrono Trigger. Along with the dramatic shift in genre Radical Dreamers was never released outside of Japan and never had a physical release but was instead part of a satellite based subscription download series for the Super Famicom. A fan translation has been floating around for about as long as SNES emulation has existed but it also looks like it got an official release bundled with Chrono Cross in 2022.

Anyway I wanted to use the series of lawyer games to explain how my “Goldilocks Just Right Self” ended up brokering a deal between my “Best Self” and “Worst Self” to impose both structure and a deadline on my procrastination. I never had any kind of video game console growing up, instead we jumped from the Commodore 64 to a series of PCs, but I bought myself a GBA during the pandemic with the express purpose of modifying it for RCA outputs and using the Gameboy Camera to create ultra low resolution video feedback.

My friend Josh had gotten me into emulating the GBA library about a decade earlier but I wasn’t paying much attention to video games when it first released and had never seen one outside of a kid playing a Dragonball title on a public bus. Now that I had the hardware the cheapest way for me to grab a handful of games was to order a mixed lot of Japanese cartridges on eBay and hope that the gameplay was simple enough that language wouldn’t matter.

The Ace Attorney game was about as far from that as one might imagine but I picked up on the basics of what was happening from the Judge’s robes and gavel and the frequent splash of the English word “Objection!” across the screen. With no way to comprehend any of the other text my only option was to pick menu options at random until something seemed to advance the narrative. For whatever reason I stuck with it until I was finally able to throw the first trial and secure a Guilty verdict for my client – even this felt like a huge success.

I was planning on trying to finish the entire game through simple trial and error but unfortunately I lost the cartridge on my next trip to Redding. LaPorsha was still in the hospital in Chico from our big accident (the featured photo is our medivac) and I was taking rideshares into town about once a week to stock up on groceries and black tar heroin. On my second to last trip the dope was taking forever but I found somebody selling a Klonopin script so I popped the benzos like candy to keep the withdrawal at bay and once the heroin arrived and I took my first shot it sent me over the edge into a blackout.

I was still carrying around the thick plastic bag from my discharge at the hospital as a sort of purse and I either dropped it somewhere or somebody plucked it from next to my oblivious body. Unfortunately I hadn’t even gotten around to putting my jewelry back on so I lost all of my rings, including my handmade wedding ring, when this happened. For whatever reason the cartridge for Ace Attorney was also in this bag – thankfully my GBA and other games were at the house.

I wandered downtown Redding in something like a waking dream state for two or three days. The first night I was essentially kidnapped by a group of men in either a squat or sparsely furnished house and they tried to put me on the phone with someone from my bank to raise my Daily Cash withdrawal limits so they could clean out my account. I was just conscious enough to ask that withdrawals be locked instead and after what must have been some degree of argument I snapped back into focus wandering the streets alone.

My kidnapping came back to me in flashes so I decided to call the police. Unfortunately I had no idea of where I’d just come from or memories of the house’s location. I thought that I had recognized it but the door I was standing in front of belonged to a terrified old woman who was also on the phone with the police. All things considered I’m lucky that I wasn’t arrested myself or searched for contraband but I think the police were confused as to whether I’d been drugged or taken everything voluntarily.

That all happened just before dawn. The next time I snapped back into consciousness I was waking up from sleeping behind a dumpster. Somewhere along the way I had lost my shirt but found a black pea coat a couple of sizes too small for me. I wanted to get back home but I didn’t want anybody from the homeless camp I copped my drugs in knowing where I lived. I’d already had to deal with one of the anonymous Craigslist rides being a tweaker.

He helped me cop dope and his mom sold me some Vicodin but he also seemed to be stripping parts and the stereo off a dead truck on our property and was just generally unreliable. The last time I caught a ride from him we ended up hanging around a casino for hours while tar was “on the way” and it gave me flashbacks to other situations where tweakers pretended they’d help me find heroin just to keep me around for unrelated schemes or gas money or whatever it was.

From there we were parked on the side of a suburban white trash street pretty similar to the ones I grew up on. The overarching situation was like one of those word problems where a farmer has a fox, goose and corn that he needs to bring across a river in a tiny boat and certain things can’t be together. First I was waiting in the truck because the “dealer” wouldn’t sell if anyone he didn’t know was inside the house.

Suddenly some junkie chick showed up to the truck because tweaker bro’s girlfriend had just pulled up and I guess they couldn’t be seen in the same house together. She gave me evasive answers when I asked about being able to actually buy dope but she was getting sick too and squeezed the alcohol out of disposable wipes to strip the residue from her smoking straws for us to smoke off of foil. Basically nothing but still more than nothing.

When I was a strict vegan me and my friends would use the term “pork breath” to refer to any of the animal based products that pop up toward the bottom of ingredient lists rendering otherwise edible foods non vegan. From an essentialist perspective there aren’t really animal products in the bread or whatever but that tiny drop of a whey or egg derivative means it’s tainted. When I was fully strung out there was a similar but opposite sense of getting some minuscule level of relief from things that had merely touched heroin or been in the same room as it.

Tweaker guy came back to his truck and said that he wasn’t able to buy heroin because his girlfriend showed up. The junkie chick disappeared – it was likely all bullshit and he was probably at that house for meth. I can even see him telling the junkie girl that I might be able to find some heroin as a pretext to get her to come out to the truck.

I’m used to guys constantly lying to their girlfriends about what drugs they took and who they’d slept with. It’s basically male poverty culture and a large segment of my adult friends fit the archetype. I must have somehow never got the memo because I couldn’t see a point in lying about any of those things. Not that my way was necessarily any better – girls didn’t usually seem that happy to hear about how loaded I’d gotten or who I fucked in the brief windows where we weren’t in the same city as each other.

Anyway Tweaker Guy and his girlfriend took the lying cheater and indefatigable investigator roles to the next level. He turned it into this whole kind of Dukes of Hazzard game where he’d speed away from her by hopping over curbs but she’d eventually turn back up because she was tracking his phone. There was some level of mutual playfulness in it but I’m sure he also told her that he’d stopped using meth and wasn’t fucking anybody else and I’m sure it drove her crazy.

They’re probably still together – the expended energy of his constant lies and gaslighting combined with her constantly tracking his every movement must have made for a hell of a sunk costs fallacy.

Anyway even for a procrastination piece I’m getting desperately sidetracked. Over my two days in Redding I would take the bus over to my bank to be able to withdraw the maximum one hundred dollars daily with no Debit Card or ID. I bought my phone back from this kid with bright red hair who was almost certainly connected to the kidnappers and was crushing up and snorting what were almost certainly my Klonopin like every noob who doesn’t realize that benzos aren’t water soluble and therefore don’t work in mucus membranes.

I didn’t feel like fighting him over that shit. I’m sure he died the first year fentanyl took over. I know the type. I ended up under this bridge where a bunch of people lived in the park then took buses to try to buy a rechargeable power bank for my phone. On top of everything else some random dude had gotten me with a counterfeit hundred on my last transaction. I was completely sleep deprived and not thinking straight and needed to get the hell out of town.

Thankfully this kid I met working in a little electronics repair shop offered to drive me home as he was getting off of work. I still see him from time to time when I need to fix a busted screen or something. He used to be a model because his dad is Thai but him and his sister came out tall with a super unique look. Now he seems to be satisfied working for an older mentor type at the repair shop.

Jesus – details, details, details…. I’m sure at least half of them are completely uninteresting but I need to get every one out like some kind of exorcism. My GBA didn’t have a backlit screen so I looked into modding it but learned that just buying a Nintendo DS with a GBA slot would be easier. It came with a flash cart full of games and I bought LaPorscha a 3DS so we could try playing some games together.

That turned into a pair of 3DS’s and we got really into Monster Hunter together. Now we have a pair of Switch Lites but I feel like we got duped because 99% of games don’t support local wireless multiplayer and are only built around single screen play. We could get a wireless controller and either use a phone tripod or stare over each other’s shoulders but all those solutions feel inelegant and stupid.

Right now we’re doing It Takes Two. I don’t think it quite deserves the Game of the Year it got in 2021 but it is a lot of fun and the puzzles have been the perfect difficulty level for us to tackle as a team. When I first found a Super Nintendo I got a flash cart with Goof Troop and really wanted to play through together but LaPorsha thought it was boring and wouldn’t play.

The Goof Troop thing still stings but It Takes Two does feel like a bit of a consolation prize. We play sex swapped for the novel identities – I’ve never been a British ex-pat mom in wide leg denim shorts before and LaPorsha has never been a White dad casually sliding into Middle Aged chubbiness. Neither of us had been immortal dolls.

I promise that I’m getting to the bargain and other things but I just wanted to throw out that if another Switch Lite couple picks it you can pay for one full copy and the second player only needs the free demo to play the whole thing together. You can even play without internet if you happen to be in bed or on a couch.

Ok so the first game I finished on my NDS was a clever little touchscreen puzzle story with great pixel graphics called Ghost Trick from the same developer as the Ace Attorney games. You basically use your ghost to trigger small motions in chains of otherwise inanimate objects to create Rube Goldberg reactions most often intended to save human lives. I also got into his Professor Layton small puzzle visual adventures but have only just started seriously tackling Phoenix Wright’s case backlog.

I think I started with an official translation of the NDS version of that GBA one I’d started with and blasted through it rather quickly. The basic format is that you press witnesses for more details and present evidence if it contradicts their testimony. After a few twist and turns you always end up with an innocent defendant and a Scoobey Doo style murderer, in both motives and mannerisms , who subtly transforms from one of the witnesses that had been there the whole thing.

Through the dozen or so entries it stays pretty close to this basic formula while occasionally tossing in lie detector or emotional analysis mini games. It was working out perfectly for procrastinating and I was finishing up a title released specifically for the NDS when a couple of things fell into place. First, a Facebook comment from Benji about the value of arranging “hopeful scenester” stories next to “strung out in a parking lot” stories made me feel that I needed at least one more homeless hard drug piece to allow the manuscript to perfectly balance on a single point of contact like those Star Wars toys they gave away at Taco Bell.

The other thing was that I started playing Dual Destinies, the first Ace Attorney for 3DS, and the “Boy Scout ethos” and moral hyper objectivism that characterize not just this series but the majority of games marketed to children in Japan on Nintendo hardware was starting to bum me up. I was already thinking about various incidents in my former street life and now I found myself pining for the “fast and loose” flavors of “outlaw ethics”.

This cracked the case on my procrastination and my three separate selves sat down at the bargaining table to work out this beauty of a compromise: I have to put down the video game, that was boring me anyway, and direct my focus to writing a piece on the hard drug using homeless camp behind the Emeryville Home Depot and my own place in that ecosystem. This will be the last piece I am allowed to write in the spirit of procrastination and I must afterward get right to work on the manuscript.

However a quick glance at the dashboard of this bloated exposition showed me that I’m fast approaching the upper word limit regarding g length I like to impose on these pieces. While this wasn’t my plan at the outset I think it makes the most sense to turn this into a two parter and leave Emeryville for next time. Instead I’ll end this half by talking about what happened the final time I attempted to return to Redding to score heroin.

We first got plugged into the little scene down there through the usual method of attempting and failing to dose at a local Methadone Clinic then talking to patients until somebody could help us out. It was never particularly reliable, half the time we would just drive on to San Francisco because the block was dry, and of course we knew that we had to have been getting taxed on some level.

We always showed up with enough cash in hand for at least a gram and always drove to do that gram somewhere else instead of clearly parking and living right in the same neighborhood. What I’m trying to say is that we were clearly neither local nor homeless and it would have been foolish to expect local or homeless prices. I’d never been naive enough to think that I could pick up anything without at least getting the person who served me well but my kidnapping and short time on the block were putting things into brighter focus.

The big thing I learned was that my main plug who I’d been copping balls through was up charging me enough to grab an additional gram and a half for herself. This was right about where I would have expected the “price of doing business” to sit were it not for the fact that she made a big production of asking me for a hefty break off every time on the insistence we were shopping at cost and she needed a kick-down to get well. While either of these arrangements are a base necessity doing both at once is excessive and I wasn’t feeling particularly “done right by” considering the length and volume of business I’d been bringing her and what I perceived as our level of friendship.

I should have just given her the break-off that last time, her various dishonesties notwithstanding, as that had been our arrangement and just shopped for a better arrangement my next time around. The combination of recent market data and the sudden Klonopin blackout had me stumbling off with vague promises to “get it to her later”. She had been getting used to getting what she’d been getting and wouldn’t have been feeling too “done right by” either.

She was generally well liked and had decent pull out there and I can see the night going quite differently if I had used my final seconds of clarity to tell my ride that I was ready to head back up the mountain. Unfortunately benzodiazepine blackout stories aren’t especially known as sequences of wise and prescient decisions and considering several worst case scenarios I feel like I pulled a decent straw.

I sometimes wonder if murder would have been on the table for my kidnappers if it wasn’t common knowledge that I was married and the coveted assets would have gone directly to my wife. I might as well wonder if I’d recognize the same people in a subsequent conversation – with the exception of the almost certainly dead Manic Panic dude I doubt I’d have any idea. My liquid savings weren’t anything astronomical but any multiple of thousands looks like a lot to short sighted homeless hard drug addicts.

The thing that really shifted out there was that word of my spending power had spread and instead of anybody trying to form a long term mutually beneficial relationship everybody had this attitude that I owed them something. I don’t remember meeting the bike chain kid before this afternoon but him and the chip on his shoulder grew in focus over the course of the day.

As usual shit was dry around the Post Office but I met this chill kid with long blonde hair who said a guy he knew might be able to come in about four hours and in the meantime he’d sell me a dub to get well at market price with the understanding that I’d break him off a comparable piece once I got my hands on weight.

An hour or so later I ran into one of my earliest Redding connects and he could take me by the Thunderbird Motel to get my ball. We were killing time before the drop was ready grabbing cups of water from the El Pollo Loco across the street when I ran back into the kid with a length of chain for locking a bicycle draped over his shoulder like a sash. I didn’t even know if he was especially tight with the blonde guy who’d helped me earlier but I had met them together so I asked if the other dude had a phone so I could let him know that something else had worked out but if he was still around I’d get him back.

From this moment the kid turned into a ball of rage and started ranting nonstop about how I’d “violated” and “broken the code of the streets” by buying drugs when they became available instead of holding out for a theoretical “friend” of a stranger who just as easily could have never showed up or not what had what I needed when he did. That’s the world of street copping heroin: you wait around and chase one lead after another until something works out so you can finally grab your drugs and go home.

Chain kid wasn’t really anybody – he didn’t have connects or know much of anything about how shit was supposed to work. He was just young and broke and homeless and possibly dope sick and either spun or meth or pissed about not being spun enough and today he decided that all of this was my fault because I had some money and came to the streets to chase dope once a week instead of living on them and chasing it several times a day.

I had every intention of getting the blonde kid back because he’d done me a solid and I never knew when I might run back into him but the chain kid insisted on walking with us and his energy was clearly building up to something ugly. The walk took us straight through a transit center and all the buses were free because of COVID and the one that I needed to get to the grocery stores across town was just sitting there ready to pull out.

Honestly I should have just jumped on it right then and told chain boy to go fuck himself but the blond kid was just across the street by the Post Office. It wouldn’t have been the worst thing in the world – we’d exchanged a twenty dollar bill for the same size chunk everybody did for a dub and as it got toward sundown somebody would be walking through selling.

What I did do was walk over to the side of the Post Office and give him his dub while chain boy was stomping behind me psyching himself up for whatever his move was gonna be. I was onto the train tracks and just across the street from the buses when he came running up screaming that I had to break him off too. It was probably a stupid move to even try to break a point off because I had to pull out the ball and as soon as he saw it he started swinging his chain and screaming that he was taking all of it.

I quickly closed my fist around the dope and started blocking his chain with my wrists but he got a couple small cuts across my nose before I was able to grab the chain and throw it over the fence we were standing next to so he couldn’t use it anymore. After that he started trying to kick me but, this might have been partially due to adrenaline from getting hit in the face with a chain, it only felt like the fake choreographed fighting we’d done in High School Drama Class for Three Musketeers.

I’ve never really been a fighter. I’m sure I could have handled him if it had been a life or death situation but it wasn’t life or death – it was get-the-hell-out-of-here-before-the-cops-come-or-lose-your-dope. After everything I’d gone through, and was still going through, to get it my sharpest instincts were honed toward doing everything in my power to hold onto that chunk of drugs.

With his chain over the fence nothing this kid could do was going to cause actual damage but we were in a high cop traffic area and there was zero chance I’d get through a cop interaction without opening my palm. I needed to figure out the best moment to run and where exactly I would run to. A couple more lanky junky dudes were walking down the street and one of them tilted his head in my direction:

Hey, we’ll help get him off you if you break us off from that dope…”

In the corner of my eye the bus I’d almost gotten onto a few minutes earlier was finally pulling out. I sprinted over to the back door and breathlessly thanked the driver for not shutting it in my face. The same three dudes ran after me but in a half hearted fashion that showed they knew they couldn’t do shit to me on the bus or at whatever populous stop I chose to get off at.

That camp was completely burnt for me – it had been stupid to come back at all after everything that happened with the kidnapping and how I left things with my usual lady. The dude who’d helped me cop the ball was just standing there as everything went down. He’d already gotten his break off at El Pollo Loco and I don’t know if I would have intervened if someone came at him with a chain either.

It’s hard to say how you’ll react in any hypothetical situation until it’s already happening and you don’t have time to decide.

When I got to FOOD-4-LESS I cooked a big yellowish shot in the bathroom. The plunging quality of BTH had done more damage over the last couple of years than the 20 of off-and-on before them and it had been at least a year since I’d last bothered trying a vein. I stabbed the insulin needle directly into the only area with visible muscle on my body – the edges of my hips.

LaPorsha was about to be getting out of the hospital anyway and deep down I knew if I let her slip back into it our combined forces would have us right back on a daily. It was time to hang it up and get on Suboxone. The next time I decided to try the streets, one of my recent birthdays, the only thing around was white fentanyl powder and I face planted and needed Narcan from the second foil puff.

Haven’t felt much urge to go searching for it since.

Back in 2000 Dan Bigg at Chicago Recovery Alliance said that I was the first confirmed street Narcan overdose reversal caught live on camera. I assume that’s probably true and I long ago lost count of how many there were since but at least a couple were last second self-administered. The entire process became something I got way too numb to and I took it for granted that there would always be enough doses and someone to administer them on time.

I started to feel indestructible.

Looking back though if I hadn’t stopped in 2020 and kept using for the period where actual poppy derived tar was slowly phased out and replaced with a mix of fentanyl analogues and whatever they used to make it look dark and chunky – I wouldn’t have survived that. In a roundabout way Chain Kid could have saved my life.

He’s almost certainly dead.

A rough attempt at a User Friendly Table of Contents

Cambria, California 2014 : “Mistake! Mistake!”

I’m interested in the mechanisms by which English words or phrases become adapted into the phraseology of native Japanese speakers. For things like baseball as “beisuboru” or Merry Christmas as “Merii Kurusamusu” the origins are fairly obvious – the concepts referred to didn’t exist in Japan until they were brought with Western Influence in the 19th and 20th centuries so it made sense to use the foreign word for the foreign thing. We do this in English too of course with words like sushi, origami and karaoke.

Most recently the one I’ve been curious about is the exclamation “Oh my God!” pronounced more or less the same way except that the final “d” sound is often omitted. There is no direct translation as invoking a deity to express shock isn’t really a thing in Shinto or Buddhism. I may have just answered my own question but when I heard characters shouting the phrase in anime like JoJo’s Bizarre Adventure and Tokyo Revengers I wondered if there had been a specific English language television show or movie behind the utterance’s recent surge in popularity.

I’d read about the incident that kick started the adoption of the repeated word in the title but for those who haven’t I’ll give a brief summary. In postwar Japan the popular fashion for juvenile hoodlums was based on preppy American Ivy League styles. While this might read like one of the bizarrely costumed gangs in A Clockwork Orange there are two things to keep in mind to help it make more sense.

First off in the years immediately following the Japanese Surrender Western clothing had not yet become the official uniform of the white collar “salaryman” and the early adopters were seen as a sign of societal decay. Secondly the styles aren’t incredibly different from the later “mod” movement in England. In fact one of the names followers of the subculture gave themselves was “mobo” – a shortening of “modern boys”.

This brings us to the “Oh Mistake!” incident of 1950. As being on the cutting edge of fashion often is dressing like a “mobo” was incredibly expensive. Western garb would have been impossible to find second hand and had to be made by custom tailors. VAN Jacket, the first “Ivy League” style Japanese clothing brand, didn’t launch until a year later in 1951. Even then the store was so far outside the buying power of the average working class young man that its stickers were often stuck to empty rice bags and carried around to create the illusion of being able to afford shopping there.

This makes it easy to imagine the motivation of Hiroyuki Namigawa, a “mobo” who worked as a parking attendant at Nihon University, when he robbed a coworker at knife point and made off with the vehicle and nearly 2 million yen. He hid out afterwards in his girlfriend’s apartment but it only took the police two days to track him down. Presumably he was trying to pass for a nisei, a foreign born Japanese person who doesn’t know the language, when he shouted out the two words that would take the nation by storm:

Oh mistake!”

As always this is all background for the personal anecdote I’m going to start getting into now. LaPorsha and I had our wedding on July 5, 2014 on the outskirts of Tijuana and decided to travel to San Luis Obispo’s Madonna Inn for the honeymoon. Madonna Inn is famous for brightly colored themed rooms like the image in this piece’s header and neither of us had ever been before.

This presented something of an obstacle as we wouldn’t buy our first vehicle together, a diesel Mercedes, until after working the trim season toward the end of that same year. Presumably there is a bus or train that connects San Luis Obispo to Los Angeles but that isn’t what we went with. I forget how we made the trip from Tijuana to San Francisco but from there we took a bus to a friend of LaPorsha’s in Half Moon Bay with the intention of completing the trip by hitchhiking.

In my handful of years of hitchhiking experience I had learned that finding rides was much easier with a female companion. On every one of these journeys though the women I travelled with were white or white passing and I was still learning the kaleidoscope of ways that race always makes a difference. It wasn’t as hard as trying to hitch by myself but things were extremely slow going.

The first ride might not even have picked us up until the second day but eventually a pair of friendly hippies in a camper van got us down to Monterey. Early the following morning a talkative mom brought us into Big Sur. We were in her car for less than ten minutes but she abruptly opened up about her struggles with stealing her young son’s prescribed Adderall. There’s a certain kind of woman that always seems to view LaPorsha as a confessor and immediately start unburdening themselves in her presence.

From there we somehow ended up at the exit just outside a popular spiritual retreat called Esalen Institute. I think we might have gotten a ride from Big Sur from somebody who worked there as a cook. They probably thought we would have an easier time finding a ride South from a departing student but we were at that exit for a really long time. As much as I’m struggling to remember exact details from all of these rides I feel like I can vividly recall exactly how the trees, cliffs and ocean looked from the piece of shoulder we had to wait at.

It might have even been a departing cook who gave us the next ride. The only part I feel confident about was that this ride took us all the way through to Cambria. I know a girl named Mika who grew up in this town and the name always reminds of the Pre-Cambrian era of geologic history, once thought to predate the beginnings of even the simplest life forms, but I’d never been to the place myself. Our ride into town is also the only time I remember getting a glimpse of Hearst Castle.

We were pretty hungry by this point and went into a place called J.J.’s Pizza. Cambria was in the throes of a water crisis – the town’s wells and aquifers had run dry and it isn’t anywhere near any rivers or other sources of fresh water. It looks like they were able to have the Army Corps of Engineers construct a desalination plant later in the same year we were there but this seems to have caused environmental issues and may no longer be in use.

There were signs in the pizza restaurant explaining that water would only be brought to customers that specifically ordered it and everyone had to be conscientious about needlessly wasting it. The only other patrons inside the establishment were a family of Japanese tourists in colorful outdoor gear. They were drinking fountain cokes and there was a situation because the husband had accidentally drank from his wife’s straw and now she wanted an entirely new soda.

I’m not sure if they didn’t understand the signs about the water crisis or didn’t realize that soda fountains start with local fresh water before adding carbonation and syrup. I guess it all comes down to a cultural difference I still don’t entirely grasp the depth of, judging by their two children they had clearly shared more than a straw, but apparently his blunder had crossed a boundary of cleanliness which rendered the cup of soda entirely undrinkable.

The serving person was equally incredulous. They offered a fresh straw but couldn’t seem to wrap their head around the situation requiring an entirely different soda either. By way of explanation the husband blurted out the popular English catch phrase while his wife quietly admonished him in their native tongue:

Mistake! Mistake!”

Eventually the server either replaced the soda or brought it into the back and poured it into a fresh cup without a straw to create the illusion of replacement. I hadn’t yet read about the famous “Oh mistake!” incident in 2014 but now that I have I find the contrast striking. In just over sixty years the exclamation has evolved from something yelled out by a knife wielding hoodlum to an apology from someone in a marriage so sexless even putting his mouth on something making indirect contact with his own spouse’s beverage is intolerable.

Of course I could be wrong in seeing a contrast at all and not even “Japanese Scarface” would knowingly share a soda, let alone cocaine, straw. Maybe it’s not a sign of a sexless union at all and observing strict taboos around food and beverage serve to maintain a smoldering level of erotic tension. I used to message my one Japanese friend, the artist Tetsunori Tawaraya, with these kind of questions but for now I’m comfortable living with a bit of mystery.

The last time I’d reached out I wanted to know how the artist RammEllZee was referred to in Japan with what seemed like unpronounceable phonemes in his name but the answer, Ramery, wasn’t particularly satisfying. Maybe someone else from Japan will reach out to tell me that nobody in the entire island nation would drink from a cup after another mouth has touched the straw and explain the exact moment that “Oh my God!” became part of the common lexicon. Maybe I’ll just continue to wonder about both of these things.

I’m comfortable with either one of those outcomes.

By the time we’d finished eating whatever it was we’d ordered it was already getting close to dark so we decided to spend the night in Cambria instead of attempting to continue hitch hiking. We had a decent amount of luggage with us, LaPorsha never went anywhere without a huge rolling suitcase back then, and I remember a long walk across town to an overbooked youth hostel followed by an equally fruitless trudge out to the beach. Eventually it became clear that we’d have to rough it.

What we weren’t traveling with was a lot of bedding – we didn’t have a tent and had only brought a single blanket. To get us off the streets I found a stairwell leading to a rear antique shop but it was miserably cold. Ironically we were sleeping next to one of those standing gas heaters popular with outdoor dining in San Diego or Los Angeles but I had no idea what kind of fuel it used or how one might turn it on.

I borrowed a tarp that was draped over chairs at a cafe around the corner and this allowed us to accumulate enough shared body heat to sleep for a few hours. At the crack of dawn we trekked back to the highway and continued our trip down to San Luis Obispo. We might have got there on the following day or it could have taken us two of them. I think this ride was with a young woman who lived in a generic housing development and showed us pictures of little sculptures she made of Tim Burton characters on her phone.

The spot we were dropped off at was nowhere near The Madonna Inn so we had to figure out a couple of regional transit buses. Due to our method of travel it had been impossible to get prior reservations – a trip that I had expected to take one or two days was easily three times as long. It was a long walk from the entrance of the hotel complex to an actual reception desk and once we got there we discovered that there were no vacancies whatsoever and every room was usually booked out at least two weeks ahead of time.

I’ve still never stayed there or even set foot into the more picturesque sections.

At this point we were pretty exhausted and ready to throw in the towel. I wrote earlier that I thought there might be either a bus or train connecting San Luis Obispo with Los Angeles but now I remember there definitely was because whatever it was we found it and took it. Instead of The Madonna Inn we got a room in a random hotel on the west side of downtown Los Angeles near Figueroa for just over a hundred dollars.

It was kind of fancy, there were fresh flowers and trays of chocolate chip cookies, but it was also kind of trashy. I walked over to Spring Street and found us some morphine pills – we weren’t at a point where we were using opiates every day but considering we lived in Tijuana it was something we were getting into the habit of. At some point I found a huge cockroach in our room and I caught it in a bag and brought it down to reception.

They weren’t really implying that I had brought it in myself but they weren’t offering any kind of refund either. It was a hotel in downtown Los Angeles for just over one hundred dollars and we were the kind of people who walked to Spring Street for pills and lived in Tijuana. What I’m getting at is that we fit the profile of their target clientele and they weren’t particularly concerned with us leaving a bad review. I doubt we even bothered with it.

The next morning we went downstairs for what’s commonly called a “continental breakfast” – presumably to reassure people it won’t be English food. There were fresh trays of the cookies and waffle irons set up with pre-measured cups of batter and the “fresh squeezed” juice machines that still seem to be there in far cheaper, trashier hotels. I’m not talking about any kind of machine where you see the actual fruit – I mean the plastic tap machines that I imagine are loaded with large space bags of juice from concentrate.

This marked the end of our “honeymoon” and we returned to our apartment in Tijuana. Our actual wedding night had been pretty miserable because Barkev, who was acting as officiant, was so focused on getting laid that he lost our tent and instead of camping on the beach with everybody we caught a ride with him and the girl back to town. She was incredibly drunk and we got pulled over and had to bribe police – two or three times.

Our “honeymoon” wasn’t much better but at least it seems to make for a better story. In a few more months we’d go trimming and buy our car but we’d already had so many negative experiences with Mexican authorities that we never even drove it over the border. I’ve written about police harassment being the reason we decided to leave but in retrospect it could have just been the car.

Every time we went “home” it either hadn’t helped with the journey at all or was left in a parking lot on the U.S. side where we’d have to pay ten dollars a day. Either option felt stupid – long journeys on buses and trolleys didn’t feel like freedom but neither did being on an expensive timer to have a car in walking distance the next time we walked across.

Different people might have driven across and dealt with living in Tijuana with an American car – we definitely saw license plates while walking around that showed that wouldn’t have been impossible. That wasn’t us. We left.

A rough attempt at a User Friendly Table of Contents

Los Angeles 2017 : BJ and Marie

Me and LaPorsha were an unhoused couple for most of our relationship. We got together at a spot in Echo Park called 1830 where I’d noticed that the skylight in the rear stairwell looked like there would be just enough room to climb inside it and sleep so I was asking if I could start renting it. I got turned down but the visit where I showed up to ask led to each of us being informed of our mutual attraction and we’ve been together since.

That’s a convoluted story – maybe some day I’ll actually tell it.

Our first few nights together were spent in a sequence of apartments and houses she was able to crash at but never the same place twice. I’d put an ad up looking for a room on Craigslist and got contacted by a tiny passive aggressive fedora wearing adolescent Frenchman. He was at a music academy in Hollywood when he called and I was just down the block trying to convince tourists to take pictures next to me dressed as Wolverine from the X-Men for money.

That part was a coincidence – I hadn’t written anything about Hollywood or my “job” in the ad.

He lived in a giant loft right in the middle of downtown that was basically a slab of cement and bathroom. It must have been insanely expensive but his parents were paying for it and I think he only wanted a hundred dollars for however long I was there. Mostly it seemed like he was dealing with culture shock and loneliness.

He let me have LaPorsha stay over once but afterward it could only happen on the odd night where he wouldn’t be coming home. It’s not like we had super loud sex or anything happened but the whole place was basically a single room and our combined energy can be a lot for people. Mostly it seemed like this kid wanted me to himself.

I went on a trip to Mexico and when I got back we briefly stayed in Santa Monica and then Koreatown. One was a roommate situation and the other was a sublet but neither lasted for much time. Soon we were back to crashing with whoever we could and wearing out our welcome with both of our families. There were some other stints in weed trimming land, Tijuana and New Orleans I don’t need to get into here but eventually LaPorsha decided we should buy a van.

I was trying to find pictures of this thing but I’m terrible at taking photographs. LaPorsha might reactivate her Facebook to grab one for me but if that doesn’t work the best I’ve got is a closeup of a mantis nymph on the window from the parking lot of my tutoring job on Slauson. Either way I’ll get the nymph in somewhere.

The Nymph

We lived in the van and got on methadone and eventually I quit my job because the van kept breaking down and making me call out last minute. Finally it broke down for good leaving Jesse Owens Park and we pulled into a spot off La Brea near our clinic that it only moved from when we sold it. We were fortunate that it coasted to a stop in front of a possibly squatted house with an overgrown yard.

A tall and thin scarecrow-like man lived inside who we called “High Yellow” due to his complexion. We never called him that to his face and he never bothered to offer a name. When I did cross paths with him he talked relentlessly but sometimes it was interesting stuff about the history of the neighborhood, the area around Washington and La Brea, which used to be known as the “Black Hollywood”.

It’s unfortunate that I wasn’t writing yet at this time because a lot of this, like the fact that the Post Office had been a popular theater and night club, was pretty interesting and I don’t know if he’s still alive or anyone else remembers. A lot of other times it was endless “listen young blood” type lectures and even though I was a junkie in a van I didn’t particularly feel like taking life advice from a friendless dried out vagrant living in a haunted house.

The important thing was that he never complained or gave us a hard time about where we were broken down and living. For the most part the neighborhood silently tolerated us and we were conscientious about staying inside the van and out of sight. At one point a Jamaican man living in the apartments directly across from us parked so close to our rear bumper that we were effectively trapped inside.

We laid our sleeping things out in the far back and all of our possessions were piled directly behind that blocking access to either the sliding side door or the driver and passenger seats. I was able to open the doors a couple of inches but he had a fancy sports car and I didn’t want to risk scratching it so we had to wait in bed until he moved his car. I brought it up the next time I ran into him on the street and he launched into an angry diatribe:

I pay rent here! You want to tell me where I can park my car? What about when you piss in the alley and my window right there! When the sun shine you smell all of that!”

I apologized and told him I hadn’t noticed the window and would walk deeper into the alley to avoid windows in the future. There were no public bathrooms around and, with the exception of morning visits to the methadone clinic, no business in walking distance allowed the homeless to use one. As long as I’m on the subject we all shit in plastic bags and threw it in city trash cans – far from ideal but a lot better than just squatting in the alley and leaving it.

Anyway things were in an ok place with neighbors except for a few occasions where LaPorsha and I had long arguments walking down the closest alley. BJ, who you’ll be meeting soon, emerged from his tent to tell us we had to keep quiet to avoid causing flak with the families living across the fence. This would soon become especially ironic.

The real breaking point came when an older Black man on the block realized he could peek though our back doors to see LaPorsha changing. This led to his wife, who could only be described as “saditty”, starting to complain to LaPorsha while placing no blame on her husband whatsoever. The fact he was going out of his way to spy was irrelevant, in her eyes LaPorsha was “loose” and “immodest”. Things almost escalated to a physical confrontation involving the woman and her adult daughter. Thankfully things never reached outright blows but a clear change was in the air.

The block we’d broken down on had an obvious street sweeping sign but before Christmas we were always left alone as if it didn’t apply to us. Now tickets and notices were coming up every week – clearly the anonymous complaint line work of this particular neighbor lady. We had to get rid of the van soon or it would just be towed. The engine was shot but I found someone who wanted the body.

We loved older Diesel Mercedes Benzes and found a black four cylinder 240 in a Mexican owned shop on La Brea. We moved all our belongings from the van to the trunk, except an amazing collection of vintage cloisonné pins we’d forgotten, but other problems manifested almost instantly. On our first long distance drive the engine lost power, due to clogged diesel fuel filters, and the owner of the shop had to come save us.

It wasn’t much later, on a trip to Planet Fitness, that the alternator gave up. I bought a new one and the guys swapped it out but made clear this would be the last help they’d give us despite all the issues manifesting mere days after the sale. At one point they offered to just swap it out for a generic van but LaPorsha wasn’t interested. The Mercedes was fit with a handful of South-of-the-Border quick fixes.

The main one was the vacuum pump. I’ve never had a diesel Mercedes that doesn’t struggle with the part sooner or later. It plays the odd combined role of cutting off airflow to stop the engine and pneumatically powering all the door locks through the same movement of air. The quick fix was a scrap of antenna under the ignition that could be pushed in to kill the otherwise runaway motor. It also acted as an anti-theft device as the car couldn’t start unless it was pulled outward and no stranger would possibly figure that out.

Besides the overall lower engine power of just four cylinders the alternator was the main issue until we left town. The much larger issue was that it was only a two-door and we could never sleep inside of it. We went to Target and bought the thirty dollar tent ubiquitous in every homeless camp.

The website says seventy dollars now but at the early stages of the homeless epidemic it was $29.99. We thought about secrecy and solitude but a friend from the clinic named BJ, or “Black Jesus”, offered the security of close quarters in the alley we’d been parked by and we accepted. BJ had dark skin, long dreadlocks and dressed in the style of ripped and patched skinny jeans popular with “hood” guys that year. Before this we had tried various parks and it was always nerve wracking packing up before the day use crowd showed up.

The time was drifting toward the New Year and the weather was near constant rain. Thankfully I’d learned a valuable trick trimming near Mad River a year or two before. When the big storm was dominating forecasts the intense Gemini weed farmer suggested laboriously digging a trench around our tent to divert water but his wife had the easier suggestion of creating a raised platform from discarded wooden loading pallets. Most of the moisture wicks in along the seams but without ground contact our bedding stayed dry. The farmer was visibly irritated his wife’s idea had been the better one.

The second step was keeping rain off from above and as official rain flies are near useless I found two discarded Christmas Trees to run a length of twine between. This allowed me to drape over a piece of 5 mil painter’s plastic that, with the help of heavy rocks weighing it down, never touched the tent itself. No contact meant no transfer of moisture and we both stayed dry and kept our IKEA memory foam pad clean.

BJ and Marie were the original residents of the alley and despite my advice their situation was a lot less cozy. Their tent was an awkward chimera of a broken one and various mismatched poles with no fly to speak of. More importantly they slept on a giant beanbag cushion that rested directly on the obviously not waterproof tent floor. Supposedly it was so thick that the water only ever rose up to and saturated a foot or so below the part they lay on but I can only imagine the smell.

During the most intense rainstorms BJ would ask me to help him reassemble the structure but it was a losing battle as none of it truly fit together and tightening one end invariably caused another to come undone. Eventually I had to walk away despite BJ’s entreaties but he did manage to get it semi-stable by tying bits to the window bars of a shuttered business. We both appreciated the security of a second set of campers for when we had to walk to the clinic and other destinations and based on a small padlock on our zipper they never invaded our space.

The saddest part was that they had zero need to be in that situation at all. Marie had a home health aide job and had received a section 8 voucher but needed to find an apartment. During our own house hunting we found a nice nearby apartment ready to rent to anybody who had one. We still lived in the van and only knew BJ at this point, Marie was always working, so we gave him all the important details.

Every time we reminded BJ of the home essentially waiting for them he said it had slipped his mind and eventually Marie’s voucher expired without him even making a phone call or accepting our offer to take him in person. Of course Marie could have looked herself but she worked 40 hours a week and BJ seemed more interested in staying close to the drug markets than getting them off the streets. He brought in no money whatsoever through his hustling and would demand her paychecks for “drug debts” before she could so much as buy a new tent.

We were all on the methadone program but BJ was obsessed with buying fentanyl as the only thing that could break through. Marie clearly brought in more money than us but there was a feeling that we were “rich” and “holding out” because we’d purchased the car. One night we all went to do laundry together and BJ and Marie were especially high and insisted on giving us a bag of fentanyl so we could “feel as good as they did”.

Me and LaPorsha both got incredibly sick and spent the night projectile vomiting – mine was sour gummy flavored. In retrospect we were lucky not to have overdosed as we split the bag of powder they gave us without really questioning anything. The laundry thing took forever and showed us that, while we liked BJ and Marie as people, it was a nightmare getting stuck in the car for errands with them.

Essentially any attempt at reciprocity with them was tainted. We both liked benzodiazepines with our methadone but when BJ asked and I had just picked up a lot I’d sell him a few at cost but when things were the other way around he’d price gouge me or try to sell me random powder as “crushed xans”. We both smoked cigarettes but while I was happy to share while they were out bumming one from BJ invariably was brought up with some demand later.

I just got in the habit of going up to the corner store on Washington for my own the minute I ran out. This store was run by Indian or Pakistani guys who always played vintage Bollywood videos on the tv by the counter. One day there was an odd coincidence when they asked if I liked Bollywood actors, I mentioned a fondness for Amitabh Bachchan and they excitedly pointed to the screen. The man himself, in a younger role where I wouldn’t have recognized him, was taking a drink while watching a woman dance in that exact moment.

It’s a vague description but maybe a reader will know the movie. It was black & white and the men sat on the ground drinking from what I remember as shallow dishes similar to traditional sake cups.

Things settled down with BJ and Marie when we dialed the shared resources down to mutual security and things like quickly borrowing a knife to make a temporary woman’s toilet from a water jug in the night. We all continued to dose sporadically, it was actually Marie who the “Lord don’t let them fuck around and give me Diego” quote came from in an earlier piece, but we never tried their fentanyl again and when I got some tar from a middle man deal we never offered.

BJ had gotten into trouble at the clinic due to an incident where he took a security guard’s gun away from him. He didn’t get kicked out and the guards weren’t allowed to carry guns after that. I don’t know what level of misconduct would have been sufficient to get Matrix, the name of the clinic, to sacrifice the paycheck a patient represented but the most discipline I ever saw was a two or three day suspension.

The owner’s name was Mrs. Waters and as loud as she was about her contempt for BJ when she saw him he was never denied a dose.

The big issue with sharing an alley with BJ and Marie was that they loudly argued every single night. I mentioned BJ asking us to quiet down the one time we were arguing in the alley while still living in the van but when we became neighbors things either shifted or we were finally in a spot to hear it. They would scream at each other inside their tent all night every night, always on the subject of money, and as far as I could tell they never slept.

I never imagined you would treat me like this over a god damn dollar bill! If I had it I’d happily give it to you!”

It’s worth mentioning that most of this came from BJ who never “had it” and was absolutely expectant of every cent Marie brought home.

They never acknowledged or apologized for this in the light of the day. At one point a representative of one of the family homes across a fence came to ask them to keep it down and BJ was apologetic but it started back up before too long. Me and LaPorsha can be intense ourselves but we also worried that they might have only started arguing because we were there. We had a little bit of money and, unlike BJ, only got heroin when another client who was footing the bill hit me up.

I can see how the reality that we weren’t always completely broke could set off tensions between the two of them. Listening to this every single night created some really dark feelings and wore on our mental health but we didn’t realize how much until we finally moved on and didn’t have to hear it. The other bleak thing was that Marie had an elementary school aged daughter and the relatives she was living with would send her down the alley some nights to get money for field trips or other expenses from Marie.

I’m not sure if they planned this out so Marie would be so high and incoherent that she could barely speak or if it was the only time they had outside their work schedules but it had to be hard on the girl to see her mother like that. BJ would talk about Marie having “took her medicine” and clearly resented any money going to anything but his pockets. I don’t know how they got together, BJ spoke of a Reno wedding where they were both blacked out on Xanax, but he was obviously a parasite and seriously bringing her down.

Still she was an adult and ultimately accountable for her own decisions.

I did sometimes continue to take shifts at the tutoring center while we lived in this tent so there were times LaPorsha was interacting with the couple without me. One day she was driving to the teriyaki chicken restaurant on Slauson and offered to pick up bowls for both of them. LaPorsha is an extremely picky eater even while sober but on this day she was loaded and kept making BJ and Marie swap bowls with her over and over based on which chicken looked the least fatty.

Considering they were hungry and didn’t have food for themselves I can really identify with how demeaning this must have felt. I was off work by this point but had gone to the library to try to watch the newest Steven Universe episode. Things finally changed because of the other residents of the alley – an old Mexican tweaker lived inside a giant hoard of piled up garbage closer to where the alley met the street.

I can’t remember her name but there was a terrifying looking white prostitute on our block who wore intensely matted wigs and makeup that looked like a demon in Japanese folk theater – not that it was modeled after this character; she was just awful at applying it. She had a reputation for fucking with other people’s stuff – especially clothes. Another girl from the clinic named Titi mentioned her shamelessly pawing her stuff when they got high together.

One night LaPorsha saw her stick her head inside one of the front doors when we were still in the van but when she realized we were inside she ran off and never tried again. In these kinds of homeless communities people rarely enter other’s tents or vehicles because someone is always watching. We left the back doors near our sleeping area unlocked but never saw evidence anyone else had been inside.

Anyway the tweaker hoarder guy was letting the prostitute live somewhere in his rat’s nest. There was a more-or-less clean and attractive young black drug dealer who worked our block and was sleeping with her. Sometimes he’d come around around our tent to hang out or borrow a lighter to kill time if the two of them weren’t getting along.

He started handing us chunks of drugs through the tent flap to demonstrate his gratitude for listening and not running him off. At first it was little crystals of meth and toward the end he gave me a piece of crack. None of it was ever wrapped in anything, just loose, and I stored the pieces in the tiny plastic compartments of a dollar store heart shaped box that had held chocolates.

It was getting toward Valentine’s Day.

LaPorsha took tiny amounts of the meth when feeling low energy and I got some white vinegar to dissolve the crack without heat directly inside the thin plastic so I could shoot it up. He never offered me a pipe if he even had one. If this sudden generosity was an early overture for a more sinister plan we never saw it because of the fire.

One night it sounded like it was raining but when I put my hand outside the air was hot and dry as opposed to wet and then I could smell it. The gigantic meth hoard was on fire. A resident of the homes across the fence selflessly leapt over the fence barefoot in case somebody needed help but thankfully nobody was home. Eventually a conclusion was reached that an unattended candle was the source but everyone around the clinic knew differently.

Coincidentally the nightmare-faced prostitute had moved all of her valuables out the day before and now she was nowhere to be seen. By the time we left the clinic I never saw her again. I can’t imagine what quarrel she might have had with the kindly old tweaker guy but she generally gave off evil goblin energy – an entity whose only purpose was to bring pain and destruction into the world.

Even though we had the Mercedes we also had a couple of bikes for shorter trips, river trails and days we didn’t feel like parking or carrying drugs in a vehicle. We had been locking them by the telephone pole next to Mount Methmore and the fire completely melted one of our front tires. I was planning on fixing it but a morning or two later I woke up to the sound of scraping metal to see a backhoe operator tearing through our locked chain and lifting the bikes into a temporary dumpster for the wreckage.

I really wish he had called out a warning to the two tents in case the bikes belonged to any of us but I understand homeless outreach wasn’t his job. After a bit of back and forth I was able to get him to lower the bucket so I could retrieve the bikes but the pressures of the machine had twisted the frames beyond any semblance of usefulness and I wrote it off as a loss. Before this point nobody had put much thought into cleaning up the alley – if you kept walking another quarter mile the paving gave out and you came to preliminary foundation work for a tiny dwelling that was never realized and a stripped down car I’m surprised nobody slept in.

Now social workers were coming around to try to get us into shelters, something two married couples would never take them up on, and sniff around for any other fire hazards. The big fire had come dangerously close to destroying the dry cleaning business it shared a back wall with and whatever good will we had with local residents and business owners was running thin. In a classic “too little too late” move they took away my Christmas Trees and loading pallets leaving us to the mercy of the elements.

Thankfully the alternator had gotten sorted out on the Mercedes and the transmission problems were down the road. We broke down our tent and loaded the sleeping pad into the trunk and drove down to San Diego. We attempted to guest dose at a methadone clinic in Chula Vista but, as these things usually go, we waited around for hours to learn we wouldn’t be able to. Fortunately we were already halfway through a 90 day taper at Matrix and our dose was never that high to begin with.

We began looking for an RV in San Diego – as well as heroin which we weren’t in a period of needing on a daily basis. Occasionally BJ and Marie would call us to check up or we’d call them. BJ would talk about getting an RV as well and promised they’d take us with them when they got it – a situation we almost certainly would have talked our way out of.

I wonder if they’re still alive and ever made it out of the alley. They were ahead of the curve in terms of switching from heroin to fentanyl so they’d be unlikely to overdose unless they got an ultra potent analogue or a bag mixed with RC Benzos. I’d like to think Marie got away from BJ but I can’t really see it – maybe she was happy with him in her own way.

One random afternoon BJ told me about his life growing up and how he’d been a pimp in his younger years. He took on a philosophical tone and mused about how on top of this profession he was until he met the one bitch that “turned him out” instead. I didn’t really get the metaphor but apparently he was talking about heroin using a slang term I wasn’t familiar with and can’t remember.

Marie had to explain what he meant to me. It was one of the few times we’d ever talked to each other. There’s a lot of folks around Matrix I hope are doing ok. A tall Creole man named Gypsy who was famously on the highest dose in the clinic. Holly who lived in the tragic shadow of her boyfriend’s fatal overdose. A woman named Angel I had to take for a walk to avoid the police and ambulance after smoking crack on her heart meds triggered spastic tics. Titi the kind hearted stripper and prostitute who was constantly being taken advantage of by whoever camped next to her. A flashy dressing young Muslim who ran an embroidery spot in the Slauson Swap Meet with his father and got strung out while dating a white girl.

I forget the receptionist’s name, maybe Donald, but he was miraculously a light skinned Black man in person while clearly a blonde haired blue eyed white child in his baby pictures.

I wonder if it’s still open at all.

A rough attempt at a User Friendly Table of Contents

Philadelphia 2009 : Mummer’s Day “Happy New Year ya fucking tranny!”

We’re a couple of weeks away from New Year’s Day and the Philadelphia tradition of the Mummer’s Parade but I figured posting something now would give any interested readers in the North East a chance to go check it out for themselves if they’ve never been. In this piece I’m going into the background of the tradition, some of its long standing controversies and describing my experiences the one time I saw it for myself. I’ll also be comparing the spectacle to New Orleans’ far more famous Mardi Gras observances.

With its first official celebration on January 1, 1901 the Mummer’s Parade is the oldest continually running folk parade in the United States. Its origins go back to the 17th century when Scandinavian immigrants brought the tradition of dressing up in costume and visiting neighbors during Christmastide or the days immediately following Christmas. This was an adaptation of a form of peasant’s theater from Ireland and England known as Mummers’ Plays.

These were plays performed only by men that usually followed a stock plot of Saint George slaying an infidel, or Turkish, knight in combat only for the fallen warrior to be resurrected by a Quack Doctor. The theme of a decidedly unchristian resurrection seems to point to a link to pagan fertility rituals that may have included human sacrifice but there is no concrete evidence of this. The story also bears a strike resemblance to the Christmas Tale of Sir Gawain and the Green Knight.

Regional variations around Great Britain move the date to either Easter, All Soul’s Day or Plough Day, observed on January Sixth, and often replace the Infidel Knight with a costumed actor portraying a slaughtered livestock animal which is only sometimes resurrected. Additional stock characters include a fool in bells, a lady, the devil and a hobby horse with loudly snapping jaws as seen in the film The Wicker Man. Dances on top of sabers and games of dice are also frequent additions.

The Mummers’ Plays are the precursor to a form of court theater popular in the 16th and early 17th century called the masque. In a masque elaborate sets and costumes would be used to perform a story from history or mythology that paid tribute to the highest ranking audience member in attendance – usually a Royal or the Lord or Lady who owned the hall it was performed in. While professional actors recited bits of verse to explain the action the members of the court were given masks and costumes to participate in a dance and the honored patron sat silently in costume to portray the story’s hero.

Design for a temporary arch – Inigo Jones

The apex of masque theatre is generally considered to be a series of productions for the Tudor Court by Ben Jonson and Inigo Jones. While Jonson wrote the texts Jones was responsible for costume and set design. He innovated special placement of actors for dramatic effect, the use of colored light and special machinery to animate or change pieces of scenery. He was also an important architect and brought the idea of Classical Revival to England with the Queen’s House.

Returning to the concept of silent roles in masque productions it would be understandable to conclude that the origin of the word mummery lies in the silence of performers – like in the expression “mum’s the word”. Actually Mummers’ Plays generally do include short speeches from each of the characters to explain actions and motivations. I read through several potential etymologies for the term but the most compelling suggested it was derived from the Greek God Momus – the personification of satire and mockery.

The tradition has always included the suspension and derision of social norms as the disguised performers would take the show to the homes of their wealthier neighbors and demand food, strong drink and even money as payment. These were not idle demands but bolstered by the threat of various kinds of mischief – including literally plowing up a neighbor’s fields and gardens in the Plough Monday variation. Toward the beginning of the Twentieth Century the version practiced around Philadelphia began to be seen as a genuine threat to the social order.

The practice of insisting on food and drink was carried over with this formulaic rhyme:

Here we stand before your door,

As we stood the year before,

Give us whiskey; Give us gin,

Open the door and let us in.

Or give us something nice and hot,

Like a steaming bowl of pepper pot!”

Other traditions that carried over from Europe were the practices of celebrants discharging firearms into the air and “blacking up” or wearing black-face. While black-face continues to plague the event in Philadelphia with performance names like “A Return To Minstrelry” dispelling any doubt as to the white practitioner’s intentions there is evidence that the original purpose was not racial in nature.

Mummer’s Day in England is often referred to as Darking Day, colloquially shortened to Darkie Day, and until recently included the same black face paint. The purpose was to highlight the relative darkness of the Winter Solstice, a corresponding Summer Solstice festival used white face paint, and to protect the lower class revelers from being recognized and punished by their wealthier neighbors if they got into too much mischief. This context was complicated by the more recent adoption of American “minstrel songs” and in 2017 The Association of Mummers in England and Wales announced that they would be ending the practice of “blacking up”.

Racial sensitivity would have been the last thing on the minds of lawmakers in 19th Century Philadelphia but the dark faces, firearms and disruptive behavior combined with the working class origins of the celebrants were deemed overly chaotic and dangerous. An 1808 law declaring “masquerades” to be “public nuisances” and punishable by fine and imprisonment was passed but in the absence of successful enforcement (Philadelphia’s Mummers’ Clubs have always included large numbers of police) it was repealed in 1859.

The city turned instead to requiring the various clubs to publicly register, keep membership logs and obtain permits. The first official club was called Chain Gang and formed in 1840. Other clubs with names like Golden Crown and rivals Silver Crown followed and by the turn of the century the activities were creating large enough crowds that throwing an official parade was the best solution. Since January 1, 1901 the parade has been repeated in the same time and place with only three cancellations: in 1919 for the Spanish Flu, 1934 for The Great Depression and 2021 due to the COVID-19 pandemic.

While most waves of European immigrants, like the Italians and Irish, have successfully integrated into the Mummers’ Clubs in a city as diverse as Philadelphia the event remains strikingly white. In reality the earliest days of the event did include Black clubs: the all-Black Golden Eagle Club formed in 1866 and marched with 300 members in the 1906 parade. However prizes are awarded after each parade by an anonymous panel of judges who have historically exhibited clear and irrefutable bias against any non-white parading clubs.

In 1929 Octavius Catto, the last remaining Black club, withdrew and disbanded after receiving the lowest marks of any marching group. While one of the visual highlights of the parade are the String Bands who march in elaborate costumes while playing banjos, violins, and woodwinds some of the Comic Brigades to hire Brass Bands with Black members as accompaniment. These musicians do not wear costumes though and are clear about not belonging to any Mummers’ Club.

It would make sense to draw some comparisons to Mardi Gras observances in and around New Orleans. The first Mardi Gras parade and ball was organized by a man of French-Creole ancestry named Bernard de Marigny in 1833 but the origins of the festival as it is now celebrated are generally traced to The Mistick Krewe of Comus. Comus was founded by a group of six businessmen who were not just white but specifically Anglo-Saxon and Protestant in 1856. That year they held their first parade and ball and created the concept of a “krewe” as a secret society created specifically for these and additional purposes.

Other krewes with their own organizations and parades followed and in 1909 an unofficial procession by a Black marching group previously known as The Tramps began what grew to become The Zulu Social Aid & Pleasure Club in 1916. I’m not sure if Mardi Gras parades are officially judged but with every krewe having their own specific route and time the crowds themselves are a testament to relative popularity.

While the parade with the highest attendance is the Krewe of Endymion there is no question that Zulu is among the most anticipated and best received Mardi Gras parades.

In 1991 New Orleans passed a city ordinance that parade permits would only be issued to groups that could demonstrate they did not discriminate against potential members on the basis of race, sex, religion, sexual orientation or disability. Rather than integrate The Mistick Krewe of Comus chose to stop publicly parading while they still continue to hold an annual ball. Several of their parades had historically featured overt white supremacist themes and there’s little doubt that their secret membership roles would overlap those of another secret society called the Ku Klux Klan.

Comus was heavily inspired by a Mardi Gras organization in nearby Mobile, Alabama called Cowbellion de Rakin Society. Mobile had the oldest Mardi Gras celebrations in the United States and the 2008 documentary film The Order of Myths highlights their continued racial segregation. I’m not sure if anything has changed there since the film was made but I wouldn’t be surprised if it hadn’t.

In addition to Zulu New Orleans is known for the specifically Black traditions of the Mardi Gras Indians and processions that happen around the year after funerals called Second Lines. The history of the Indians is not as well documented as some of the krewes but is said to have arisen as a tribute to cooperation between Native Americans and escaped slaves. Participation in Indian “masking” is passed down hereditarily, much like membership in Philadelphia’s Mummer’s Clubs, and characterized by crafting and wearing elaborate suits made from colored ostrich plumes and intricate beadwork.

Mardi Gras Indians

When the ordinance was passed that all parading krewes had to be integrated the Krewe of Rex specifically invited three Black members and Zulu most likely had white members even before 1991 – it can be hard to tell behind the black and white face paint. The last time I was in New Orleans, 2015 I think, I definitely still saw parades where it felt like a bunch of masked white men in masks riding floats and horses while the Black participants held up flaming torches and followed behind to sweep the horse shit.

It didn’t feel that different from the vibe of an all-white Mummers’ Club marching with a hired Black band.

New Orleans and Philadelphia are both historically Black cities but there’s certain things you expect in the famously racist South that might not be as expected in the North. Comparing Mummers’ to Mardi Gras however leaves the second one looking significantly better. Long before 1991 New Orleans Mardi Gras was awash with Black traditions that existed alongside the white parades and balls that were closed off to half the city.

Especially damning is the fact that the Mummers’ Parade did have Black clubs around the time it started but after years of disrespect they got the message and moved on. The Golden Eagle Club could have had a similar story to the Zulu Social Aid & Pleasure Club but with only one parade and judges protected by anonymity it made sense to throw in the towel. It can feel compelling to say they should have stuck things out to prove a point but after years of pouring money and energy into a space that clearly neither wants or appreciates you what point could you possibly be proving?

In a lot of ways Mummers’ Day can feel like Mardi Gras’ evil twin. The last Mardi Gras I attended in New Orleans was surprisingly cold but still nothing compared to the painful chill of Philadelphia on New Year’s Day. Excessive drinking is a huge component of both events but while the mood in New Orleans stays light and jovial the energy in Philadelphia, in my experience at least, has a palpable undercurrent of aggression.

This seems like a good time to go into my personal Mummers’ Day story. I first learned about the event when Sugar Tea showed me a video of the 2008 presentation of the Polish American String Band called Ghouls Gone Wild. I’d been to Mardi Gras and seen some of the parades by this point but none of that prepared me for the spectacle on the video.

Hordes of Draculas, Wolfmans and Frankenstein’s Monsters decked out in sequins, metallic fabrics and peacock plumes marched in formation while playing a variety of instruments. An invisible army of helpers moved around spooky trees, gravestones and other bits of scenery. A drill master directed the action in the guise of an extravagant undead witch doctor. I pulled an image for this piece’s header but I’ve also embedded the video below if anybody wants to see for themselves.

From the moment I saw this video I became obsessed with Mummers’ Day and made sure to travel to Philadelphia and see it for myself the next time it happened. I think I played a Bleak End set at an afterparty show held at Party Steve’s longtime residence The Pinkhouse but I can’t remember if I got a ride from Chicago or used a counterfeit Greyhound Pass. A decent chunk of Chicago folks were there so it was most likely the former.

The cold was daunting but I still went out in my standard Baroque-themed fancy dress outfit from that era: a curly white wig and green wool frock coat with metallic vest and leggings. I’ve been incorporating traditionally feminine elements into my outfits, and wearing makeup, for as long as I’ve been picking out my own clothes so I’ve gotten pretty used to homophobic slurs and street harassment.

Before this particular experience I would have said that I always got it the worst in Baltimore. I was talking with my friend Rusty who thought he dressed just as “weird” as me but never got harassed and we joked that the issue wasn’t so much about me looking “gay” as distinctly Californian. Regardless Rusty is kind of full of it as I’ve never seen him in a skirt or eye makeup.

Anyway Philadelphia on Mummers’ Day blew Baltimore out of the water. I was with a group of friends but there were moments where I felt, had I been alone, that I could have easily been dragged into an alley and assaulted or worse. Everyone I ran into in Mummer dress was glaring at me in furious repugnance and any verbal greetings I was offered included slurs:

Happy New Year ya fucking tranny!”

Photo by Stephany Colunga

What made this experience especially surreal was that most of it was coming from members of the Wench Brigades – groups of men strutting in frilly satin gowns while carrying parasols. They do wear what could be called “makeup” but it looks like the solid colored face paint popular at football games and they opt for bandanas rather than long haired wigs. The irony wasn’t lost on me that, in an antiquated but masculine style of dress, I was being called a cross dresser by men in literal dresses.

Photo by Stephany Colunga

I’ve read a few articles about the city of Philadelphia working to clean up the Mummers’ Parade’s image and the general consensus seems to be that most of the problematic behavior comes from members of the Wench Brigades and Comic Brigades. Regardless of the symbolism around the Winter Solstice in England’s Darking Day the use of blackface in Philadelphia’s event is undeniably derisive racial caricature. I didn’t see any outright examples in 2009 but there were quite a few Mummers marching in brownface like the pair pictured above.

Philadelphia officially banned the use of blackface in the parade way back in 1964 but two members of a Comic Brigade were fined and removed from the parade for wearing it as recently as 2020. There have also been instances of using other dark colors for the same effect – I read about a Minstrelsy performance where a Mummer in dark blue facepaint with a kinky wig made suggestive movements to an Al Jolson song.

The Comic Brigades have also attracted negative attention in recent years for performing skits with misogynistic, homophobic and transphobic themes. The purpose of these brigades is to satire and poke fun at current events but I’ve been to numerous Mardi Gras parades in New Orleans that mock local politics and public figures without slipping into those particular tropes. Mardi Gras is also palpably inclusive when it comes to diverse sexual orientations – something I can not say for the Mummers’ Parade.

After the parade is over and the judges have handed out the scores the party moves over to Second Street in South Philly. The box trucks that the various clubs had used to transport their staging props and heavily costumed members to the parade are now loaded up with sound systems and DJ lights for an outdoor dance party. While the parade itself does attract a reasonably diverse crowd the celebrants at this stage are overwhelmingly white for reasons that would soon become apparent.

Mummers’ Day is a drinking holiday and for a large portion of the crowd this had clearly started at dawn. I’d been getting called “faggot” and “tranny” all day but the mood here was uglier and the threat of violence hung in the air. Anybody who looked different received hostile scrutiny and I could see why someone who wasn’t white wouldn’t feel particularly comfortable here.

The moment that really put things in perspective was when of the DJs put a popular Rap song from the previous Summer onto his truck’s sound system. The crowd broke into angry jeers and even started physically pushing against the sides of the truck. The song was abruptly stopped and replaced with Lee Greenwood’s God Bless The USA – also known as the “I’m proud to be an American” song. Everybody started cheering and singing along as the festive energy returned.

I didn’t much feel like hanging around after that and left not long after.

There are five categories for the Mummers Parade – I’ve already mentioned Comic and Wench Brigades and included a video of a String Band performance. That leaves Fancy, single performers who march in costumes almost as complex as Mardi Gras Indians, and Fancy Brigades who only perform their drills at a private event inside the Convention Center. I’d never seen a Fancy Brigade before but I looked up a video and they are similar to String Bands except they don’t play instruments and use set pieces that wouldn’t be feasible outdoors – especially if it happened to be raining or snowing.

For most parade-goers, myself included, the largest draw is the String Bands and for the most part their performances are family friendly and socially conscious. There have been some recent themes that raised eyebrows though – usually around costumes based on ethnic caricatures. The current mayor of Philadelphia, along with imposing a seventy-five dollar fine and five year parading ban on any Mummer wearing blackface, has instituted a cultural sensitivity training camp for club members to prevent further incident.

Predictably many Philadelphians, like the author of the article linked below, are less than thrilled with these changes. The author, who has marched as a Mummer himself, makes the tired argument that the environment of the parade can not be homophobic because LGBTQ individuals work behind the scenes on sets and costumes. The next Mummers’ Parade will mark fifteen years since I’ve been in person but I’m dubious that the hostile attitudes I felt firsthand have dissipated in that time.

https://stubykofsky.com/a-mummers-parade-without-controversy-wow/

The larger concern is that the parade remains overwhelmingly white. Not every public celebration needs to be ethnically diverse – you’d expect the participants in Brooklyn’s Giglio Feast to be Italian Americans or the Lion Dancers in a Lunar New Year Parade to be of East Asian heritage. Philadelphia is a diverse city though and considering that the Mummers’ Parade is not specifically linked to any one European nation it’s disconcerting that so many groups are conspicuously absent.

Women first began marching in the parade some time in the 1970’s – by all accounts due to declining club membership rather than any desire to be inclusive. I couldn’t find a conclusive statement as to whether any of the existing clubs discriminate against potential members by race but it feels fairly clear who is or isn’t welcome. The city hasn’t given any direct funding or prize money to the parade since 2009 but it does foot the bill for crowd control, security and cleanup: $654,000 in 2022.

Recent versions of the parade have been more diverse but the newer additions tend not to be involved in the most elaborate productions and tend not to return. It’s basically a question of money. When I talked to Mardi Gras Indians in New Orleans the general consensus was that constructing each year’s suit cost about as much as a new car. A huge part of that goes to the thousands of glass beads and the countless hours of labor required to turn them into mosaic panels but a quick glance at the highest end Mummers’ Day costumes shows that they also represent a hefty expenditure.

Descendants of the members of the Golden Eagle Club and Octavius Catto Club almost certainly still live in Philadelphia but considering the history of discrimination it’s understandable that they aren’t jumping to spend piles of cash to resume participating in a competition where the judges remain anonymous and therefore unaccountable. The traditions of The Zulu Social Aid & Pleasure Club and the Mardi Gras Indians are as robust and vital as they are because they were created by Black New Orleanians for Black New Orleanians.

For any number of reasons no direct analogue developed in Philadelphia. It could be that Mardi Gras was always lots of different parades so the natural reaction to being excluded from one was to create your own. Mummers’ Day has only ever been the one parade so it makes sense that groups of people who were made to feel unwelcome simply walked away. There doesn’t seem to be a simple solution and no amount of changes will ever cleanse the event of the stain of its racist past.

When I went myself I was most excited to see the String Bands performing their choreographed drills but between the freezing cold and the shock of near constant harassment I never got the best look at them. In certain respects it’s a better experience just to watch the whole thing on television. On the other hand there were a decent amount of friendly Mummers as well and I enjoyed watching the members of a Wench Brigade drunkenly attempt to demonstrate their special parading strut that had been passed down for generations.

If I were anywhere near Philadelphia this New Year’s Day I’d go again in a heartbeat.

Sources:

https://en.wikipedia.org/wiki/Mummers_Parade

https://billypenn.com/2021/12/30/mummers-101-the-sequins-blackface-and-binge-drinking-behind-a-philly-new-years-tradition/

https://www.britannica.com/art/mumming-play

https://en.wikipedia.org/wiki/Mummers%27_play

https://en.wikipedia.org/wiki/Mummer%27s_Day

https://en.wikipedia.org/wiki/Masque

https://en.wikipedia.org/wiki/Mistick_Krewe_of_Comus

https://en.wikipedia.org/wiki/Zulu_Social_Aid_%26_Pleasure_Club

https://en.wikipedia.org/wiki/Bernard_de_Marigny

https://billypenn.newspackstaging.com/2022/12/31/mummers-parade-philadelphia-new-sponsor-city-services-wfmz/

Unconscious Drug Fiction

It doesn’t really make sense to put a time and place in the title this time around because the things I’ll be talking about technically never happened – not in the waking world anyway. I’m going to write up a few thematically related dreams. I did this before in a piece called Chicago 2001 : The Dreams in the Red House but that one fit pretty neatly into a time and place based narrative I was already in the process of talking about.

This time around there isn’t any specific “real life” anchor that would be beneficial to tie any of this to.

Dreams aren’t a thing that I’ve studied academically or kept up with the latest research on but my basic understanding is that it’s the brain’s way of practicing the serious work of mapping everything it knows about the world around us to help us survive and succeed. A little bit like how going through a period of “baby talk” is a precursor to acquiring language but instead of having temporally distinct periods of practice and application it’s a constant cycle between the two. The waking mind sits in the navigator chair and reads from the latest maps while the sleeping mind just puts itself through cartography exercises to become a better map maker.

I don’t think all dreams fall under the category of fiction or story telling but those are important methods for sharing and digesting structural data about the actual world. Kind of like how people who have never been to the United States construct a concept for themselves about what living here must be like based on television shows and movies. It isn’t totally accurate information but it also isn’t “no information”. I’ve had access to fiction my entire life so it makes sense my unconscious mind would take inspiration from the rhythms and structures it finds there.

Drugs weren’t a thing I had to think about much as a child. My parents were into alcohol and marijuana but these things didn’t negatively impact my life or challenge my physical security. Most of my dreams at this stage were roughly based on fairy tales: castles, witches, cannibalism and unnatural entities demanding periods of servitude. Technically speaking I didn’t have to worry about these kinds of things either but they were the stories I gave my unconscious mind to play with.

On a side note I just watched what will probably be Hayao Miyazaki’s final film today, The Boy and the Heron, and the structure probably came closer to the format of these dreams than any other fictional work I’ve had access to. I was going to go into specifics but avoiding spoilers feels more valuable than whatever that might accomplish.

As I got a little older the stories I was reading started to include drug stories and I began to realize that was something I’d be dipping more than a toe into. It had nothing to do with pursuit of pleasure or trauma – I just really liked the stories. My unconscious mind started experimenting with stories about drugs too: long before I ever used any and after they became parts of my waking life.

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Yesterday I Cut Off My Left Leg…

I had a dream where I got my hands on a medical scalpel and impulsively decided to sever my left leg from the rest of my body. I was feeling extremely anxious and apprehensive about this decision until the moment the blade first pierced my skin. The moment it broke through a preternatural calm came over me as if my movements were being guided by the invisible hand of instinct.

I realized immediately that I could neatly avoid every nerve and blood vessel in order to sidestep any pain or bleeding. At the same time I realized that through an artful cutting pattern I could cause my remaining leg to become perfectly centered beneath my torso like the mythical creatures thought by the ancients to inhabit the antipodes. I tossed the severed leg into the corner of my room and began to experiment with locomotion.

The moment I began to move I was hit with an unexpected realization. Propelling the body forward was not something that both legs contributed to equally but instead the right leg was responsible for propulsion while the left acted as a counterweight or ballast. Now that my right leg could work unencumbered I was capable of traveling any imaginable distance in the blink of an eye without any sensation of fatigue whatsoever.

After racing back and forth across my neighborhood for a while I hit upon a convoluted plan to entertain myself: I decided to go to the nearest shopping mall and stand next to the escalators pretending to look despondent. Essentially I was reveling in complex feelings of superiority. When strangers looked at me with expressions of pity I’d laugh internally at how foolish they were for regarding me as a cripple when they were the ones restricted from reaching their full potential.

Eventually the afternoon wore on and my confidence sank with the setting sun. I suddenly realized that the paradigm I’d been using to interpret the compassion of outsiders might be overly simple minded. I’d assumed that the emotion invested in these piteous glances was incompatible with detailed knowledge of my present condition but it suddenly occurred to me that it could have just as easily been based on impending consequences I was hitherto unaware of.

Many of the people looking toward me in this fashion were clearly older and more experienced than I. What if they were acutely aware of the thrill of discovery I was currently experiencing but at the same time privy to downsides that would only manifest later? I suddenly thought of my left leg – wasting away in a neglected corner deprived of blood and oxygen. I’d assumed it useless on the evidence of a scant few hours but any hidden function it held was about to me lost to me forever.

In a panic I rushed home and threw the limb over my shoulder then made for the nearest hospital. Rather than waiting around the reception I explained the situation to a passing nurse who agreed to reattach it for me in an unused examination room. She was working fastidiously with a needle and thread when I thought back over the day’s events and mused aloud on the possibility of installing a threaded socket so that I might repeat the adventure whenever I wished.

The nurse paused in her sewing to fix me with a significant stare:

You should develop a drug addiction. That will take your mind off of things like that!”

***********************************************

The Era of Brain Pops

Out of every dream I’ve ever had this one was the most specifically curated to a single aesthetic. I was living in an inner city but everybody was dressed like the child actors in a Charm’s Blowpop television commercial that played incessantly in the brief window where the ‘80s became the ‘90s. I threw a screenshot above for reference – lots of baggy sweaters in primary colors and big scrunchies and sideways ponytails.

In this dream I was working as a teacher but when I experienced it I was still a High School student and wouldn’t have necessarily known this would be a future career for me. In the dream there was a huge social craze over a new style of candy called “brain pops” – white chocolate molded into the shape of the human organ, tinted pink and impregnated with pop rocks. As the chocolate dissolved in your mouth the fizzing candy would pop against your tongue.

My character in this dream had something of a Cassandra Complex – I was campaigning to turn public opinion against this candy for what seemed like an obvious pitfall. I thought that people were losing sight of what it means to think. To simply allow the candy to pop against one’s tongue was, in essence, passively receiving sensation but I was convinced everyone was mistaking it for a mental process due to the shape of the candy and the fact that it was taking place inside their heads.

I was worried that everyone was forgetting how to think for themselves.

Somewhat ironically my dream persona fell heavily into the “white savior” trope. This teacher character didn’t have any concrete evidence that popular enjoyment of this candy was truly indicative of deteriorating mental faculties but viewed it as a conspiracy by the candy makers everyone else was frustratingly blind to. It seems incompatible to both want people to think for themselves and to already have a conclusion in mind as the natural destination for all independent thought.

It wasn’t until I returned to consciousness the following morning that I realized the entire dream could be regarded as a heavy handed metaphor for the crack epidemic.

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Pasta Basuco

Crack wasn’t something I had any first hand experience with until I’d already made the decision to enter hard drug subculture. Actually there was one day when, at fifteen years old, I realized that every person at a specific bus stop except for me was either buying or selling this drug but I henceforth avoided this particular stop and didn’t see it again. It was a strange day – I took the SAT and got bitten by a spider.

Once I’d decided to pursue heroin by experimenting with “gateway drugs” at every opportunity I came across cocaine at the Brooklyn bar Kokie’s Place. Considering how much time I spent downtown in San Diego, San Francisco and Oakland it seems almost unbelievable that I never would have stumbled across anyone using this drug in any form but I don’t think I did. My first night with it was largely underwhelming.

At El Rancho crack was starting to be around but I can’t remember if I tried it before or after getting my hands on heroin. It would be a few months before Nick Feather would come to town and teach me how to dissolve it in acids for injection so I must have smoked it the first few times. Consumed in this way the drug is absolutely overwhelming but feels like nothing much of anything at the exact same time.

It’s a bit like inhaling nitrous oxide or just hyper ventilating until you pass out. Something happening in your brain is obviously the action of the drug on dedicated receptors but it feels something like laying a thick copper wire across the two terminals of a car battery. The energy released in that moment must have been inside you from the start but the sudden release with accompanying heat and sparks couldn’t happen in the drug’s absence.

When I was getting ready to write this piece I thought that crack might have some intense sounding chemical formula name I’d never heard before but it really is just cocaine minus the hydrochloride with a side of baking soda. I used to think that the act of smoking it was sublimation, the process of converting a solid to a gas without passing through a liquid state, but now that I’ve payed a bit more attention I realize it does melt. Sublimation has an almost mystical sound to it – it’s because it comes from the word sublime.

Because the crack does become liquid you are only vaporizing it – far less exciting.

This stuff is whatever you make of it. I know some people have gotten super into it and let it become their entire worlds but I’ve only fiended out in short, punctuated binges. Not the end of the world but nothing to be proud of either. While trying to remain human in the throes of its powerful rush I used to marvel at the caustic nature of the smoke and how it would leave my mouth feeling like the inside edge of a porcelain toilet.

I had a simple dream one night. I was smoking some crack from a pipe and jogging down the street as this was happening. Holding the smoke in for as long as I could I was overcome with destructive manic energy and realized an old woman was blocking my way on the sidewalk. I suddenly leaped into the air over her and released my smoke in a powerful stream that I blew through my legs. When the smoke hit her body all flesh instantly dissolved and she became a skeleton.

I grabbed onto the bony shoulders for a final forward roll that landed me on my feet, running forward and packing the pipe for the next blast to come.

***********************************************

The Cult of the Forgotten Junkie King

This dream happened after I’d been using, and injecting heroin, for at least a month or two. There was an ancient figure known only to us – the followers of his rites and we had certain methods for embarking on such pursuits in his image. To the nonusers outside our sect many thought of him as little more than a myth but we had both artifacts and practices saying otherwise.

Every initiated user carried a finely made hinged mold that allows the preparation of these drugs in the very form of this shadowed ancestor. Adding just enough moisture to the powders in question creates a kind of clay – then tinted and pushed into every open space within the mold. Once dried a shabti figure of the king himself appears.

First molded Shabti

This beautiful shabti is unfortunately dry and will not reach full potential until allowed to soak in surrounding water at mild temperatures until the shabti is tumescent. It has come time for the faithful to extract the final form of his majesty’s gift. The shabti is now spongey in texture and gives off small yellowish drops.

With a single syringe the faithful pierces the breast of the shabti and begins to extract. A nice 45 degree angle entry for the needle tip and excess flesh falls away in the form of extracted liquid. The liquid in the barrel is a perfect gold. The shabti returns to the shape it held before becoming impregnated with moisture.

One final move: the celebrant pulls a little farther back on the plunger to reach this perfect end. As every trace of liquid departs the small body what looked like skin is suddenly shrinking against hidden forms within that can only be described as skeletal. Staring into tiny molded eyes the ancient king is ….. emaciated, insane, on the very edge of death. Snakes and spiders now make their forms known beneath this skin.

His regal face stares forward with the sardonic gaze of a death’s head.

A chamber full of beautiful gold and yellow liquid, shimmering in the night. A quick injection and the celebrant relaxes into a state of repose. The unused bits of powder, liquids and partially molded artifacts are put aside until that moment we might crush everything back into the molds and start afresh.

***********************************************

Los Angeles 2010 : “I shoot Leonardo DiCaprio nude in the catacombs!”

I’m back to worrying about the world of publishing and books and how to put the frosting on it the right way so maybe it looks like a shoe and somebody picks it up and bites into it to find out if it really is a shoe or just cake and by then they’re already eating it. I really shouldn’t say “just cake” because it’s easy enough to make a shoe that looks like exactly that but doing the same thing with cake requires all sorts of sugar trickery.

In a way it feels like cake is the marble of our time. I was looking at some 19th century Italian busts where the carver creates the illusion of a diaphanous, transparent fabric resting against, and defining the contours of, a human face while the entire thing is made of a single piece of opaque marble. Something like Giovanni Strazza’s The Veiled Virgin – it wasn’t that one exactly but one close enough to it

But my point is that we don’t go to salons to see the newest innovations in cast or carved sculptures anymore – illusions of weightlessness, life, fluids in motion or, above all else, the sublime personification of one specific granule of the human condition. When we want to see that kind of stuff now there’s a few different shows and it’s all made of cake and unlike the marble you can use all the colors and different opacities and surface lusters and anything else as long as it follows two rules: 1) you can’t tell whether or not it’s the thing it looks like until you actually cut in to eat it and 2) you have to be able to eat all of it.

Anyway I don’t think it would really benefit me in any way to make a book that could optically trick people into mistaking it for a cake – once you bite down expecting frosting and just tear off a little scrap of paper with your teeth or maybe only leave imprints in the thicker cover material you most likely won’t be in any mood to read the whole thing from cover to cover and recommend it to your friends and family.

I don’t especially like cake except for a couple that I’ve made with odd ingredients. That sounds really vain – pound cake and pineapple upside down cake and the one with marzipan on it are also always good. I mean I don’t like the big sheet cakes people get from grocery stores for short birthday parties in either schools or grownup office jobs. Those cakes kind of look like books.

What I’m trying to get at is that I’ve known since I started writing all this a year and two months ago that from a publishing perspective it could never work as the story of some guy’s life because even though the people who do end up reading it say that it’s great and it works it’s too much of a hardsell to people who aren’t reading it yet or haven’t been told to by their friends or especially people who might potentially publish it.

An idea I had to do the thing I’m actually talking about, making this theoretical book look more appetizing to strangers, was to reorganize everything into a book a book about collective living. It’s at least more of a relatable thread than “things that some guy experienced” and it does seem to run through all of the pieces that already seem to have the broadest appeal in terms of being about things that existed that more people would like to hear about.

I had this idea after the research project that led me to write about a San Diego artist’s space called The Loft. When I first started chasing that story I thought it was going to be about a yoga sex cult squatting in an abandoned building – only the very first part turned out to be true. There was a yoga sex cult but they were in an entirely different, legitimately rented building that had many other threads of things that I am interested in running through it: mostly underground music and comic book culture.

Anyway this story isn’t going to be about an underground art adjacent collective situation at all. It’s about a thing that happened in an art installation that was designed to simulate an imaginary history based on culty and CIA drug experiment mythos. It’s also a tiny bit of a gossip about a famous person you have no doubt already recognized from the pullout photo if you’re into that sort of thing which probably has the widest potential for making strangers want to read this and is what I should have led with.

I can’t seem to get past this compulsion to proverbially shoot myself in the foot – it’s probably something that I’m subconsciously lying to myself about being “artistic integrity” when it’s actually just ego. There doesn’t seem to be anything I can do about it yet. The elephant is already in the room.

Anyway in 2010 I was living in Los Angeles and constantly biking around and had just discovered that my EBT card could get me into all of the museums, including LACMA, for free. I think that it was during the time that Christian Marclay’s 24 hour film The Clock was constantly screening there and I was going to the museum all the time so I could see all of the movie divided into more digestible portions of one to four hours at a time.

Maybe I’m mixing that up though. I mix up details regarding broader timeline a lot because my brain has decided to disregard them in favor of inanely specific individual details. What I can say with certainty is that my friend Caryl from the Rockaway had advised me to go check out an exhibition by her friends Jonah Freeman and Justin Lowe called Bright White Underground that was in an iconic structure called the Schindler Buck house close to LACMA.

https://www.artforum.com/events/jonah-freeman-and-justin-lowe-2-195328/

Now that I think about it things would make more sense if this exhibit wasn’t running concurrently with The Clock because I went to go look at it and hang out in it to kill time on a handful of occasions and if The Clock was showing I probably would have been killing time watching it instead because it was different at different times of the day while this installation, except for variations in natural light, was static.

The concept of the piece was that they made up a scientist character who was designing and testing a psychedelic drug called Marassa for the CIA and also throwing big socialite and art adjacent parties in this house that revolved around everybody taking the drug and the vibe had gotten a little culty before it all fell apart. In case you didn’t click the link and read about it yourself the more specific conceit of the piece was that the house had sat empty and gone through significant decay since those events and it was full of manufactured artifacts like party photos and fake book covers and boxes of the drug.

My favorite part was a diptych of sculptures fusing entheogenic cacti with natural crystal formations on a pair of pedestals. They looked like cast aluminum to me but I’m by no means an expert and it seems more plausible that they would have been made with the emergent technology of three dimensional printers. They were in plexiglass boxes that prevented anyone from actually touching them so for all I know they could have been cakes.

They probably weren’t cakes. I doubt that anything in this story was literal cake but some of the details I’m about to reveal could be construed as belonging to a genre of portraiture called “cheesecake” – sexy lady pinup paintings and photos and what not. I happened to be in the exhibit at the same time that Olivia Wilde was shooting a feature for Flaunt Magazine with a photographer named Yu Tsai.

https://www.flaunt.com/blog/people-olivia-wilde-film

I didn’t know that her name was Olivia Wilde at the time. I did somehow know that it was the main actress from the recent Tron reboot called Tron : Legacy. I’m very bad at recognizing famous people’s faces so the only way I could have known that was that somebody either leaving the exhibit as I walked in or had crossed paths with inside must have mentioned it to me.

If you’ve never lived in Los Angeles there’s a thing that happens there that whenever famous people are out in the wild word travels about it in hushed tones the way people usually inform each other about newsworthy national disasters or high profile deaths. I guess that probably happens everywhere it just happens more there because there’s more famous people and people who came there specifically to see famous people.

Maybe I’m spending too much time explaining a thing that everybody already knows about and should instead be doing a better job explaining what things like punk houses are in other pieces but it was something that struck me as a novelty and surprise while I was living there. I didn’t expect people who looked like they would never speak to me under normal situations to suddenly tilt their heads in my direction and say:

Oh, the girl from the Tron movie is inside there taking pictures…”

I guess the thing that unites this style of communication with the other phenomena I was describing is the solemn weight with which this information is shared as if doing so were a kind of civic duty that takes precedence over age, class, race or any of the usual social divisions that will cause people not to acknowledge or speak to each other. There must be some places so full of famous people that this doesn’t happen, or only in extreme situations like the re-emergence of a well known recluse, but I’ve never been to these places as I’m not a famous person.

Maybe there aren’t – after all there are hierarchies in all things and we still share this planet with monarchs whose personages, according to written accounts, go nowhere without being announced.

My sister had told me that the girl from Tron was an honest-to-God Princess but I never did enough research to be able to say if this still is the case, if it ever was, or rather if such status was terminated with a divorce or something. I only learned recently, when I went to share the following anecdote on a celebrity gossip subreddit, that her name was even Olivia Wilde.

Coincidentally before this random encounter I had gone to see Tron : Legacy in the theaters because I was interested in the Daft Punk soundtrack, in the style of my favorite Italodisco composer Giorgio Moroder, and because I was especially fond of the original. I loved the hand animated light effects and thought it was intriguing that the female lead of a Disney film would share romantic kisses with two different male leads in rapid succession – especially because the plot had established a clear imbalance of power between human “users” and subordinate “programs”.

I didn’t like the new one. I’m an unapologetically curmudgeonly naysayer of modern CGI effects and thought the signature light works were underwhelming in comparison to how they’d done things the first time around. I’ve read plenty of well reasoned essays about how this opinion is elitist claptrap but I grew up with movies featuring the stop motion effects of Ray Harryhausen and am unlikely to come around to “team progress” anytime soon.

I also found the plot a lot more forgettable. Olivia Wilde must have shared a romantic kiss with someone but I can’t even remember if it was the old one or the young one or, more importantly, which character would have been committing a flagrant abuse of power under the revised lore and new categories.

She seemed fine in the movie – like a well placed specimen of some celebrated midcentury furniture design that always looks exquisite. When you have an Eames chair you become accustomed to the object’s self suffiency and emotional range. In a well appointed corner with a colorful rug of handwoven wool underneath and a confusing mirror on the papered wall behind it the piece literally screams power and style. In another room entirely you could show one being disassembled and destroyed by proper looking men carrying efficiently packed cases of effective tools and it would instead speak to larger ideas within the death with dignity movement.

From that there’s simply no end of twists and changes to extract an entire philosophy with underlying conversations centering the value of things in baldest possible form and it feels that where would be very little, if anything at all, too obstinate to be gracefully served to your audience by using these wondrous Eames chairs.

Anyway I got a little excessive talking about the near sentience of these chairs and the point was that Olivia Wilde, clearly a professional, stepped up and fulfilled her role on an artistic level comparable to one of these celebrated bits of furniture. She was fine. I saw no flaw but the script unfortunately felt less than generous to all the intrigue and other statement pieces the arts and wardrobe departments had delivered and it all just, as a movie, settled into a dull coin devoid of interest.

I would have no notes for her. My issues would be with a legion of creative artisans who are no doubt above Ms. Wilde’s pay grade and absolutely above my own as a simple ticket holder.

I have some uncertainty about whether I actually saw her posing in the exhibit which has begun to feel disconcerting. The reason for this is that I’ve come to realize this entire experience was treasure and one always wants a full accounting of their treasure. Sadly I exposed myself to the published photographs while doing research on the subreddit for this ensuing minor bit of gossip and thereafter could never say if I was remembering physically passing her as she posed in one of the many messed up rooms or only combining my much more recent memories of looking at those photographs with the ones I had of wandering those same rooms several more times even and distinct from this time.

It’s not the most comfortable question. Did we perhaps look directly into each other’s eyes for a passing glance – the stuff dreams are made of? Did we do no such thing – the stuff dreams are not made of? These little details bother me because once upon a time the blonde actress who gave Spider-Man cake in one of the earlier MCU versions said that I was “cute” in a Polish Dinner Theater. I have every reason to believe that the cake in this scene was, in fact, cake – it certainly had been made to look like it.

I’m sure you could see how this would be tortuous. It might have been best for me all around if that first encounter had never happened at all but coming from it and realizing that such things do potentially happen left me with no choice but to agonize over whether or not there had been a shared glance in the destroyed house with the girl from Tron.

I thank all of you for your extreme patience and am now, finally, getting to the gossip – the thing that this story is actually about. Once I had spent enough time in the exhibition I walked back outside and began to unlock my bicycle. One of those huge production buses or trailers had been parked outside the Schindler Buck House and a heated negotiation was taking place on the sidewalk in front of this craft services behemoth mere feet from where I was now unlocking my bicycle as slowly as humanly possible.

I sussed out the details rather quickly – the young brightly dressed woman with red hair and a perpetual service smile was clearly Ms. Wilde’s handler, or manager or agent. Someone who looked after her affairs and interests when she could not be present or to do so would have been untoward.

The short, slightly slimy seeming man in cargo shorts and vests filled with different lenses and flashes and with an impressive camera around his neck was clearly a photographer. Based on more recent pictures I assume this would have been Yu Tsai but I can’t fully guarantee it as another name was credited as camera operator on the motion video produced at the same time as the pictorial – Sergio Bautista.

The Flaunt Video

Two things worth noting are that I had perceived this photographer as having both a soul patch and an Italian accent but these could simply be unsavory stereotypes my memory projected onto him based on his impending behavior. The issue at hand was that, in a flurry of commands and poses, he had been able to convince Ms. Wilde to bare a single breast, nipple and all, for a single photograph.

You’ve got to remember that this type of behavior from photographers, the constant and aggressive pushing of established boundaries, was not yet being critically questioned in 2010. The colorful downfalls of Vice Media and the American Apparel mogul Dov Charney would be along very soon but the party was still going. Favored photographer Terry Richardson publicly boasted about sexually assaulting every single one of his young, attractive female portrait subjects and this was somehow “perfectly fine” and “high art”.

Whichever of the photographers had captured the breast he considered it his and earned in fair combat and was airing his arguments as to why he shouldn’t have to delete it now that the actress had reconsidered and retracted any permission to use it:

I got a tit, ok? That’s it! A tit! If she was showing her pussy I’d say something… A tit’s nothing! Last week I shoot Leonardo DiCaprio nude in the catacombs!”

His opponent was calm and even keeled – the very picture of graceful power:

Well he is male and older and has been acting longer. This would not be his first time doing full frontal and the industry will treat them very differently. She is a young actress who has just made a movie with Disney where there is talk about a sequel! Furthermore this would be her first shoot with nudity of any kind and it could seriously shift her perception by the production company. There is no version of this conversation where you do not show me yourself deleting all copies of the photo in question from your camera…”

Around this time they both started to notice that I was still somehow unlocking my bike and my ears were clearly slavering over their conversation as if they were a pair of cartoon wolves in Zoot Suits and it had just transformed into a seductively walking roast chicken. Ever the protector Ms. Wilde’s champion whispered something into the photographer’s ear and they climbed onto the privacy of the production vehicle and very pointedly closed the door.

At that point I had everything I needed to discover the resolution for myself. Recently with renewed interest I viewed the pictorial and video where the proof was in the pudding – not a nipple in sight. It seems possible that he could have made secret copies that he later sold or traded but I’m not especially active in Olivia Wilde non consensual nude trading circles.

A big part of what made this all so compelling to me was that I started to really dig into the memory and research the particulars at the same time that all the Don’t Worry Darling drama was going down with Olivia Wilde, Florence Pugh, Shia LaBeouf and Harry Styles. I truly had no idea that she was the same actress who had done Tron : Legacy over a decade earlier and was surprised as anyone in my gossip group when all the puzzle pieces came together and the story turned out to be about the same person everybody had been talking about for the past few days.

Like everyone else I wasn’t able to escape the brutalist circus of the very public Depp v. Heard trial. It pulled me in as if the ringmaster Mr. Dark from Ray Bradbury’s Something Wicked This Way Comes brought me there personally to pay testament to the horrors within his Carnival. I think I had what was generally the rational reaction to the Industrial Light & Magic from Depp’s legal team.

While Amber Heard was clearly a deeply unsympathetic witness to the jury her relationship with Mr. Depp had obviously been an ongoing case of mutual abuse between a toxic couple. Depp said as much himself on a voicemail message which was constantly either ignored or said to be “taken out of context”.

What seemed most absurd was the way the “shit on the bed” myth grew traction despite the recording where a drunken Depp asks multiple members of his staff if they would be willing to squat in front of Heard’s bedroom door and defecate on the floor so that he may later terrorize and gaslight her by insisting it must have come from the dog.

How was that ignored but the exactly zero evidence that the “turd” was “Heard’s” became the shot heard round the world?

Of course my opinion was neither the popular one nor the Official Findings of The Court and any dissent on the “Heard Bad” conclusion would get you mercilessly harassed on any platforms by legions of “SparrowBros” that almost certainly included bots. I wasn’t particularly interested in either of these famous people who had treated each other horribly but I could smell the shifts in the wind in the discourse around female survivors of intimate partner abuse and it was extremely troubling.

It felt like it was happening in slow motion and there was nothing we could do to stop it but the change was instantly palpable. Online hordes of misogynists, emboldened by the verdict and masquerading as “men’s rights activists” were gearing up to harass and debase any women coming forward with allegations against a man regardless of circumstances. It affected women of every walk of life and immediately had a chilling effect on the calculus every victim must go through to determine if raising this issue will only bring more trauma instead of closure or justice. The intensity has been dialed down but it is very much still with us.

All of this drifted right into the Don’t Worry Darling drama and with Amber Heard used up and at rock bottom Olivia Wilde became the next target of choice for the trolls and name callers. I never watched the movie as I imagined it wouldn’t have been very good and I didn’t particularly like the way Wilde referred to Florence Pugh on the “Miss Flo” recording. It was never that I particularly cared about Amber Heard, or saw her as a paragon of virtue, as that I really didn’t like the trend wave most of the people attacking her seemed to be riding on.

Mostly I wasn’t buying Shia LaBeouf’s “receipts” that “proved” Wilde was lying about the circumstances around his removal from the film. He had a single recorded phone call of her encouraging him to stick on during a moment of uncertainty. He strikes me as the kind of “high maintenance” talent that would demand these kind of pre-game car chats on nearly every day of filming.

As he was the one recording and keeping them he can show us what is most beneficial to him and any other recordings where the tone of the conversations changed – where maybe his constant demands for long sessions of one on one “method acting” that made Pugh extremely uncomfortable finally had a cumulative effect and Wilde chose to cut her losses and ask him to leave the film. If such a conversation existed and was recorded he would almost certainly delete it and we’d never see it.

I’m not really 100% on this theory and I do like some of LaBoeuf’s acting quite a bit but, in the spirit of my “Burzum Shirt” essay about separating the art from the artist, none of his methods seem particularly safe, sane or consensual. He also strikes me as the kind of person who compulsively needs to reinvent the truth for himself every time he finds a piece he’s not particularly comfortable with. This isn’t based on anything more than the fact that I’ve known people like this and I feel like I see similar traits.

While I was unsure of Wilde’s behavior at the time I was also uncomfortable and disgusted with a lot of the online discourse around her. In the larger cultural context the sudden retrieval of a personal memory where a female colleague was defending a younger Wilde against a sleazy photographer and sexist industry felt like a sudden breath of fresh air in a room full of carbon monoxide poisoning.

That’s really it and that last bit is basically “the point” even though it took me way too long to get here. I’m kind of embarrassed I spent so much time rehashing tawdry bits of a trial I never wanted to see in the first place but that’s how they get you. I can only hope the wholesome and more innocently amusing portions make up for the tired arguments that crept in.

I’m sure that at least one reader will find their way here who disagrees with me on some of these points but while I usually encourage comments and engagement I really don’t want to argue about those particular things anymore. This will probably be my only “celebrity gossip” piece as it’s the only time I ever happened across some and I have no idea what I’ll be doing with whatever comes after this.

It probably won’t be cake.

San Diego 1999 The Loft Part Four : Brass Tacks for Budding Upholsterers

[Link to The Loft Part One:]

San Diego 2000 The Loft part One: “That article will give you everything”

I’ve mostly put the whole project of writing about The Loft in the rear view at this point but I had a chunk of juicy information from the last long conversation with my primary source that is simply too good not to share. I’ve reached a point where writing new material has essentially become a form of procrastination for me so I can avoid editing my older stuff, pitching it to various publishers and banging my head against what I’ve been calling the “memoir problem”

In simplest terms that is the issue where what I’ve written most resembles a memoir but I’m exactly the kind of person who doesn’t have a snowball’s chance in a Finnish sauna of selling one to anybody – that is to say nobody in particular. I could almost even pitch it as a “recovery” memoir like that guy who lied to Oprah about how cracked out he was except for the fact that I’m absolutely unwilling to pretend like drugs destroyed my life and would happily do more of them in a heartbeat if the good ones ever became available again.

One idea I have been playing with is restructuring my potential book as a document and celebration of the punk house, or artist’s collective living space, in it’s wide variety of shapes I’ve had the good fortune to experience. I always intended to make Fort Thunder, The Miss Rockaway Armada and The Bus the tent poles of whatever book I do end up going with and all of them fall under that particular banner. I’ve got plenty of stories from El Rancho, Apgar, Women House and a handful of spots where I never lived but spent some amount of time.

Assuming a pitch like that could sway a potential publisher The Loft would click in perfectly and of course I’d be doing a lot more interviews with former residents of the place including Branden Powers who I have yet to speak to but has expressed receptiveness to talking.

Anywho enough of the maybes – here comes all the good shit from my last talk with Rex Edhlund. First off I should address a claim I repeated in one of these earlier sections: that SIN magazine, later Hypno, was the first magazine in the world to be edited and laid out completely on computers. Besides not knowing what actual computer magazines at the time were doing Edhlund clearly recalled lots of SIN being done with good old fashioned pasteup.

Anyway I’m not bringing up SIN purely to chide them for what was most likely an innocent exaggeration. When I brought the claim up I had to rediscover where I read it and trawling my browser history brought me back to the impressive SIN digital archive:

https://www.think.cz/archives/sin-magazine-issue-01-index/

I didn’t really appreciate it when I first came across it but it really is an unprecedented resource. Every page of every issue of a counterculture magazine running from 1992 to 1993 is there for your perusal and enjoyment. You can look at that era’s local shows, reports on the growing rave scene and a really amazing collection of early digital art in one of the later issues.

I flicked around some at random and read about Pigface – an Industrial supergroup I’d somehow never heard of but have been blasting ever since. For anyone frustrated with my slowed down writing schedule and thirsty for content I guarantee this archive will leave you more than sated. Not much of 1992 internet is available anywhere anymore and this doesn’t even require The Wayback Machine – just click the link and dive down the rabbit hole.

A similar archive of Hypno is not available, not yet anyway, but could become a reality with enough renewed interest. As is so often the case with these things I was not the only person to suddenly hit up Edhlund about this era after decades of relative silence. One of the other ones had sent along images of posters and stickers created by Hypno magazine for use as background decoration in the movie Hackers.

I stuck those up top as the pull image for this particular entry. The point is the Hypno archives are probably bursting at the seams with those kind of surprises and with enough popular demand, or somebody around the High Desert willing to painstakingly scan everything, it could be just a click away as well.

***********************************************

The first fanzine Edhlund worked on

Let’s start picking up the story on how The Loft came together. In the mid-‘80s there was a big collective party house called The Morgue on Texas Street between University and El Cajon Boulevard. The big claim to fame was that Christian Death once stayed over. Besides that there were a lot of after parties (I’m guessing mostly for Death Rock shows) and one of the housemates launched Black Market Fanzine which was Edhlund’s introduction to approaching the thriving subculture from a magazine angle.

After that he started and moved into The Store That Cannot Be Named – a screen printing studio and exotica shop. This has already come up in a previous piece but to recap it was directly next door to the famous Leather Bar Wolfs. It might be more accurate to say that it was in the same building as Wolfs and they were looking for any tenant that would be cool with the round the clock noise and everything else. Rent on the spot was 600 a month with all utilities included.

The deal included free beer at the bar which meant Edhlund was in there on more or less a nightly basis. The leather community also started working with him for all their shirt screen printing needs which both kept his business going and had him dropping off shirts in the middle of public floggings and similar events. Growing up in San Diego I heard a lot of stories about Wolfs and the leather or shirtless only room in the back but it was gone before I ever had the chance to check it out.

For a long time it wouldn’t have been an exaggeration to say that North Park was the center of San Diego Leather culture. There was Wolfs, The Eagle, Pecs and a spot off El Cajon Boulevard I forget the name of. Some of these are probably still open but my strongest memory is taking a late night bus up University Avenue and looking through the windows of Rigoberto’s to see leather daddies and vatos peacefully rubbing shoulders as they waited their turn on a Galaga arcade cabinet,

I haven’t been back to San Diego for a bit but everything I see about gentrification and new parking garages in North Park makes me think it’s not like that anymore.

Rex Edhlund started advertising his store in SIN, helped find other interested advertisers from his store connects and eventually climbed the ladder to a regular contributor. For a minute the magazine staff were holding meetings in his store but three separate occurrences spurred the move to new quarters. First off the magazine was offered distribution – presumably by Larry Flynt unless there was an earlier deal I don’t know the details on. Next the store was broken into and a bunch of stuff was stolen. Finally somebody offered to buy all of Edhlund’s screen printing equipment.

Together this meant he was ready to work on the magazine full time in a space that was both bigger and seemed to offer more security from break ins – this turned out to be The Loft.

***********************************************

Some of this might be redundant but after going to check out the building at Sixth and Broadway Edhlund was able to negotiate a hell of a sweetheart deal. It wasn’t the first deal on the table – somebody else had worked one out that was far beyond what the young magazine could pay and Edhlund took the owners back to the table. He walked away with the unbelievable bargain of 600 bucks a month, a lot more space than the same 600 got by Wolfs, while the first six months were totally free.

The only thing I know about the owners at this time is that they were an architecture firm with ambitious plans to remodel the building that they could never actually pay for. I thought it might have been David Singer, my Sixth Grade Teacher’s husband, as we’d taken a field trip to a modern store rebuild of his on the same block but it wasn’t. Singer’s company was both well heeled and critically established – two things the mysterious young firm were not.

That 600 dollars included 10.000 square feet each on the second and third floors. If you’ve been paying attention to past chapters you already know the fourth floor was a boxing gym and the ground floor was mostly used for storage. The architecture firm did have offices on the second floor along with a stylist and photography studio but they must have just worked around each other. By the time the architecture firm moved out The Loft community was working with 20,000 square feet. The magazine offices were being built on the third floor anyway.

Edhlund has mentioned a couple of times that one of his magazine partners was being drawn into Murshid’s Circle of Friends cult from the moment they moved in and I haven’t pressed him for the guy’s specific name. Anyway it seemed like a reasonable assumption that this nameless person would have been the toe in the door that allowed the cult to move into The Loft. Interestingly enough it sounds like that wasn’t the case.

Circle of Friends first got all the computers and tech the way they got most things: a wealthy follower paid for it all who was no doubt feeling especially generous after Murshid convinced an attractive young female follower to use her body as motivation. The first incarnation of a computer lab was called The Liberated Technology Project at a retreat space Circle of Friends had in Rancho Santa Fe. If you don’t know where that is think inland from Cardiff. That didn’t work out.

It was Edhlund himself who saw the potential in the gear and convinced Circle of Friends to try their community computer lab dream again in The Loft. Of course this came with a lot of compromises: The Loft would now be the de facto home of Circle of Friends and a special room needed to be built for Murshid. He was moving in. Edhlund sounded fairly certain that one of the main reasons Murshid went for this was the hope that he could gain control of their magazine and turn it into a mouthpiece for Circle of Friends but he also felt confident he had the strength of will to ensure that never happened.

By this time a cease and desist had already changed the magazine’s name from SIN to HYPNO and the computers were a game changer for HYPNO. Now the only parts of the magazine not being laid out on computers were when advertisers who hadn’t caught the Digital Revolution yet sent their spots in on photographic slides. This was all around 93 and 94 – the salad days of the place.

I’ve got a few short anecdotes from this time I’ll throw in for color. His work on Hypno was earning Edhlund a reputation as somebody with a finger on the pulse of the underground and this was earning him a variety of consulting gigs. One day he got a call from a producer at the Leeza Gibbons talkshow because they were trying to do an episode on the archetype of the “slacker artist” inspired by the 1990 film Slackers and the general culture of grunge music.

The couches in The Loft were usually full of whoever had stuck around after the last party so Edhlund looked around and said he’d do a deal on a dozen. Along with his finder’s fee he’d negotiated to get everybody paid and picked up by a limo the show sent around. Predictably nobody cast to appear was awake when the limo driver arrived so Edhlund handled him a meter stick to go couch to couch gently poking everybody awake. Steve Pagan was the first to slowly open his eyes:

Mister Pagan, your limo has arrived.”

The other story isn’t as cute and cuddly. I’ve written before about how important it is for collective spaces to have the person who vets newcomers and if necessary shows them the door. This task doesn’t always make this person the most popular but no space where nobody ever gets booted can truly be called “inclusive” because once the creeps, predators and racists start hanging out the most vulnerable within the scene can no longer feel safe there.

At The Loft this responsibility was one of Edhlund’s many “hats” – mostly because he didn’t want to live in a space full of dirtbags and shitheads and nobody else was stepping up. This story is about a guy named Shawn who was nicknamed GIC, or Gay Insane Contractor, because he constantly talked about being gay, was an insane meth-head and got his foot in the door by claiming to be a contractor.

It soon became clear that he couldn’t build shit, or effectively contract others to, which might have been fine if it wasn’t for the insane tweaker part. To illustrate his building skills he was attempting to construct a little shack for himself out of cardboard and blankets next to the yoga area on the day the shit hit the fan. Edhlund and others had been telling him to get the hell out for weeks but his attempt to build a slanty-shanty called for more direct action.

When politely reminded to get the fuck out of dodge he produced a letter addressed to himself at that address and started yelling about how he could prove residency and evicting him would require going to court and a year plus of red tape. Whether this was completely accurate or not was beside the point – nobody felt like dealing with any of it. Rex noticed he was using a flathead screwdriver to stick his blankets to the wall.

In a mix of instinctual rage and inspiration Edhlund grabbed onto the screwdriver and stabbed himself in the forearm. He got it in good enough to draw blood and immediately called 911 while yelling loud enough for the whole house to hear that “GIC” had flipped out and stabbed him. The one witness was a dude named Shifty who also worked on the magazine – he wanted dude gone as much as Rex did and was happy to confirm his version of events. Surprisingly enough the tweaker stuck around until the law arrived.

He was probably on a good one and thought that if he explained everything to the cops they’d have to take his side. His sped up rambling did not have the desired effect and the cops removed him from the premises to book at the station. He was never prosecuted as they only wanted him gone but that was the last anybody saw of him.

One person who was not going to be gotten rid of so easily was Murshid. Everybody needed the computers and as long as they were there so was he. While I’m on the subject of Murshid I should mention that in the photo I used of him last time the blond woman on his right was his first wife and a cult leader in her own right named Maitreya. The photo was from a webpage I found for her obituary.

She lived in The Loft for a bit herself and had a reputation for never wearing any clothes. Most of the culties wore big white diaper things that I’m sure there’s a specific name for but she chose to go with the outfit she’d been born in. It became a minor issue when a few UPS delivery guys got freaked out when she came to the door like that.

Anyway that’s nothing compared to the issues with Murshid. After his special room was built he began a constant campaign of pushing for additional space. I’m sure the space was for “yoga classes” and other things than benefited the community at large but it’s hard not to look at it as a push for control. It’s like the Board Game Risk! – once you control more surface area than any other player who’s in charge? You are of course.

There were meetings and arguments and shouting matches but eventually an agreement was reached. Murshid and Circle of Friends would pay all of the rent, $600, and Hypno essentially had free office space. As this translated directly to Edhlund having to spend tons of time putting out fires and mediating and generally dealing with new forms of bullshit it’s hard to say if it was a good deal but it was about to change anyway.

Everything shifted the day Matthew Gorden showed up.

***********************************************

Presumably the mysterious architecture firm was cutting their losses and putting the building up for sale. Gorden represented some invisible partners with money to spend – he had next to none of that but he did have feet on the ground and an eye for spaces with potential presumably. Edhlund was on site for his first walk through which would become important in future court cases.

Gorden’s partners did not sign a deed the day he arrived so for a while he began paying the rent. The $600 monthly was coming out of his pocket. The more interesting bit is what went down with Murshid and Circle of Friends. Murshid could clearly smell money and while Gorden had little the smell was on him from somewhere.

Gorden became a member of Circle of Friends – some call it culty coupling, flirty fishing or simply “the power of pussy” but once a hot young thing who ordinarily wouldn’t have given him a second glance started talking about being “soulmates” he was all in. Would this young woman have experienced such attraction without Murshid in her ear? The obvious answer is abso-fucking-lutely not.

The building at Sixth and Broadway was now a “donation”. Like most gurus Murshid was used to high value gifts from his adherents and probably thought very little of it beyond the relief that the space he’d been calling home was finally his. Around this time Gorden’s young companion turned down an offer to run away and see the world with him so he retaliated with lawsuits.

The crux of these suits was simple enough – as Gorden never owned the building he had no power to offer it as a gift to anybody else. Around this time Edhlund testified that Gorden had been asking from the very first visit if the structure would be a “good investment” for his partners. Edhlund also attended a Circle of Friends yoga retreat around this time and seemed to succeed in convincing the members that a gift from someone who doesn’t own it means very little.

His lawsuits also talked about mind control through tantric sex and brainwashing techniques involving calorie restriction and sleep deprivation. When I ran this by Edhlund he called bullshit as these last two things are bog standard for more or less any yoga cleanse. The other bits do look like the cult was working hard to ensure he never had much time to think about what was happening but given his status as financial non-owner this all feels fairly academic.

Gorden and partners did purchase the building for one million dollars not long after. I’m sure Circle of Friends were able to negotiate something like free rent while they were there but that wouldn’t be too long of course. Gorden and partners were looking primarily at flipping for profit which meant not leaving freaky cults in the building.

I wish I could figure out the name of the architecture firm and how much they’d paid and that sort of thing. There’s probably records of this stuff for anyone in San Diego who feels like spending a day or so in the property records area. Actually there’s a favor I wanted to ask of anybody down to hit up the county clerk’s office down there – hit me up for details.

The articles I linked way back in the first chapter of this story will give you more information on the court case between Circle of Friends and Gorden and partners but I’ve mostly gone over the particulars. I want to talk instead about what was going on behind the scenes between Gorden and Edhlund. It wasn’t always the most cordial.

By the time the court case was over and Gorden was ready to flip the building Edhlund had moved on from HYPNO magazine and was no longer living there. I often write about how collectives fail because a toxic individual or group somehow move in and then puff themselves up like a chuckwalla in a rock crevice: impossible to extract. In this case this would be Murshid and Circle of Friends but it might not be accurate to pin Edhlund’s departure totally on them.

He talked about being busier with a variety of business and artistic pursuits and not having time for the “herding cats” that came with being house dad for the kind of artist’s community The Loft was. He had launched a newspaper around San Diego’s downtown revitalization called D-Town and was married to a real estate agent. He used the knowledge of the downtown ecosystem he had built up over the last decade to give profitable advice to both his wife and Matthew Gorden.

Gorden was a real estate speculator/flipper and would have had more pots on the stove than just the building at Sixth and Broadway. Three years after launching D-Town Edhlund sold the paper, was going through a divorce, and happened to notice that Gorden had listed the building with an entirely unrelated listing agent. Considering how much money Gorden had made from both Rex’s information and his soon-to-be ex wife’s realtor business Edhlund was understandably upset.

He twisted Gorden’s arm and was allowed to share the listing along with his former wife who would have been the one with the license. He threw himself into showing the building as much as possible and was eventually the one who clinched the sale and got the commission on the three million dollar sale. A one to three million flip already sounds like a huge payday but you also have to remember that this was in 2000.

I plugged it into an inflation calculator and it looks like 1.78 to 5.3 million. I don’t know enough about how commissions work to tell you what Edhlund walked away with.

The final irony, in his words, is that the new owner’s contracted him to tear down all the walls and return the building to large open spaces. These were walls that he had bought the materials for seven years earlier and paid workers to help him put up. He essentially got his money back.

Of course I have no way to know this for sure but I like to imagine the new owners wanted the walls down because they were hoping to rent or sell the space as the yuppy version of an artist’s loft – the live/work loft. If this were true it feels especially poignant that they would destroy what actually was an artist’s loft to create a more stereotypical version of one. Of course it might have been something as simple as the walls not being up to code – I really have no idea.

This is where this story ends for now. I know the upscale restaurant called The Owl that took over the ground floor of the space has gone out of business and a recent conversation with a friend told me that downtown San Diego is flooded with homeless camps and starting to look more like it did in the ‘90s. North Park and South Park sound like the big destinations for developers now.

Gentrification has been happening for long enough now that the early 2000s version almost seems quaint and retro. We artists have a complex relationship with it to begin with – we claim to hate it but we are the very plague rats who bring it with us everywhere we go. Nothing like a bunch of (usually white) artists leaving their mark on a low income neighborhood to get the city planners drooling to turn it into a place where those artists, and more importantly their working class neighbors, can no longer afford to live in.

Rex Edhlund lives in the Joshua Tree area now where he crafts adobe bricks and runs a literacy program called Super Literate Project based on donated comic books.

https://superliterateproject.org/

Steve Pagan lives in Las Vegas and continues to keep the nightlife alive as both a DJ and Promoter. Murshid and Murshida seemed to be living in North County around Encinitas when I looked at their YouTube show but I can’t say what made me think that. I haven’t gotten in touch with any of the big names in Crash Worship yet – I reached out to M. Wolff and his Facebook had clearly been hacked.

https://www.adobeinaction.org/mud-talks/2023/11/29/mud-talks-23-rex-edhlund

I know there are many important names and figures for The Loft and its history that I have yet to touch on or talk to. In one version of my imagined book I’ll likely be tracking down a lot more folks and doing a lot more interviews. In another version this is probably it. Either way I am walking away from writing about it for now. Most of my big questions have gotten satisfactory answers.

There were so many artists, yogis, promoters, performers, hustlers and other species of hipster passing through it seems doubtful that anyone could furnish a full list. I did just hear a rumor that Coffee Shop King Jason Mraz was crashing there when he first came to San Diego. Is it true? Who cares, it makes for a good story.

Clearly there are many more questions that I know too little about to even ask and interesting characters that have yet to reach my radar. If anybody who was actually there feels inspired by all this to write about it themselves I implore you to do so. As relatively small as this platform is (it’s like a noise show where twenty to fifty people show up but it happens every day) I’d be happy to share it.

Black Friday / Buy Nothing Day Special : “Meh, still cool.”

Today is Black Friday to most Americans – also know as International Buy Nothing Day to fans of the magazine Adbusters and consumption-criticals everywhere. If you haven’t been paying attention Black Friday is not the highest volume e-commerce day of the year anymore and hasn’t been for a hot minute. That honor goes to a newer Chinese tradition called Singles Day, celebrated on 11-11, where single adults who are not close with their extended families buy gifts for themselves.

Depending on your perspective this sea change in relative buying habits is either foreboding or encouraging but it does show the growing status of the Chinese population as consumers rather than pure producers. Regardless Black Friday is a huge deal in the United States – both for its importance in keeping the economy alive and the news stories about dangerous stampedes and physical altercations over the final shelf stock of any must have markdown.

The original naming also certainly was meant to use “black” in a negative context but merchants have been trying to rebrand it as the day the profit margin transitions from red (operating at a loss) to black (earning a profit) ink. I’ve never liked the holiday because I started paying attention to my family’s finances relatively young.

I knew we didn’t have much money and I was distressed to see my parents spending more than they could afford on what was mostly disposable plastic junk. By extension I started to view the entire Holiday Season as a kind of binge-purge approach to spending for Americans at large. Not long after some school friends began showing me Adbusters which used slick graphic design and other advertising techniques to critique rather than condone consumer culture.

Buy Nothing Day was created in Canada in 1992 but it wasn’t until 1997 that the International was tacked on and the date was set to overlap Black Friday. Before that it had been observed on a seemingly random day sometime in Autumn. Looking at the timeline I almost certainly saw the Adbusters issue where the first International Buy Nothing Day was announced and have made an effort, with varying levels of success, to observe it ever since.

That effort has been almost purely symbolic. I can’t realistically survive without buying things – I live an hour from the closest large city on a tract of land covered with different species of pine. I’m set for wood and water but in terms of life sustaining calories there’s nothing much I can get my hands on. My cats sometimes leave for weeks at a time so they can but I’m much larger and useless at hunting.

Eventually I can see myself clearing a few acres of forest to get serious about subsistence agriculture but as for now I view myself as a kind of steward. There are already way more acres of clear cut farmland than old growth forest in this nation and the world. The infrastructure to bring food goods vast distances it incredibly unsustainable but for now it’s here. It makes more sense to me to just use what already exists and leave the trees to do their important work converting carbon dioxide back to oxygen.

In the event of catastrophic economic collapse that would probably change.

In this piece I won’t be talking about consumption in terms of buying physical objects but instead the content consumption of the things intended to make us want to: commercial logos and well executed advertising campaigns. Of course it’s entirely possible to enjoy these things on an aesthetic level without having any intention of throwing money at the thing they are promoting. For someone like me who still identifies as anti consumerist the questions become thornier when these campaigns are either directed at specific youth culture movements or the corporations start “altruistically” supporting artists within those movements.

I have every intention of celebrating Buy Nothing Day today but ironically WordPress just sent me an e-mail about Black Friday discounts on various paid subscription plans. Along with giving me access to various widgets that would make this page more user friendly and easier to navigate these plans would give me the option to remove advertisements entirely or keep them in place but monetize my traffic. I won’t be getting one but the pros and cons of doing so, in the larger context of this piece, feel especially poignant.

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From a Levi’s Silvertab promotional booklet

In 1998 when I started my year at San Francisco State University the school was at the center of a music scene that specifically centered its population of Japanese exchange students. Moving from least specific to most specific it was an indie rock/pop phenomenon heavily inspired by the twee pop variety that was often referred to as J-pop – a bit of a misnomer as we weren’t talking about mainstream Japanese pop and idol groups but more underground artists like Pizzicato 5 and Cornelius along with local groups with Japanese members like The Fairways and The Aislers Set.

Michale Eberhard from the group Wussom*Pow! was booking shows in a space called The Depot in the student union that became the de facto center as a lot of the fans were underaged and East Bay all ages venues like 924 Gilman weren’t the best cultural fit. A small local label called Paris Caramel had just released both Wussom*Pow!’s first seven inch and a single from Japanese singer-songwriter Rocket or Chiritori who made a special trip to San Francisco to play a release party at the school.

J-Pop itself was fairly new as a descriptive term and the authoritative Japanese magazine on indie rock Beikoku Ongaku, or “American Music”, had only started publishing five years earlier in 1993. A big thing I remember about the crowd was that everybody wore brightly colored plastic Casio G-Shock watches and the smaller feminine marketed Baby G. I really wanted one in a way I had never before wanted a specific branded fashion accessory but they were way outside of my spending range.

It wasn’t gender neutral by any means – the Japanese students coming around to the shows were almost exclusively girls. I had a few Japanese boys in my classes but their interests seemed to be more centered on Hip-Hop and mainstream American fashion. I invited my friend Tetsunori from a Calculus study group to some of the shows but he didn’t seem interested.

Levi’s Silvertab had a big advertising campaign that year featuring rotoscope style geometric cartoon drawings of young hipsters in a fusion of indie rock and Hip-Hop street style reminiscent of the British band Portishead. They were hitting the streets hard – posters covered every available surface, especially around the school, and a full color Backpage ad graced every edition of the alternative weeklies on both sides of the Bay.

I always talked to a girl named Kanako in my Printmaking Class – she wasn’t into the same music scene and went for a slightly butch rocker look: short spiky hair, a Marilyn piercing, small gauges and a wallet chain. One day I was reading a music column while we were waiting for the instructor and she appreciatively stared at that week’s picture of plaid shirts, bucket hats and tribal tattoos:

Oh, so cool!”

Her remark confused me. I really liked the visual style of the ads too but cool? I thought it was baked into the content of any alternative style that advertisements couldn’t be cool. I hadn’t really gotten into it but the grunge and pop-punk music favored by my Junior High and High School peers was fiercely anti-consumerist, the message was ubiquitous in mainstream Rom-Coms like Reality Bites and my more sophisticated friends passed around issues of the aforementioned magazine Adbusters.

I thought the memo had automatically gone out to all the members of my generation regardless of national origin. Corporate logos on clothing were ok as long as it was vintage dead stock from a Thrift Store and niche footwear brands like Doc Martens and TUK were ok but expressing genuine enthusiasm for anything a big name brand was marketing at us in real time was as outré as wearing your backpack on both straps.

This quote from “Say Anything” sums up the sentiment

I asked Kanako again in case I had misread her tone or it was a nuanced linguistic lost in translation thing: no, she had meant the advertisement was actually cool and didn’t seem to understand why I thought it couldn’t be. In a larger youth trend adjacent context you could say her attitude was actually ahead of the curve in relation to mine but something in me goes through that same moment of culture shock every time I re-encounter it in the wild.

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The original in full glory

In 2011 my sister and her husband were house sitting in Panama and convinced me to come down to visit. I saw many interesting things in the country including street cats with distinctively long noses roaming the capital and an isolated population of poison dart frogs marked with neon green smiley faces. When I went to a kind of indoor swap meet I noticed immediately that every clothing stall had variations on the same thing – Monster Energy and Zumba Fitness labels printed on every imaginable piece of active wear in a dizzying array of colors.

It didn’t hit me all at once – I used my money on this trip for vintage bottles an old German diver retrieved from the swamps around Bocas Town, mix tapes of merengue and Cumbias and some stylish yards of Japanese printed calicos the women of Kuna Yala use as wrap skirts. I bought printed bandanas where pairs of skeletons excitedly demonstrated an encyclopedic knowledge of possible sex positions as gifts for friends.

The Monster logo was like a bit of a tv jingle that had managed to slip into an ear undetected and had suddenly sprouted twin arms with aerosol Monster Cans to start bombing my brain. It was following the electrical signals like a NYC Subway and getting up heavy in both hemispheres to plaster the image onto my subconscious and desire centers. Where was I? I had one last Balboa, a locally minted coin, and the best place to spend it was an electronic horsie ride by my gate.

Monster Energy had its feet up on my executive function desk. I had dressed as a cowboy for this moment and had a clunky cassette deck queued up with Bing Crosby and the Andrew Sisters Don’t Fence Me In. I was a bit heavier than the small children it was intended for so every buck caused the horse to break inertia and jolt forward with me. As we approached the end of the song, and my boarding time, the power cord was finally pulled from the outlet and the horse immediately abandoned any further mockeries of life.

I don’t want to make a huge thing out of this or anything but I’m pretty sure… as I was boarding my plane… that nobody clapped or anything. Just a tiny glimpse into how legends are born. I fell asleep until it was time to go through US CUSTOMS and they took all my freaky sneaky fruits away. No fruit part of the chocolate. No temporary tribal tattoo juice.

I suddenly can’t stop thinking about those wicked looking Monster garments – I’m sure I could have afforded a coral and turquoise half shirt or some electric lime bike shorts with the logo embroidered in cobalt blue. Why didn’t I buy any? Why would I have wanted to? The questions circled one another like newly adopted dogs searching for hierarchy in what was clearly a different kind of pack.

Not long after my sister and her husband were back in the states and he was picking my brain on what stocks I thought would be a good idea to invest in. My immediate thought was Monster Energy and he pulled up a price history chart – at that point it was still one of many beverages sold by Hansen’s Juice but that company was publicly traded and had seen recent, near exponential growth in its share price.

Hansen first launched Monster Energy in 2002. I had been seeing the drink’s growing share of the shelf space in wall coolers and had even got into the habit of drinking it while finishing up my degree at SDSU. This choice was purely a practical one – out of the three options Monster was the most effective for staying alert in class only because the jarring neon green themed flavor would snap me to attention with every sip.

After what I saw in Panama I knew the beverage was on its way up. If I had bought stock then and held onto it I’m sure I would have made money but that area isn’t really my mosh pit. I did try to invest in Zumba but the only available stock was for a shovelware company called Majesco Entertainment that licensed the Zumba games on the motion controlled Wii and other platforms.

I did actually buy a few shares in Majesco, then trading under the moronic symbol COOL, and watched it thrash around for a year or two before selling at a small loss. Zumba Fitness is more of a populist, physical participation themed brand – if I had seriously wanted to invest in Zumba my best option would have been to become a licensed instructor and start a class.

Anyway all of this is neither here nor there. I’m not here to talk about the rising and falling fortunes of corporations and the most effective methods to harness this wind for personal profit. The thing I want to talk about is a funhouse mirror version of Monster Energy’s steady uptick in market share: the ascendancy of the Monster logo itself as a semi-ironic counterculture sigil and fashion icon.

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The ‘Fit

The Monster logo had still been fermenting in the back of my consciousness but unlike the situation in Panama physical manifestations were harder to get one’s hands on in the United States. It’s possible that I was just in the wrong spaces and shirts would have been everywhere at rural truck stops or motocross events but my gut tells me the issue was more about time than space. Early 2012 was the event horizon for the Monster logo reaching the same kind of space as the peace sign, smiley face and “cool” S before it.

Of course influence between corporations and subcultures doesn’t only move in one direction. The designers of the scratch mark logo and distinctive lettering were clearly drawing from the aesthetics of ‘90s and early aughts Nu-Metal. The revival for this style of music and fashion wasn’t in full swing yet but the prescient use of the imagery left Monster poised in an advantageous position for when it would really kick off.

I was at a small Thrift Store in North Beverly Hills staffed exclusively by sarcastic and derisive older Orthodox Jewish women. I don’t know if I caught a little extra because their Jew-dar picked me up us a fellow tribe member but every single one of my requests and purchases was met with a few drops of venom. Hoping to find a replacement for my very recently departed Library of Congress Tape Player for the Blind I asked them if they carried electronics:

No, you know who’s got that kind of stuff? Goodwill! They’ve got a whole room of that crap!”

Unfazed I went over to flip through the shirts and undergarments when it caught my eye. A black ribbed “wifebeater” undershirt with a neon green iron-on transfer of the Monster logo centered on the chest. It was marked down to a dollar so I grabbed it and brought it to the cash register. The woman rolled here eyes:

Oh yeah, the Monstah shirt! I guess somebody had to buy it!”

Somebody did indeed. I started wearing it everywhere I went and it always seemed to get a big reaction out of people in one way or another. I went to a party at a trendy midcentury A-Frame in Glassell Park that was called The Cabin by George. It was the period of time when Sean Bowie, now recording as Yves Tumor, was making music with Andy from Snow Wite. When I walked into the party they were hanging out on the porch and Sean saw the shirt and tried to buy it from me.

It’s a pet peeve of mine when people treat me like I must have stumbled across some rare, sought out gem by accident because I couldn’t possibly understand or appreciate an object’s value. Bowie started low but when I said I wasn’t interested they quickly raised their offer to twenty bucks. It felt ridiculous – we were both grownups and knew exactly what twenty dollars was and wasn’t.

The point was you could find a twenty dollar bill anywhere but it wasn’t particularly easy to find a shirt with the Monster Energy logo on it. Not in 2012 anyway. I want to be clear – I’m not trying to say I was some kind of prophet because of what I saw in Panama or make myself out to be the Typhoid Mary of thinking the Monster logo was cool. I want to first acknowledge the tremendous job the team at McLean Design pulled off with it and at the same time qualify that I don’t feel like I was particularly unique for reacting to it with desire: it was generational.

It was also almost certainly linked to the emergence of internet based “microgenres” that had kicked off the previous year with Seapunk. Bowie, then releasing music as Teams, had played a role in curating the specific set of tastes central to that movement so while I’m lightly chiding them for trying to literally buy the shirt off my back at the same time I must give credit to the role they’d played in aligning community-wide aesthetics around thinking it was cool in the first place.

It wasn’t just the Monster logo – at the beginning of the tweens corporate logos of every kind were a major trend in both street and high fashion. Generally they were used with neither the blessing nor knowledge of the brands they were purportedly “advertising” and a popular look was to completely saturate a garment with a whole bunch of them in the style of a sponsored race car driver’s jumpsuit.

Speaking very broadly it coincided with a kind of “rave revival” in underground music where things like ball chains, stylized auto detailing flames, tribal tattoos and low resolution digital patterns were also common touchstones. In a lot of ways it wasn’t super different from the look of the Levi’s Silvertab campaign from the beginning of this piece except to say it was more of an “everything bagel” with flavor notes from hippy, goth, rockabilly and pretty much every other subculture while also having a little over an additional decade of trends to pull from.

The trend is called “logomania” and is a revival of a 90s version

Every specific logo carried its own set of associations. For Monster Energy I’d say this would be monster trucks, extreme sports, “bro” culture and the nu-metal I’ve already touched on. No doubt some of these things were on the minds of Jacob and David from Extreme Animals when they printed the design on a series of shirts that same year. I don’t want to pretend I can speak for them though – it meant a lot of different things to a lot of different people.

I saw religious pamphlets about how the three lines of the stylized M were secretly Hebrew symbols for the number 6 and the Monster in the drink’s name was “The Beast” – Satan himself. I saw a decal on a truck’s back window where those same marks were cleverly transformed into the three crosses of Mount Calvary. I’m sure for many it was nothing more than a cool looking logo on a drink they loved.

Speaking purely for myself there were plenty of mental gymnastics I had to pull off to both embrace the logo and appease my inner anti-consumerist. The fact that Monster Energy themselves hadn’t given me the garment allowed me to pretend that instead of advertising I was “appropriating”. Nonetheless nobody who looked at my chest and saw the logo would have known the difference and at least once it must have encouraged a thirsty or low energy person to reach for a Monster the next time they were in the market for a beverage.

When I put my Monster shirt on and flashed it up with a neon green zebra print silk shirt, layered lace bottom biking shirts in black and neon green, matching socks and finally a white blazer I had decorated the back of with a holographic Shrek picture I had cut into four slices and sewn into the pattern of the Black Flag logo. I felt cool. Others thought so also – a group of cops in Chicago sacrificed a portion of their disinterested authority by asking me if I’d be kind enough to pose with them for a photo shoot.

Ny sentiments from my conversation with Kanako around fourteen years earlier hadn’t simply disappeared. I was pretending like I had a magic wand that could use different kinds of irony and the specific context within underground culture as a whole to transform the picture on my chest into something cool. At the same time I retained the core value that advertising and corporate logos were not and could never be “cool”.

How did that work you ask? That’s the neat part – it didn’t. Like the name of Metallica’s emotional documentary I was Some Kind of Monster. To be specific I was a hypocrite – The Hypo-creature from the Black Lagoon. Don’t let my freaky exoskeletal cartilage features or webbed fingers throw you off. I hide beneath the water’s oily surface because, in my heart of hearts, I’ve recognized myself as a poseur and feel shame when other’s gaze upon me.

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Couldn’t find one with Subway footlongs…

I want to finish this piece by exploring a slightly different concept that has been growing within and leaving it’s stamp on our underground: the corporation as patron of the arts. All kinds of brands have been putting their money where their marketing is and holding art contests for cash and connections, sponsoring concerts or entire music festivals as well as art institutions or exhibits, performative contributions for politically charged causes and the list goes on and on.

Its impossible to have a single opinion about all of this sort of thing when specific instances can present as near opposites. Stenciling a logo for a bank on the wall marking an exhibit’s starting point is miles away from a promotion I saw at Subway Restaurants in Chicago between 1999 and 2001. The name of this promotion was “Starving Artist Contest” and the posters digitally altered one of the man’s self portraits to place hearty looking photorealistic reproductions of popular footlong subs in his hands.

It was the one on North Avenue and I was only in the lot for a minute. We had gotten pulled over leaving the projects and all swallowed our drugs. We convinced the cops that 1) we had not copped yet and 2) the fact that none of us had any money wasn’t inconsistent with that. The story was we were hoping to promise the guys in the project stairwell that we were good for it and if they fronted us product we would most certainly return with cash.

That got the cops off our backs. The next step was to pull into the Subway lot so that we could all try to gag ourselves until the drugs came back up. We figured it was Saint Patrick’s Day and we would merely blend in with the other people trying to induce vomiting to rid the body of dangerous alcohol levels all over the city.

I couldn’t gag at all due to the sword swallower training I’d started so I turned my attention to the poster instead. Modigliani seemed like an odd choice – was the designer aware that he had suffered from hunger, even periods of full on starvation, that doubtlessly caused complications when he started dealing with tuberculosis? Was the message that he may have fared better had he thought to trade some of his works for long and overstuffed sandwiches that could be completed with the perfect mix of meats, cheeses, vegetables, sauces and spices tailored perfectly for his tastes?

No need for the pale and sallow creatures that filled his canvases and ensured his fame. The contest was loosely based on such an idea. They wanted amateur artists to create works within several mediums that featured and paid tribute to the Subway sandwich. The three levels of prizes were $50, $75 and $100 gift cards redeemable for food so that the most talented might eat enough to raise their energies and ensure long term survival.

If my tone wasn’t obvious I consider this kind of patronage distasteful. Inclusion of corporate product compromises what might have been fine art and brings it down to the echelons of commercial art. The only way around this is, in it’s simplest form, Andy Warhol’s Campbell Tomato Soup Cans. By not asking permission, changing the ways the cans might display and leaning into his reputation as an untrustworthy showman and provocateur who spoke in riddles and outright lies he demoted corporate imagery to the role of “readymades” and thereby preserved his fine artist credentials.

A few years later there started to be a trend for beverages companies to support some of our shows, events, festivals and other happenings. I wrote about this already in a piece called Vitamin Rat where you can read an earlier, less thought out version of many of these thoughts.

Brooklyn 2007 : Vitamin Rat

Not to say it isn’t worth a click but if you don’t feel like doing that now it boils down to 1) I’m fine with them providing things for us to drink free of charge 2) I would prefer not to hold the can and look like I’m having fun for the camera. 3) If I am enjoying myself and become so distracted I don’t notice such a picture being taken I will not demand swift erasure but I will dwell on it and think badly toward the situation for at least a day or two.

Actually the piece is actually about drunkenly wearing a dead rat until Twig Harper throws it into Vitamin Water coolers but we contain multitudes so both that and this are different parts of me.

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Ron Regé Jr. X Critterbox X Kid Robot

I want to spend time on the Tylenol Ouch! campaign before making my way to Liquid Death for the big conclusion. Tylenol set their eyes on the Post-Fort Thunder Greater New England arts ecosystem. Maybe not just there but that’s where I saw the most of it. Japanese influenced artist’s vinyl toys were having a moment and Ron Regé Jr. collaborated with both Tylenol and Kid Robot to produce a limited run of The Ouch! Twins.

They were small sculptures of red headed children in his distinctive style that came in metal tins suggesting early twentieth century farm living. The children have poor clothing, a variety of marks on their faces and soulful sad eyes. Tylenol is not invoked directly anywhere on the toys themselves but the theme of pain is present and can lead to thoughts on the analgesic of choice for treating it.

Was Ron satisfied with a small trade off for a big opportunity to work in a new medium and expose his work to the toy space? Would I have been? These questions are hard to answer so instead I will look at another instance where Tylenol appears in the work of a New England underground cartoonist.

Brian Chippendale is best known as the “hit things” half of noise-rock duo Lightning Bolt but is also known for being among the original architects of the Fort Thunder artist’s collective and drawing densely filled pages of often wordless comics that move from panel to panel under a unique system styled after the crawling movements of a snake.

I forget the year and title of this particular comic but I believe it involved pirates on a boat. A captain character complains of headache so another character offers TYLENOL™️ in an explosion of aplomb. The captain spits at the deck in disgust:

Tylenol? Never touch the shit! It gives me the ague! Might anybody have some aspergum?

I’m sure my memory is failing me and I’m butchering his perfectly selected words but I do feel that I’ve captured the gist in both content and energy. I was particularly impressed by this unequivocal statement when so many of his peers were accepting the Tylenol money in exchange for a little help.

It seems like nearly everybody could have used a little help right then but there’s a question that always troubles me with these kinds of arrangements. What does this “free help” actually cost? It seems like we may never know and I’ve never even gotten this type of offer to begin with but regardless of that it keeps me up at night.

The last I saw of this particular campaign was a free record included in copies of Vice Magazine by mellow folk and electronic artist White Magic. The packaging included the word OUCH! on the back where you’d usually see the name of the label. I guess it was the label. I listened to it but can’t remember if she sang about pain in any form and kind of wonder if they’d asked her to.

It wasn’t the kind of music that could give people headaches.

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Photo by Edhlund near Pioneertown

A few months ago I found myself doing a research project going only off of a couple of comments on an old street art piece about a yoga sex cult with fancy computers that might have been squatting an old theater. After a whole lot of chasing false leads I hit up an old friend who broke the whole thing open.

The spot I was looking for was a legitimately rented collective artist’s workspace and computer lab at Sixth and Broadway called The Loft. The space stuck around from ‘93 to ‘99 and the cult kept their fingers in a lot of pies but mutually advantageous cooperation was possible without joining whole cloth – for a time at least. I got set up with Rex Edhlund: an artist about a generation ahead of me who was the “get shit done” guy for the good years.

He’s been very helpful in the pieces I’ve written so far on the place and I still need to type up our more recent “brass tacks” talk about how the cult first came, the building sold and an assortment of other fascinating details. I’ll get to it but let’s not let it bog us down now – more important is that I started following him on Facebook.

He posted some pictures of a customized car event and I was impressed by the airbrush hood work at the beginning of this section. I used to have a white Caballero (GMC El Camino) and I’d been planning on getting the cover art from the original Castlevania game done in a similar style. Thankfully I didn’t because it died on me not long after.

I looked closer at the severed heads and axe wielding Barbarian when I realized that instead of a helmet his entire head had been replaced by a can of Liquid Death. For those unfamiliar it is a younger springwater company that uses aluminum cans instead of plastic bottles to reduce environmental impact – their marketing uses lots of Heavy Metal and skull imagery.

a comment, a reply

I commented about how something that seemed cool now seemed less cool because it was intended to advertise a certain beverage. Rex replied that such is not the case and, it must be acknowledged, received two likes for doing so. I hadn’t managed even a single react.

I started to wonder if my dogmatic but inconsistent taboo about never allowing marketing to be viewed as “cool” was either generational, something Edhlund had matured past or most troubling of all strictly a “me” problem. My attitude really does fall apart the moment you begin to view it with a critical eye.

I had wanted to paint the cover of a Nintendo game published by Konami on my own car and while neither company would have requested or funded this art piece they both still sell products including games, gyms and casino machines. How could it be said that I wouldn’t be “marketing” for them? Clearly I would.

I toured the US and spent a lot of time in the Los Angeles night life with a Monster Energy logo on my chest. Let’s ignore my bullshit magical thinking about why this “didn’t count” for now and just view the two drinks head to head. Monster is full of artificial colors and flavors, is known for getting young children into consuming large amounts of sugars and using the stimulant caffeine earlier than usual. Both cans are made of aluminum but it stands to reason that Monster’s canning operation is likely less environmentally enlightened than whatever Liquid Death is working with.

What began as a natural fruit juice company where a father and three sons brought whole unsweetened juices to film lots in the 1930s bears little resemblance to this origin today.

Liquid Death sells pure natural spring water. I’m not sure if they do a better job at not depleting entire springs and watersheds than the big name CG-ROXANE but my first instinct would be yes. Switching the plastic bottle for aluminum is about how much more efficient and environmentally friendly recycling the metal is compared to the plastic. An added benefit is that the beer can style design may help bar and festival patrons stay hydrated while drinking alcohol.

In the comparison between the two Liquid Death clearly comes out on top but my biggest concerns have little to do with that. What actually bothers me the most is the way that the artist was required to incorporate the product into the final art piece. It’s entirely possible that the airbrusher in question does not consider himself a fine artist and to make me sound even more inconsistent I would not feel the same way if he were hired to paint eye-catching promotional images on the personal vehicle of an up and coming independent beverage marketer.

I know I’m almost certainly in the wrong while Edhlund is more on point but I can’t help myself. It still feels less cool and less genuine than it would if the drink wasn’t part of the painting. I don’t know if I’ll ever get over this or when the next time will be I find myself spinning complex fictions to justify rocking the latest logo I’ve fallen in love with but for now neither of these things seem to matter.

For better or worse it’s who I am

Los Angeles 2005 : “In case his ghost ever tries to fuck with us”

I was looking for skunks doing handstands and found this truly bonkers BBC video of a spotted skunk taking on b-boys in two of the four elements: breaking and spraying. You’ll have to watch it yourself to see who comes out on top.

The really bizarre part was that the whole reason I was searching in the first place was because I had been in a similar struggle with many of the same tropes being employed in slightly different ways. When I first went to Chicago me and my friend Tim urinated on the side of Frank Lloyd Wright’s Robie House. It was Tim’s idea – he said that it would render Wright’s ghost powerless if it ever tried to fuck with us.

Tim’s funny like that and group urination had been a frequent bonding activity for much of the trip. Part of this was pure necessity of course – when traveling long distances by car it’s inevitable that infrequent stops will have a shared functionality but Tim always liked to describe it as an activity in asserting dominance over often abstract concepts.

When he tackled all the driving to traverse the girthy state of Nebraska in a single sitting he metaphorized the SUV we sat inside as a bullet piercing the province’s heart as if it were a living organism. The finishing touch was a shared pee onto a field of corn near the border with the supposition that this act would banish what had been monotonous roadside imagery and conjure something more interesting to look at.

This, of course, turned out not to be the case as we next had to drive through the entire state of Iowa which is far more famous for only giving you corn to look at. In fact the ears would never truly recede into the rear view until the moment the mighty city of Chicago announced itself upon the horizon. Seeing this sight for the very first time reminded me of the depiction of the Emerald City in the original Wizard of Oz movie.

I was going to try to do some kind of golden imagery thing with corn and urine but decided to hold off for a more appealing proposition – an almost entirely unrelated anecdote. As a child my Classical education far outstripped a more traditional one to the point that when I first encountered the term “golden shower” in print my first thought was that it was a reference to Greek Mythology.

In the story of the demigod Perseus his mother Danaë had been isolated in a chamber to thwart a prophecy. Zeus appeared to her as a shower of gold from the sky to father the hero. As a child with next to no sexual imagination my immediate assumption was that “golden shower” must stand for the concept of Immaculate Conception as something like “watersports” wouldn’t have reached my radar in that context.

I had certainly urinated on and been urinated on by my friends at that point, including an epic neighborhood war when we realized we could put it into water guns, but this was always done for a different kind of gratification. Like most terrestrial vertebrates we abhorred the sensation of skin contact with the fluids of another organism and therefore did it to humiliate each other and cause anguish.

Back to architecture – I’d been a Frank Lloyd Wright fanboy since grade school and now that I was reaching an age where I could start traveling and visiting his seminal works piss became my paintbrush in an exercise that was otherwise visual tag collecting. For the thousandth time I’ve never really been one for taking photographs so in the pursuit of memories and accomplishments this forbidden act of temporary vandalism made quite the curio.

I got a few more around Chicagoland and got The Guggenheim the next time I was in New York. Unfortunately I only got the exterior in a discrete alley spot as I had not yet watched The Order sequence from Matthew Barney’s Cremaster 3 to be inspired by Richard Serra’s descending Vaseline or its sister ice luge scene in Jim Carey’s Mr Popper’s Penguins. Either of these might have sparked a resolution to attempt the far riskier proposition of the central ramp.

I’d always planned to visit Falling Water and make this the jewel of my collection for obvious reasons. Perhaps some day but the sad reality is that I will never “catch ‘em all” as a good number are simply no longer standing. For example I recently picked up a hardcover book called The Riddle of MacArthur by the journalist John Gunther. I picked up a habit while homeless of reading any book encountered on the ground which often leads me to unforeseen places.

In the chapter called Tokyo Today I learned for the first time of Wright’s version of the Hotel Imperial – built in 1920 but demolished when it began to sink in 1968. The place looks mesmerizing but my best opportunity to experience it firsthand is a virtual tour on my computer or smartphone. Engaging in my peculiar hobby through this medium would neither be satisfying or particularly advisable with the future health of my oh so precious devices in mind.

After returning to California in the wake of 9/11 I was able to go to Arthur Fest in Barnsdall Art Park in 2005 to see a bunch of freak folk, doom metal and my recent favorite Beatle: Yoko Ono. The building with Earth, SunnO))) and Growing was made inaccessible by a capacity crowd with little incentive to abandon their hard fought floor space.

I found an opportunity to scale a wall into an artist area prompting my long acquaintance Ron Regé Jr., then performing in Lavender Diamond, to take me for a fellow featured performer. I watched the music from backstage and saw the moment a large amplifier toppled into the audience. Much later I would learn special guest Malefic of Xasthur had neglected due diligence when parking in Rite Aid’s lot and had his vehicle towed.

I did not witness this first hand but read about it after. Malefic was freaking out – pacing the parking lot on his cell phone with the posted tow provider. Someone like Stephen O’Malley thought to buy him a Dove Bar. Malefic sits on the edge of the lot and regains his composure while consuming the treat. Apocryphal as it may be this story has persisted for the way it depicts a known “cult misanthropic Black Metal” icon in a far more relatable light.

I wanted to take the opportunity to mark the iconic Hollyhock House but with the crowded festival setting my best chance was to slip behind some of the prodigious landscaping. I’d already started my stream when I realized it had awoken a young spotted skunk who was taking advantage of the same cover vegetation to relax insulated from the sights and sounds of so many frightening human beings.

I’d seen the handstand display in a taxidermy diorama in a Natural History Museum somewhere so I immediately understood the threat but had already gone too far to curtail my flow and beat a hasty retreat. As the skunk inched toward me in aggression I defended myself the only way I could – by advancing my stream into its path as a warning.

We were in a classic “Mexican Standoff” or, in the jargon of the Cold War, a mutually assured destruction scenario. The skunk backed away – I never pissed on it and it never sprayed me but we effectively held each other at bay. As my bladder began to empty I was able to slowly back away then shake off and sheathe my offensive instrument before stepping back into public view.

I enjoyed the remainder of the festival with sets from Olivia Tremor Control and the headlining Ono. A crowd of protestors outside the gates harped on the myth of her destruction of The Beatles – no doubt viewing her set as performing the action thematic to this piece onto the band’s legacy. I thought no such thing, though I thought she might have announced her band including her son Sean by name, and left with relative high spirits.

I thought I would conclude this selection with an experience from my vivid world of dreams. In the early 2000s when I returned to San Diego a group of friends including Nick Feather and Nina Amour were renting a popular party house on A Street in Golden Hill. I’ve mentioned in other places my childhood struggles with bed wetting that only abated in my early twenties. This was one of the final incidents.

I fell asleep on a deep chartreuse crushed velvet sofa and found myself in the dilapidated tiled basement bathroom of an anachronistic department store. The man in the urinal next to me was a specific midcentury caricature – pressed suit, fedora and British style horrid teeth. We began our releases in sync then subtly tilted our chins to each other in mutual challenge.

We each began walking backward while arching our streams so they might continue to reach the appropriate receptacles. Things were neck to neck, or Turkey neck to Turkey neck as it were, until the specific floor plan guaranteed my victory. Just as I stepped into an open doorway he abruptly came against a solid wall. The sudden shock obliterated his concentration.

Suddenly his emission was not reaching the urinal but uncontrollably sputtering and flying into the air around him – soaking his clothing, shoes and the walls and floor as he futilely tried to regain his composure. I continued to back through the doorway as my own issue impossibly extended further and further to the target. When I reached the edge of the hallway I’d entered I proudly stood and concluded my now nearly twenty foot feat.

I had won!

In this feeling of elation I suddenly returned to consciousness and with a shock learned I had only succeeded in soaking my own clothing as well as my friend’s sofa. The sudden speed in which triumphant pride soured into deepest shame nearly gave me whiplash. The damage was reversible as this same vintage settee was later transferred to my family’s home upon the collective house’s dissolution and remained there for years in an odorless state.

I talk to Tim here and there but nothing like the Summer of 1998 when we were near constant collaborators in a variety of mediums. I wonder if he has outgrown such juvenile pursuits or rather if he has revisited them with renewed gusto as the father of a young son. We never compared lists of our respective marked Frank Lloyd Wright edifices and it feels entirely possible that he ended the practice with the first impulsive iteration at the Robie House.

Perhaps I’ll reach back out in the near future and learn for certain – one way or the other.

Brooklyn 2008 : Bike Kill 666

I noticed on Facebook today that underground photojournalist extraordinaire Tod Seelie had just put up his photo gallery for Bike Kill 19. It’s an annual bike themed block party in Brooklyn organized by Black Label Bike Club and no doubt a host of other entities I don’t know by name. I eventually figured out that I had attended the sixth one in 2008. Nineteen minus six makes thirteen but 2023 minus 2008 is fifteen so a couple of years must have gone without for COVID or other issues.

I thought at first that I might have went in 2009 but I saw a short film had been produced at the 2008 version and quickly watched it:

Look for me in green on a tricycle

I had to pause to make sure I was seeing myself on a tricycle but with a stilled frame there was no mistaking my oddly misshapen schnozz. I was wearing a green fringed miniskirt that Stephany had helped me sew from a piece of quilted drapery. One of my favorites from a style perspective but maybe not the best choice for riding mutant bikes all day as it did restrict some movement.

The event went from the afternoon into the night on October 25th. I’m a little confused as to how I got there – 2008 was a severely overstuffed burrito of cultural travels for me. Starting in New Orleans for Mardi Gras season I joined The Bus for the caravan down to Miami for the International Noise Conference then did Envy shows with Rotten Milk until we were back in Chicago.

After a rash of psychedelic hijinks culminating in convincing a party full of people to drink my urine while tripping on Amanita Muscaria I took Megabus back to New Orleans to meet up with the members of Living Hell driving to Orlando to reconnect with The Bus for that tour. Living Hell came to an abrupt end outside Detroit and I returned to Chicago until riding trains with Leg to California for a Living Hell reunion.

I hung around the Purple Haus a bit before doing a West Coast tour with Cole and Bekah using counterfeit Greyhound passes where we combined Chew on This songs with the earliest Bleak End at Bernie’s stuff. I then flew to Australia, New Zealand and Fiji with my sisters to visit family and did the first solo Bleak End sets. Upon hitting US soil I made my way up to Portland for a disastrous visit with Leg then travelled down the Oregon Coast with a stranger from Craigslist.

This puts us in September. As far as I know I still lived in “Chicago” but I’m drawing a bit of a blank as to how I was in Brooklyn for late October. After the end of the Mississippi River Miss Rockaway Armada project many of the alumni were traveling around from party to festival and so on. Did I buy a plane ticket, use the Greyhound scam or jump into somebody’s box truck? – at this point I simply have no idea.

I continue to hold out hope that the lost copies of my American Girl Diary will somehow resurface and put ducks in a row in a single fell swoop. Regardless it has not – the ducks are all over the place. All of this to circle back to this one indisputable reality: I was at Bike Kill 6 as a plethora of photos will readily attest to.

Let’s talk about Bike Kill – I’ve never been particularly involved in the mutant bike welding culture but I’ve enjoyed my snatches of proximity with it. It actually plays a role in one of my earlier memory transposition errors in this writing project. When I first wrote about Fort Thunder over a year ago I thought I remembered reading about the space in the Beastie Boys Grand Royal Magazine. However when I recently found a pdf of the issue in question I found that it actually made no mention of Fort Thunder but instead had an article about Lucha Libre on the same two page spread as one about a PNW mutant bike crew called Chunk 666.

As masked wrestling and mutant bike construction were both salient features of Fort Thunder my brain simply conflated the two different things like a strand of RNA creating a random mutation during the DNA replication process. As someone who often views my own detailed memory as near infallible this glaring error is both thrilling and profoundly disorienting.

The weather was not conducive to Bike Kill’s planned activities. The darkened sky threw down rain bringing slippery roads and cold, wet clothing for all the revelers. This did little to dampen anybody’s spirits. The 1 block radius overflowed with all manner of insane contrivances – oil barrel steamrollers, a bike where the tires were a circle of boots on rebar spokes, bikes with hinges all over the body making them near impossible to direct in a straight line and all manner of big wheels, little wheels and every possible combination of the two.

Two gigantic metal armatures of wheels spun around as bodies piled on and leaned into the centrifugal force, a bike with an arched metal bar above allowed the riders to throw their weight forward to create an entire rotation that landed them back on the two original wheels. Somebody covered the street with bread which soaked full of water and added a layer of detritus that probably cushioned a fall or two. Everywhere you looked were people in costumes and giant skulls made of yellow mattress foam.

An assortment of ramps and half pipes raised the stakes from the already dangerous proposition of doing all of this on flat streets. As night began to fall fires were lit and the favorite sport of tall bike jousting began in earnest. On top of steeds made of two or even three frames welded upwards the combatants rode toward each other holding out long poles tipped with boxing gloves or foam rubber fists. As the crowd screams for bloodshed one or often both riders are knocked to the ground.

With so much potential for mayhem it was especially bizarre that the only severe injury of the day had nothing to do with bikes at all. An excited reveler jumped onto his friend’s shoulders just as said friend was taking a step forward. All laws of physics conspired against the unhappy victim as the sudden pressure created torque at his heel the moment it hit the ground and his foot was rotated 180 degrees in the wrong direction. There used to be an online photo of this horrific injury but I wasn’t able to track it down.

To the best of my knowledge this was the only required ambulance for the entire event.

As the night continued to get cold and wet much of the crowd moved into the nearby Chicken Hut for the after party. I had somehow never met Chicken John as I didn’t join the Rockaway until after the initial build phase and I’m not even sure if he was around now. It seemed like a lot of the guys from Japanther were either living there or running things – maybe there’s a connection between them and Black Label I simply don’t know about.

I was talking to a couple of girls who were probably from Wisconsin because they were talking about getting warm but they pronounced the word like it rhymes with “arm”. I pretty much only talk to and hang out with girls most of the time so I didn’t see it as flirtation but it might have been for at least one and I was just oblivious. There was a funny moment where some guy had been giving one of them some cocaine and he pretty much seemed like a “guy guy” – like he doesn’t offer girls cocaine because he is generally more comfortable talking to them but rather in the hopes that it might “go somewhere”.

It felt very “New York”. Anyway she asked him if he could give me some of the cocaine and he looked really annoyed but did it anyway and it reminded me of this meme with Mickey Mouse’s rival Mortimer Mouse:

The moment he realizes he picked the wrong girl to give coke to

I’m not much of a fan of taking small bumps of cocaine but I went through with it purely to savor how uncomfortable it was clearly making him. I didn’t see much of him after that – most likely he cut his losses and moved on. I can’t remember exactly but me and the girls might have ended up falling asleep spooning somewhere to stay “warm like arm” but definitely no kissing or groping or anything like that.

The much funnier thing at the Bike Kill Afterparty was what happened with Tim Treason. Long time readers might remember Tim from the Rockaway chapters: he had been working at Cementland and was just regular Tim but after meeting us raft people he morphed into his version of one of us very quickly. He’d had a brief and intense romance with Brandy Gump but that had already burned out by this time and he was dressed kind of like a train hopping mime with striped socks, old timey suspenders, a neck bandana and a bit of mime makeup.

When we first got into the Chicken Hut I remember him squeezing the water out of his striped socks into a cup and joking about it being some kind of beverage. That wasn’t the funny part though. There was a little alcove in the kitchen where a tall girl with some kind of European or maybe Kiwi accent was tending bar and slinging cheap cans of Pabst Blue Ribbon. As the night progressed Tim went back there to “help” bartend but there was obvious chemistry between the two of them.

Things escalated quickly. I’m not sure if they were full on “blacked out” but they quickly progressed from making out while kind of tending bar to just publicly having sex on the floor while, it should go without saying, not tending bar at all. The alcove for the bar was surrounded by jars of condiments and shelf stable jarred foods like pickles and preserved beets and the like. The large group of people wanting beers started loudly jeering while dumping all of these condiments onto the copulating couple and reaching under the bar to help themselves to beer.

I feel like some of these products, aimed at the sensitive areas as they were, must have caused considerable discomfort – especially the Sriracha or more apt for this particular scenario “Cock Sauce”. Nonetheless nothing seemed to slow them down or cause them to seek out a more private location like a stairwell or bathroom. Perhaps in her current state of mind she thought it would somehow count in her favor that she never abandoned her post.

By the time I’d grabbed a couple of beers and returned to the common area of the party somebody had found a bag of flour and they looked about ready for a trip to a deep fryer. I wasn’t there when it was inevitably broken up but I did happen to hear one of the guys in charge loudly chastising the bartendress. She defiantly shouted out:

But I love him!”

I never saw Tim Treason again and I’ve often wondered if he stayed in the culture or returned to the more mainstream wiggeresque itinerant laborer lifestyle we found him in.

I’m dropping back in a month or so after first writing this because my memory of an important chunk of this night just became unlocked by a Facebook post where Harry Merry was complaining about somebody misspelling his name on the Dutch version of discogs. For any readers that aren’t familiar Harry Merry plays keyboards and writes songs – usually performing in sailor suits and looking like a boy who sticks his finger in a leaking dike in a Mad Magazine cartoon.

Someone reached out to me, maybe Erin from garbaj kaetz, to see if I knew of a show anywhere in the NYC area that Merry could jump onto. There were already bands playing the Chicken Hut – probably Japanther and some kind of punk or hardcore band. I don’t think I asked anybody in an authority role for permission. I just figured that the scheduled music would run out before the night did and people would still be awake and trying to party so I passed along the address.

I’m a big fan of eclectic bills and shows that keep an audience on their toes. I feel like underground live music shows were more diverse in the pre-internet Book Your Own Fucking Life era because everyone was setting up shows using the same resource and if two bands happened to be in the same city on the same day they’d most likely play together whether they played the same kind of music or not.

This was one of my favorite things about The Fireside Bowl when I first started going to shows there in 1998. I’ve been dipping my toe back into promoting but I can’t say definitively if live music events are getting more or less homogenous. The internet does allow likeminded folks to zero in on one specific sound and fill a night with nothing but speedcore or Emo revival acts but it also allows representatives of far flung scenes who would never otherwise cross paths to come together in the name of nightlife.

The last show I set up was for a grindcore band called Body Lice that I only learned at the last minute could also be billed as “electric bluegrass” because the percussionist used electrified spoons instead of traditional drums. The first venue fell through so things got moved last minute to a space in Dunsmuir called Pop’s Culture Center run by a mostly retired jazz saxophonist.

Maybe this all just boils down to living in a small town with a smaller scene and fewer options but I’d like to think I’m not the last person who likes to go out of their way to keep DIY shows surprising and unpredictable. All of this is to say the Bike Kill crowd was completely unprepared for Harry Merry and I may well have been the only person in the building who knew what was coming when he plugged in his keyboard.

A decent chunk of the crowd cleared the room the moment he started up with Turnpikes and Roundabouts but those of us who stuck around were treated to hits like Sharkie Supermachine, presumably named for the incomprehensible Burt Reynolds films Sharkey’s Machine, and a white knight ballad dedicated to the chastity of a popular heiress: Jailbird… keep your hands off Miss Hilton.

A live recording not from the Bike Kill afterparty

In my earlier paragraphs I expressed some uncertainty about what my sleeping arrangement was but I can now clearly recall sprawling out on the floor in a cluster of drunk guys as we egged each other on in contagious laughter at Merry’s accent as he searched for a ride:

Does anybody go to Hoopa Stweet? I haf one fwend to stay on Hoopa Stweet!”

It wasn’t particularly funny so much as it was late and we were drinking. I’ve met other Dutch people and the accent is essentially the same but Merry does kind of lean into the comic potential with his bangs and specific outfits. Somebody’s cocaine dealer had shown up and as I was one of the last people left awake he was telling me about his side business of driving around with bolt cutters to steal high end bikes for clients based on requested size and model.

I certainly can’t claim I’ve never stolen a bicycle in my life. I’d like to say I’ve never taken one with a lock on it but there are these super cheap combination cable locks in Berlin that can be broken with a good sized rock and I might have done this one night after somebody else stole the bike I’d left unlocked and stolen because it was unlocked in the first place.

I remember the panic than ensued when somebody figured out that the heavy duty u-locks could be effectively picked with a cheap bic pen but I’ve never tried this trick myself or seen it done. My extremely squishy and inconsistent moral boundary at the time can probably be best characterized as a belief that one shouldn’t steal bikes whose owners have put effort into making moderately difficult to steal and I said as much to my new cocaine dealing acquaintance:

Well it’s profitable for me!”

It didn’t feel like a continued conversation of abstract ethics would be especially fruitful and I dropped the matter. I was only passing through New York and didn’t have a bike locked anywhere and besides that I wasn’t in the habit of owning bikes worth very much money so his habit was both unlikely to effect me personally and improbable to suddenly change on the strength of incompatibility with my own dubious values.

While he was introduced to me as a cocaine dealer he was entirely unrelated to the earlier cocaine anecdote in this piece and the person who introduced me was not buying cocaine, the cocaine dealer never offered any to me and I didn’t enquire after it. The scraps of information about him being a cocaine dealer and bike thief might have became relevant later if this had been a mystery novel or point-and-click adventure game but instead this was a party and none of it really mattered.

We found other things to talk about or he moved on and talked to other people and eventually I fell asleep. I wasn’t sure where to work this particular detail into the narrative but one of the objects floating around The Chicken Hut was an explicit pornographic comic book by an artist named Fajardo. This kind of thing had exploded in popularity and accessibility with the internet but it was a pre-internet porno comic – like Omaha the Cat Dancer or Harvey Kurtzmann’s Little Annie Fannie.

It took me a minute to figure out the peculiars of this book due to the recent success of a comic artist named Kat Fajardo who does young adult autobiographical work like Miss Quinces on experiences connected to race, culture and gender. Here’s an e yea sentence to avoid discussing these two very different artists in the same paragraph.

The book I saw was a collection of El Desviado, or the deviant, by José Fajardo. From what I saw his preferred format is cartoonish but well endowed men (likely self inserts) engaged in sodomizing a series of buxom female partners. A bit like a more explicit Robert Crumb but working in Spanish and almost exclusively in color. I’m not enough of a connoisseur to rate the relative merit of his work against others in the field but the details I’ve included should provide enthusiasts looking to expand these very specific horizons with enough keywords to continue searching.

I’ve never made it to another Bike Kill but I just realized I must have quickly travelled on to New Orleans as I was there for Halloween and then Barack Obama’s first electoral victory announcement. I saw some photos of Ellery Neon in the Bike Kill albums and wonder if this was around the time we put on our Rave Like A Dying Rat party in a decaying structure in New Orleans on Almonaster.

Ellery had discovered a flood damaged warehouse in the middle of a field with rotting pieces of old Mardi Gras floats and metal shelves piled with thin candles and cheap plastic toys. The plan was to have a rave without electricity – light came from candles and the music was a mix of acoustic instruments and everybody drumming on bits of scrap metal and an old car parked inside. We really wanted to make “drug punch” but I think the only stuff we could get our hands on was robitussin, trazodone, ephedrine and seroquel.

I can’t imagine the punch was much fun for anybody drinking it and the party only lasted exactly an hour because that’s how long it took our candles to burn out. I don’t know if I’d call it a “success” but it feels vital and important that after being inspired to make it happen we even followed through at all. It’s nice to see a steady stream of pictures and videos that people are still having big cool parties and small weird parties. It was nice to look at the new Bike Kill pictures and see everybody actively participating instead of sea of cellphones with more people trying to document the thing than actually doing it.

For now I’m just sitting on my lonely mountain writing about the bits I remember from the things that happened a long, long time ago. Hopefully it means something to people too – either to glimpse back at something they never got to experience or feel seen and remembered because they were there making it happen.

Michigan 2010 : “Classic Rock, Sir”

Our tour went into a special kind of overdrive when he hit the Northeast. I talked a lot about our experiences with the Land of NOD Experiment in rural Michigan but things happened in Detroit that are worth talking about. Not the show – that was in the living room of Book’s clown punk house and mostly forgettable. When we did the P90X workout either before or after the concert I sensed the eyes of a nearby young woman on my sweating body.

This was Stevie, or as I later nicknamed her Steve Holt, we started to talk and ended up in an upstairs bedroom. I didn’t know anything about anything but she had been dating Kozmo who I’d known from Termite & Vine and evidently going through a rocky period. He came into the room then stormed out upon finding us moderately intertwined. Stevie chased after him begging that they talk about what he had just seen.

On the standard base scale I think things had only gotten to second – hand over cloth over boob. It might not have been the first time that somebody started making out with me purely to get another person’s attention and make them jealous but it was the first time that this was completely obvious and transparent and I didn’t particularly like the way it made me feel. So like the whiny little emo bitch I am I wrote a song about it.

Twenty one is my only song where I can say it was first performed in a live setting less than twenty four hours after the interaction that inspired it. Not all of my songs were written with specific people in mind, like I wasn’t thinking about anybody in particular when I wrote Equally Shitty, but this one and the one called Sealegs were. I wrote Sealegs about a girl I call James. I don’t know why I always gave the girls I got into stuff with masculine nicknames around this time – maybe it was because I always felt like the maudlin melodramatic one.

I spent the rest of that day in Detroit with headphones plugged directly into my drum machine kind of like Joel had been for the first few days of the tour. By the time we were playing our next show it was ready. It’s not particularly long so I’ll write the lyrics here:

So dude it’s like whatever, no totally it’s cool / So happy for the chance to be your stupid fucking tool / So now you both are talking and no one cares I’m here / I guess right now I’ll take my cue and fucking disappear

And I’m so fucking fucking done / and you’re so fucking twenty one / and honestly it wasn’t fun / it could have been but no”

Now that it’s written down I’m really noticing how much I overused the word “fuck” – it was just a lazy way to add syllables when I wanted a certain cadence. The song also seems like more of a condemnation of me than her: she literally was twenty one and I was nearly thirty. I wasn’t going out of my way to hook up with girls that were significantly younger than me but I also wasn’t trying that hard not to. I’d figure it out a couple of years later.

The other big thing that happened in Detroit was with Joel and the car. Joel spent a lot of time in the bathroom any time we were about to go anywhere. He wore contact lenses and had frosted tips and probably liked to do this thing with his hair where he spent a long time making it look like he hadn’t spent any time on it and most likely had a skin care routine too. I’m only guessing because it’s not like I was ever in the bathroom with him – it could have been anything, for all I know he was just repeating positive affirmations into the mirror or something.

The only thing I knew for sure is that he would always do it right when we were about to leave and it usually took an entire hour or more.

I think Rian and I are similar in that we can’t stand interstitials – like hanging out for however long is fine but when it gets to be time to leave but people suddenly fall into these little last minute conversations on the threshold it drives us crazy. I just saw her at the Blog Cabin Reunion and most nights she’d find someone to sneak away with from the main party house back to the house we were sleeping at to not get caught up in the long goodbyes at all.

Of course Rian and Joel would have had certain long form frustrations with each other as siblings and even before this tour they had done a West Coast tour with just the two of them where they wore white suits and slept in parks and beaches and only performed in public touristy places so people probably thought they were religious missionaries. I don’t know what it was like on that tour but on this one there was tension over the amount of time Joel spent in the bathroom with Joel on one side and me and Rian on the other.

It came to a head in Detroit. Books was gonna show us around to her favorite local thrift store and just as we were getting ready to go Joel went into the bathroom. As the time dragged by me and Rian started to joke about just leaving without him and once it had been said aloud it was like we were daring each other and then we were actually doing it and Jill and Jacki were nervously laughing because they knew this was going to be a big deal but they couldn’t stop us.

I’ll never forget the moment we walked back into the Detroit house and all the lights were off and Joel was just patiently sitting at the head of a table. I just watched the movie Honey Boy where the character who’s supposed to be a young Shia LaBeouf says that everybody’s acting all the time and that’s probably true and then there are people like Joel who are so committed to staying in character it becomes impossible to tell what’s genuine and what’s just part of the bit.

Of course his feelings were genuinely hurt, nobody likes being left behind, but it felt like he was playing a villain in an oddball family movie as he casually looked up and savored our discomfort while delivering the terms of our punishment:

Well guys… I’m not mad that you went to the thrift store without me. I am mad that you took my car though. I think you’re starting to forget whose car it is so to make sure that doesn’t happen in the future I’m going to be the only person driving my car for the rest of the tour.”

Of course it was true, it was his car and in small ways we were forgetting. We did the thing people always do on tour where we kept track of the gas money and how much we were getting from shows on a piece of paper to make sure everybody was putting in the same amount but if there was an accident or major mechanical failure Joel would be uniquely financially impacted. It was a month long tour of the entire United States and as the car was effectively our home for its entirety it was easy to start thinking of it as collective property but Joel would stick to his word and make sure that never happened again.

No matter how tired he got or how late we were for any of the subsequent shows nobody but Joel did any of the driving from there on out. The confrontational energy only lasted for a few days but the edict did not waver. I mostly just remember being constantly tired for this latter half of the tour – sticking to the same schedule with only a single driver worked out to everybody getting a lot less sleep.

We played a bar underneath a bowling alley that looked like the set of Headbanger’s Ball in Aliquippa, Pennsylvania for only the owner and his employees. I forget if that comes before or after Pittsburgh but I remember driving through a long tunnel to emerge in what looked like a new world of green mountains, flowing rivers and funicular railways.

We dropped Jill off at an airport around Washington DC near dawn and then found a place to park and walk the national mall. For the first time in my life I took in the sacred architecture and the temples built for the once human and living Gods of Democracy. We saw the White House – impossibly small in person and surrounded by crazed mystics wearing conspiracy theories on sandwich boards.

I posed for a popular ribald photo that used forced perspective to suggest the Washington Monument was my virile member – a tradition no doubt as old as colossal architecture itself: painted if not photographed.

There is much I’ll leave out here and perhaps return to because the thing I most want to talk about is what Joel’s constant position in the driver’s seat brought about. He’d gotten lost near the Land of NOD Experiment and a country cop pulled us over, recognized us for a band and asked what we played. As Joel opened his mouth he was cut off with a stern warning:

Say something I can relate to now!”

Joel was actually in good cop form here – he answered “Classic Rock, Sir.” which was the correct answer and we were sent on our way with directions. I could see that the compulsive nature of it all and the abuse of power stung him deeply and it would become an issue down the line. I don’t know enough about Adventists to say if they have issues with the law like how Mennonites grow beards without mustaches to show they are neither soldiers or lawmen.

In Phoenix or Tucson Arizona my friend Alex Jarson from Ascetic House and Body of Light set it up for us to play in the workout room of his Bauhaus style condo complex. He hadn’t applied for a permit – if such a thing could even be possible. The police came for the noise. Generation was performing while running on treadmills and Joel yelled to turn the music up before he realized that the police were there.

They shut us down cordially enough, to the best of my knowledge no citations were delivered.

The real issue would come as we passed through the checkpoint into California. Rian and I knew it was coming but could do nothing about it. The car was Joel’s as was his rule about driving it so things could only go the one way. As far as I knew Joel had never consumed a single drug or broken a single law at this point in his life but it hardly mattered. He was intimidated by the power and authority they held over him – when it was one cop in Michigan he mostly held his composure but an entire checkpoint full of them was something else entirely.

We rolled to a stop and the officer signaled for Joel to roll down his window and asked where we were coming from. His anxieties boiled over and completely robbed him of his faculty to speak coherent words. Sweating bullets he blurted out:

Uhhhh! Uhhhh! Uhhhh!”

From the passenger seat I irritatedly said Tucson and Joel repeated it back in such a way to suggest that Tucson wasn’t where we were coming from at all and the discovery of this ruse could well be disastrous to our future freedom. With mounting suspicion the officer next asked where we were heading to but Joel repeated the panicked noises:

Uhhhh? Uhhhh? Uhhhh? Uhhhh?”

This time around Rian offered the correct answer of Los Angeles in the same irritated tone and Joel made his most convincing effort at repeating this in a neutral voice but the damage had been done. It was explained that we’d have to pull into a special area for secondary inspection and Rian and I repeated that we already knew this in resigned voices.

Of course there was nothing to be the least bit concerned about in the car but while it was being rifled through we were placed on black benches with guards to ensure we neither tampered with the car or tried to dispose of things we might have had on our persons. We were in a hot part of the desert and there was a small sand mound with fat black crickets near the bench.

This was all going to take a long time so to entertain myself I squatted by the mound and allowed the crickets to start climbing all over my arms. One of the officers told me to stop so I suddenly stared her in the eyes and quickly popped one of the crickets into my mouth and ate and swallowed it alive. She visibly swallowed and repressed her natural reactions of fear and disgust.

I have fairly political ideas about the use of insects as a staple food source as it seems like one of the better options to produce enough nutrients to sustain human life on a dying planet. When I was much younger I had the idea to start a crustpunk band called Insectivore that would tour around with shoeboxes full of breeding crickets in the van and demonstrate mushing them into some kind of alternative protein patty at the shows.

I also see on social media that many folks on the other side of the political aisle have equally strong opinions about not eating insects as they view it as a liberal agenda and an erosion of the American way of life. Some have even stated that they would eat their neighbors first and it seems a bit odd that they would view a near universal taboo as somehow preferable to something which in many places is not taboo at all.

We can’t be sure but many believe that the “manna from Heaven” described in the Old Testament is insect life of some kind. Less ambiguous is the fact that John the Baptist lived on bald locusts and wild honey during his time in the wilderness and he has always struck me as a worthy role model for Christians to emulate.

None of these things were really on my mind as I ate the cricket. I figured that as I knew for certain no contraband could be discovered in our tour vehicle I could take the opportunity to intimidate and lightly terrorize one of the officers without accumulating additional consequences. It was a spur of the moment decision really and they soon sent us on our way.

I believe we played a homecoming show in Los Angeles. I started making plans to move there from the Bay Area. Soon I would be thirty years of age.

San Diego 1997 : “Killing an Arab”

I’ve mentioned being a rapper in a few places but realistically I wasn’t much of one. The D.A.R.E. rap I wrote in fourth grade got vetoed by a fundy Christian girl’s parents and that was the end of it. It’s kind of like my dark origin story – it turned me bitter.

I did have two “party rap groups” with women in Chicago and San Diego that never went anywhere . For the San Diego one we had a cassingle ready to go on gold tapes with cheap gold chains but never made it. The band fizzled around 2005. The Chicago one happened a year or so later but also failed to record anything.

For a little while I was freestyle rapping under the name Gypsy Feelings but it was always an impromptu thing as opposed to something that was booked ahead of time on all but two occasions. Due to the hit-or-miss nature of the art form it didn’t always reach its full potential. It was a bit like trying to show off a fancy vehicle with a temperamental engine that needed lots of momentum to start and occasionally stalled out.

Ironically this was the only rap project of mine that got recorded and released. Unfortunately it wasn’t a live recording and the momentum I just referred to requires crowd energy and was impossible to generate in a studio. Erin Allen from Sister Fucker released it on a cassette split with a project called Fuck You. I wouldn’t recommend anybody go out of their way to purchase it but if somebody has it lying around I’d be curious to hear it again.

My favorite set happened in Chicago. When the band HEALTH was just starting out they had seen the party rap group at the time Hood Ri¢h and were fans of it. They hit me up about booking a San Diego show but the rap group was no longer playing and I did a project called Guest Toothbrush with Andy Brack who was then a student at the High School I was working at.

A year later I was living in Chicago and HEALTH had a show at the Bridgeport venue Co-Prosperity Sphere. It was also a homecoming show for the Chicago group Bird Names. They had played at the same San Diego house that hosted the show in the last paragraph and it just so happened that the flyer for that show was a photo taken of me at the previous one where the legend on my shirt was changed to “cash for touring bands”.

Bird Names had brought it back to show me and me and the HEALTH guys were blown away by the serendipity of it all. They also really wanted to see me rap again so I did a quick set with their drummer BJ. It was the only time I’d ever freestyle rapped with a live drummer but if I were to get back into it that’s the way I’d want to do it for both the improvised spontaneity potential and the vaudeville comic effect.

As luck would have it I’d find myself in an actual band with BJ about five years later with Kyle Mabson and Dalton – the hard rock group Sexting. There was no rap in that one, maybe things would have worked out better if we went in a rap metal direction. Instead I would lose my voice every time we played only to not even hear myself over Kyle’s guitar which he always made sure was at least twice as loud as the vocal PA.

There is a video on YouTube for the song Snow White Apple but we recorded an album’s worth of material that’s probably just sitting on Jeff Byron’s computer.

Anyway back in High School I had a mostly imaginary Jewish themed rap group with another kid at my school named Stanley Krimmerman. We called it HWA or Hebrewz With Attitude – I was Jewpac Kippur and Stanley was Synagogue Doggy Dog. I wrote all the lyrics for both of us. We wrote a fairly tame and inoffensive song about keeping kosher:

I’m Jewpac Kippur / I’m Synagogue Doggy Dog / We’re a couple of Jews / Riding high on the hog

But we don’t eat its meat / Nah, we never touch that slop / We gotta keep it kosher / so that God’ll give us props”

Beyond that all of our stuff was edgelordish and insanely offensive. I was working on a song I only ever wrote the hook for called Zyklon B-otch:

Zyklon B-otch why you down and out? Getting wiped by the Reich ain’t what I’m about”

That brings me to this song. I don’t remember being explicitly taught about the perpetual and recently accelerated Palestinian Genocide but between the information in History textbooks and whatever might have been on the news in 1997 it was impossible to see the Israel/Palestine situation as anything else. I recently read a post about the ongoing situation from Mykki Blanco where they talked about how responding to tragedy with intellectual nihilism is a fundamentally white response.

I won’t argue with that. Another thing that inspired me to write this was struggling with my Jewish identity and the fact that I had Zionist grandparents. What I was trying to do with this piece was express and criticize what I saw as the Zionist id by writing a piece of violent Gangsta Rap from what I saw as an untenable perspective. I’ve talked to a few Zionists in my life since this time and while I can sympathize with the fundamental sentiments in an idealized abstract sense I don’t see how anybody can look at the material results of it and the accompanying manifest destiny and not be on the side of the Palestinians.

I know that what’s done is done and Israel can not simply cease to exist but it seems like things were moving in a positive direction with Yitzhak Rabin before he was assassinated and the never ending far right regime of Netanyahu has been a nightmare – he both provided material support to Hamas to sabotage any possibility of a secular Palestinian movement and has demonstrated time and time again that he has no interest in peace.

The situation has never been as urgent as it is now. I’m under no illusions that writing this ironic and horribly offensive set of lyrics is an effective form of protest or can make a positive difference. It’s just another thing that’s been cavorting inside my head and needs to be exorcised by releasing it into the wild.

I hadn’t read The Stranger by Camus when I wrote this but I had heard the song by The Cure and that was the inspiration behind the hook and starting lyric. I don’t want to only interact with these underlying horrors from a place of irony and nihilism. I want to believe, even as measures are being taken to suppress and silence the truth in both Israel and abroad, that some day the people of Israel will take a long, stark look in the mirror and exercise their political power to end the genocide in all of its forms: displacement, othering and direct and indiscriminate state sanctioned murder.

Here it is:

Yo! I’m standing on the beach with a gun in my hand

Camel jockey’s gonna get it if they step to the promised land

Ain’t so much for y’all to understand

‘Cept that stones don’t mark graves that we’ve left in the sand

Yo I don’t give a fuck about Camp David Accords

As long as towelhead motherfuckers die by my sword

You think you’re tough? You think you’re hardcore?

In the Middle East the Jews are the overlords

Like Bon Scott and Angus Young we do the dirty deeds

The desert is our garden and guess who’s the weeds?

We know you’re men like us cuz we know you can bleed

But progress is progress and you suckas impede

We’re gonna get away with all the blood being spilt

Cuz we’re riding on the waves of Holocaust Guilt

Gonna bury my blade down to its hilt

Cut you up to pieces like a patchwork quilt

I’m alive

You’re dead

I’m a Hebrew

Killing an Arab

I got a gat for Arafat a grave for Khomeini

Do ‘em like they us

And we Hitler ‘n Mussolini

I don’t care about Bloods, don’t give a fuck about Crips

Cuz I claims my turf on the Gaza Strip”

San Diego 1995 : “I think excellent, excellent pet shop!”

In that piece about briefly staying at the Thousand Palms Oasis I mentioned that the main ranger woman hand a graying bowl cut that reminded me of the Concord Condor character from Tiny Toon Adventures but I neglected to add that I have a bit of a history with not really getting along with this particular archetype. I had another bowl cut and khaki lady as an Archaeology professor when I was taking classes at San Diego City College in the early 2000s.

Her name was Lynn and when I switched to SDSU I had another one for a class that was also named Lynn. I found out the two Lynns had a bit of a rivalry when we took a class trip to an archaeological site near where I had grown up in deep Spring Valley. For some reason, most likely a city/county thing, the site was split into two jurisdictions with each falling under the purview of a different Lynn.

When I mentioned the trip later to other professors in the department they were mildly surprised that both Lynns were in the same place despite the mutual antipathy. I would learn the reason why and it wasn’t for the purpose of cooperation. As we walked around both halves of the site I happened to pick up some gopher bones I saw in the dirt. Animal remains aren’t really studied in archaeology unless there is evidence tying them to ancient human activity like hunting or breeding.

Gophers are of special interest to archaeologists because of the effect they have on the Principle of Superposition – the idea that things in the ground are either more or less recent depending on which one you find on top of the other one. Gophers complicate this through a process called bioturbation: essentially mixing shit up and moving it around through their constant tunneling. It is important to know whether or not this is happening at a site but it was hardly contingent on a handful of bones less than a year old.

The ground was clearly riddled with enough gopher holes to trouble a trypophobic. Nonetheless when one Lynn discovered I was carrying these bones but had found them on the opposite side she insisted that I throw them back over the fence as they belonged to the half she was in charge of. This, then, was the reason we had gotten a two for one deal on Lynns for this particular afternoon: they didn’t trust each other, anthropology students or anybody else for that matter.

The first one of these khaki bowl cut types I came into contact with was my 9th grade Biology teacher at Bell Junior High. She had the kind of classroom that probably doesn’t exist anymore with gas lines for Bunsen burners on the raised counters and shelves and cabinets full of reference specimens in formaldehyde. Jars full of coiled up oversized centipedes and fetal mammals like cats and pigs floating with their eyes closed.

It was the only class I ever failed to pass with a D which seems like a pointless grade if the only thing differentiating it from an F is its effect on your cumulative grade point average. Anyway this only happened because of pure laziness, the material did interest me and I was even playing SimLife on my home computer that year, I just hadn’t worked out the subtleties of getting the best grade for the least effort yet.

It didn’t help matters that something about me rubbed the teacher the wrong way and vice versa. This basic pattern would persist and continue to not help with all the khaki bowls. I was just looking back over my earliest e-mails with the Thousand Palms one where she was already irritated that my e-mail address used a stage name as opposed to a legal one – she found it “unprofessional”.

Of course my mother insisted that I make up the Biology class credit that very Summer but I had two options as to how I would do this: I could either go to Summer School with kids my own age or I could take Biology 101 as part of the Summer Session at San Diego City College and then fill out paperwork to transfer the credits to San Diego High School where I’d be starting in the Fall. It was no contest – this was my first “long Summer” as my Elementary and Middle schools had been on the year-round schedule but having to take this class didn’t feel like a loss of freedom.

On the contrary the option to spend time downtown and be treated like a college student in a class full of grownups felt like the greatest freedom I’d ever known.

For the beginning of Summer my mom was dropping me off and picking me up from class. I would drift off to sleep in the backseat lulled by Willy Nelson’s soothing voice on a cassette of his recent release Across the Borderline. I just read through the track listings while checking the release date and could instantly hear each track in my head the instant I read the titles including a duet that I’d never realized was a Peter Gabriel and Kate Bush cover or that it featured Sinéad O’Connor.

The ability of things like smells and sounds to unlock chunks of forgotten memory is truly astounding. LaPorsha has been burning some incense lately that smells exactly like this magic smoke ointment I’d completely forgotten about making. I had this strange book of magic tricks when I was a kid that instructed me to burn the striking strips from matchbooks face down on aluminum foil to yield a few drops of a reddish brown oil that would make smoke rise from my fingertips as I rubbed them together.

I was also playing some older David Bowie albums like Lodger on a recent car trip when I thought to put on the eponymous album from his brief lived band Tin Machine. I remembered looking at the CD on the rack when my family first upgraded to a CD player but didn’t have any clear recollections of the music. The opening strains caused me to break out in goosebumps as recollections of exactly how it sounded on our speaker system and how it felt to be sitting inside the house’s new addition for the first time came flooding back.

The Biology class had a lab portion directly afterwards once a week. We got to do fun things like look through a microscope at samples of pond water to find microorganisms. I was totally the kind of kid that had my own microscope at home but it only had an adjustable mirror instead of built in back illumination. This meant that I could only use it in direct sunlight and the magnification didn’t go up as high. On the more powerful one in my classes lab I was the first to find an amoeba that was busily engulfing an even smaller creature.

On nearly the first day of class a younger woman started talking to me. She was married but her husband was military and shipped off somewhere – she’d just had a baby named Kian and had written his name all over the white parts of her Converse All Stars. She was clearly bored and lonely but it seems odd that she both immediately went for me and didn’t seem discouraged by the fact that I was only fourteen years old.

She’d asked to exchange phone numbers but I was awkward on the phone and randomly handed it off to Francois who happened to be sitting next to me. He clearly understood her intentions even though I was oblivious and gave her a bit of a hard time about it. She was angry about this the next time I saw her in class but when I only shrugged she gave up and stopped talking to me.

She turned her attentions to the next youngest guy in the class who I would later learn also went to San Diego High two grades ahead of me. He had alternative length brown hair while mine was to my shoulders so she might have had a type. Looking back on it now I wonder if she was deliberately picking teenagers so it would be easier to get rid of us when her husband returned or if she was looking for something she’d missed out on by getting married and pregnant too young.

Most likely a mix of both – I forget how old she said she was but remembering her face it was probably around nineteen. After that her and the other guy would always show up to class together and I started to notice that they always either both had wet hair or neither of them did. The class was early in the morning and her hair was also long and brown – in a Goldilocks array her hair would have been the longest while mine was in the middle: “just right”.

Even though I’d just failed this subject at the ninth grade level I soon stood out as a star student from my lecture participation and grades on the first couple of quizzes so I attracted a circle of adult friends eager to sit close enough to copy. There was a Chinese man who barely spoke English, a black haired older Russian named Vadim and a jovial overweight Black man.

We also started hanging out before class and on breaks so I would hear Vadim making creepy “jokes”:

Yesterday I go to mall and see many young girl so I think excellent, excellent pet shop!”

Me and the Chinese guy never said much of anything but the Black guy gave him the reactions he wanted:

Ahahahahaha! You’re crazy Chester! They’re gonna put you in jail! They’re gonna take you away!”

Every time the group of us stood together it would be a variation of the same joke and the same laughing response. Neither of them seemed to get bored of it – I think at least Vadim also smoked cigarettes during these moments. Toward the end of the session we took a class trip to a nature trail in Balboa Park but as I was one of the few students without a car I rode along with Vadim.

He drove a sports car and asked me if I liked Russian music. I answered that I was fond of Tchaikovsky’s Flight of the Bumblebee – I was just growing out of the phase where I only listened to Classical music and The Beatles. A year or so earlier I had gotten on the Graviton at Balboa Park and had been horrified, not by the ride’s physics, but by the modern rock soundtrack blasting out of the speakers. In the sports car Vadim laughed and put on some upbeat Slavic Eurodisco.

The class ended with a research paper and I decided to write mine on the general biology of the tuatara – an ancient New Zealand reptile that is the sole surviving species of its class, although it resembles a lizard superficially, and has a third eye hidden beneath skin on top of its brain. I got a C on it and thought my professor was accusing me of plagiarism but later learned that I wasn’t using proper college level citations.

I included a bibliography page in the back but didn’t put specific citations anywhere in the body. I didn’t know that paraphrasing a chunk of text was almost as bad as outright copying if you didn’t provide a source and it wasn’t your own research. This brought my overall grade in the class down to a B which was still a lot better than what I’d gotten before.

As the session dragged on my mom started to be later and later to pick me up and I would stand by some hedges to wait on the side of the campus. One day I looked underneath the bushes and found a little mouse hopelessly struggling against a glue trap. I was a vegetarian at that time and was horrified, still am actually, at the pointless cruelty of placing such traps outside. The mouse had already broken one of its legs trying to pull itself free.

I started laboriously and delicately working it free from the glue one limb at a time. It was difficult but after twenty or thirty minutes I finally had it detached. In the moment that I pulled free the final leg it suddenly bit me hard enough to break the skin – this was the broken one so besides the general fear of being touched by me at all it would have been in a lot of pain.

Without thinking I flung it down at the sidewalk with enough force to kill on impact.

On this particular day I must have been standing out there waiting for at least an hour. I was able to convince my parents to just give me bus fare and started walking to the same stop I would be using for all of High School and years to come. I’d never been by myself on the streets of downtown San Diego before and I began to explore what would soon become my 24 hour playground.

Not long after I would start exploring empty buildings and wandering near empty ones with Francois, Paul, Bryan Welch and other friends. In the building that sat on top of the Spreckels Theatre we saw a frosted glass door with the printed name of a private eye service like something out of a Raymond Chandler movie. This same block had sections of sidewalk where the concrete was set with squares of purple transparent glass.

Somebody had heard that there were tunnels underneath and in the daytime you could explore them by the tinted light that the glass tiles had been designed to provide. Nobody was ever able to find a way inside and I can’t say with any certainty whether these tunnels still exist or even if they ever did at all. Nonetheless I was on the threshold of Underground America.